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LoganCrews (2861 KP) rated Pan (2015) in Movies

Sep 21, 2020

Pan (2015)

2015 | Action, Sci-Fi

6.4

(11 Ratings)

Movie Rating

Huh? … what? H-how? Why..? I'm not even sure what like 80% of this crackpot, drug-fueled children's fever dream even was but I'm pretty sure I loved it. Everyone sings "Smells Like Teen Spirit" and "Blitzkrieg Bop" to hype up a grisly-looking, scenery chewing pirate Hugh Jackman for no reason at all. You're also able to witness a severely miscast Garrett Hedlund give one of the worst performances the screen has ever seen as Rooney Mara pulls an Emma Stone in 𝘈𝘭𝘰𝘩𝘢 and the fairies savagely murder an entire ship full of people one by one. In all seriousness, perhaps my allure bias for these cockamamie box office bombs is showing but this isn't even a quarter of the disasterpiece it has been dubbed. The visuals are lush, varied, and colorful with Wright's lifeful eye hard at work - and it has a lot of fun with its setpieces, while taking fine care of its effects. My biggest complaint is that this nutty curio has to be stuck within the confines of those obnoxious kids' films where the bland protagonist (here at least acted exceptionally by Miller) who obviously has some arbitrary, special talent spends the whole movie claiming they don't have said arbitrary, special talent only to find out completely unsurprisingly that they did have the aforementioned arbitrary, special talent all along. This would make an awesome PS2 game, if I didn't know any better you could have effortlessly convinced me Luc Besson directed this. Rushed through plot but who cares, it's mostly a blast.

Kudos

Kim Pook (101 KP) rated Annabelle Comes Home (2019) in Movies

Sep 8, 2020

Annabelle Comes Home (2019)

2019 | Horror, Mystery, Thriller

7.0

(42 Ratings)

Movie Rating Watch

At first, the start of the movie didn't make much sense to me. A middle aged couple purchase Annabelle and on their way home their car breaks down, they witness what Annabelle can do but yet they're still willing to get back in the car with the doll and take her home! I'd have been burning that thing but hey ho! Anyway, it turns out this couple 'the warrens' collect possessed artifacts and keep them under lock and key, and Annabelle is no exception, the Warren's lock her away in a glass cabinet and have her blessed every week to keep the evil away.
One day a friend of the Warren's babysitter comes over to hang out, keen to see the cursed artifacts, and when she's left alone she goes wandering into the locked room where she comes across Annabelle. She unlocks the cabinet to prop her back up after she falls forward and is scared by the kitchen smoke alarm causing her to flee back to the kitchen leaving the cabinet unlocked. Low and behold Annabelle falls out of the cabinet which I found pretty amusing. After that, strange things start happening such as a child asking for annabelle to come out and play, people seing ghosts and annabelle appearing in random places, nothing overly scary really. The movie finally gets going after about an hour with a few jump scares, evil ghosts and a rabid wolf to name a few, but it was over quicker than it started and in quite an abrupt way too.

Kudos

LoganCrews (2861 KP) rated Sharp Objects in TV

Nov 26, 2020

Sharp Objects

2018 | Crime, Drama, Mystery

7.9

(20 Ratings)

TV Show Rating

"𝘠𝘰𝘶 𝘮𝘢𝘥𝘦 𝘮𝘦 𝘣𝘭𝘦𝘦𝘥..."

Decay in all its forms, *very* HBO - right down to the opening credits sequences - in the best ways. If I have one complaint it's that I wish this were an episode longer to really settle into its final moments before the jaw-dropping rug-pull ending (and maybe I wish it was a little more physically gross when it calls for it) - but I digress, this is phenomenal television all the same. Flynn is as complex a writer as ever and Jean-Marc Vallée is at some of his most fully engrossing. As someone living in a tawdry small town just like this it does a bangup job at showing how those types of areas prey upon their little boys and girls, and bears witness to the differing ways their subsequent rage manifests between each gender. You know yourself much less than everyone else *thinks* they know you, if you aren't peering directly into their eyes you aren't safe from disparaging remarks even from your supposed closest allies - the moment in episode 5 where the camera keeps switching POVs while somebody glares at someone else, who then glares at someone else, who then glares at someone else, etc., etc. does a good job at exemplifying this. Adams, Messina, and particularly Clarkson, Scanlen, Perkins, and Czerny are sublime as these haunted enigmas of people. Gives away some of its themes a touch too on-the-nose later in the game but nonetheless a grim, fragmented, trancelike nightmare of hatred. Magnetic as hell.