Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (5000)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
40x40

Lyndsey Gollogly (2893 KP) rated Death In. A Northern Town: Only the dead Die Twice (book 4) in Books

Sep 15, 2023  
DI
Death In. A Northern Town: Only the dead Die Twice (book 4)
Peter McKeirnon | 2023
10
10.0 (1 Ratings)
Book Rating
128 of 235
Kindle
Death in a Northern Town : Only the dead Die Twice ( book 4)
By Peter Mckeirnon - Writer and Filmmaker
⭐️⭐️⭐️⭐️⭐️

My name is John Daint. Not too long ago something terrible happened. People began to get sick. So sick that their internal organs systematically failed and they died in the most disgusting ways imaginable. Only they didn’t stay dead and it wasn’t long before the town I once knew became the nightmare my brother had warned me about. This is my journal.

I’m sorry I couldn’t possibly give this any more than the full 5⭐️ I laughed so much and so loud good job my hubby is on nights this week! I need more! More Butty and definitely more 80sDave and his crazy shit!
This is hands down one the F and best British zombie series I’ve ever read bloody hilarious especially if your an 80s baby/child! Tina turner cigarettes it’s all I need to say 😂😂
  
40x40

Jacqueline Stewart recommended Fieldwork Footage (1928) in Movies (curated)

 
Fieldwork Footage (1928)
Fieldwork Footage (1928)
1928 |
(0 Ratings)
Movie Favorite

"The last one I think might be the most unusual one and this is footage shot by Zora Neale Hurston, who we know as a writer, a novelist, the author of Their Eyes were Watching God (the basis for the eponymous film), which is her best-known work. [She] was also a playwright, short story writer, and screenwriter for a while in her career. Really a Renaissance woman. When she was a student, she was studying anthropology with France Boulez at Columbia, and she was doing her fieldwork as an anthropologist on the kinds of communities that she grew up in, in Florida. In the late 1920s, she had a car and a 16-millimeter camera and she drove down to Alabama and Florida and she shot footage, ethnographic footage, as a part of her research. We featured some of this material on the Pioneers of African-American Cinema box set that I co-curated that was released by Kino. The footage is not narrative and it’s not exactly documentary either, in the sense that she never put together a work that then she was sharing with other people — it was for her research purposes. But she shows men who are logging, for example. My favorite passage of the footage was when she shows children playing games. The can game, and games when they’re in a circle or square and trading off movement and those kinds of things. We can see she’s capturing information that she’s going to use to talk about these cultural practices in her academic writing. It’s also really clear in the attention she pays the children and the attention that she pays to the movements of women, the way that she captures, even in the silent films, the rhythm and the musicality of church service. We can see visually the style that she’s developing that then she folds into her writing practice. We can say, because we know about this work that Zora Neale Hurston seems to be one of the first African-American women filmmakers, and so it gives us a deeper sense of her creative practice and her intellectual practice as well."

Source