Search
Search results
Nicole Hadley (380 KP) rated Rooftops of Tehran in Books
Jun 18, 2018
<a href="https://awindowintobooks.wordpress.com">Full Review</a>
I received, Rooftops of Tehran by Mahbod Seraji, for free in exchange for a review. The synopsis of the book immediately caught my attention. From the beginning I was excited to read this novel. The story takes place in Iran. The story shows how American involvement affects everyone and not always in a good way. The characters are well developed. The story has twists, that I never expected but kept the story going.
Pasha, Ahmed, Zari and Faheemah are the main characters. Pasha and Ahmed spend many hours on his rooftop talking, joking, dreaming of the love of their lives and contemplating life. Pasha fantasized being with Zari but she was to married off to a childhood friend. While Ahmed wanted to be with Faheemah and ended up dating with the approval of her parents. Pasha and his friends live in Iran in the 1970's where they are skeptical of religion, arrange marriage and the government of their country. The US is viewed as a place of opportunity but as a place that causes problems.
By reading this book I was able to gain insight to middle class life in Iran during the 1970's until the rule of the Shah. This is a coming of age book that appears simple in the beginning but as the story progresses life gets complicated due to arranged marriage customs, and modern ideas from western culture. School is a place that is run by petty tyrants and when rules are not obeyed punishment is what follows. At the core, is the fundamentalism of Iran's future.
The SAVAK is present everywhere and people of all ages feel their impact. SAVAK have an impact on Iranian culture and not in a good way. They cause confusion, heartbreak and even death.
This story is written in a fast paced narrative perspective. The author has developed the characters well. At the end of the story I felt like I was sitting on the rooftop with Pasha experiencing his life, the twists, the secrets and all that effected his life with him.
I received, Rooftops of Tehran by Mahbod Seraji, for free in exchange for a review. The synopsis of the book immediately caught my attention. From the beginning I was excited to read this novel. The story takes place in Iran. The story shows how American involvement affects everyone and not always in a good way. The characters are well developed. The story has twists, that I never expected but kept the story going.
Pasha, Ahmed, Zari and Faheemah are the main characters. Pasha and Ahmed spend many hours on his rooftop talking, joking, dreaming of the love of their lives and contemplating life. Pasha fantasized being with Zari but she was to married off to a childhood friend. While Ahmed wanted to be with Faheemah and ended up dating with the approval of her parents. Pasha and his friends live in Iran in the 1970's where they are skeptical of religion, arrange marriage and the government of their country. The US is viewed as a place of opportunity but as a place that causes problems.
By reading this book I was able to gain insight to middle class life in Iran during the 1970's until the rule of the Shah. This is a coming of age book that appears simple in the beginning but as the story progresses life gets complicated due to arranged marriage customs, and modern ideas from western culture. School is a place that is run by petty tyrants and when rules are not obeyed punishment is what follows. At the core, is the fundamentalism of Iran's future.
The SAVAK is present everywhere and people of all ages feel their impact. SAVAK have an impact on Iranian culture and not in a good way. They cause confusion, heartbreak and even death.
This story is written in a fast paced narrative perspective. The author has developed the characters well. At the end of the story I felt like I was sitting on the rooftop with Pasha experiencing his life, the twists, the secrets and all that effected his life with him.
BookblogbyCari (345 KP) rated Vox in Books
Nov 4, 2018
Book review by Cari Mayhew. Rating 7/10.
A country where women can only speak 100 words a day – a novel concept for a dystopian thriller! The protagonist’s bitterness was palpable, and there were huge stakes at play, making for an intense read.
This book is set in the USA in the near future. A religious party is in power which sees women as only caregivers. Every woman and girl wears a counter on their wrist, counting the number of words spoken from midnight to midnight each day, delivering a powerful electric shock if they are one syllable over their 100-word limit. Ironically, the central character, Jean, is a linguist.
The action of the main storyline starts when the president’s brother, develops Wernicke’s aphasia as a result of brain damage following a skiing accident. This condition renders the victim unable to convey meaning in their speech, allowing them to only speak gibberish. With her knowledge of neuro-linguistics, Jean is uniquely placed to be persuaded to return to the lab to develop a remedy. Only, when she does, she discovers there’s a lot more going on behind the scenes – and she’s one of a small few with the power to save the day!
As you’d imagine, the female central character is extremely bitter, bitter with society and bitter with herself. She frequently looks back at how things became this way and wishes she had done more. The author does an excellent job of showing how insidiously the propaganda behind the movement swallowed up the nation. Jean sees it in her sons and daughter.
I’d very much like to believe that nothing like this would ever happen in western society, but sadly there are still some cultures in the world where women are faced with oppression.
I have mixed feelings about this book. In some ways, there was too much going on, such as Jean’s mother’s aphasia, and Jean’s extra-marital affair with her Italian crush. On the other hand, Dalcher could have done more to convey how oppressive the rule was for society at large, rather than concentrating on one woman’s experience – particularly since it was a woman for whom the rule was lifted for.
Book review from Book Blog by Cari.
A country where women can only speak 100 words a day – a novel concept for a dystopian thriller! The protagonist’s bitterness was palpable, and there were huge stakes at play, making for an intense read.
This book is set in the USA in the near future. A religious party is in power which sees women as only caregivers. Every woman and girl wears a counter on their wrist, counting the number of words spoken from midnight to midnight each day, delivering a powerful electric shock if they are one syllable over their 100-word limit. Ironically, the central character, Jean, is a linguist.
The action of the main storyline starts when the president’s brother, develops Wernicke’s aphasia as a result of brain damage following a skiing accident. This condition renders the victim unable to convey meaning in their speech, allowing them to only speak gibberish. With her knowledge of neuro-linguistics, Jean is uniquely placed to be persuaded to return to the lab to develop a remedy. Only, when she does, she discovers there’s a lot more going on behind the scenes – and she’s one of a small few with the power to save the day!
As you’d imagine, the female central character is extremely bitter, bitter with society and bitter with herself. She frequently looks back at how things became this way and wishes she had done more. The author does an excellent job of showing how insidiously the propaganda behind the movement swallowed up the nation. Jean sees it in her sons and daughter.
I’d very much like to believe that nothing like this would ever happen in western society, but sadly there are still some cultures in the world where women are faced with oppression.
I have mixed feelings about this book. In some ways, there was too much going on, such as Jean’s mother’s aphasia, and Jean’s extra-marital affair with her Italian crush. On the other hand, Dalcher could have done more to convey how oppressive the rule was for society at large, rather than concentrating on one woman’s experience – particularly since it was a woman for whom the rule was lifted for.
Book review from Book Blog by Cari.
Bong Mines Entertainment (15 KP) rated Magic - Single by ABC Dialect in Music
Jun 17, 2019
Abc Dialect is an electronic duo based in Barcelona, Spain. Not too long ago, they released a lovely music video for their “Magic” single.
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
Daniel Boyd (1066 KP) rated The Sisters Brothers (2018) in Movies
Jan 7, 2019 (Updated Jan 7, 2019)
Cast all give brilliant performances (1 more)
Quirky filming techniques
He Ain't Heavy, He's My Brother
I was dying to see this movie as soon as I saw the first trailer for it, but even though it dropped in the states months ago, it's not coming to UK cinemas until April 2019! However, if you mess around with the location settings on your on-demand website of choice, it is possible to legally watch this movie in Britain without having to wait another 4 months for it to release.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
Gareth von Kallenbach (977 KP) rated Hell or High Water (2016) in Movies
Aug 6, 2019
There are numerous films about bank robbers, loveable villains who we find
ourselves cheering for throughout their escapades. Something was always
missing, though. The actions always seemed simple, shallow, and, at times,
comical in their approach. Hell or High Water breaks from many of the
tropes that we are accustomed to with reality-based crime movies. The film
follows two brothers as they rob a chain of banks in the attempt to save
their home and land from foreclosure.
Hell or High Water demonstrates to the audience the complexity with the
story in which this film is based. Marcus (Ben Foster), who is a career
criminal, returns to a life of crime in order to help his brother Toby
(Chris Pine) create a stable future for his children. He has been pushed
to his limits by the banks who have taken advantage of his dying mother
and sees robbing them as the only possible path. They must be quick,
proficient, and calculated in their actions as they are being pursued by a
Texas Ranger (Jeff Bridges) who sees this case as his chance to achieve
some peace as it keeps him further from retirement.
The film is phenomenal in being able to carry several different
storylines, issues, and directions. The film is about Americans with bank
robbing as the backdrop. It demonstrates how working people feel taken
advantage of by the banks and have no sympathy for them as they argue that
the banks are the real criminals in shady deals that result in people
losing their homes. It is an ideal modern western with “the law” hot on
the tail of the bandits. There is no clear bad guy with the brothers, just
a flawed antiheroes that several in the community will not turn against
because they understand that the boys are “one of them” and applaud them
for taking action against the banks.
Audiences will find themselves engrossed in the storyline, expansive views
of Texas, relating to the anger towards financial institutions, and
rooting for these brothers as they try to save their land and legacy.
ourselves cheering for throughout their escapades. Something was always
missing, though. The actions always seemed simple, shallow, and, at times,
comical in their approach. Hell or High Water breaks from many of the
tropes that we are accustomed to with reality-based crime movies. The film
follows two brothers as they rob a chain of banks in the attempt to save
their home and land from foreclosure.
Hell or High Water demonstrates to the audience the complexity with the
story in which this film is based. Marcus (Ben Foster), who is a career
criminal, returns to a life of crime in order to help his brother Toby
(Chris Pine) create a stable future for his children. He has been pushed
to his limits by the banks who have taken advantage of his dying mother
and sees robbing them as the only possible path. They must be quick,
proficient, and calculated in their actions as they are being pursued by a
Texas Ranger (Jeff Bridges) who sees this case as his chance to achieve
some peace as it keeps him further from retirement.
The film is phenomenal in being able to carry several different
storylines, issues, and directions. The film is about Americans with bank
robbing as the backdrop. It demonstrates how working people feel taken
advantage of by the banks and have no sympathy for them as they argue that
the banks are the real criminals in shady deals that result in people
losing their homes. It is an ideal modern western with “the law” hot on
the tail of the bandits. There is no clear bad guy with the brothers, just
a flawed antiheroes that several in the community will not turn against
because they understand that the boys are “one of them” and applaud them
for taking action against the banks.
Audiences will find themselves engrossed in the storyline, expansive views
of Texas, relating to the anger towards financial institutions, and
rooting for these brothers as they try to save their land and legacy.
Freemasonry Complete Guide for iPhone
Education and Reference
App
Explore the most complete iPhone application about Freemasonry Freemasonry is the world’s oldest...
Little Briar Rose
Games and Stickers
App
A stained glass-styled adventure inspired by Sleeping Beauty. «Little Briar Rose is one of the...
Philosophy Now
Education and Magazines & Newspapers
App
Philosophy Now is a magazine for everyone interested in ideas. It aims to corrupt innocent citizens...
Being Wagner: The Triumph of the Will
Book
Simon Callow plunges headlong into Wagner's world to discover what it was like to be Wagner, and to...
Ever Glorious: The Front Line Letters of the Crookenden Brothers, 1936 -46
Book
The Crookenden brothers - Henry, Napier and Spencer - were born into a military dynasty. Their...