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BookwormMama14 (18 KP) rated With You Always (Orphan Train, #1) in Books

Jan 2, 2019

It is a well known fact that Jody writes some of my favorite books of all time. Her ability to express the time and place in a beautifully real way has drawn me into more than one story. And on more than one occasion, my attention would not be relinquished until I turned the last page of the book (or longer).

With You Always is the beginning of a new series and it is full of the same passion and faith that infuses Jody's other books. Elise is an immigrant woman in New York during the mid 1800s. A challenging time for many people, a single woman trying to take care of her siblings had limited options. When heading west to find employment, Elise struggles between doing what is best for her family and not wanting to be separated from them. Will she open her heart to God and allow Him to guide her steps?

With so much uncertainty about his future, Thornton Quincy battles to find his identity. Constantly being compared to his brother, he has never allowed himself to find who he truly is and the kind of man that he wants to be.

The emotions in this story gripped me from the start. So much suffering, so many families torn apart, my heart was (and still is) heavy with the situations that our characters face. However, it was so encouraging to witness God's hand weaving in and out of their lives. Lining up the pieces and placing everything in order. Although, beware the cliff hanger. AH! I am hoping that this story continues if not strictly from Elise's perspective than maybe Marianne's or Sophie's....because I NEED ANSWERS!!! Ok, that is all...Pick up this book, read it, and let me know what you think of it! I think this is a brilliant opening to the series and a unique look into an aspect of history that is so easily overlooked.

I received a complimentary copy of With You Always from Bethany House Publishers. I was not required to write a positive review. All opinions expressed are mine alone.

Kudos

Gareth von Kallenbach (980 KP) rated Lights Out (2016) in Movies

Aug 6, 2019

Lights Out (2016)

2016 | Horror

6.8

(19 Ratings)

Movie Rating Watch

Growing up, we all had a fear of the dark. Years later, many of us still carry this phobia. It prevents us from going into certain parts of our homes or places we are familiar with unless we have the assistance of light in some form. The darkness symbolizes and encapsulates the unknown. What is it that is hiding in the darkness? Why is it that we cannot trust it? Is there really something lurking in the shadows or is it all in our minds?

In Lights Out audiences bear witness to this fear and are confronted with how this fear becomes a reality for one family. Rebecca (Teresa Palmer) is trying to make a life of her own after becoming estranged from her family. When her brother begins to experience the same problems at home that had plagued her as a child, she is brought back into the center of chaos. All of the fears return and she must save her family from a dark spirit that has attached itself to her mother before it consumes them all.

The film itself offers the ability for audiences to explore some of their earliest fears which had them leaving a light on or plugging in a night light in their rooms in order to feel safe. The film is inventive in its approach and storytelling, but I felt as though there was more to be offered with respect to the villain and relationships between the characters. Greater depth about their backstories would have allowed audiences to feel more invested in the characters and even more interested in the outcome.

For those that are looking forward to a movie that will have them jumping out of their seats, this film delivers. Many of those moments are not as predictable in many other films of the horror genre, nor does it rely on gore in order to shock audiences. Through the direction of David Sandberg, the tension is allowed to build and help carry the story to its culmination. I am looking forward to more adaptations of universal fears and phobias on screen. Lights Out does not disappoint in being a fright-filled popcorn movie.

Kudos

Gareth von Kallenbach (980 KP) rated Insidious: Chapter 3 (2015) in Movies

Aug 6, 2019

Some of us at one time or another have considered contacting a loved one who has passed away or making contact with the “other side” through séances, Ouija boards, or even the recent trend “Charlie, Charlie.” We don’t consider the ramifications of our decisions and what the outcome could be. With the third installment of the Insidious franchise we bear witness to this possibility for one young lady. Quinn Brenner is suffering from the recent loss of her mother and desperately wants to contact her. In her attempts to contact the departed, she reaches out to Elise Rainier, a medium who reluctantly assists her, yet warns her of the dangers in pursuing this endeavor. Unfortunately for Quinn, the warning comes too late as her attempts to reach out to her mother have opened up the opportunity to be contacted by other spirits. As a result, Quinn finds herself being pursued by a dark entity whose only purpose is obtaining her soul. With the help of Elise and Quinn’s father, it becomes a fight to rescue her soul from the clutches of this dark and mysterious figure.

The film’s story and plot are very simple to follow and with it being a prequel has a few connections to the other movies within the Insidious franchise. Viewers of the other two films will catch on to some of the references and allusions to the previous movies. With this being said, it makes for a good stand-alone film and does not require its audience to watch the other films in order to understand the issues and follow along with the story. There are more than enough suspenseful moments in the film and it will keep audiences at the edge of their seats waiting to see what awaits them in each scene. Despite its PG-13 rating, it does a great job in finding a balance with the suspense and gore. There are a multitude of misdirections applied and creative moves to frighten the viewers which will have audiences looking over their shoulders as they walk back to their cars from the theater, questioning every sound that they hear, and keeping all of the lights on in their homes for safe measure.

4/5