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Phillip McSween (751 KP) rated Saving Private Ryan (1998) in Movies
Apr 13, 2020
One of the GOATS
At the time of this writing, Saving Private Ryan is sitting at fourteen on my all-time list. It is one of those once-in-a-lifetime movies that doesn’t come along too often. The story revolves around an army captain in WWII taking his men on a suicide mission to rescue a private before he is killed in action. Private Ryan’s three brothers have already been killed in action and the military wants to get the remaining Ryan home so his mother won’t have lost all of her children in one war.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.
Rosalind: DNA's Invisible Woman
Book
Rosalind: DNA’s Invisible Woman tells the true story of the woman who discovered the structure of...
Historical Fiction Narrative Non Fiction
Charlie Cobra Reviews (1840 KP) rated the PlayStation 4 version of Kingdom Hearts III in Video Games
Jul 7, 2020
A Ton Of Fun
Kingdom Hearts III is an action/RPG developed and published by Square Enix. It was directed by Tetsuya Nomora and Tai Yasue, produced by Rie Nishi, written by Tetsuya Nomora and Masaru Oka with music composed by Yoko Shimomura, Takeharu Ishimoto, and Tsuyoshi Sekito.
Set after the events of Kingdom Hearts 3D: Dream Drop Distance and a sequel to Kingdom Hearts II; it's a conclusion to the "Dark Seeker Saga" and finds Sora and friends trying to prevent a second Keyblade War. Their search for the seven guardians of light has them visit worlds and cross paths with many different Disney and Pixar characters. Sora, nearly taken over by Xehanort, discovers he has lost his strength as a result. He resumes his travels accompanied by Donald and Goofy, in order to regain his "power of waking'. Traversing the realm of darkness, King Mickey and Riku search for Aqua while Kairi and Lea train to with their new Keyblades.
This game is a lot of fun. I never got to play the other Kingdom Hearts games so this was my first introduction to the series. I really liked the gameplay although sometimes the enemies are nothing more than canon fodder. But it was awesome with interacting with all the Disney and Pixar characters and seeing some of their worlds. I was very confused with the story but it goes by pretty well and there are lots of videos and pages on the internet if you want to catch up or dont remember what's going on or who's who. I didn't include some of the gameplay that showed boss fights because I didn't want to give anything away but the boss fights are a lot of fun. I just had the game on normal so I haven't found it very hard but I dont know if that stays the same if you increase the difficulty. You do have the options of changing gear for your allies and having the group eat meals for buffs as well as upgrade your keyblades but I generally stay away from that unless I have difficulty on a stage or boss. One thing I really didn't like so much was the spaceship battles that you get when traveling from world to world, I found them a bit tedious and annoying. But I'm sure some people liked them. All in all I'd give this game a 7/10. Below is a link to a video showcasing gameplay that I posted to YouTube.
Set after the events of Kingdom Hearts 3D: Dream Drop Distance and a sequel to Kingdom Hearts II; it's a conclusion to the "Dark Seeker Saga" and finds Sora and friends trying to prevent a second Keyblade War. Their search for the seven guardians of light has them visit worlds and cross paths with many different Disney and Pixar characters. Sora, nearly taken over by Xehanort, discovers he has lost his strength as a result. He resumes his travels accompanied by Donald and Goofy, in order to regain his "power of waking'. Traversing the realm of darkness, King Mickey and Riku search for Aqua while Kairi and Lea train to with their new Keyblades.
This game is a lot of fun. I never got to play the other Kingdom Hearts games so this was my first introduction to the series. I really liked the gameplay although sometimes the enemies are nothing more than canon fodder. But it was awesome with interacting with all the Disney and Pixar characters and seeing some of their worlds. I was very confused with the story but it goes by pretty well and there are lots of videos and pages on the internet if you want to catch up or dont remember what's going on or who's who. I didn't include some of the gameplay that showed boss fights because I didn't want to give anything away but the boss fights are a lot of fun. I just had the game on normal so I haven't found it very hard but I dont know if that stays the same if you increase the difficulty. You do have the options of changing gear for your allies and having the group eat meals for buffs as well as upgrade your keyblades but I generally stay away from that unless I have difficulty on a stage or boss. One thing I really didn't like so much was the spaceship battles that you get when traveling from world to world, I found them a bit tedious and annoying. But I'm sure some people liked them. All in all I'd give this game a 7/10. Below is a link to a video showcasing gameplay that I posted to YouTube.
Sophia (Bookwyrming Thoughts) (530 KP) rated Becoming Darkness in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Never have I ever read a book in which Hitler won World War II and succeeded in taking over the world.
Until now. I admit I'm a little fond of this one because of the whole alternative history thing going on right there, but I'm a little disturbed here, Lindsay Francis Brambles. You're as bad as Agatha Christie and came very close to killing everyone. Although technically, you did kill most of the characters that I grew fond of. Not cool. I don't think I can ever forgive you for this transgression of Trigger Happy Book. (More like Explosion Happy Book.)
But in the very long run, I only liked <i>Becoming Darkness</i> for a few things.
Sadistic as it may be, I did like how Brambles made Hitler won the second world war and unleashed a virus that made a lot of people turn into vampires all of that is told within the first few pages. Although the origins of Gemorrah (le virus) is revealed throughout the story and integrated in the plot, I still don't understand how the creators came up with that name in the first place. Does it mean something in German, or is it something they thought sounded sinister and cool and decided to go with it? In my humble opinion, it does not sound cool or sinister. It sounds like a Mary Poppins word.
I also really liked how Brambles didn't go completely off course from history there are some references to the war, there might be another significant historical figure who makes a cameo appearance (under a different name, but don't quote me), etc. Basically, there's not much that's thrown in completely off kilter aside from maybe the virus I still feel fishy about that.
Sophie Harkness does not take BS when there are boys hitting on her in the stupidest, cheesiest ways. Namely: "We're meant for one another because you're a girl, I'm a guy, and we have the parts to create phenomenal offspring." Sorry for the disturbing image, but that was very much implied by the character. Unfortunately for her, she sort of believes in love at first sight when she first met Val back when she was fourteen.
Sophie is also not a judgmental character she's very open-minded and believes vampires aren't exactly sinister blood sucking creatures. Every other Immune, those who can't get Gemorrah, are so judgmental and narrow-minded, it just peeves me greatly. It IS understandable, though, considering the year Brambles sets the book in.
Unfortunately, I didn't really like the whole flashbacks. For awhile in the beginning, it's a little confusing and I had to backtrack to make sure it was a flashback and not actually set in the present day. There's a "sort-of" warning and then we're in flashback mode that feels like it's set in the present but is really Sophie telling a story. On the bright side, all those flashbacks (and the journal entries written by Sophie's mom) all play a relevant role in the overall plot.
I also didn't really like Valentine. Though I eventually warmed up to him over the course of the book, something about him was really disturbing. He's not an annoying "stalker type" of character, but it IS a little weird he still tried to keep his connections to Sophie's family from grandma to mom to Sophie in the hopes of falling in love again. But considering the fact he's doesn't throw out stupidly cheesy lines at Sophie, I like him a little.
Have I mentioned I'm sick and tired of seeing the name Valentine over and over again in literature? We just can't get any more original than St. Valentine, can we?
I would totally summarize <i>Becoming Darkness</i> in a few words if only I didn't end up giving major spoilers. But in a nutshell, the book quite literally tells me all of us should be downright grateful the Third Reich didn't succeed. It also told me I'm royally screwed if the way to a man's heart is through his stomach, but I think I've established that in sixth grade with the whole Ramen Noodle Stove catastrophe.
<a href="https://bookwyrmingthoughts.com/arc-review-becoming-darkness-by-lindsay-francis-brambles/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Never have I ever read a book in which Hitler won World War II and succeeded in taking over the world.
Until now. I admit I'm a little fond of this one because of the whole alternative history thing going on right there, but I'm a little disturbed here, Lindsay Francis Brambles. You're as bad as Agatha Christie and came very close to killing everyone. Although technically, you did kill most of the characters that I grew fond of. Not cool. I don't think I can ever forgive you for this transgression of Trigger Happy Book. (More like Explosion Happy Book.)
But in the very long run, I only liked <i>Becoming Darkness</i> for a few things.
Sadistic as it may be, I did like how Brambles made Hitler won the second world war and unleashed a virus that made a lot of people turn into vampires all of that is told within the first few pages. Although the origins of Gemorrah (le virus) is revealed throughout the story and integrated in the plot, I still don't understand how the creators came up with that name in the first place. Does it mean something in German, or is it something they thought sounded sinister and cool and decided to go with it? In my humble opinion, it does not sound cool or sinister. It sounds like a Mary Poppins word.
I also really liked how Brambles didn't go completely off course from history there are some references to the war, there might be another significant historical figure who makes a cameo appearance (under a different name, but don't quote me), etc. Basically, there's not much that's thrown in completely off kilter aside from maybe the virus I still feel fishy about that.
Sophie Harkness does not take BS when there are boys hitting on her in the stupidest, cheesiest ways. Namely: "We're meant for one another because you're a girl, I'm a guy, and we have the parts to create phenomenal offspring." Sorry for the disturbing image, but that was very much implied by the character. Unfortunately for her, she sort of believes in love at first sight when she first met Val back when she was fourteen.
Sophie is also not a judgmental character she's very open-minded and believes vampires aren't exactly sinister blood sucking creatures. Every other Immune, those who can't get Gemorrah, are so judgmental and narrow-minded, it just peeves me greatly. It IS understandable, though, considering the year Brambles sets the book in.
Unfortunately, I didn't really like the whole flashbacks. For awhile in the beginning, it's a little confusing and I had to backtrack to make sure it was a flashback and not actually set in the present day. There's a "sort-of" warning and then we're in flashback mode that feels like it's set in the present but is really Sophie telling a story. On the bright side, all those flashbacks (and the journal entries written by Sophie's mom) all play a relevant role in the overall plot.
I also didn't really like Valentine. Though I eventually warmed up to him over the course of the book, something about him was really disturbing. He's not an annoying "stalker type" of character, but it IS a little weird he still tried to keep his connections to Sophie's family from grandma to mom to Sophie in the hopes of falling in love again. But considering the fact he's doesn't throw out stupidly cheesy lines at Sophie, I like him a little.
Have I mentioned I'm sick and tired of seeing the name Valentine over and over again in literature? We just can't get any more original than St. Valentine, can we?
I would totally summarize <i>Becoming Darkness</i> in a few words if only I didn't end up giving major spoilers. But in a nutshell, the book quite literally tells me all of us should be downright grateful the Third Reich didn't succeed. It also told me I'm royally screwed if the way to a man's heart is through his stomach, but I think I've established that in sixth grade with the whole Ramen Noodle Stove catastrophe.
<a href="https://bookwyrmingthoughts.com/arc-review-becoming-darkness-by-lindsay-francis-brambles/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
IBM and the Holocaust
Book
"IBM and the Holocaust" promises to reveal the international company's strategic alliance with Nazi...
DaveySmithy (107 KP) rated Casablanca (1942) in Movies
Dec 3, 2024
A Timeless Classic: Casablanca - A 10/10 Masterpiece
Few films manage to withstand the test of time quite like Casablanca. Released in 1942, this cinematic gem not only defines its era but also transcends it, continuing to captivate audiences decades later. Directed by Michael Curtiz and featuring unforgettable performances by Humphrey Bogart and Ingrid Bergman, Casablanca is a rare film that combines stellar storytelling, iconic performances, and a profound emotional core into an unparalleled movie experience.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
Ptolemy: King and Pharaoh of Egypt: No. 1
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Cleopatra of Egypt is one of history's most famous rulers, but who was responsible for founding the...
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Moss, stone, trees, and sand arranged in striking or natural-looking compositions: the tradition of...