"When I first heard that “Little Women” was being made as a film yet again, I thought to myself; why? I honestly never understand remakes, especially when there are great versions that have already been made. And in the case of “Little Women,” some very dull ones as well. The simple fact that Louisa May Alcott never actually wanted to write “Little Women” and that she and her editor thought it was flat at the time that it was published in 1868, has been obvious in several of the film and television versions of this story. However, when I read that Greta Gerwig had written a new screenplay based on the novel and that Gerwig was going to direct, my interest was piqued. Perhaps I had been wrong about the merits of a remake of “Little Women.” Perhaps the fact that an incredibly talented and wholly contemporary female writer-director had decided to take this on meant that I had overlooked something. And indeed I had. There is nothing dull or flat about Greta Gerwig’s “Little Women.” It is at once a classic and yet completely contemporary. It is lush and fresh. The exceptional screenplay, the brilliant casting, the nuanced and original performances, the sets, the costumes, the rhythm and pace are all exactly right. The film speaks to the struggles of women in our culture to break free from the conventions that in many ways still attempt to ground them. It is a coming of age tale, but it is not a coming-of-age tale mired in the mid-19th century; it is a coming-of-age tale for all time. After “Lady Bird” I was of course impressed with Ms. Gerwig’s directing, but with “Little Women” I’ve become jealous. Very jealous. Which for me is always the greatest compliment. Brava. "

"For me it is one of the most brilliant Mafia movies. Moreover it's the incarnation of the mythical erotic-romantic-tragic relationship between men and women. Beginning with love and ending with death. Isn't it the best description of this endless men-and-women love-hate system? And it's one of the best films about family as well. The protecting nest as miserable, dark shelter from an even darker existence of solitude."

"Francis Poletti writes books for children, but her stories are for everyone. They’re stories about women in history who were the first to achieve something, and what they had to battle against at that time, and how they preserved and pushed through and ended up achieving their dreams. “The Girl Who Ran,” is about a young heroine who is told that women can’t run, that running is against the rules, but she does it anyway."