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Darren (1599 KP) rated Manhattan Night (Manhattan Nocturne) (2016) in Movies
Nov 7, 2019
Characters – Porter Wren is a well-respected journalist in New York, he has a comfortable job in his paper because of his reputation for telling people’s stories. His latest case however will get him looking into the murder mystery that will push himself to the limits when he gets involved with the victim’s wife. He narrates a lot of this which is the films way of trying to have a dig a modern society. Caroline is the wife whose husband has been killed, she seduces Porter, which plays her out to be a siren, only she soon feels like a victim with this character get caught in the middle we never know which side she is meant to be, one that gets what she wants or just a victims. Simon is the husband that has been murdered meaning we only see him in flashback of how the two were married. Lisa is the wife of Porter, she is doctor and from how Porter tells the story they don’t get along as they once did.
Performances – Adrien Brody does well in the leading role in the film even if he doesn’t make his character feel much different than any others from the similar genre. Yvonne Strahovski fits the seductive side to her character, though without being the strongest in the serious side of the story. Campbell Scott and Jennifer Beals just don’t get enough time to show their skills off in this film.
Story – The story here follows an investigation into an unsolved murder which brings the investigative reporter into a series of cover ups and conspiracy in true noir style. Using the noir style is clear here, the execution of the noir style doesn’t quite come off though because the siren doesn’t feel like a siren and by the end you will be left wondering just why the investigation wasn’t solved by the police in the first place, let alone why the reporter is even asked to investigate it. Nothing really comes out of solving the case which is the biggest disappointment from everything we are getting invested in.
Crime/Mystery – The crime side of this mystery does involve a murder that hasn’t been solved, it does have other crime elements involved too which just confuse the simply plot.
Settings – The film is set in New York and uses a secret house to show a place of peace in this busy city and how people can meet and connect through life.
Scene of the Movie – The truth.
That Moment That Annoyed Me – The case felt pointless to solve.
Final Thoughts – This is a noir styled crime mystery that gives us a case that almost doesn’t need to be solved in the end.
Overall: Mystery that didn’t need solving.
Performances – Adrien Brody does well in the leading role in the film even if he doesn’t make his character feel much different than any others from the similar genre. Yvonne Strahovski fits the seductive side to her character, though without being the strongest in the serious side of the story. Campbell Scott and Jennifer Beals just don’t get enough time to show their skills off in this film.
Story – The story here follows an investigation into an unsolved murder which brings the investigative reporter into a series of cover ups and conspiracy in true noir style. Using the noir style is clear here, the execution of the noir style doesn’t quite come off though because the siren doesn’t feel like a siren and by the end you will be left wondering just why the investigation wasn’t solved by the police in the first place, let alone why the reporter is even asked to investigate it. Nothing really comes out of solving the case which is the biggest disappointment from everything we are getting invested in.
Crime/Mystery – The crime side of this mystery does involve a murder that hasn’t been solved, it does have other crime elements involved too which just confuse the simply plot.
Settings – The film is set in New York and uses a secret house to show a place of peace in this busy city and how people can meet and connect through life.
Scene of the Movie – The truth.
That Moment That Annoyed Me – The case felt pointless to solve.
Final Thoughts – This is a noir styled crime mystery that gives us a case that almost doesn’t need to be solved in the end.
Overall: Mystery that didn’t need solving.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Heart Forger (The Bone Witch, #2) in Books
Jan 23, 2020
<b><i>Review copy provided by the Publisher via Netgalley</i></b>
The Heart Forger is the second novel in The Bone Witch series, where Rin Chupeco brings us directly back to the world of asha right after the first novel leaves off. Tea, a dark asha and bone witch, has mastered bringing the dead backs to life and hopes for revenge after being exiled from her kingdom.
I can easily say The Heart Forger is one of my favorite reads of 2018, which is funny considering how I wasn’t a fan of The Bone Witch when I read it last year. The Bone Witch is slower (to me, at least) and focuses on descriptions and worldbuilding, which is an entire 180 from its sequel. We’re continuing the story of Tea, who is a bone witch that can raise the dead, in the past (Tea as a young asha) and the present (Tea telling the story to the Bard).
It’s not exactly confirmed, but it looks like Tea is hovering between a villain and a hero, much like Adelina Amouteru from The Young Elites. We’ll know for sure what Tea’s actions will lead to in the third and final book of the trilogy coming out next year, which is currently titled The Shadowglass.
The Heart Forger is fast paced—Chupeco focuses on action, characters, and plot rather than descriptions and worldbuilding, though those who aren’t familiar will have to read The Bone Witch first to get a sense of the characters and world before continuing. There is never a dull moment, something I haven’t found in my reading for a longgg while, and I found myself turning the pages of my iPad so quickly I might have left a mark on there.
One of the things I enjoyed back in The Bone Witch (and partially why I decided to give the sequel a try rather than skipping over it) were the characters. The first book only gave a small taste, but the second book is full of sass from Tea, Fox, Kalen, Khalad—the entire of cast of characters—and it made The Heart Forger much more entertaining. Chupeco is going to be pulling different emotions the entire time—from excitement to terror to laughter—and it’ll probably be simultaneously as well.
The wordiness and slow pace of The Bone Witch is well worth it when looking forward to the rest of the series—I’m so glad I gave The Heart Forger a chance, and I can’t wait to see how Chupeco will end the series next year with The Shadowglass.
This review was originally posted on <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/">The Arts STL</a>.
The Heart Forger is the second novel in The Bone Witch series, where Rin Chupeco brings us directly back to the world of asha right after the first novel leaves off. Tea, a dark asha and bone witch, has mastered bringing the dead backs to life and hopes for revenge after being exiled from her kingdom.
I can easily say The Heart Forger is one of my favorite reads of 2018, which is funny considering how I wasn’t a fan of The Bone Witch when I read it last year. The Bone Witch is slower (to me, at least) and focuses on descriptions and worldbuilding, which is an entire 180 from its sequel. We’re continuing the story of Tea, who is a bone witch that can raise the dead, in the past (Tea as a young asha) and the present (Tea telling the story to the Bard).
It’s not exactly confirmed, but it looks like Tea is hovering between a villain and a hero, much like Adelina Amouteru from The Young Elites. We’ll know for sure what Tea’s actions will lead to in the third and final book of the trilogy coming out next year, which is currently titled The Shadowglass.
The Heart Forger is fast paced—Chupeco focuses on action, characters, and plot rather than descriptions and worldbuilding, though those who aren’t familiar will have to read The Bone Witch first to get a sense of the characters and world before continuing. There is never a dull moment, something I haven’t found in my reading for a longgg while, and I found myself turning the pages of my iPad so quickly I might have left a mark on there.
One of the things I enjoyed back in The Bone Witch (and partially why I decided to give the sequel a try rather than skipping over it) were the characters. The first book only gave a small taste, but the second book is full of sass from Tea, Fox, Kalen, Khalad—the entire of cast of characters—and it made The Heart Forger much more entertaining. Chupeco is going to be pulling different emotions the entire time—from excitement to terror to laughter—and it’ll probably be simultaneously as well.
The wordiness and slow pace of The Bone Witch is well worth it when looking forward to the rest of the series—I’m so glad I gave The Heart Forger a chance, and I can’t wait to see how Chupeco will end the series next year with The Shadowglass.
This review was originally posted on <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/">The Arts STL</a>.
Night Reader Reviews (683 KP) rated Bitter Memory in Books
Feb 4, 2020
Honest Review for Free Copy of Book
Bitter Memory by Sion Nicholas is an interesting book focused on a distant planet where scientist are trying to save the Earth. This read is interesting as much as it is a warning to us about what could happen if we don’t take care of the Earth.
Scarlett Robins meets her husband while in college studying ways to help end the hunger riots taking place all across the globe. Caleb, her husband, was a guest lecturer for Scarlett’s class and her professor introduced them thinking they would find each other's ideas interesting. During one of their first conversations, the couple talk about grouping crops for research on a distant planet where they wouldn’t affect the Earth’s ecosystem.
Fast forward a few years later to find Scarlett and Caleb as part of a five-person team on Pygmalion 6, a distant planet, to work on solving the food shortage. Upon arrival Scarlett boots up the computer systems and initializes all security programs, not realizing that she just made a deadly mistake. It takes years before Scarlett and the rest of the team discover just what actions she set in place that fateful first day. Too bad it may already be too late to save anyone from the greedy company they all work for.
I really enjoyed the twist towards the end of the book. The book was only mildly predictable compared to others of a similar genera, which was nice. Overall the plot was well thought out and well written. There was a fair amount of technical talk especially about the bees and their relationship to the plants. While I understand its importance to the background of the story I felt like it went into unnecessary detail.
Young adults and adults alike will enjoy this book. There was very little to no inappropriate scenes in this book, plus it only hints at any kind of adult content. That being said high school and older should be alright to read this and most middle school students should be able to handle it with no problem. I rate this book a 3 out of 4. The over detailed technical stuff seemed to take something away from the overall story. Almost as if the book was supposed to be much more in-depth and bigger than what it was. It is because of this that I decided not to give the book a perfect score. Other than that one flaw the book was amazing.
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https://www.austinmacauley.com/book/bitter-memory
Scarlett Robins meets her husband while in college studying ways to help end the hunger riots taking place all across the globe. Caleb, her husband, was a guest lecturer for Scarlett’s class and her professor introduced them thinking they would find each other's ideas interesting. During one of their first conversations, the couple talk about grouping crops for research on a distant planet where they wouldn’t affect the Earth’s ecosystem.
Fast forward a few years later to find Scarlett and Caleb as part of a five-person team on Pygmalion 6, a distant planet, to work on solving the food shortage. Upon arrival Scarlett boots up the computer systems and initializes all security programs, not realizing that she just made a deadly mistake. It takes years before Scarlett and the rest of the team discover just what actions she set in place that fateful first day. Too bad it may already be too late to save anyone from the greedy company they all work for.
I really enjoyed the twist towards the end of the book. The book was only mildly predictable compared to others of a similar genera, which was nice. Overall the plot was well thought out and well written. There was a fair amount of technical talk especially about the bees and their relationship to the plants. While I understand its importance to the background of the story I felt like it went into unnecessary detail.
Young adults and adults alike will enjoy this book. There was very little to no inappropriate scenes in this book, plus it only hints at any kind of adult content. That being said high school and older should be alright to read this and most middle school students should be able to handle it with no problem. I rate this book a 3 out of 4. The over detailed technical stuff seemed to take something away from the overall story. Almost as if the book was supposed to be much more in-depth and bigger than what it was. It is because of this that I decided not to give the book a perfect score. Other than that one flaw the book was amazing.
https://nightreaderreviews.blogspot.com
https://facebook.com/nightreaderreviews
https://www.austinmacauley.com/book/bitter-memory
LeftSideCut (3778 KP) rated Bad Boys for Life (2020) in Movies
Jan 28, 2020
It's says a lot about this third entry into the Bad Boys franchise, when there's been a 17 year gap between movies, and it still manages to be this good!
The Bad Boys films are known for being over the top, sweary, violent, funny, and action packed, and thankfully, this tried and tested formula sticks again.
It's silliness is hugely toned down from the overly gratuitous Bad Boys II, (it's still pretty silly mind), and we're presented with a host of characters that actually ground the franchise a little, and it's all the better for it.
Will Smith and Martin Lawrence are once again hugely likable as detectives Mike Lowrey and Marcus Burnett, the chemistry between the two is still hilariously beautiful and bro-tastic after all these years.
BBFL also introduces a group of new characters, a law enforcement response team known as AMMO, who are also all pretty likable. I feel that the writers are perhaps testing the waters for a potential spin off.
The movies bad guys are drug-queen Isabel Aretas and her son Armando (Kate del Castillo and Jacob Scipio respectively) who both do a pretty good job at playing imposing and dangerous villains.
We also get some back story regarding Mike Lowrey that has never been touched on before - a possible avenue for a prequel maybe?
The action set pieces are exciting and well choreographed (best motorbike chase since John Wick 3) and directors Adil El Arbi and Bilall Fallah - taking over from Michael Bay - do a solid job of delivering a well shot action packed adventure, with just enough nods to the original duology's style.
The only criticisms I have really stem from pacing. The movie feels very staggered for much of the first half and takes a while to really kick into gear, but once it does, it's hugely entertaining.
Also, the comedy is laid on pretty thick and fast from the get go, and there were quite a few moments that didn't land, (predictably, there was plenty of too-old-for-this-shit jokes) but by the same merit, there were plenty that did.
Bad Boys For Life is overall a fun time that is pretty hard to not enjoy, and it actually might just be the best of the series, if not, then it's certainly on par with the first.
The narrative makes a good effort to set up potential directions for the franchise going forward (I counted at least three obvious set ups) but based on the strength of this entry, it something that I would actually like to see, and considering I went to the cinema content in the apparent knowledge that this would be the last one, that can only be a good thing.
The Bad Boys films are known for being over the top, sweary, violent, funny, and action packed, and thankfully, this tried and tested formula sticks again.
It's silliness is hugely toned down from the overly gratuitous Bad Boys II, (it's still pretty silly mind), and we're presented with a host of characters that actually ground the franchise a little, and it's all the better for it.
Will Smith and Martin Lawrence are once again hugely likable as detectives Mike Lowrey and Marcus Burnett, the chemistry between the two is still hilariously beautiful and bro-tastic after all these years.
BBFL also introduces a group of new characters, a law enforcement response team known as AMMO, who are also all pretty likable. I feel that the writers are perhaps testing the waters for a potential spin off.
The movies bad guys are drug-queen Isabel Aretas and her son Armando (Kate del Castillo and Jacob Scipio respectively) who both do a pretty good job at playing imposing and dangerous villains.
We also get some back story regarding Mike Lowrey that has never been touched on before - a possible avenue for a prequel maybe?
The action set pieces are exciting and well choreographed (best motorbike chase since John Wick 3) and directors Adil El Arbi and Bilall Fallah - taking over from Michael Bay - do a solid job of delivering a well shot action packed adventure, with just enough nods to the original duology's style.
The only criticisms I have really stem from pacing. The movie feels very staggered for much of the first half and takes a while to really kick into gear, but once it does, it's hugely entertaining.
Also, the comedy is laid on pretty thick and fast from the get go, and there were quite a few moments that didn't land, (predictably, there was plenty of too-old-for-this-shit jokes) but by the same merit, there were plenty that did.
Bad Boys For Life is overall a fun time that is pretty hard to not enjoy, and it actually might just be the best of the series, if not, then it's certainly on par with the first.
The narrative makes a good effort to set up potential directions for the franchise going forward (I counted at least three obvious set ups) but based on the strength of this entry, it something that I would actually like to see, and considering I went to the cinema content in the apparent knowledge that this would be the last one, that can only be a good thing.
JT (287 KP) rated Predators (2010) in Movies
Mar 10, 2020
Fans of the original Predator will no doubt have been excited to see the trailers for Predators, a script pulled from a filing cabinet in 1994 and given a 2010 make over by Robert Rodriguez, who produces, with Nimród Antal directing.
It was always going to be hard to top Schwarzenegger’s 1987 hit; John McTiernan had little special effects to work with but delivered an action/sci-fi masterpiece with a cast of mercenaries. When the sequel came along Schwarzenegger wanted no part of it, and so it was up to Danny Glover (I’m still getting to old for this shit) to battle on home turf, unsuccessfully in many people’s eyes.
In 2010 we’re back in the jungle only this is no ordinary jungle, this is home field advantage for the Predators. Again, a bunch of unknowns from different specially selected backgrounds are dropped in together to face a new breed of Predator, seemingly engaged in their own tribal turf war.
The story follows some similar paths to the original, macho heroes must work together to fight back, while at the same time avoid being picked off one at a time. The script is disjointed with no prior background as to why these bunch of cut throats have been pooled together, or who is behind it all.
That said those of us who can remember back as far as 1987 will enjoy a homage to the original with scenes like a spectacular waterfall jump, a Yazuka Vs Predator battle which gives us an insight as to what might have happened when Billy stayed behind on the bridge with nothing more than a huge knife for protection. All that and the immortal line “Kill me I’m here!”
Adrien Brody may not seem like your stereotypical action hero but he does do a half decent job, following along the action hero code of A) getting some serious gym time, B) lowering voice to a low growl and C) not giving a shit, then coming back and giving a shit!
The others, well they’re no Dutch, Mac, Billy or Zane but they are a new breed. There is the quiet and yet deadly Yakuza (Louis Ozawa Changchien), who is dressed for the most part in a smart grey suit and performs the sword-moves in a well choreographed human vs. Predator duel.
The rest are walking talking archetypal thugs, a Russian beef cake (Oleg Taktarov), a death row serial murderer (Walton Goggins), an African Death Squad killer (Mahershalalhashbaz Ali) and a cocaine cartel hatchet man (the legend that is Danny Trejo). There is also a rather pointless guest appearance which might lead us into a false sense of security as it is all but cut short, shame!
It was always going to be hard to top Schwarzenegger’s 1987 hit; John McTiernan had little special effects to work with but delivered an action/sci-fi masterpiece with a cast of mercenaries. When the sequel came along Schwarzenegger wanted no part of it, and so it was up to Danny Glover (I’m still getting to old for this shit) to battle on home turf, unsuccessfully in many people’s eyes.
In 2010 we’re back in the jungle only this is no ordinary jungle, this is home field advantage for the Predators. Again, a bunch of unknowns from different specially selected backgrounds are dropped in together to face a new breed of Predator, seemingly engaged in their own tribal turf war.
The story follows some similar paths to the original, macho heroes must work together to fight back, while at the same time avoid being picked off one at a time. The script is disjointed with no prior background as to why these bunch of cut throats have been pooled together, or who is behind it all.
That said those of us who can remember back as far as 1987 will enjoy a homage to the original with scenes like a spectacular waterfall jump, a Yazuka Vs Predator battle which gives us an insight as to what might have happened when Billy stayed behind on the bridge with nothing more than a huge knife for protection. All that and the immortal line “Kill me I’m here!”
Adrien Brody may not seem like your stereotypical action hero but he does do a half decent job, following along the action hero code of A) getting some serious gym time, B) lowering voice to a low growl and C) not giving a shit, then coming back and giving a shit!
The others, well they’re no Dutch, Mac, Billy or Zane but they are a new breed. There is the quiet and yet deadly Yakuza (Louis Ozawa Changchien), who is dressed for the most part in a smart grey suit and performs the sword-moves in a well choreographed human vs. Predator duel.
The rest are walking talking archetypal thugs, a Russian beef cake (Oleg Taktarov), a death row serial murderer (Walton Goggins), an African Death Squad killer (Mahershalalhashbaz Ali) and a cocaine cartel hatchet man (the legend that is Danny Trejo). There is also a rather pointless guest appearance which might lead us into a false sense of security as it is all but cut short, shame!
JT (287 KP) rated The Call (2013) in Movies
Mar 16, 2020
Don't Hang-Up on The Call
Brad Anderson directed one of my favourite horrors, Session 9, a film that is not particularly gory but is extremely unnerving in a variety of ways. It’s a film that leaves chills down your spine and fixates you to the screen, Anderson has a great way of building tension to almost breaking point, and with The Call, he’s achieved very much the same.
Halle Berry is 911 operator Jordan Turner who takes hundreds of distressing calls each day and generally manages to keep a cool head when the going gets tough. One particular day she takes a call from a young girl who has an intruder in the house, things don’t go well and as a result, Jordan takes a back seat from answering the phone to training the next generation of 911 operators.
It’s not long before she’s called back into the fray to face her fears and a familiar foe on the end of the phone, using her nerve and judgement she must help another young teenage girl from facing a similar fate. The acting is generally pretty good all-round, nothing wooden about these performances as everyone gives their all in making the situation as believable as it can be.
The film holds itself well, for the most part, maybe only wobbling when bog-standard clichés are introduced into the mix, but it’s not detracting at all and I genuinely cared about what the outcome would be. We know that suspense is driven through genuine fear, and there is no fear like being trapped inside the boot of a car which is what happens to young Abigail Breslin after she’s abducted.
During that part of the film where she is frantically on the phone to Jordan looking for a way out, we do wonder if it is going to be the end for her, and that every chance she gets to raise the alarm is thwarted as is always the case in these types of situations. The killer has a pretty good motive and the backstory is somewhat disturbing, it’s left to the audience to deduce just what his reasoning is for undertaking the horrific crimes.
The film then sets about racing away to the conclusion and it does feel a bit rushed, some have been harsh in their reviews of the way it ended, but I enjoyed it. There was a distinct nod to the original Saw which if that is correct, was a nice touch, although I think that is just me reading into it. Overall its a hell of a lot better than some other mainstream thrillers and is definitely worth the time.
Halle Berry is 911 operator Jordan Turner who takes hundreds of distressing calls each day and generally manages to keep a cool head when the going gets tough. One particular day she takes a call from a young girl who has an intruder in the house, things don’t go well and as a result, Jordan takes a back seat from answering the phone to training the next generation of 911 operators.
It’s not long before she’s called back into the fray to face her fears and a familiar foe on the end of the phone, using her nerve and judgement she must help another young teenage girl from facing a similar fate. The acting is generally pretty good all-round, nothing wooden about these performances as everyone gives their all in making the situation as believable as it can be.
The film holds itself well, for the most part, maybe only wobbling when bog-standard clichés are introduced into the mix, but it’s not detracting at all and I genuinely cared about what the outcome would be. We know that suspense is driven through genuine fear, and there is no fear like being trapped inside the boot of a car which is what happens to young Abigail Breslin after she’s abducted.
During that part of the film where she is frantically on the phone to Jordan looking for a way out, we do wonder if it is going to be the end for her, and that every chance she gets to raise the alarm is thwarted as is always the case in these types of situations. The killer has a pretty good motive and the backstory is somewhat disturbing, it’s left to the audience to deduce just what his reasoning is for undertaking the horrific crimes.
The film then sets about racing away to the conclusion and it does feel a bit rushed, some have been harsh in their reviews of the way it ended, but I enjoyed it. There was a distinct nod to the original Saw which if that is correct, was a nice touch, although I think that is just me reading into it. Overall its a hell of a lot better than some other mainstream thrillers and is definitely worth the time.
Ross (3282 KP) rated The Eleven in Books
Apr 23, 2020
Fantastic characters and original story
* I received an advance reader copy from the author and netgalley in exchange for an honest review *
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
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