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Carma (21 KP) rated Rainy Day Friends (Wildstone, #2) in Books
Jun 17, 2019
Rainy Day Friends by Jill Shalvis is a Wildstone series book and of course another great one from this author. I loved the format of this book, and I really dont think Ive seen it before, of each page having an interaction between Lanie and her anxiety.
Lanie (Delaney) Jacobs is 30, starting a new job 2 ½ hours away from her old life and leaving everything behind (including her anxiety) for 2 months. Unfortunately her anxiety decides to come along for the ride. Lanie just lost her husband and what she finds out about her husband after his death would send anyone packing for a quick getaway. She agrees to take on a temporary job helping a family business re-brand their business and quickly finds herself in the middle of a real Walton family family.
Mark Capriotti is as rough and rugged as they come. He is an ex military man, an assistant sheriff, but at the end of the day, this tough guys heart has long been captured by his twin daughters. Having to move back home with his family to be a single dad to his girls was the last thing he ever thought would happen. He is grateful to have his mom, 2 sisters, uncles and more to pick up the slack of helping to care for Samantha and Sierra. He never wants to fall in love again, and isnt that just what happens.
With a back story for Lanie that comes out piece by piece and secondary characters to help push it along, this story was really well told. My only gripe about this entire book was the abrupt ending. I dont know if it was due to reading on an ereader that it felt more abrupt but it stopped and I was feeling like I missed some pages. As I said above I loved the anxiety quotes on each page, how many of us have those same thoughts on a daily or weekly basis. I loved how this family came together and stayed together through thick and thin. Being sarcastic myself, I enjoyed Mias sarcastic humor most of all. Even Uncle Jack, though sometimes behaving like a overgrown frat boy, had insightful wisdom to share with anyone who asked (or even those who didnt).
Overall this story was well written for each character both main or secondary. I enjoyed following along on their journey of escape, attraction, hiding, and eventually not fighting the feelings. I received an advance copy of this novel without any expectations for review. Any and all opinions expressed are my own (whether you like them or not ha).
Lanie (Delaney) Jacobs is 30, starting a new job 2 ½ hours away from her old life and leaving everything behind (including her anxiety) for 2 months. Unfortunately her anxiety decides to come along for the ride. Lanie just lost her husband and what she finds out about her husband after his death would send anyone packing for a quick getaway. She agrees to take on a temporary job helping a family business re-brand their business and quickly finds herself in the middle of a real Walton family family.
Mark Capriotti is as rough and rugged as they come. He is an ex military man, an assistant sheriff, but at the end of the day, this tough guys heart has long been captured by his twin daughters. Having to move back home with his family to be a single dad to his girls was the last thing he ever thought would happen. He is grateful to have his mom, 2 sisters, uncles and more to pick up the slack of helping to care for Samantha and Sierra. He never wants to fall in love again, and isnt that just what happens.
With a back story for Lanie that comes out piece by piece and secondary characters to help push it along, this story was really well told. My only gripe about this entire book was the abrupt ending. I dont know if it was due to reading on an ereader that it felt more abrupt but it stopped and I was feeling like I missed some pages. As I said above I loved the anxiety quotes on each page, how many of us have those same thoughts on a daily or weekly basis. I loved how this family came together and stayed together through thick and thin. Being sarcastic myself, I enjoyed Mias sarcastic humor most of all. Even Uncle Jack, though sometimes behaving like a overgrown frat boy, had insightful wisdom to share with anyone who asked (or even those who didnt).
Overall this story was well written for each character both main or secondary. I enjoyed following along on their journey of escape, attraction, hiding, and eventually not fighting the feelings. I received an advance copy of this novel without any expectations for review. Any and all opinions expressed are my own (whether you like them or not ha).
Gareth von Kallenbach (974 KP) rated Doctor Strange (2016) in Movies
Jun 19, 2019
Doctor Stephan Strange (Benedict Cumberbatch), is a man of extremes. He is a brilliant and gifted surgeon who makes the impossible seem routine, but is also a self –centered egomaniac that spends money almost as fast as he makes it.
When a freak car accident deprives him of the use of his hands, his life spirals into self-pity and rage as he is no longer able to earn money at his profession nor accumulate the praise and accolades he has become accustomed to.
When one treatment after another fails to achieve any desired results and only serves to further deplete his dwindling resources, Strange heads to Nepal in search of a locale where a paraplegic was reported to make a full recovery after a visit. Although highly skeptical and arrogant, Strange is eventually taken in by The Ancient One (Tilda Swinton) who leads an order who protects Earth from other dimensions that would destroy all life as we know it.
Strange begins training in spells and archaic knowledge and in time becomes skilled at his craft although highly unwilling to get behind the true nature of his order as he sees his study as little more than a means to restore his hands and regain his former career.
When a rogue member of the order named Kaecillius (Mads Mikkelsen), and his followers begin a series of attacks designed to destroy the safeguards of Earth and bring a being of evil to earth from another dimension, Strange is forced into action and soon learns that the universe and the multiverse is threatened forcing him to reexamine his life and place in the grand scheme of things.
What follows is a thrilling adventure spanning multiple dimensions and the streets of London, New York and Hong Kong as Strange battles to save the day.
Marvel Studios has once again proved they have the Midas touch when it comes to their properties. Cumberbatch embodies the Doctor so well that he is a captivating and complex character who like many of the best Marvel characters is also a deeply flawed individual at his core.
Swinton does great work in her role as do Rachel McAdams, Chiwetel Ejiofor, and Benedict Wong in their supporting roles.
The film does take some time getting to the action but Director Scott Derrickson allows his characters the time to establish their history, relationships with one another, and the setting before getting to the very impressive effects and action.
There are two scenes during the credits that set the stage very well for future adventures for the Doctor as Marvel continues to weave their complex tapestry of characters into their ever expanding universe.
http://sknr.net/2016/11/02/doctor-stange/
When a freak car accident deprives him of the use of his hands, his life spirals into self-pity and rage as he is no longer able to earn money at his profession nor accumulate the praise and accolades he has become accustomed to.
When one treatment after another fails to achieve any desired results and only serves to further deplete his dwindling resources, Strange heads to Nepal in search of a locale where a paraplegic was reported to make a full recovery after a visit. Although highly skeptical and arrogant, Strange is eventually taken in by The Ancient One (Tilda Swinton) who leads an order who protects Earth from other dimensions that would destroy all life as we know it.
Strange begins training in spells and archaic knowledge and in time becomes skilled at his craft although highly unwilling to get behind the true nature of his order as he sees his study as little more than a means to restore his hands and regain his former career.
When a rogue member of the order named Kaecillius (Mads Mikkelsen), and his followers begin a series of attacks designed to destroy the safeguards of Earth and bring a being of evil to earth from another dimension, Strange is forced into action and soon learns that the universe and the multiverse is threatened forcing him to reexamine his life and place in the grand scheme of things.
What follows is a thrilling adventure spanning multiple dimensions and the streets of London, New York and Hong Kong as Strange battles to save the day.
Marvel Studios has once again proved they have the Midas touch when it comes to their properties. Cumberbatch embodies the Doctor so well that he is a captivating and complex character who like many of the best Marvel characters is also a deeply flawed individual at his core.
Swinton does great work in her role as do Rachel McAdams, Chiwetel Ejiofor, and Benedict Wong in their supporting roles.
The film does take some time getting to the action but Director Scott Derrickson allows his characters the time to establish their history, relationships with one another, and the setting before getting to the very impressive effects and action.
There are two scenes during the credits that set the stage very well for future adventures for the Doctor as Marvel continues to weave their complex tapestry of characters into their ever expanding universe.
http://sknr.net/2016/11/02/doctor-stange/
Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Gareth von Kallenbach (974 KP) rated Ouija: Origin of Evil (2016) in Movies
Jul 15, 2019
As a huge fan of supernatural horror films I was really looking forward to screening Ouija: Origins of Evil. I had hoped that this film would make up to it’s unsuccessful predecessor. I think the last big box horror movie that I thoroughly enjoyed was The Conjuring 2. I can’t say that I was surprised with being a little disappointed with this film.
As always, some of the best scenes in any film are usually displayed in the trailer to reel us in and that’s precisely what happened.
The film is based in 1965 with a young widowed mother Alice (Elizabeth Reaser) raising two daughters Paulina and Doris. Alice and the girls use old school seance scams to make ends meet.
The somewhat rebellious teen daughter Paulina sneaks out to a party where a Ouija board is used and suggests that her mother should buy one and add it to the act. Her mother decides that it just might be what they need to liven up the show. Thinking that this would only be one of her many parlor tricks she buys one.
While setting up the board for a practice session she decides to see if it might actually work. She doesn’t realize that she has now opened a can of worms and her youngest daughter Doris is in the throws of a malevolent force.
Is it the board, is it the house, is it their father. With the help of their school priest they are able to understand what is truly happening.
The film in a whole was just okay, not the best but not the worst either. The problem that I had with it specifically was how long you have to get through to get to the scary parts of the film. I was hopeful that it would get better and to my surprise it did.
Yes the lines weren’t great but the cast seemed fitting for their characters. Elizabeth Reaser who I’ve had the pleasure of meeting was perfect as Alice and the young girls as well. I don’t usually go on about editing and lighting but I must say that I really enjoyed the cinematography in the film. The drab colors and filming techniques were very well executed and added to the 60’s style horror films of the past.
In all honesty I would recommend seeing this in theaters. With the energy of the audience and darkness of the theater it makes for a fun and spooky Halloween event.
Just be aware that the build up to the better scenes is long and drawn out. The jump scares are few and far between however it still is worth a watch.
As always, some of the best scenes in any film are usually displayed in the trailer to reel us in and that’s precisely what happened.
The film is based in 1965 with a young widowed mother Alice (Elizabeth Reaser) raising two daughters Paulina and Doris. Alice and the girls use old school seance scams to make ends meet.
The somewhat rebellious teen daughter Paulina sneaks out to a party where a Ouija board is used and suggests that her mother should buy one and add it to the act. Her mother decides that it just might be what they need to liven up the show. Thinking that this would only be one of her many parlor tricks she buys one.
While setting up the board for a practice session she decides to see if it might actually work. She doesn’t realize that she has now opened a can of worms and her youngest daughter Doris is in the throws of a malevolent force.
Is it the board, is it the house, is it their father. With the help of their school priest they are able to understand what is truly happening.
The film in a whole was just okay, not the best but not the worst either. The problem that I had with it specifically was how long you have to get through to get to the scary parts of the film. I was hopeful that it would get better and to my surprise it did.
Yes the lines weren’t great but the cast seemed fitting for their characters. Elizabeth Reaser who I’ve had the pleasure of meeting was perfect as Alice and the young girls as well. I don’t usually go on about editing and lighting but I must say that I really enjoyed the cinematography in the film. The drab colors and filming techniques were very well executed and added to the 60’s style horror films of the past.
In all honesty I would recommend seeing this in theaters. With the energy of the audience and darkness of the theater it makes for a fun and spooky Halloween event.
Just be aware that the build up to the better scenes is long and drawn out. The jump scares are few and far between however it still is worth a watch.
Gareth von Kallenbach (974 KP) rated Bad Times at the El Royale (2018) in Movies
Jul 2, 2019
The El Royale Hotel sit directly on the California and Nevada border just outside of Lake Tahoe. In its heyday, the novelty hotel, vibrant and bustling with activity. Even getting visits from famous actors, singers and politicians. But by the 1960s those days had gone and now it is rundown and mostly vacant. Then on one fateful day a group of random strangers meet at the El Royale. There is a minister, Father Daniel Flynn (Jeff Bridges), on his way back from Oakland visiting his brother. Singer Darlene Sweet (Cynthia Erivo) who came to the El Royale because her midday casino singing gig in Reno didn’t pay enough for her to stay anywhere else. Then there is Laramie Seymour Sullivan (John Hamm) the vacuum salesman who talks fast and loud. His company does all the hotel bookings so he was stuck with the El Royale, but he is dead set on enjoying the luxurious Honeymoon Suite given the choices. Lastly, there is Emily (Dakota Johnson) she doesn’t say much besides she wants a room far away from the other guests. The mismatched group is all greeted by the bellhop/bar tender/service manager Miles (Lewis Pullman). All seems like a chance meeting of a group of travelers. But nothing is what it seems. By the nights end all manner of secrets will come out and all the guests’ lives will be in jeopardy.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
Gareth von Kallenbach (974 KP) rated Ocean’s 8 (2018) in Movies
Jul 8, 2019
For the last five plus years all Debbie Ocean (Sandra Bullock) has had to think about was how to steal a $150 million dollar necklace of the neck of a mark during the Met Gala. Why she had all that time to think about was because she was incarcerated. The plan is flawless on paper but it would have to be to pull off this caper at one of the most high profile events of the year. Meticulously thought out and every eventuality covered. Now all she needs is a crew to make it happen. She gets her right hand girl Lou (Cate Blanchett) and they set out to plan the heist. The start with getting down on her luck designer Rose Weil (Helena Bonham Carter), who must persuade the mark, socialite actress Daphne Kluger (Anne Hathaway), to wear her dress and the diamonds to the even. Then let add a fence, Tammy (Sarah Paulson), a pick-pocket, Constance (Awkwafina), diamond expert, Amita (Mindy Kaling), and a hacker, Nine Ball (Rihanna), everyone they need to make this plan happen. The plan is made, the crew is assembled and the Met Ball is days away and all they have to do is rob a highly protected necklace in a museum filled with people and more cameras than you can count.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
Darren (1599 KP) rated Manhattan Night (Manhattan Nocturne) (2016) in Movies
Nov 7, 2019
Characters – Porter Wren is a well-respected journalist in New York, he has a comfortable job in his paper because of his reputation for telling people’s stories. His latest case however will get him looking into the murder mystery that will push himself to the limits when he gets involved with the victim’s wife. He narrates a lot of this which is the films way of trying to have a dig a modern society. Caroline is the wife whose husband has been killed, she seduces Porter, which plays her out to be a siren, only she soon feels like a victim with this character get caught in the middle we never know which side she is meant to be, one that gets what she wants or just a victims. Simon is the husband that has been murdered meaning we only see him in flashback of how the two were married. Lisa is the wife of Porter, she is doctor and from how Porter tells the story they don’t get along as they once did.
Performances – Adrien Brody does well in the leading role in the film even if he doesn’t make his character feel much different than any others from the similar genre. Yvonne Strahovski fits the seductive side to her character, though without being the strongest in the serious side of the story. Campbell Scott and Jennifer Beals just don’t get enough time to show their skills off in this film.
Story – The story here follows an investigation into an unsolved murder which brings the investigative reporter into a series of cover ups and conspiracy in true noir style. Using the noir style is clear here, the execution of the noir style doesn’t quite come off though because the siren doesn’t feel like a siren and by the end you will be left wondering just why the investigation wasn’t solved by the police in the first place, let alone why the reporter is even asked to investigate it. Nothing really comes out of solving the case which is the biggest disappointment from everything we are getting invested in.
Crime/Mystery – The crime side of this mystery does involve a murder that hasn’t been solved, it does have other crime elements involved too which just confuse the simply plot.
Settings – The film is set in New York and uses a secret house to show a place of peace in this busy city and how people can meet and connect through life.
Scene of the Movie – The truth.
That Moment That Annoyed Me – The case felt pointless to solve.
Final Thoughts – This is a noir styled crime mystery that gives us a case that almost doesn’t need to be solved in the end.
Overall: Mystery that didn’t need solving.
Performances – Adrien Brody does well in the leading role in the film even if he doesn’t make his character feel much different than any others from the similar genre. Yvonne Strahovski fits the seductive side to her character, though without being the strongest in the serious side of the story. Campbell Scott and Jennifer Beals just don’t get enough time to show their skills off in this film.
Story – The story here follows an investigation into an unsolved murder which brings the investigative reporter into a series of cover ups and conspiracy in true noir style. Using the noir style is clear here, the execution of the noir style doesn’t quite come off though because the siren doesn’t feel like a siren and by the end you will be left wondering just why the investigation wasn’t solved by the police in the first place, let alone why the reporter is even asked to investigate it. Nothing really comes out of solving the case which is the biggest disappointment from everything we are getting invested in.
Crime/Mystery – The crime side of this mystery does involve a murder that hasn’t been solved, it does have other crime elements involved too which just confuse the simply plot.
Settings – The film is set in New York and uses a secret house to show a place of peace in this busy city and how people can meet and connect through life.
Scene of the Movie – The truth.
That Moment That Annoyed Me – The case felt pointless to solve.
Final Thoughts – This is a noir styled crime mystery that gives us a case that almost doesn’t need to be solved in the end.
Overall: Mystery that didn’t need solving.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Heart Forger (The Bone Witch, #2) in Books
Jan 23, 2020
<b><i>Review copy provided by the Publisher via Netgalley</i></b>
The Heart Forger is the second novel in The Bone Witch series, where Rin Chupeco brings us directly back to the world of asha right after the first novel leaves off. Tea, a dark asha and bone witch, has mastered bringing the dead backs to life and hopes for revenge after being exiled from her kingdom.
I can easily say The Heart Forger is one of my favorite reads of 2018, which is funny considering how I wasn’t a fan of The Bone Witch when I read it last year. The Bone Witch is slower (to me, at least) and focuses on descriptions and worldbuilding, which is an entire 180 from its sequel. We’re continuing the story of Tea, who is a bone witch that can raise the dead, in the past (Tea as a young asha) and the present (Tea telling the story to the Bard).
It’s not exactly confirmed, but it looks like Tea is hovering between a villain and a hero, much like Adelina Amouteru from The Young Elites. We’ll know for sure what Tea’s actions will lead to in the third and final book of the trilogy coming out next year, which is currently titled The Shadowglass.
The Heart Forger is fast paced—Chupeco focuses on action, characters, and plot rather than descriptions and worldbuilding, though those who aren’t familiar will have to read The Bone Witch first to get a sense of the characters and world before continuing. There is never a dull moment, something I haven’t found in my reading for a longgg while, and I found myself turning the pages of my iPad so quickly I might have left a mark on there.
One of the things I enjoyed back in The Bone Witch (and partially why I decided to give the sequel a try rather than skipping over it) were the characters. The first book only gave a small taste, but the second book is full of sass from Tea, Fox, Kalen, Khalad—the entire of cast of characters—and it made The Heart Forger much more entertaining. Chupeco is going to be pulling different emotions the entire time—from excitement to terror to laughter—and it’ll probably be simultaneously as well.
The wordiness and slow pace of The Bone Witch is well worth it when looking forward to the rest of the series—I’m so glad I gave The Heart Forger a chance, and I can’t wait to see how Chupeco will end the series next year with The Shadowglass.
This review was originally posted on <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/">The Arts STL</a>.
The Heart Forger is the second novel in The Bone Witch series, where Rin Chupeco brings us directly back to the world of asha right after the first novel leaves off. Tea, a dark asha and bone witch, has mastered bringing the dead backs to life and hopes for revenge after being exiled from her kingdom.
I can easily say The Heart Forger is one of my favorite reads of 2018, which is funny considering how I wasn’t a fan of The Bone Witch when I read it last year. The Bone Witch is slower (to me, at least) and focuses on descriptions and worldbuilding, which is an entire 180 from its sequel. We’re continuing the story of Tea, who is a bone witch that can raise the dead, in the past (Tea as a young asha) and the present (Tea telling the story to the Bard).
It’s not exactly confirmed, but it looks like Tea is hovering between a villain and a hero, much like Adelina Amouteru from The Young Elites. We’ll know for sure what Tea’s actions will lead to in the third and final book of the trilogy coming out next year, which is currently titled The Shadowglass.
The Heart Forger is fast paced—Chupeco focuses on action, characters, and plot rather than descriptions and worldbuilding, though those who aren’t familiar will have to read The Bone Witch first to get a sense of the characters and world before continuing. There is never a dull moment, something I haven’t found in my reading for a longgg while, and I found myself turning the pages of my iPad so quickly I might have left a mark on there.
One of the things I enjoyed back in The Bone Witch (and partially why I decided to give the sequel a try rather than skipping over it) were the characters. The first book only gave a small taste, but the second book is full of sass from Tea, Fox, Kalen, Khalad—the entire of cast of characters—and it made The Heart Forger much more entertaining. Chupeco is going to be pulling different emotions the entire time—from excitement to terror to laughter—and it’ll probably be simultaneously as well.
The wordiness and slow pace of The Bone Witch is well worth it when looking forward to the rest of the series—I’m so glad I gave The Heart Forger a chance, and I can’t wait to see how Chupeco will end the series next year with The Shadowglass.
This review was originally posted on <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/">The Arts STL</a>.
Night Reader Reviews (683 KP) rated Bitter Memory in Books
Feb 4, 2020
Honest Review for Free Copy of Book
Bitter Memory by Sion Nicholas is an interesting book focused on a distant planet where scientist are trying to save the Earth. This read is interesting as much as it is a warning to us about what could happen if we don’t take care of the Earth.
Scarlett Robins meets her husband while in college studying ways to help end the hunger riots taking place all across the globe. Caleb, her husband, was a guest lecturer for Scarlett’s class and her professor introduced them thinking they would find each other's ideas interesting. During one of their first conversations, the couple talk about grouping crops for research on a distant planet where they wouldn’t affect the Earth’s ecosystem.
Fast forward a few years later to find Scarlett and Caleb as part of a five-person team on Pygmalion 6, a distant planet, to work on solving the food shortage. Upon arrival Scarlett boots up the computer systems and initializes all security programs, not realizing that she just made a deadly mistake. It takes years before Scarlett and the rest of the team discover just what actions she set in place that fateful first day. Too bad it may already be too late to save anyone from the greedy company they all work for.
I really enjoyed the twist towards the end of the book. The book was only mildly predictable compared to others of a similar genera, which was nice. Overall the plot was well thought out and well written. There was a fair amount of technical talk especially about the bees and their relationship to the plants. While I understand its importance to the background of the story I felt like it went into unnecessary detail.
Young adults and adults alike will enjoy this book. There was very little to no inappropriate scenes in this book, plus it only hints at any kind of adult content. That being said high school and older should be alright to read this and most middle school students should be able to handle it with no problem. I rate this book a 3 out of 4. The over detailed technical stuff seemed to take something away from the overall story. Almost as if the book was supposed to be much more in-depth and bigger than what it was. It is because of this that I decided not to give the book a perfect score. Other than that one flaw the book was amazing.
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Scarlett Robins meets her husband while in college studying ways to help end the hunger riots taking place all across the globe. Caleb, her husband, was a guest lecturer for Scarlett’s class and her professor introduced them thinking they would find each other's ideas interesting. During one of their first conversations, the couple talk about grouping crops for research on a distant planet where they wouldn’t affect the Earth’s ecosystem.
Fast forward a few years later to find Scarlett and Caleb as part of a five-person team on Pygmalion 6, a distant planet, to work on solving the food shortage. Upon arrival Scarlett boots up the computer systems and initializes all security programs, not realizing that she just made a deadly mistake. It takes years before Scarlett and the rest of the team discover just what actions she set in place that fateful first day. Too bad it may already be too late to save anyone from the greedy company they all work for.
I really enjoyed the twist towards the end of the book. The book was only mildly predictable compared to others of a similar genera, which was nice. Overall the plot was well thought out and well written. There was a fair amount of technical talk especially about the bees and their relationship to the plants. While I understand its importance to the background of the story I felt like it went into unnecessary detail.
Young adults and adults alike will enjoy this book. There was very little to no inappropriate scenes in this book, plus it only hints at any kind of adult content. That being said high school and older should be alright to read this and most middle school students should be able to handle it with no problem. I rate this book a 3 out of 4. The over detailed technical stuff seemed to take something away from the overall story. Almost as if the book was supposed to be much more in-depth and bigger than what it was. It is because of this that I decided not to give the book a perfect score. Other than that one flaw the book was amazing.
https://nightreaderreviews.blogspot.com
https://facebook.com/nightreaderreviews
https://www.austinmacauley.com/book/bitter-memory
LeftSideCut (3778 KP) rated Bad Boys for Life (2020) in Movies
Jan 28, 2020
It's says a lot about this third entry into the Bad Boys franchise, when there's been a 17 year gap between movies, and it still manages to be this good!
The Bad Boys films are known for being over the top, sweary, violent, funny, and action packed, and thankfully, this tried and tested formula sticks again.
It's silliness is hugely toned down from the overly gratuitous Bad Boys II, (it's still pretty silly mind), and we're presented with a host of characters that actually ground the franchise a little, and it's all the better for it.
Will Smith and Martin Lawrence are once again hugely likable as detectives Mike Lowrey and Marcus Burnett, the chemistry between the two is still hilariously beautiful and bro-tastic after all these years.
BBFL also introduces a group of new characters, a law enforcement response team known as AMMO, who are also all pretty likable. I feel that the writers are perhaps testing the waters for a potential spin off.
The movies bad guys are drug-queen Isabel Aretas and her son Armando (Kate del Castillo and Jacob Scipio respectively) who both do a pretty good job at playing imposing and dangerous villains.
We also get some back story regarding Mike Lowrey that has never been touched on before - a possible avenue for a prequel maybe?
The action set pieces are exciting and well choreographed (best motorbike chase since John Wick 3) and directors Adil El Arbi and Bilall Fallah - taking over from Michael Bay - do a solid job of delivering a well shot action packed adventure, with just enough nods to the original duology's style.
The only criticisms I have really stem from pacing. The movie feels very staggered for much of the first half and takes a while to really kick into gear, but once it does, it's hugely entertaining.
Also, the comedy is laid on pretty thick and fast from the get go, and there were quite a few moments that didn't land, (predictably, there was plenty of too-old-for-this-shit jokes) but by the same merit, there were plenty that did.
Bad Boys For Life is overall a fun time that is pretty hard to not enjoy, and it actually might just be the best of the series, if not, then it's certainly on par with the first.
The narrative makes a good effort to set up potential directions for the franchise going forward (I counted at least three obvious set ups) but based on the strength of this entry, it something that I would actually like to see, and considering I went to the cinema content in the apparent knowledge that this would be the last one, that can only be a good thing.
The Bad Boys films are known for being over the top, sweary, violent, funny, and action packed, and thankfully, this tried and tested formula sticks again.
It's silliness is hugely toned down from the overly gratuitous Bad Boys II, (it's still pretty silly mind), and we're presented with a host of characters that actually ground the franchise a little, and it's all the better for it.
Will Smith and Martin Lawrence are once again hugely likable as detectives Mike Lowrey and Marcus Burnett, the chemistry between the two is still hilariously beautiful and bro-tastic after all these years.
BBFL also introduces a group of new characters, a law enforcement response team known as AMMO, who are also all pretty likable. I feel that the writers are perhaps testing the waters for a potential spin off.
The movies bad guys are drug-queen Isabel Aretas and her son Armando (Kate del Castillo and Jacob Scipio respectively) who both do a pretty good job at playing imposing and dangerous villains.
We also get some back story regarding Mike Lowrey that has never been touched on before - a possible avenue for a prequel maybe?
The action set pieces are exciting and well choreographed (best motorbike chase since John Wick 3) and directors Adil El Arbi and Bilall Fallah - taking over from Michael Bay - do a solid job of delivering a well shot action packed adventure, with just enough nods to the original duology's style.
The only criticisms I have really stem from pacing. The movie feels very staggered for much of the first half and takes a while to really kick into gear, but once it does, it's hugely entertaining.
Also, the comedy is laid on pretty thick and fast from the get go, and there were quite a few moments that didn't land, (predictably, there was plenty of too-old-for-this-shit jokes) but by the same merit, there were plenty that did.
Bad Boys For Life is overall a fun time that is pretty hard to not enjoy, and it actually might just be the best of the series, if not, then it's certainly on par with the first.
The narrative makes a good effort to set up potential directions for the franchise going forward (I counted at least three obvious set ups) but based on the strength of this entry, it something that I would actually like to see, and considering I went to the cinema content in the apparent knowledge that this would be the last one, that can only be a good thing.