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Heather Cranmer (2721 KP) rated Don't Drink the Pink in Books
Jun 27, 2019
I love children's picture books. They're so much fun and usually so lighthearted. When I had the opportunity to review Don't Drink the Pink by B.C.R. Fegan, I jumped at the chance. This book sounded like it would be a fun one! I ended up liking it a lot.
At the beginning of Don't Drink the Pink, we're introduced to Madeline on her first birthday where her Grandpa Gilderberry gives her a box of potions telling her not to drink the pink. On every birthday up to her fourteenth, she is allowed to have one potion as long as it isn't pink. These potions give Madeline special abilities. On her fifteenth birthday, Madeline is allowed to finally drink the pink potion. You'll just have to see what happens when Madeline finally is allowed to drink the pink potion. Just be sure to have your tissues ready because it is touching.
The plot for Don't Drink the Pink is definitely entertaining and sure to have children guessing at which ability Madeline will have next. It'll also keep children wondering if and when Madeline can drink the pink potion as well as what will happen when she does. This book uses rhyming language with the last word on every other sentence. I believe this makes the book more fun and will hold a child's attention more. One thing to note, a family member does die in the book which can be quite heavy for a small child. Don't Drink the Pink doesn't go into detail about the death. The wording just mentions that this certain character passed away. I do understand why the author included the death, but it does take away from the lightheartedness of the story. However, Don't Drink the Pink is a lovely story, and that shouldn't be a deal breaker.
Madeline and her grandfather are such sweet lovable characters. It was so endearing to see how close they were. I could feel the love between them coming off the pages. I just wanted to hug them both!
As for the illustrations, I read Don't Drink the Pink on my Kindle Paperwhite, so they were all in black and white which was a shame. The illustrations were drawn very well and were very adorable. The pictures were drawn in a way that a child would love. I just wish I could have had color to the illustrations because I bet with the colors, the illustrations look even more amazing! Another unfortunate circumstance of not being able to have colored illustrations on my Kindle was that my 4 year old wasn't as entertained. However, had we have had colored illustrations, I'm sure he would have loved this story! Kudos to Lenny Wen for his talent when it came to illustrating Don't Drink the Pink. He is definitely talented!
Overall, despite the mention of a character's passing, Don't Drink the Pink is a sweet story. The rhyming is fantastic, and it has a story line that will hold a child's and adult's attention. I would definitely recommend Don't Drink the Pink by B.C.R. Fegan to adults and children between the ages of 3 through 7 although older children may like this book as well.
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(A special thank you to TaleBlade Press for providing me with an eBook of Don't Drink the Pink by B.C.R. Fegan in exchange for an honest and unbiased review.)
At the beginning of Don't Drink the Pink, we're introduced to Madeline on her first birthday where her Grandpa Gilderberry gives her a box of potions telling her not to drink the pink. On every birthday up to her fourteenth, she is allowed to have one potion as long as it isn't pink. These potions give Madeline special abilities. On her fifteenth birthday, Madeline is allowed to finally drink the pink potion. You'll just have to see what happens when Madeline finally is allowed to drink the pink potion. Just be sure to have your tissues ready because it is touching.
The plot for Don't Drink the Pink is definitely entertaining and sure to have children guessing at which ability Madeline will have next. It'll also keep children wondering if and when Madeline can drink the pink potion as well as what will happen when she does. This book uses rhyming language with the last word on every other sentence. I believe this makes the book more fun and will hold a child's attention more. One thing to note, a family member does die in the book which can be quite heavy for a small child. Don't Drink the Pink doesn't go into detail about the death. The wording just mentions that this certain character passed away. I do understand why the author included the death, but it does take away from the lightheartedness of the story. However, Don't Drink the Pink is a lovely story, and that shouldn't be a deal breaker.
Madeline and her grandfather are such sweet lovable characters. It was so endearing to see how close they were. I could feel the love between them coming off the pages. I just wanted to hug them both!
As for the illustrations, I read Don't Drink the Pink on my Kindle Paperwhite, so they were all in black and white which was a shame. The illustrations were drawn very well and were very adorable. The pictures were drawn in a way that a child would love. I just wish I could have had color to the illustrations because I bet with the colors, the illustrations look even more amazing! Another unfortunate circumstance of not being able to have colored illustrations on my Kindle was that my 4 year old wasn't as entertained. However, had we have had colored illustrations, I'm sure he would have loved this story! Kudos to Lenny Wen for his talent when it came to illustrating Don't Drink the Pink. He is definitely talented!
Overall, despite the mention of a character's passing, Don't Drink the Pink is a sweet story. The rhyming is fantastic, and it has a story line that will hold a child's and adult's attention. I would definitely recommend Don't Drink the Pink by B.C.R. Fegan to adults and children between the ages of 3 through 7 although older children may like this book as well.
--
(A special thank you to TaleBlade Press for providing me with an eBook of Don't Drink the Pink by B.C.R. Fegan in exchange for an honest and unbiased review.)
Gareth von Kallenbach (980 KP) rated Yesterday (2019) in Movies
Jun 28, 2019
A Fun Musical About What Matters Most In Life
When the lights go out all over the world struggling singer-songwriter, Jack Malik (Himesh Patel), is blindsided by a double decker bus. The bus knocks him off his bike and sends him flying across the pavement where he lands unconscious. When he wakes up he is missing his beard and a couple of front teeth. He thinks it just been the worst end of the worst day of his life. But he couldn’t be more wrong. Earlier he had decided to give up his quest for fame and go back to being a teacher. Despite his best friend, manager, fan since grade school Ellie (Lily James) trying hard to convince him to not give up on his dreams. But days after the crash Jack is still ready to hang it up. Elle as a present for Jack leaving the hospital gives him a brand new guitar. Jack decides to play a song but a great guitar needs a great song so he plays Yesterday by The Beattles. When he is finished Elle is almost in tears, his friends Nick and Carol (Harry Michell and Sophia Di Marino) are in sock.
They want to know where he came up with this amazing song. Jack tells them the greatest pop band in history…The Beattles. But they have no idea who that is and neither does the rest of the world. Now Jack is the only person in the world who knows the songs of one of the top selling iconic bands in history. It’s not long before the world comes to know of Jack Malik the single greatest song writer of all time. But will he be found out as a fraud, will fame and money change him and most importantly will he leave behind the people he cares for most.
This Danny Boyle (Trainspotting, Slumdog Millionaire) director comedy is original and well written, by Jack Barth (story) and RAbbey Mordue
ichard Curtis (screenplay). The story is part romantic comedy and part fantasy film. It’s original and fun but there are times that the story is clunky and oddly put together. There are times that feel like major events are skipped over. The soundtrack is definitely filled with The Beattles with some modern music sprinkled in, including Ed Sheerran who plays himself in the film. If you are a fan of The Beattles you will definitely enjoy the film and how they wind the music into the story. The cast is fun and fit well together. Patel is both awkward and troubled and he does a well in the lead. He also does a great job singing. Kate McKinnon (Ghostbusters, Saturday Night Live) is great as a money hungry music executive.
I admittedly am a huge fan of The Beattles and was very excited but premise of this film. At the very least I would be able to listen to good music for two hours. But I really enjoyed the originality and visuals that were put together. The story while clunky at times was overall fun to watch. When you thought it was predictable and knew where the film was taking you the story would divert slightly and surprise you. It is a fun date movie that worth the price of a movie ticket.
4 out of 5
http://sknr.net/2019/06/27/yesterday/
They want to know where he came up with this amazing song. Jack tells them the greatest pop band in history…The Beattles. But they have no idea who that is and neither does the rest of the world. Now Jack is the only person in the world who knows the songs of one of the top selling iconic bands in history. It’s not long before the world comes to know of Jack Malik the single greatest song writer of all time. But will he be found out as a fraud, will fame and money change him and most importantly will he leave behind the people he cares for most.
This Danny Boyle (Trainspotting, Slumdog Millionaire) director comedy is original and well written, by Jack Barth (story) and RAbbey Mordue
ichard Curtis (screenplay). The story is part romantic comedy and part fantasy film. It’s original and fun but there are times that the story is clunky and oddly put together. There are times that feel like major events are skipped over. The soundtrack is definitely filled with The Beattles with some modern music sprinkled in, including Ed Sheerran who plays himself in the film. If you are a fan of The Beattles you will definitely enjoy the film and how they wind the music into the story. The cast is fun and fit well together. Patel is both awkward and troubled and he does a well in the lead. He also does a great job singing. Kate McKinnon (Ghostbusters, Saturday Night Live) is great as a money hungry music executive.
I admittedly am a huge fan of The Beattles and was very excited but premise of this film. At the very least I would be able to listen to good music for two hours. But I really enjoyed the originality and visuals that were put together. The story while clunky at times was overall fun to watch. When you thought it was predictable and knew where the film was taking you the story would divert slightly and surprise you. It is a fun date movie that worth the price of a movie ticket.
4 out of 5
http://sknr.net/2019/06/27/yesterday/
Emma @ The Movies (1786 KP) rated Bumblebee (2018) in Movies
Sep 25, 2019
I'm really torn by this film. I enjoyed it but at the same time it isn't amazing. It's got all the classic formulas in it. Charlie is still trying to make sense of her father's death. Bumblebee is trying to remember who he is. Together they help each other... it really could be one of many films.
Something I'm pleased to discover is that other people were getting Herbie vibes from this. In the notes I was jotting down for my review I put "this would make a pretty good Herbie story". And then I pondered the possibility that Herbie was a Transformer who was broken and stuck in his Beetle shape.
The opening battle on Cyberton is surprisingly natural considering it's made up of CGId robots. It makes for a great opening. But I wasn't wowed. I should have been blown away by the effects and I just wasn't.
Bumblebee as a character was a real joy. After his memory is damaged he's basically back to being a scared little boy and the animation reflects that incredibly well. Everything about him is inquisitive and childlike, and all the little touches are there to really bring him to life. He's very human in the moments before he gets his memory back.
There are so many of his scenes that were genuinely pleasing to watch. Him waving at Charlie as she chases after them. The cassette tapes. The extended toilet paper prank and house demolition scenes. Probably my favourite bit though is where he's sitting in the forest and she's trying to fix him, his fidgeting is adorable.
When it comes to the cast feels like we've got the members of a comedy working on a drama/action film. They work well with what they've got and we get some enjoyable performances but there's nothing that really sticks in the memory.
I still enjoyed Bumblebee but I can't say that I found it to be any better than previous films in the franchise, certainly not on the action and graphics side of things. The soundtrack is full of some classic tunes that are very well placed, and the overall vibe of that combined with everything else is spot on for the 80s. You do forget it's set in 1987 though, which means that little things pop up like the TV and the technology that the military have and you feel like the films has already dated.
This is the first Transformers movie to get a PG rating in the UK, previously they've all been rated 12. It's definitely family friendly... but... it reminds me more and more of Herbie every moment I think about it.
As a last thought... seriously, Charlie? You have your moments. "If we're driving down the street and we see someone you have to hide"... if you're driving down the street he's a car anyway, hiding would make it more obvious that he's not just a car. You draw more attention to Bee than he does. Blindfolding yourself with Memo's shirt (weird moment in the film by the way, creepily out of place) and then standing out the sunroof? That won't make you more noticeable to passersby.
What you should do
It's an enjoyable film and should make for a fun family outing. I don't think there's any particular rush to see it in the cinema though.
Movie thing you wish you could take home
Who wouldn't want they're own Transformer who can change into any car it wants AND can dance?!
Something I'm pleased to discover is that other people were getting Herbie vibes from this. In the notes I was jotting down for my review I put "this would make a pretty good Herbie story". And then I pondered the possibility that Herbie was a Transformer who was broken and stuck in his Beetle shape.
The opening battle on Cyberton is surprisingly natural considering it's made up of CGId robots. It makes for a great opening. But I wasn't wowed. I should have been blown away by the effects and I just wasn't.
Bumblebee as a character was a real joy. After his memory is damaged he's basically back to being a scared little boy and the animation reflects that incredibly well. Everything about him is inquisitive and childlike, and all the little touches are there to really bring him to life. He's very human in the moments before he gets his memory back.
There are so many of his scenes that were genuinely pleasing to watch. Him waving at Charlie as she chases after them. The cassette tapes. The extended toilet paper prank and house demolition scenes. Probably my favourite bit though is where he's sitting in the forest and she's trying to fix him, his fidgeting is adorable.
When it comes to the cast feels like we've got the members of a comedy working on a drama/action film. They work well with what they've got and we get some enjoyable performances but there's nothing that really sticks in the memory.
I still enjoyed Bumblebee but I can't say that I found it to be any better than previous films in the franchise, certainly not on the action and graphics side of things. The soundtrack is full of some classic tunes that are very well placed, and the overall vibe of that combined with everything else is spot on for the 80s. You do forget it's set in 1987 though, which means that little things pop up like the TV and the technology that the military have and you feel like the films has already dated.
This is the first Transformers movie to get a PG rating in the UK, previously they've all been rated 12. It's definitely family friendly... but... it reminds me more and more of Herbie every moment I think about it.
As a last thought... seriously, Charlie? You have your moments. "If we're driving down the street and we see someone you have to hide"... if you're driving down the street he's a car anyway, hiding would make it more obvious that he's not just a car. You draw more attention to Bee than he does. Blindfolding yourself with Memo's shirt (weird moment in the film by the way, creepily out of place) and then standing out the sunroof? That won't make you more noticeable to passersby.
What you should do
It's an enjoyable film and should make for a fun family outing. I don't think there's any particular rush to see it in the cinema though.
Movie thing you wish you could take home
Who wouldn't want they're own Transformer who can change into any car it wants AND can dance?!
ClareR (6256 KP) rated The Testaments (The Handmaid's Tale #2) in Books
Sep 22, 2019 (Updated Sep 23, 2019)
This was well worth the wait!
The Testaments is the book that many people have been waiting for since the TV series first aired (me!). It seems that everyone likes a sequel. Well, most people anyway, because for every person that I’ve seen rave about how good this book is, I’ve seen as many say that it doesn’t live up to the original. Personally, I’m glad that it’s not written in the same style as the first book. The Handmaid’s Tale was written at a different time. 1985 is a lifetime away. We were entering a time then, where women felt hope for the future - equality seemed achievable. I’m really not so sure that we feel the same way in 2019. Certain developed countries are making it more difficult for women to have abortions, more US states are making it illegal, female children are still being married to adult males in many developing countries; climate change is having a huge impact on the poorest countries and as Margaret Atwood has said, with any disasters, natural or otherwise, it’s always the women and children who suffer the worst deprivation. So Margaret Atwood had all of these things at her disposal when she wrote The Testaments. Everything that happens to the women in Gilead has happened, or is happening, somewhere in the world.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
The Testaments is written from three different perspectives. I was delighted to see the return of Aunt Lydia - and she seems to have hit her stride. She’s much more sure of herself here, even though she is still having to watch her back. Gilead may be ultra-religious, but that doesn’t stop the literal back-stabbing. Aunt Lydia shows just how high the poison has spread. We see more than the subservient Aunt that she seems to be in front of The Eyes, and her backstory is fascinating.
Then there is Agnes, a child brought up in Gilead in a high profile family. We see how girls are ‘educated’ in a world where women and girls aren’t allowed to read and write. Agnes is contrasted with Daisy, a teenaged girl living in Canada, who was smuggled out of Gilead by her mother as a baby. There are obviously some pretty big differences. I don’t actually want to say too much, because I hate having my own reading experience ruined.
I loved this book. I really liked that by the end we couldn’t actually be sure whether Aunt Lydia’s records were genuine or fabricated. The symposium at the end (just as there was at the end of The Handmaid’s Tale) casts doubt on the authenticity of the papers that were found. Just like any written records found in this situation, historians have to be open minded about who could have written them. So we’re left wondering at the end whether what we’ve just read is actually what happened.
So does this deserve to be on the Booker Prize 2019 shortlist? Yes, I think it does. I believe it’s well written, I finished feeling thoroughly entertained and emotionally exhausted! I liked the open end too. Whether Atwood does anything with this open ending is up to her really, isn’t it. But I won’t be disappointed if she decides to leave the world of Gilead here. This book is a great way to end the story.
Darren (1599 KP) rated Slaughterhouse Rulez (2018) in Movies
Oct 14, 2019
Characters – Don is the new student being sent to a boarding school, he comes from a common family where he has a close group of friends which he would prefer to be around, he does stick out around the rest of the students, easily breaking the rules around the school. Willoughby is the student that must show Don around the school, he fills in the blanks, has a secret and will be the one that helps Don be prepared for everything in the year. Meredith Houseman is one of teachers, he once attended the school, feeling the pride the school embodies, he will end up helping the students against the evil in the school grounds. The Bat is the headmaster, he has been taking bribes to let the fracking happen and isn’t willing to lose the money coming his way.
Performances – Michael Sheen and Simon Pegg both look like they are having a lot of fun playing the stuck up British stereotypes which are here for the supporting roles. Finn Cole takes the lead in this film and he does all he can because this film does try to introduce too many different types of characters, not giving the lead enough time to shine, Asa Butterfield does well with his role too, getting to become a supporting character for once, instead of having the weight of the film put on him.
Story – The story here follows the time at a private British boarding school which sees monsters unleashed on the students, who must fight to save themselves. The weirdest way to describe this film would be to say this is the British boarding school version of ‘Attack the Block’, I say this because we are trying to play into a lot of stereotypes for added comedy to the situation. When we break down this alone we get to see how the British private school system comes off, with the student classes, the students believing they are better than anybody else and how the teachers are trapped in their own illusions. Add in the monsters which is what they feel like, which again disappoints along with one serious side to the story which is almost played out for jokes.
Comedy/Horror – The comedy only works if you find taking the piss out of upper-class English funny, this is what the film is set around getting laughs from. The horror is what the monsters do to the people, it would have been nice to get more time with them, once we do it does work well for blood splatter.
Settings – The film is set on the grounds of a private boarding school, this is put in an isolated location which does help make the film get added horror elements involved.
Special Effects – The effects in the film are mixed because it does feel like the thrown buckets of blood which for the budget isn’t what you want to see, though the creatures do look frightening at times.
Scene of the Movie – Monsters unleashed.
That Moment That Annoyed Me – Too much upper-class British jokes.
Final Thoughts – This is a fun enough horror comedy, it will get the laughs in places and has well created creatures.
Overall: British Ripped apart
Performances – Michael Sheen and Simon Pegg both look like they are having a lot of fun playing the stuck up British stereotypes which are here for the supporting roles. Finn Cole takes the lead in this film and he does all he can because this film does try to introduce too many different types of characters, not giving the lead enough time to shine, Asa Butterfield does well with his role too, getting to become a supporting character for once, instead of having the weight of the film put on him.
Story – The story here follows the time at a private British boarding school which sees monsters unleashed on the students, who must fight to save themselves. The weirdest way to describe this film would be to say this is the British boarding school version of ‘Attack the Block’, I say this because we are trying to play into a lot of stereotypes for added comedy to the situation. When we break down this alone we get to see how the British private school system comes off, with the student classes, the students believing they are better than anybody else and how the teachers are trapped in their own illusions. Add in the monsters which is what they feel like, which again disappoints along with one serious side to the story which is almost played out for jokes.
Comedy/Horror – The comedy only works if you find taking the piss out of upper-class English funny, this is what the film is set around getting laughs from. The horror is what the monsters do to the people, it would have been nice to get more time with them, once we do it does work well for blood splatter.
Settings – The film is set on the grounds of a private boarding school, this is put in an isolated location which does help make the film get added horror elements involved.
Special Effects – The effects in the film are mixed because it does feel like the thrown buckets of blood which for the budget isn’t what you want to see, though the creatures do look frightening at times.
Scene of the Movie – Monsters unleashed.
That Moment That Annoyed Me – Too much upper-class British jokes.
Final Thoughts – This is a fun enough horror comedy, it will get the laughs in places and has well created creatures.
Overall: British Ripped apart
Emma @ The Movies (1786 KP) rated An American Pickle (2020) in Movies
Aug 22, 2020
I'm not the biggest fan of Seth Rogen, his type of humour doesn't always gel with mine, but I saw a trailer that looked amusing so I figured it was something a little different to try.
Herschel and his wife Sarah get to America with hope and the dream of making the Greenbaum family a successful one. Herschel's plan is scuppered when he falls into a pickle vat at his job and isn't discovered for 100 years. The future is a very different place. Reunited with his great grandson Ben he starts to adjust to the new crazy way of life... with just a few bumps along the way.
So... I didn't hate it. It's a comedy that didn't raise many laughs, in me or the others in the screening. There were things that made me smile but I never broke the silence. It felt like a script problem rather than the acting, Rogen can deliver comedy well even if I don't find it funny.
Rogen's performances throughout were good. I couldn't help but watch for the continuity with his two roles, and apart from the frustrating shots needed to hide doubles it was all well done. He even got me with a bit of emotion which caught me by surprise... but that was something else that worked against the comedy, it felt much more like drama.
I enjoyed the different styles of the old country and modern America, the sets and costumes were well thought out and I really enjoyed the hipster joke about Herschel's clothes. But, I had an issue with the filming choice to separate the two eras. You may know from previous rants that I dislike odd aspect ratios, and ugh, why?! The film starts with "old timey" hand drawn style titles and it's shot in 1:33 (according to IMDb), when we hit modern times it reverts to a full screen size. I don't feel like there would have been anything to recover this for me but it would have been... more satisfying?... if they'd stuck to a theme. Go all out, small ratio, muted colours, grainy footage. They use the old photos a few times later in the film and some proper tie in might have been good. There's also a lot of technology based content to emphasise the differences, and that's perfectly logical but there was a lot of it. News footage popped up everywhere, TVs, computers, devices or the characters actually in it. It felt a little odd and a tad excessive.
Early on I noticed a lot of music, when Herschel meets the real world after being pickled I got a heavy Avengers/Cap vibe which almost instantly changed to something very weird and out of place. Almost as suddenly I stopped noticing the music at all, if it was still there it blended a lot better with the scenes... I'll just have to shrug my shoulders on that one.
Everything about An American Pickle is up and down, an odd but interesting story idea, a lack of laughs for a comedy, some great use of atmosphere to illustrate Ben's mood... but that all comes together (or rather it doesn't) into something that left me feeling a little pickled myself.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/an-american-pickle-movie-review.html
Herschel and his wife Sarah get to America with hope and the dream of making the Greenbaum family a successful one. Herschel's plan is scuppered when he falls into a pickle vat at his job and isn't discovered for 100 years. The future is a very different place. Reunited with his great grandson Ben he starts to adjust to the new crazy way of life... with just a few bumps along the way.
So... I didn't hate it. It's a comedy that didn't raise many laughs, in me or the others in the screening. There were things that made me smile but I never broke the silence. It felt like a script problem rather than the acting, Rogen can deliver comedy well even if I don't find it funny.
Rogen's performances throughout were good. I couldn't help but watch for the continuity with his two roles, and apart from the frustrating shots needed to hide doubles it was all well done. He even got me with a bit of emotion which caught me by surprise... but that was something else that worked against the comedy, it felt much more like drama.
I enjoyed the different styles of the old country and modern America, the sets and costumes were well thought out and I really enjoyed the hipster joke about Herschel's clothes. But, I had an issue with the filming choice to separate the two eras. You may know from previous rants that I dislike odd aspect ratios, and ugh, why?! The film starts with "old timey" hand drawn style titles and it's shot in 1:33 (according to IMDb), when we hit modern times it reverts to a full screen size. I don't feel like there would have been anything to recover this for me but it would have been... more satisfying?... if they'd stuck to a theme. Go all out, small ratio, muted colours, grainy footage. They use the old photos a few times later in the film and some proper tie in might have been good. There's also a lot of technology based content to emphasise the differences, and that's perfectly logical but there was a lot of it. News footage popped up everywhere, TVs, computers, devices or the characters actually in it. It felt a little odd and a tad excessive.
Early on I noticed a lot of music, when Herschel meets the real world after being pickled I got a heavy Avengers/Cap vibe which almost instantly changed to something very weird and out of place. Almost as suddenly I stopped noticing the music at all, if it was still there it blended a lot better with the scenes... I'll just have to shrug my shoulders on that one.
Everything about An American Pickle is up and down, an odd but interesting story idea, a lack of laughs for a comedy, some great use of atmosphere to illustrate Ben's mood... but that all comes together (or rather it doesn't) into something that left me feeling a little pickled myself.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/an-american-pickle-movie-review.html
Kristy H (1252 KP) rated The Charm Offensive in Books
Sep 2, 2021
A delightful reality show romantic comedy
Dev Deshpande works on the set of Ever After, a reality dating show he's loved since he was a kid. He truly believes in the show's premise of happily ever after, even as his own six-year-relationship with Ryan, a co-worker, ends. Then the show casts Charles Winshaw, a handsome millionaire tech genius as their next prince. Charlie has only agreed to come on the show to fix his awkward image, which has made it impossible for him to get another job in tech. He's terrible in front of the cameras and even worse with the women he's supposed to woo. Dev is assigned as his handler, a last ditch attempt to save Ever After. As he works to get Charlie to open up, the two connect, and realize that their chemistry is far better than anything Charlie has with his potential love interests. But Ever After demands a fairy tale ending--what does that mean for Charlie and Dev?
"And maybe then Dev will forget that in his own life, happily ever afters are never guaranteed."
This is a truly lovely book, with a great romance filled with crackling tension combined with excellent points about mental illness and being loved unconditionally (or not, as the case may be). I fell head over heels in love with both Charlie and Dev--they are wonderful characters, whom you grow attached to easily.
Dev truly believes in the romance of the show when no one else does--including his ex, Ryan, and Charlie. Yet sweet Dev does not feel worthy of the love he so fervently believes in and can only offer up what he terms "Fun Dev," a light, easygoing version of his personality that does not reflect his true self. Meanwhile Charlie struggles with OCD and anxiety. He has never been in a serious relationship or given himself a true chance to explore whom he likes. The two feel so real and are so well-written: they just fly off the pages. I don't watch the Bachelor and other type shows, but if you do, I'm sure you'll love this book. Even if you don't though, there's so much to enjoy in the dynamics of the story and the examination of the pros and cons of reality shows--a look at how they treat women, racism, sexuality, and more.
"Then again, it turns out Charles Winshaw is no one's definition of a Prince Charming, no matter how much he might look the part."
Cochrun writes and describes anxiety so well and truly mental illness as a whole. It's treated seriously and given the respect it deserves. There is so much great representation in this book, include ace. And while it covers serious issues, at heart, this is a romance, and oh, it's so cute! There's so much steamy, sexual tension between Charlie and Dev. So many hot scenes, so much love and wondering and flirting... they are adorable together! This book made me smile and laugh and cry; it's so wonderful written and just bursting with goodness.
I do think Charlie probably could have gotten a new job in tech without going on a reality show, but oh well. Overall, this is such an excellent read. It's a wonderful blend of serious and fun and flirty and a great exploration into love and what happily ever after really means.
"And maybe then Dev will forget that in his own life, happily ever afters are never guaranteed."
This is a truly lovely book, with a great romance filled with crackling tension combined with excellent points about mental illness and being loved unconditionally (or not, as the case may be). I fell head over heels in love with both Charlie and Dev--they are wonderful characters, whom you grow attached to easily.
Dev truly believes in the romance of the show when no one else does--including his ex, Ryan, and Charlie. Yet sweet Dev does not feel worthy of the love he so fervently believes in and can only offer up what he terms "Fun Dev," a light, easygoing version of his personality that does not reflect his true self. Meanwhile Charlie struggles with OCD and anxiety. He has never been in a serious relationship or given himself a true chance to explore whom he likes. The two feel so real and are so well-written: they just fly off the pages. I don't watch the Bachelor and other type shows, but if you do, I'm sure you'll love this book. Even if you don't though, there's so much to enjoy in the dynamics of the story and the examination of the pros and cons of reality shows--a look at how they treat women, racism, sexuality, and more.
"Then again, it turns out Charles Winshaw is no one's definition of a Prince Charming, no matter how much he might look the part."
Cochrun writes and describes anxiety so well and truly mental illness as a whole. It's treated seriously and given the respect it deserves. There is so much great representation in this book, include ace. And while it covers serious issues, at heart, this is a romance, and oh, it's so cute! There's so much steamy, sexual tension between Charlie and Dev. So many hot scenes, so much love and wondering and flirting... they are adorable together! This book made me smile and laugh and cry; it's so wonderful written and just bursting with goodness.
I do think Charlie probably could have gotten a new job in tech without going on a reality show, but oh well. Overall, this is such an excellent read. It's a wonderful blend of serious and fun and flirty and a great exploration into love and what happily ever after really means.
BankofMarquis (1832 KP) rated Free Guy (2021) in Movies
Sep 5, 2021
Wonderful - and Family Friendly!
Like most of us, when I first saw the trailer for the Ryan Reynolds comedy, FREE GUY (well over a year ago), I thought this looked like a bad “money grab” that will quickly come and go.
But after it premiered earlier this summer, buzz started to grow - and a few people that I trust recommended it to me, so I decided to check it out.
And…I’m glad I did for FREE GUY is a fun, family-friendly romp with a charismatic Ryan Reynolds anchoring a strong cast in a surprisingly heart-felt film.
Directed by Shawn Levy (NIGHT AT THE MUSEUM), Free Guy tells the story of an NPC (Non-Playable Character in a video game) that becomes sentient.
In the capable hands of Director Levy and actor Reynolds, Guy (his character) is charming, earnest and likeable - a trio of qualities that is hard to pull off, but Levy and Reynolds walk this fine line very well, making Guy a character to root for. They wisely steer away from this character becoming cloying and annoying and just keep him charming and sincere.
This is do-able because Levy and screenwriters Matt Lieberman and Zak Penn wisely choose to not make Guy the emotional center of this film, but rather, Guy is the catalyst who moves the plot (and the other characters) towards their final destinations - all the while keeping Guy (basically) the same. A very smart move that has been used in other, successful films (most notably Michael J. Fox in the BACK TO THE FUTURE FILMS).
Jodie Comer (Killing Eve) and Joe Keery (Stranger Things) are a the heart of this film as 2 video game designers that are trying to find proof that their code was stolen by a heartless Video Game mogul (broadly, comically played by Taika Waititi). Both Comer and Keery are pleasant in their roles and they play off of Waititi (and his chief henchman, played with specific focus - this is a compliment - by Utkarsh Ambudkar). Comer and Keery make it easy for the audience to root for them and Waititi and Ambdukar make it easy for the audience to root against them.
Credit for all of this goes to Director Levy. This film has the same feel as NIGHT AT THE MUSEUM. It doesn’t try to do too much, makes the motivations of the good guys and the bad guys very simple to understand and then drops in the variable (Guy) to mix things up - all done with wit, simplicity and charm - a pretty easy combination, that often gets lost in the machinations, but Levy avoids this trap very, very well.
Finally, I have to point out the performance of Lil Rel Howery as Guy’s buddy…named…Buddy. He is the perfect “Best Friend”. Again, Directed to a simple and direct performance by Levy, not trying to be more than he is, but ends up being a character you care about and root for.
A winning combination of Director, Actors and material, FREE GUY isn’t going to win any Oscars, but it is going to do something that very few films these days do - provide entertainment for the entire family.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
But after it premiered earlier this summer, buzz started to grow - and a few people that I trust recommended it to me, so I decided to check it out.
And…I’m glad I did for FREE GUY is a fun, family-friendly romp with a charismatic Ryan Reynolds anchoring a strong cast in a surprisingly heart-felt film.
Directed by Shawn Levy (NIGHT AT THE MUSEUM), Free Guy tells the story of an NPC (Non-Playable Character in a video game) that becomes sentient.
In the capable hands of Director Levy and actor Reynolds, Guy (his character) is charming, earnest and likeable - a trio of qualities that is hard to pull off, but Levy and Reynolds walk this fine line very well, making Guy a character to root for. They wisely steer away from this character becoming cloying and annoying and just keep him charming and sincere.
This is do-able because Levy and screenwriters Matt Lieberman and Zak Penn wisely choose to not make Guy the emotional center of this film, but rather, Guy is the catalyst who moves the plot (and the other characters) towards their final destinations - all the while keeping Guy (basically) the same. A very smart move that has been used in other, successful films (most notably Michael J. Fox in the BACK TO THE FUTURE FILMS).
Jodie Comer (Killing Eve) and Joe Keery (Stranger Things) are a the heart of this film as 2 video game designers that are trying to find proof that their code was stolen by a heartless Video Game mogul (broadly, comically played by Taika Waititi). Both Comer and Keery are pleasant in their roles and they play off of Waititi (and his chief henchman, played with specific focus - this is a compliment - by Utkarsh Ambudkar). Comer and Keery make it easy for the audience to root for them and Waititi and Ambdukar make it easy for the audience to root against them.
Credit for all of this goes to Director Levy. This film has the same feel as NIGHT AT THE MUSEUM. It doesn’t try to do too much, makes the motivations of the good guys and the bad guys very simple to understand and then drops in the variable (Guy) to mix things up - all done with wit, simplicity and charm - a pretty easy combination, that often gets lost in the machinations, but Levy avoids this trap very, very well.
Finally, I have to point out the performance of Lil Rel Howery as Guy’s buddy…named…Buddy. He is the perfect “Best Friend”. Again, Directed to a simple and direct performance by Levy, not trying to be more than he is, but ends up being a character you care about and root for.
A winning combination of Director, Actors and material, FREE GUY isn’t going to win any Oscars, but it is going to do something that very few films these days do - provide entertainment for the entire family.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Transformers Rise of the Beasts (2023) in Movies
Jun 6, 2023
The latest in the long-running and popular Transformer series has arrived with “Transformers: Rise of the Beasts”. Taking a cue from the recent “Bumblebee” movie, the movie cleverly serves not only as a prequel but as a platform to introduce a series of stories leading up to the original films.
It is learned that a planet-destroying evil is fixated on obtaining a key that will allow it to travel to any point in the universe to continue its reign of destruction. The animal-based Maximals are able to escape with the key and hide it on Earth where they will also remain in secret as guardians.
Flash forward to 1994 when Noah Diaz (Anthony Ramos), following his stint in the Army is looking to find gainful employment to help his mother as well as his ailing brother. Despite being a wizard with electronics Noah is not considered to be a team player which has hampered his job prospects and leads him to consider criminal activities in an effort to obtain much-needed funds for his brother's medical bills.
In a moment of desperation, Noah attempts to steal a loaded Porsche but finds he is unable to follow through on the act as it is against his moral compass. Unknown to Noah the car is actually an Autobot named Mirage (Pete Davidson), who soon enlists Noah to help them find the key which they have recently detected.
This does not sit well with Optimus Prime (Peter Cullen), who believes that humanity will only act in your best interests and that his crew needs to find the key so that they can return to their war-ravaged, Cybertron.
It is learned that a crafty but perpetually overlooked museum intern named Elena (Dominique Fishback), has accidentally activated the key and in doing so has allowed the evil Scourge (Peter Dinklage), and his minions to zero in on its location as he attempts to obtain the key for his master and is willing to destroy all were in his way.
Noah and Elena soon find themselves paired with their unexpected allies as they race to stop the evil from obtaining both parts of the key and find themselves with some unexpected allies in the form of the Maximals.
What follows is a frantic action-adventure film that cleverly combines humor, action, dazzling visual effects, and a tail that is part Indiana Jones, and Transformers with a surprising amount of humanity.
It would be easy for the human cast the overshadowed by the massive and visually spectacular creations that frequently transform and battle it out across numerous action sequences. However, director Steven Caple Jr. takes advantage of his young talent both of whom are clearly potential stars in the making as they provide a grounding humanity to the film which makes it more than a lavish FX showcase.
The film also has an impressive era-specific soundtrack and a scene near the end that offers up some intriguing and exciting possibilities for the future. "Transformers: Rise of the Beasts" is a highly enjoyable summer action adventure as well as one the more enjoyable films in the franchise and should delight fans of the franchise and has me for the first time in a long time eagerly awaiting what comes next.
4 stars out of 5
It is learned that a planet-destroying evil is fixated on obtaining a key that will allow it to travel to any point in the universe to continue its reign of destruction. The animal-based Maximals are able to escape with the key and hide it on Earth where they will also remain in secret as guardians.
Flash forward to 1994 when Noah Diaz (Anthony Ramos), following his stint in the Army is looking to find gainful employment to help his mother as well as his ailing brother. Despite being a wizard with electronics Noah is not considered to be a team player which has hampered his job prospects and leads him to consider criminal activities in an effort to obtain much-needed funds for his brother's medical bills.
In a moment of desperation, Noah attempts to steal a loaded Porsche but finds he is unable to follow through on the act as it is against his moral compass. Unknown to Noah the car is actually an Autobot named Mirage (Pete Davidson), who soon enlists Noah to help them find the key which they have recently detected.
This does not sit well with Optimus Prime (Peter Cullen), who believes that humanity will only act in your best interests and that his crew needs to find the key so that they can return to their war-ravaged, Cybertron.
It is learned that a crafty but perpetually overlooked museum intern named Elena (Dominique Fishback), has accidentally activated the key and in doing so has allowed the evil Scourge (Peter Dinklage), and his minions to zero in on its location as he attempts to obtain the key for his master and is willing to destroy all were in his way.
Noah and Elena soon find themselves paired with their unexpected allies as they race to stop the evil from obtaining both parts of the key and find themselves with some unexpected allies in the form of the Maximals.
What follows is a frantic action-adventure film that cleverly combines humor, action, dazzling visual effects, and a tail that is part Indiana Jones, and Transformers with a surprising amount of humanity.
It would be easy for the human cast the overshadowed by the massive and visually spectacular creations that frequently transform and battle it out across numerous action sequences. However, director Steven Caple Jr. takes advantage of his young talent both of whom are clearly potential stars in the making as they provide a grounding humanity to the film which makes it more than a lavish FX showcase.
The film also has an impressive era-specific soundtrack and a scene near the end that offers up some intriguing and exciting possibilities for the future. "Transformers: Rise of the Beasts" is a highly enjoyable summer action adventure as well as one the more enjoyable films in the franchise and should delight fans of the franchise and has me for the first time in a long time eagerly awaiting what comes next.
4 stars out of 5
EmersonRose (320 KP) rated The Buried Giant in Books
Nov 20, 2019
The winner of the 2017 Nobel Prize for Literature, Kazuo Ishiguro was born in 1954 in Nagasaki Japan, but he and his family moved in England in 1960. These two places and cultures have profoundly affected Ishiguro’s writing throughout his career. His first book, A Pale View of Hills, was published in 1982 and won the Winifred Holtby Memorial Prize, and he has since written seven novels and numerous short stories. His most recent book was The Buried Giant in 2015.
It is hard to pinpoint a genre to which Kazuo Ishiguro sticks to as he writes in fantasy, science-fiction, and historical. It can be said that all of his novels have the feeling of being set in the past even when the time period is not explicitly described, but the core theme that connects all of his writing together is memory. In each of his stories, Ishiguro examines how people use memory, how memory affects people, and who we are with or without memory.
Ishiguro explores many different ways in which memory affects people throughout his books ranging from memory loss to dream like memory distortion. In his books Never Let Me Go and The Remains of the Day the stories are told by narrators looking back at crucial moments in their lives. In letting us know that they are remembering their own pasts they admit that they are saying their perspective and their memory might be lacking. In this way letting the reader know that they are unreliable narrators. In The Remains of the Day the narrator, the butler Mr. Stevens decides to go on a journey to visit an old friend and along the way shows his unreliability in several ways. First in acknowledging how memory can change and fade over time.
“It occurs to me that elsewhere in attempting to gather such recollections, I may well have asserted that this memory derived from the minute immediately after Miss Kenton receiving news of her aunt’s death….But now, having thought further, I believed I may have been a little confused about this matter; that in fact, this fragment of memory derives from events that took place on an evening at least a few months after the death of Miss Kenton’s aunt” (212).
In this way, Steven’s is acknowledging human error which both shows his unreliability but gives a level of trust in the acknowledgment that he is doing his best to be truthful. This, however, is challenged because Steven’s informs us that he lies, at the very least through omission, to other characters. A clear case of this is when he allows himself to be considered a gentleman rather than a butler on several occasions throughout his journey. This becomes complex because he is allowing the reader in on the truth, but the very fact of admitting that he can lie further reveals his unreliability.
In Ishiguro’s most recent book, The Buried Giant, he looks at memory in a way that is similar to these previous stories but takes a new approach. His central two characters in this book, Axle, and Beatrice are an elderly couple setting out on a journey with almost no memory of who they are. Throughout the story, they remember or think they remember pieces of their pasts and in the process making them question who they really are. This uncertainty in themselves creates interesting questions of whether or not they want to remember their lives if they are happier not knowing, and if they can continue to live their lives the way they are with their new/old information?
“Yet are you so certain, good mistress, you wish to be free of this mist? Is it not better some things remain hidden from our minds?”
“It may be for some, father, but not for us. Axl and I wish to have again the happy moments we shared together. To be robbed of them is as if a thief came in the night and took what’s most precious from us.”
“Yet the mist covers all memories, the bad as well as the good. Isn’t that so, mistress?”
“We’ll have the bad ones come back too, even if they make us weep or shake with anger. For isn’t it the life we’ve shared?” (172).
In some of Ishiguro’s other work, he chooses to explore memory through the lens of a dreamlike state or surreal views, such as his short story A Village After Dark and the novel The Unconsoled. In these stories, the narrator enters into a new place and finds that they have slowly emerging memories connected to the places and people they meet. The Unconsoled creates a strange dynamic where the lead character Mr. Ryder has never been to this town before but finds himself confronted by childhood acquaintances as well as meeting a woman and child who treat him like husband and father and memories that support this begin to come back to him. In an interview Ishiguro did on the book in 1995, he summarizes the story as “an anxiety dream” as Mr. Ryder continually finds himself confronted with the expectation of him without being told anything in advance. At the beginning of the story, Mr. Ryder arrives at his hotel knowing that he will be playing at a concert in few days and is told he has a busy schedule up till then. At this point in the story, the anxiety dream state sets in Mr. Ryder continuously finds himself late to engagements, leaving people behind by accident and being dragged around town. As the story progresses, Mr. Ryder begins to have memories of a past associated with some of the people he has met, despite being introduced as completely new to the town. Some of these can be explained by the fact that as a reader we are dropped into a story after it has started but the memories of these instances only come back to Ryder after he has been told things have happened. This means that throughout the story it impossible to know whether or not the narrator has forgotten and is remembering or if the town is merely a dream limbo and nothing he is being told is real, to begin with.
Whether taking the more fantastical approach or the those that fall closer to realism, Ishiguro’s play with memory remains relatable to the readers. Each journey Ishiguro writes is designed to tackle something different about memory. The stories ask us questions about what memory and how much it affects who we are and our ability to live in our world. From whether or not we can know who we are without memory to how trustworthy our memories actually are. These questions, however fantastically asked, offer something to the reader that they can relate to. For memory is almost a fanatical force on its own that we all share and try to understand. It can play with us when we take it for granted and offer vulnerability and connection when shared with others. Ishiguro delves into these ideas in each of his works, ever exploring its uncertainty and power.
It is hard to pinpoint a genre to which Kazuo Ishiguro sticks to as he writes in fantasy, science-fiction, and historical. It can be said that all of his novels have the feeling of being set in the past even when the time period is not explicitly described, but the core theme that connects all of his writing together is memory. In each of his stories, Ishiguro examines how people use memory, how memory affects people, and who we are with or without memory.
Ishiguro explores many different ways in which memory affects people throughout his books ranging from memory loss to dream like memory distortion. In his books Never Let Me Go and The Remains of the Day the stories are told by narrators looking back at crucial moments in their lives. In letting us know that they are remembering their own pasts they admit that they are saying their perspective and their memory might be lacking. In this way letting the reader know that they are unreliable narrators. In The Remains of the Day the narrator, the butler Mr. Stevens decides to go on a journey to visit an old friend and along the way shows his unreliability in several ways. First in acknowledging how memory can change and fade over time.
“It occurs to me that elsewhere in attempting to gather such recollections, I may well have asserted that this memory derived from the minute immediately after Miss Kenton receiving news of her aunt’s death….But now, having thought further, I believed I may have been a little confused about this matter; that in fact, this fragment of memory derives from events that took place on an evening at least a few months after the death of Miss Kenton’s aunt” (212).
In this way, Steven’s is acknowledging human error which both shows his unreliability but gives a level of trust in the acknowledgment that he is doing his best to be truthful. This, however, is challenged because Steven’s informs us that he lies, at the very least through omission, to other characters. A clear case of this is when he allows himself to be considered a gentleman rather than a butler on several occasions throughout his journey. This becomes complex because he is allowing the reader in on the truth, but the very fact of admitting that he can lie further reveals his unreliability.
In Ishiguro’s most recent book, The Buried Giant, he looks at memory in a way that is similar to these previous stories but takes a new approach. His central two characters in this book, Axle, and Beatrice are an elderly couple setting out on a journey with almost no memory of who they are. Throughout the story, they remember or think they remember pieces of their pasts and in the process making them question who they really are. This uncertainty in themselves creates interesting questions of whether or not they want to remember their lives if they are happier not knowing, and if they can continue to live their lives the way they are with their new/old information?
“Yet are you so certain, good mistress, you wish to be free of this mist? Is it not better some things remain hidden from our minds?”
“It may be for some, father, but not for us. Axl and I wish to have again the happy moments we shared together. To be robbed of them is as if a thief came in the night and took what’s most precious from us.”
“Yet the mist covers all memories, the bad as well as the good. Isn’t that so, mistress?”
“We’ll have the bad ones come back too, even if they make us weep or shake with anger. For isn’t it the life we’ve shared?” (172).
In some of Ishiguro’s other work, he chooses to explore memory through the lens of a dreamlike state or surreal views, such as his short story A Village After Dark and the novel The Unconsoled. In these stories, the narrator enters into a new place and finds that they have slowly emerging memories connected to the places and people they meet. The Unconsoled creates a strange dynamic where the lead character Mr. Ryder has never been to this town before but finds himself confronted by childhood acquaintances as well as meeting a woman and child who treat him like husband and father and memories that support this begin to come back to him. In an interview Ishiguro did on the book in 1995, he summarizes the story as “an anxiety dream” as Mr. Ryder continually finds himself confronted with the expectation of him without being told anything in advance. At the beginning of the story, Mr. Ryder arrives at his hotel knowing that he will be playing at a concert in few days and is told he has a busy schedule up till then. At this point in the story, the anxiety dream state sets in Mr. Ryder continuously finds himself late to engagements, leaving people behind by accident and being dragged around town. As the story progresses, Mr. Ryder begins to have memories of a past associated with some of the people he has met, despite being introduced as completely new to the town. Some of these can be explained by the fact that as a reader we are dropped into a story after it has started but the memories of these instances only come back to Ryder after he has been told things have happened. This means that throughout the story it impossible to know whether or not the narrator has forgotten and is remembering or if the town is merely a dream limbo and nothing he is being told is real, to begin with.
Whether taking the more fantastical approach or the those that fall closer to realism, Ishiguro’s play with memory remains relatable to the readers. Each journey Ishiguro writes is designed to tackle something different about memory. The stories ask us questions about what memory and how much it affects who we are and our ability to live in our world. From whether or not we can know who we are without memory to how trustworthy our memories actually are. These questions, however fantastically asked, offer something to the reader that they can relate to. For memory is almost a fanatical force on its own that we all share and try to understand. It can play with us when we take it for granted and offer vulnerability and connection when shared with others. Ishiguro delves into these ideas in each of his works, ever exploring its uncertainty and power.