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The Buried Giant
The Buried Giant
Kazuo Ishiguro | 2015 | Fiction & Poetry
8
7.6 (10 Ratings)
Book Rating
An unusual melancholic adventure
Beautifully written with a typical Kazuo Ishiguro unreliable narrator, this novel however, is not about self-delusion this time. It's a collective memory loss, a post-Arthurian quest that questions the value of remembering. It is written as a fable so the style may appear stilted and formal, and it may not be everyone's cup of tea, but I found the plot beguiling.

Ishiguro ventures in the Tolkien-world of medieval fantasy in which an elderly couple, who seem to be suffering a fog of memory loss, attempt to reconnect with their son by journeying across the lands. On their way, they face dangers from opposing forces, that try to hinder their progress.

This is a powerful treatment of memories, the passage of time and the enduring love of a couple living many years together. Nothing is over-stated, even the moments of high drama. A strange collection of characters but all of them wholly believable. Overall, this book rewards patience and reflection, a devastating portrayal of love in old age and it's a fantastic metaphor for the way nations forget/remember traumatic events.
  
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Awix (3310 KP) rated She (1965) in Movies

Feb 24, 2018  
She (1965)
She (1965)
1965 | Action, Mystery, Sci-Fi
7
6.3 (3 Ratings)
Movie Rating
Blue Flame Blues
Well-remembered Hammer fantasy has lavish production values, thoughtful script, terrific cast. World-weary explorers find themselves drawn to lost city in the mountains of North Africa, where they find a living legend and a blue flame with the power to grant immortality.

Obviously, you have to overlook the fact that the ancient Egyptian queen looks and sounds so Swiss, but apart from that there is a lot to enjoy here, although it is probably all a bit unreconstructed by modern standards (the whiter and blonder you are, the more important and beautiful). Peter Cushing does the business, as usual; Christopher Lee doesn't get enough to do. The main problem is that the film's central relationship (between Richardson and Andress) is just terribly tepid and not dramatic enough to power the second half of the film; as a result this is one of those movies that starts very strongly but discovers that the lost city is worth seeing, but not really worth the trouble of going to see. Probably still worth a look, overall, if 60s fantasy films are your cup of tea.