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The Change 6: Tokyo: Noriko's Story
The Change 6: Tokyo: Noriko's Story
Guy Adams | 2017 | Science Fiction/Fantasy
7
7.0 (1 Ratings)
Book Rating
A decent self-contained post-apocalyptic novella
The (seemingly) final instalment in the Change series takes another turn and moves setting to the Japanese capital Tokyo. Where we have seen western cities pretty much out of control and descended into either Walking Dead style chaos or Mad Max style tribalism, we now have Tokyo. Everything is controlled by an AI called HA/HA. Noriko's story is told by a narrator, whose identity isn't revealed until late on and is a nice twist. She is on the run from the Electric Samurai, sentinel-like robots that police the city, just trying to get home. As with the rest of the series, she meets strange people along the way and sees unusual events.
Unlike with the previous books, this one has a satisfying ending. Sadly, it didn't close off the loose ends from the other books as I had hoped.
  
Apollo: Atmospheres & Soundtracks by Brian Eno
Apollo: Atmospheres & Soundtracks by Brian Eno
1983 | Rock, Soundtrack
7.8 (6 Ratings)
Album Favorite

"I was a big fan of Eno from day one. I brought Oblique Strategies from Rough Trade way, way back. It was a black box of cards that had different phrases on them like, ""Reverse it"" and ""Start in the middle"" – all kinds of possibilities. I loved his early stuff. The track 'Baby's on Fire' from Here Come The Warm Jets is great. Roxy were never the same without him. He was commissioned to write this music by Al Reinart who was making a documentary from footage shot of the lunar landings. It's a marvelous record. After a show or a long day's work it's the ultimate one to stick on, get in the bath, cup of tea, a stick of incense and you're laughing. It's more musical than the rest of his ambient stuff. There are bits of it that have a country and western twang."

Source
  
Darkest Hour (2017)
Darkest Hour (2017)
2017 | Drama, History, War
During the early days of World War II, the fate of Western Europe hangs on the newly-appointed British Prime Minister Winston Churchill, who must decide whether to negotiate with Hitler, or fight on against incredible odds.

Gary Oldman... well what can I say? Is there nothing that this man can't do? I still now, after having seen it, can't reconcile him playing this part in my head. He really shone through in Darkest Hour, he succeeded in rallying the audience to the edge of their seats. Seeing him perform "We shall fight on the beaches"... was incredible.

I'm no history buff, I can't tell you what was accurate, and honestly I don't think I want to know which bits fit the bill exactly and which were ad-libbed for effect. It was immensely enjoyable to watch, fun and ignites just a bit of national pride within you.
  
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