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Gareth von Kallenbach (977 KP) rated Jem and the Holograms (2015) in Movies
Jun 19, 2019
Being a teenager is a confusing time, we want to be accepted, popular, and, at times, invisible. In a world where you feel overlooked and ignored, it is gratifying to have a voice, an identity, some special aspect that is going to make you stand out and be accepted. Jem and the Holograms attempts to make this a theme. Creating your identity and having the ability to shape and form it into a way that it becomes your own shield against the ills of the world. It is a very promising concept and idea when attempting to update the series for today’s audience. Unfortunately there isn’t much substance to the film. The substance that is apparent is quite shallow and undeveloped.
Instead of sticking with the original premise and backstory of the popular cartoon series of the 1980s, it tries to modernize itself in a way that holds onto little of its origin other than the name of some of the characters. There is no heart with this film, there is no feeling driving the movie that makes you want to cheer for the characters to become successful. This is mainly due to the film not giving audiences a chance to like the characters or even learn who they really are. The film makes everything look so easy within the music industry. The basic understanding is that if you post a video online, you might be discovered and are immediately offered a recording contract. This storyline will resonate with many of the “Generation Me” and “Kardashian Culture” crowd that is filled dreams of becoming famous for doing little to nothing.
The story is beyond far-fetched in that it every problem, riddle, issue, and negative moment is resolved in the next scene. There is no struggle for any of the characters other than the possibility that their aunt and foster mother may lose their house, but even this is solved within two minutes.
The one shining light in the film is Juliette Lewis as Erica Raymond, CEO of Starlight Records who gives Jem and her sisters the opportunity to take over the spotlight. She is not only the comic relief, but serves the role as a conniving, manipulative recording manager. This is pretty much the only similarity that exists between this film and the original series. Erica prompts older audiences to think of the Misfits (the nemesis to the Holograms) who were continuously trying to sabotage their careers. The rest of the cast, leaves one not feeling connected to them or their storylines. There is no development for any of the people throughout the film. It almost seems as though when making the film, the production team sat around thinking, “It’s Jem, the music will carry the story.” Unfortunately, the music that is included goes no further than being the typical pop music similar to that which is on every station today. There is nothing that stands out about the music, as catchy as it is, that makes you feel as though you should become invested in who these girls are or even that they have something that makes them stand out. With the time that has passed since the cartoon appeared on television, there should have been more investment in who these girls are and why we should care about them. Audiences don’t have that opportunity, as they become famous, seemingly overnight. It almost makes one want to root against them.
There is a real opportunity missed with this film to combine the original show, catering to older audiences who watched the show as children, and update it for a newer generation. The film would have been much better served with inclusion of many of the elements that made the series have such appeal. The approach is very juvenile and rushed. The original show was more than music, it was about the relationships formed by many of the characters and the various adventures that they would pursue. There were stories with depth and continuity which reinforced the aspects of working hard and achievement of goals. The whole movie looks like a diary entry of what an American tween would see as their life in entertainment. The one positive note about the film is the way that it incorporates social media in the development of the story. It demonstrates the connection that is and can be made through music and pop culture.
Sadly, in contrast to the original series, the film demeans and belittles women. Its approach is short-sighted and does not deal with any aspect of reality that one would expect. Jem is nothing more than a manufactured pop music story. There is little that audiences could relate to. In a sense, it is anti-music, and anti-intellectual. The film itself, is filler and a corruption of the origin story and the time that has passed since it first debuted. Audiences of Jem the TV series may be appalled at what they witness, if they do decide to actually watch the film. For younger audiences, this film reinforces the belief that all kids should get participation trophies because they tried. There is the sense that if you just show up, the opportunity will be handed to you. There is no real work on the screen and it seems as though there was no real work or effort put into creating this film. Younger audiences will tout the music and friendship displayed. Older audiences who were fans of the television show will be soundly disappointed in what they witness on the screen. It is a bastardization of what Jem should be in a modern age. There is no soul to this film. Every note that it hits is flat.
http://sknr.net/2015/10/23/jem-and-the-holograms/
Instead of sticking with the original premise and backstory of the popular cartoon series of the 1980s, it tries to modernize itself in a way that holds onto little of its origin other than the name of some of the characters. There is no heart with this film, there is no feeling driving the movie that makes you want to cheer for the characters to become successful. This is mainly due to the film not giving audiences a chance to like the characters or even learn who they really are. The film makes everything look so easy within the music industry. The basic understanding is that if you post a video online, you might be discovered and are immediately offered a recording contract. This storyline will resonate with many of the “Generation Me” and “Kardashian Culture” crowd that is filled dreams of becoming famous for doing little to nothing.
The story is beyond far-fetched in that it every problem, riddle, issue, and negative moment is resolved in the next scene. There is no struggle for any of the characters other than the possibility that their aunt and foster mother may lose their house, but even this is solved within two minutes.
The one shining light in the film is Juliette Lewis as Erica Raymond, CEO of Starlight Records who gives Jem and her sisters the opportunity to take over the spotlight. She is not only the comic relief, but serves the role as a conniving, manipulative recording manager. This is pretty much the only similarity that exists between this film and the original series. Erica prompts older audiences to think of the Misfits (the nemesis to the Holograms) who were continuously trying to sabotage their careers. The rest of the cast, leaves one not feeling connected to them or their storylines. There is no development for any of the people throughout the film. It almost seems as though when making the film, the production team sat around thinking, “It’s Jem, the music will carry the story.” Unfortunately, the music that is included goes no further than being the typical pop music similar to that which is on every station today. There is nothing that stands out about the music, as catchy as it is, that makes you feel as though you should become invested in who these girls are or even that they have something that makes them stand out. With the time that has passed since the cartoon appeared on television, there should have been more investment in who these girls are and why we should care about them. Audiences don’t have that opportunity, as they become famous, seemingly overnight. It almost makes one want to root against them.
There is a real opportunity missed with this film to combine the original show, catering to older audiences who watched the show as children, and update it for a newer generation. The film would have been much better served with inclusion of many of the elements that made the series have such appeal. The approach is very juvenile and rushed. The original show was more than music, it was about the relationships formed by many of the characters and the various adventures that they would pursue. There were stories with depth and continuity which reinforced the aspects of working hard and achievement of goals. The whole movie looks like a diary entry of what an American tween would see as their life in entertainment. The one positive note about the film is the way that it incorporates social media in the development of the story. It demonstrates the connection that is and can be made through music and pop culture.
Sadly, in contrast to the original series, the film demeans and belittles women. Its approach is short-sighted and does not deal with any aspect of reality that one would expect. Jem is nothing more than a manufactured pop music story. There is little that audiences could relate to. In a sense, it is anti-music, and anti-intellectual. The film itself, is filler and a corruption of the origin story and the time that has passed since it first debuted. Audiences of Jem the TV series may be appalled at what they witness, if they do decide to actually watch the film. For younger audiences, this film reinforces the belief that all kids should get participation trophies because they tried. There is the sense that if you just show up, the opportunity will be handed to you. There is no real work on the screen and it seems as though there was no real work or effort put into creating this film. Younger audiences will tout the music and friendship displayed. Older audiences who were fans of the television show will be soundly disappointed in what they witness on the screen. It is a bastardization of what Jem should be in a modern age. There is no soul to this film. Every note that it hits is flat.
http://sknr.net/2015/10/23/jem-and-the-holograms/
Kristy H (1252 KP) rated The Elizas in Books
Apr 12, 2018
Fun book-within-a-book psychological thriller
Eliza Fontaine heads to Palm Springs and finds herself at the bottom of the hotel pool. Eliza can't swim, and her family assumes this was yet another one of Eliza's failed suicide attempts, as she has a history of winding up at the bottom of swimming pools. But Eliza swears this time was different; yes, she was drinking that evening, but she's sure someone pushed her, even if she can't remember exactly how she wound up at the pool or even the hotel bar. The sole witness is the man who rescued her, so Eliza tracks him down. But as they attempt to figure out what happened, Eliza only grows more confused. She's about to get her first novel published, and it seems as if events from the novel are intertwining with her life. She thought her novel was fiction, but now she's bewildered, feeling followed, and wondering if she's finally losing her mind for good.
This was an odd little book and not at all what I was expecting. That's not necessarily a bad thing, though, and the more I think about it, the more I should have realized that Sara Shepard is quite masterful at playing with our minds. This is actually almost two books in one: we get the novel itself; as well excerpts from The Dots, Eliza's debut novel, which is set to be published a few weeks after she's found in the pool. As we get deeper and deeper into The Dots, we're left to wonder how much its protagonist, Dot, is like Eliza--where does Eliza end and Dot begin?
It's really quite an ingenious setup and it's quite fun. I actually really liked the excerpts more at times. The novel revolves around the confusing question of identity, as Eliza struggles to figure out who she is and what she remembers about her life and past. My only struggle was that Eliza does a lot of thinking (aka talking or narrating) and I lost interest at some points when she talked on a bit. Still, most of the time, this was a pretty suspenseful book; it's certainly "trippy" and often confusing, as you work to puzzle out things alongside Eliza. I definitely didn't have everything figured out immediately, though I worked most things out as I went along.
Overall, this is a quick read (I read the entire thing during during two consecutive plane rides), and the book-within-a-book setup is fun and adds to the suspense. This isn't a read for those who love intricate, deeply plotted thrillers, but it's enjoyable and compelling and perfect for YA fans looking for a psychological thriller. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.
This was an odd little book and not at all what I was expecting. That's not necessarily a bad thing, though, and the more I think about it, the more I should have realized that Sara Shepard is quite masterful at playing with our minds. This is actually almost two books in one: we get the novel itself; as well excerpts from The Dots, Eliza's debut novel, which is set to be published a few weeks after she's found in the pool. As we get deeper and deeper into The Dots, we're left to wonder how much its protagonist, Dot, is like Eliza--where does Eliza end and Dot begin?
It's really quite an ingenious setup and it's quite fun. I actually really liked the excerpts more at times. The novel revolves around the confusing question of identity, as Eliza struggles to figure out who she is and what she remembers about her life and past. My only struggle was that Eliza does a lot of thinking (aka talking or narrating) and I lost interest at some points when she talked on a bit. Still, most of the time, this was a pretty suspenseful book; it's certainly "trippy" and often confusing, as you work to puzzle out things alongside Eliza. I definitely didn't have everything figured out immediately, though I worked most things out as I went along.
Overall, this is a quick read (I read the entire thing during during two consecutive plane rides), and the book-within-a-book setup is fun and adds to the suspense. This isn't a read for those who love intricate, deeply plotted thrillers, but it's enjoyable and compelling and perfect for YA fans looking for a psychological thriller. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.