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Kristy H (1252 KP) rated Such a Fun Age in Books
Apr 2, 2020
Emira Tucker is a somewhat aimless twenty-five-year-old. While all her other friends have steady jobs, she's still on her parents' health insurance. Her main gig is working as a babysitter for Alix Chamberlain and her two young daughters. When Alix asks Emira to take two-year-old Briar to the grocery store one night, a security guard confronts Emira, accusing the black woman of kidnapping the young toddler. A group of shoppers gathers, someone films the incident, and Emira is angry and embarrassed. Alix feels like she has to make the incident right. Through the video, someone from Alix's past turns up, propelling Alix and Emira on a crazy collision course that will make them question each other and everything they know.
This was a fascinating book that was completely easy-to-read. Reid is a great writer, and I flew through this novel. It's a little difficult to review, but it's an incredibly thought-provoking book that focuses on so much: relationships, racial dynamics, social class, parenting, and more.
Reid's characters come to life before your eyes. I fell quickly for Emira, who seems to be floundering in her life. Everyone claims to know what is best for Emira, but once we get to know her, I found her to be an interesting character, who actually knows much more than anyone gives her credit for. Her love for Briar comes across loud and clear, too. Reid also does such a good job capturing Briar, an unique kid, and it's easy to see why Emira loves her so much.
This book is deep, even if the story flies by quickly. There's so much to unpack, especially with Alix, who thinks she so progressive, yet, well, isn't. Her obsession with Emira is completely baffling and once the second character comes in, post grocery store incident, we are constantly thrown back between Alix and them. Who do we trust? Why are these two vying for Emira? What I loved about this novel is that usually, one character ultimately proves to be good and another evil. That may not necessarily be the case here. As mentioned, there's so much nuance in Reid's writing.
I flew through this book, and I found myself completely caught up in Emira, Alix, and even Briar's world. I may not have entirely grasped everything I should have, but I found it moving, timely, and beautifully written. Honestly, I would have loved to see more of Emira's life (and Briar's). This is a different sort of novel, but I found it worth a read. Reid is a wonderful writer, and I'm excited to see what she comes up with next. 4.5 stars
This was a fascinating book that was completely easy-to-read. Reid is a great writer, and I flew through this novel. It's a little difficult to review, but it's an incredibly thought-provoking book that focuses on so much: relationships, racial dynamics, social class, parenting, and more.
Reid's characters come to life before your eyes. I fell quickly for Emira, who seems to be floundering in her life. Everyone claims to know what is best for Emira, but once we get to know her, I found her to be an interesting character, who actually knows much more than anyone gives her credit for. Her love for Briar comes across loud and clear, too. Reid also does such a good job capturing Briar, an unique kid, and it's easy to see why Emira loves her so much.
This book is deep, even if the story flies by quickly. There's so much to unpack, especially with Alix, who thinks she so progressive, yet, well, isn't. Her obsession with Emira is completely baffling and once the second character comes in, post grocery store incident, we are constantly thrown back between Alix and them. Who do we trust? Why are these two vying for Emira? What I loved about this novel is that usually, one character ultimately proves to be good and another evil. That may not necessarily be the case here. As mentioned, there's so much nuance in Reid's writing.
I flew through this book, and I found myself completely caught up in Emira, Alix, and even Briar's world. I may not have entirely grasped everything I should have, but I found it moving, timely, and beautifully written. Honestly, I would have loved to see more of Emira's life (and Briar's). This is a different sort of novel, but I found it worth a read. Reid is a wonderful writer, and I'm excited to see what she comes up with next. 4.5 stars
As a Man Thinketh by James Allen
Podcast
“A man is literally what he thinks, his character being the complete sum of all his thoughts,”...
Bonita Avenue
Book
A darkly hilarious tale of a model family's disintegration. Professor Siem Sigerius - maths genius,...
Wake Up, Sir!
Jonathan Ames and Jamie Keenan
Book
A brilliant contemporary reimagining of the greatest comic relationship of all time, which goes far...
Doctor Who - Series 10 (New Season 10)
8.9
Rate It
TV Season Watch
The tenth series of the British science fiction television programme Doctor Who premiered on 15...
BankofMarquis (1832 KP) rated The Unbearable Weight of Massive Talent (2022) in Movies
Apr 22, 2022
Meta-Fun
It is a tricky thing on film, to parody your film image without making it an homage (or a complete trashing) of yourself. And, in THE UNBEARABLE WEIGHT OF MASSIVE TALENT, Nicholas Cage (playing Nick Cage) has found the line perfectly.
Conceived, written and Directed by Tom Cormican (THAT AWKWARD MOMENT), UWOMT (as I will call it here on out) is a meta-film that has Nicholas Cage playing a highly stylized and fictionalized version of himself. In this film, Nick Cage is desperate for work and going broke, when a rich fan offers him $1 million to appear at a birthday party. What happens next is bizarre, gonzo and out-of-control - and a lot of fun.
Let’s start with the man himself, Nicholas Cage, once he was convinced to do this film (and it took some convincing, for he turned this film down at least 3 times), he dives in with both feet and with full gusto filling Nick Cage with the wild actions and antics that are the basis of many, many Nicholas Cage memes. It is a knowing characterization by Cage, but one that knows when to pull back (not a trait often associated with him) and he does it all without winking at the camera.
Credit for this must go to Writer/Director Cormican (and his co-writer Kevin Etten),who had a clear vision of what they wanted to accomplish here, what tone they wanted to set, and how “meta” they wanted this film to be. And they accomplish this goal well, making an interesting and intriguing comedy/action flick that will satisfy many…but, especially, fans of Nicholas Cage.
Along for the fun ride are Neil Patrick Harris, Tiffany Hadish, Ike Barinholtz and Sharon Horgan who all deliver the right vibe for this film (as well as a couple of cameos that would be a spoiler to mention). They all look like that they are having a fun time.
But…the glue that holds all of this craziness together is the performance of Pedro Pascual (NARCOS, THE MANDILORIAN) who plays the millionaire Superfan who hires Cage and, eventually, befriends him. This is a masterful, comedic performance and it is Pascual’s sincerity (without going into buffoonery or overplaying) that grounds this film just enough that you actually care about the relationship between Pascual’s character, Javy, and Cage.
A ton of fun, not only for the performances and wild events, but for the many, many references to fun Cage films/roles of the past - items that will now motivate many (including myself) to check out.
Letter Grade: A
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Conceived, written and Directed by Tom Cormican (THAT AWKWARD MOMENT), UWOMT (as I will call it here on out) is a meta-film that has Nicholas Cage playing a highly stylized and fictionalized version of himself. In this film, Nick Cage is desperate for work and going broke, when a rich fan offers him $1 million to appear at a birthday party. What happens next is bizarre, gonzo and out-of-control - and a lot of fun.
Let’s start with the man himself, Nicholas Cage, once he was convinced to do this film (and it took some convincing, for he turned this film down at least 3 times), he dives in with both feet and with full gusto filling Nick Cage with the wild actions and antics that are the basis of many, many Nicholas Cage memes. It is a knowing characterization by Cage, but one that knows when to pull back (not a trait often associated with him) and he does it all without winking at the camera.
Credit for this must go to Writer/Director Cormican (and his co-writer Kevin Etten),who had a clear vision of what they wanted to accomplish here, what tone they wanted to set, and how “meta” they wanted this film to be. And they accomplish this goal well, making an interesting and intriguing comedy/action flick that will satisfy many…but, especially, fans of Nicholas Cage.
Along for the fun ride are Neil Patrick Harris, Tiffany Hadish, Ike Barinholtz and Sharon Horgan who all deliver the right vibe for this film (as well as a couple of cameos that would be a spoiler to mention). They all look like that they are having a fun time.
But…the glue that holds all of this craziness together is the performance of Pedro Pascual (NARCOS, THE MANDILORIAN) who plays the millionaire Superfan who hires Cage and, eventually, befriends him. This is a masterful, comedic performance and it is Pascual’s sincerity (without going into buffoonery or overplaying) that grounds this film just enough that you actually care about the relationship between Pascual’s character, Javy, and Cage.
A ton of fun, not only for the performances and wild events, but for the many, many references to fun Cage films/roles of the past - items that will now motivate many (including myself) to check out.
Letter Grade: A
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Don't Worry Darling (2022) in Movies
Oct 1, 2022
Plays it Too Safe
The previews for the new thriller/mystery DON’T WORRY DARLING shows a housewife in a seemingly idyllic 1950’s paradise community - but something about this seemingly perfect paradise is off - an intriguing premise for a film and one that I am a sucker for. Clearly, it will have some sort of twist that explains the weird situation our heroine is in. Most of the time, I can glean what that twist is going to be, but I gotta give DON’T WORRY DARLING credit, I couldn’t guess this one.
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Suswatibasu (1703 KP) rated My Cousin Rachel (2017) in Movies
Nov 12, 2017 (Updated Nov 12, 2017)
Gothic Victorian suspense surrounding the mysterious Rachel
This film is no doubt atmospheric and evocative, rather than old fashioned Victorian horror, all about the widow of recently deceased cousin who died under mysterious circumstances.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Book Divas (227 KP) rated Unseen (The Unseen Trilogy, #1) in Books
Dec 12, 2017
It's been some time since I've read a book that is deserving of more than five stars as such is this book.
This is the story of Mackenzie, a woman who at a young age lost her parents and was raised by a detestable aunt but through it all and with the love and support of her best friend Maddie, Mackenzie has still managed to accomplish whatever goals she has set for herself. However, Mackenzie has a secret; she can hear what people are thinking and little does she know that more devastating losses are coming her way. I can't go into any further details as I don't want to spoil the story for you.
I will say that:
1) Wow!!! I loved the heck out of this book.
2) Stephanie Erickson is an extremely talented writer who cleverly transports you into the story line by placing the reader front and center to the point where you are in its grip and don't want to put the book down.
3) The story itself moved at a steady pace filled with well developed characters and mind altering, emotional revelations.
This is the first book I've read by this author and I look forward to reading more from this talented author. Don't let this be the book that you pass by as I genuinely believe you too will enjoy it.
This is the story of Mackenzie, a woman who at a young age lost her parents and was raised by a detestable aunt but through it all and with the love and support of her best friend Maddie, Mackenzie has still managed to accomplish whatever goals she has set for herself. However, Mackenzie has a secret; she can hear what people are thinking and little does she know that more devastating losses are coming her way. I can't go into any further details as I don't want to spoil the story for you.
I will say that:
1) Wow!!! I loved the heck out of this book.
2) Stephanie Erickson is an extremely talented writer who cleverly transports you into the story line by placing the reader front and center to the point where you are in its grip and don't want to put the book down.
3) The story itself moved at a steady pace filled with well developed characters and mind altering, emotional revelations.
This is the first book I've read by this author and I look forward to reading more from this talented author. Don't let this be the book that you pass by as I genuinely believe you too will enjoy it.
LucyB (47 KP) rated The Essex Serpent in Books
Jul 23, 2017
Expertly written, but I struggled to get into it.
Sarah Perry definitely has a way with words. There was much about this book that I found very evocative, on occasion lyrical. Also, what a great backdrop for a story - the wilder parts of Essex, not to mention ancient folklore! As an Essex-born gal myself (and a sucker for anything mythical / legendary), this was music to my ears.
To be honest, I felt ever so slightly disappointed by the book as a whole, though... though I suspect this might be a case of 'it's me, not you'. I found it tricky to get into, and didn't really engage much with any of the characters. There were moments of absolute brilliance (the 'beast' washed up on the shore was so wonderfully depicted, as was the laughing scene in the school), but these were mired in content that I found a little distancing.
I don't want to be harsh at all, because I think it's clear that Perry is a master writer, and judging by all the other glowing reviews, this clearly is just me not 'getting' the book. Perhaps I'll pull it off the shelf at a later date and give it another go, it may well be that I just wasn't in the right frame of mind at present.
To be honest, I felt ever so slightly disappointed by the book as a whole, though... though I suspect this might be a case of 'it's me, not you'. I found it tricky to get into, and didn't really engage much with any of the characters. There were moments of absolute brilliance (the 'beast' washed up on the shore was so wonderfully depicted, as was the laughing scene in the school), but these were mired in content that I found a little distancing.
I don't want to be harsh at all, because I think it's clear that Perry is a master writer, and judging by all the other glowing reviews, this clearly is just me not 'getting' the book. Perhaps I'll pull it off the shelf at a later date and give it another go, it may well be that I just wasn't in the right frame of mind at present.