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Heather Cranmer (2721 KP) created a post
Apr 9, 2021
Richard Hell recommended Band of Outsiders (1964) in Movies (curated)
LoganCrews (2861 KP) rated Sharp Objects in TV
Nov 26, 2020
"𝘠𝘰𝘶 𝘮𝘢𝘥𝘦 𝘮𝘦 𝘣𝘭𝘦𝘦𝘥..."
Decay in all its forms, *very* HBO - right down to the opening credits sequences - in the best ways. If I have one complaint it's that I wish this were an episode longer to really settle into its final moments before the jaw-dropping rug-pull ending (and maybe I wish it was a little more physically gross when it calls for it) - but I digress, this is phenomenal television all the same. Flynn is as complex a writer as ever and Jean-Marc Vallée is at some of his most fully engrossing. As someone living in a tawdry small town just like this it does a bangup job at showing how those types of areas prey upon their little boys and girls, and bears witness to the differing ways their subsequent rage manifests between each gender. You know yourself much less than everyone else *thinks* they know you, if you aren't peering directly into their eyes you aren't safe from disparaging remarks even from your supposed closest allies - the moment in episode 5 where the camera keeps switching POVs while somebody glares at someone else, who then glares at someone else, who then glares at someone else, etc., etc. does a good job at exemplifying this. Adams, Messina, and particularly Clarkson, Scanlen, Perkins, and Czerny are sublime as these haunted enigmas of people. Gives away some of its themes a touch too on-the-nose later in the game but nonetheless a grim, fragmented, trancelike nightmare of hatred. Magnetic as hell.
Decay in all its forms, *very* HBO - right down to the opening credits sequences - in the best ways. If I have one complaint it's that I wish this were an episode longer to really settle into its final moments before the jaw-dropping rug-pull ending (and maybe I wish it was a little more physically gross when it calls for it) - but I digress, this is phenomenal television all the same. Flynn is as complex a writer as ever and Jean-Marc Vallée is at some of his most fully engrossing. As someone living in a tawdry small town just like this it does a bangup job at showing how those types of areas prey upon their little boys and girls, and bears witness to the differing ways their subsequent rage manifests between each gender. You know yourself much less than everyone else *thinks* they know you, if you aren't peering directly into their eyes you aren't safe from disparaging remarks even from your supposed closest allies - the moment in episode 5 where the camera keeps switching POVs while somebody glares at someone else, who then glares at someone else, who then glares at someone else, etc., etc. does a good job at exemplifying this. Adams, Messina, and particularly Clarkson, Scanlen, Perkins, and Czerny are sublime as these haunted enigmas of people. Gives away some of its themes a touch too on-the-nose later in the game but nonetheless a grim, fragmented, trancelike nightmare of hatred. Magnetic as hell.
Sarah Paulson recommended Opening Night (1977) in Movies (curated)
Bong Mines Entertainment (15 KP) rated Ghost - Single by TriOrca in Music
Jun 25, 2019
TriOrca is a cross Atlantic band based in Los Angeles, California. Not too long ago, they released a music video for their “Ghost” single.
“Fallen leaves, it was me that I couldn’t see through the trees. But I been loving someone though and every time when someone goes. Every time I can’t give up the ghost ‘cause the cracks in the floor keep bleeding out.” – lyrics
‘Ghost’ tells an interesting tale of a young woman who waits around for the telephone to ring. Apparently, she wants to receive a call from someone who she desires to be with romantically.
Later, she reveals that the above-mentioned individual might not be thinking about her, and that’s why the phone isn’t ringing. If that’s the case, then in return, she decides to give up his ghost.
‘Ghost’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with neo-soul and contemporary R&B elements.
TriOrca comprises of Phil Simmonds (multi-instrumentalist, producer), David Diaz (drummer, producer) and Whitney Meyer (writer, vocalist).
The bubbly trio is a unique ensemble of creatives who meet at the nexus of artistic intent and musicianship.
Simmonds has toured the world with Jessie J. Not too long ago, Meyer performed a duet with Sam Henshaw at an LA nightclub.
Diaz laid down live drums for Eryn Allen Kane’s forthcoming project while Simmonds played the bass, keys, and worked the boards. Also, while that was happening, Meyer was in another studio, laying down vocals for Empire of the Sun.
“Fallen leaves, it was me that I couldn’t see through the trees. But I been loving someone though and every time when someone goes. Every time I can’t give up the ghost ‘cause the cracks in the floor keep bleeding out.” – lyrics
‘Ghost’ tells an interesting tale of a young woman who waits around for the telephone to ring. Apparently, she wants to receive a call from someone who she desires to be with romantically.
Later, she reveals that the above-mentioned individual might not be thinking about her, and that’s why the phone isn’t ringing. If that’s the case, then in return, she decides to give up his ghost.
‘Ghost’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with neo-soul and contemporary R&B elements.
TriOrca comprises of Phil Simmonds (multi-instrumentalist, producer), David Diaz (drummer, producer) and Whitney Meyer (writer, vocalist).
The bubbly trio is a unique ensemble of creatives who meet at the nexus of artistic intent and musicianship.
Simmonds has toured the world with Jessie J. Not too long ago, Meyer performed a duet with Sam Henshaw at an LA nightclub.
Diaz laid down live drums for Eryn Allen Kane’s forthcoming project while Simmonds played the bass, keys, and worked the boards. Also, while that was happening, Meyer was in another studio, laying down vocals for Empire of the Sun.
Zoe Nock (13 KP) rated The Confessions of Frannie Langton in Books
Jun 26, 2019
“My trial starts the way my life did: a squall of elbows and shoving and spit.”
Sometimes a book just grabs you from the beginning, something tells you that treasure lies here. I felt that within a few paragraphs of The Confessions of Frannie Langton. Sara Collins prefaced the novel with an explanation of her enjoyment of stories from Georgian/Victorian era but also her disappoint that she didn’t feel represented in the literature from that time. Her love of literature and that lack of inclusion drove her to write a novel that filled a gap, filled a need for women like Frances Langton to have a voice.
And what a voice! The author embodies Frannie so well. The first thing that struck me was that Frannie’s voice shone through immediately. She sounds so authentic, within a few lines you are engaged and intrigued. So much of the prose is beautiful and evocative, truly poetic. Sara Collins describes the people and places so deftly, you sense the weight of a sultry Jamaican plantation and the drabness of a grey London suburb. You can almost taste the boiling sugar cane and fall under the sway of the delicious, devilish ‘Black Drop’. It’s difficult to read this book without imagining a BBC period drama, it really would make a good screen adaptation. There is no doubt that Collins is a gifted and accomplished writer, a weaver of words both seductive and threatening. I really enjoyed this novel and would like to read anything new from Sara Collins.
Sometimes a book just grabs you from the beginning, something tells you that treasure lies here. I felt that within a few paragraphs of The Confessions of Frannie Langton. Sara Collins prefaced the novel with an explanation of her enjoyment of stories from Georgian/Victorian era but also her disappoint that she didn’t feel represented in the literature from that time. Her love of literature and that lack of inclusion drove her to write a novel that filled a gap, filled a need for women like Frances Langton to have a voice.
And what a voice! The author embodies Frannie so well. The first thing that struck me was that Frannie’s voice shone through immediately. She sounds so authentic, within a few lines you are engaged and intrigued. So much of the prose is beautiful and evocative, truly poetic. Sara Collins describes the people and places so deftly, you sense the weight of a sultry Jamaican plantation and the drabness of a grey London suburb. You can almost taste the boiling sugar cane and fall under the sway of the delicious, devilish ‘Black Drop’. It’s difficult to read this book without imagining a BBC period drama, it really would make a good screen adaptation. There is no doubt that Collins is a gifted and accomplished writer, a weaver of words both seductive and threatening. I really enjoyed this novel and would like to read anything new from Sara Collins.
Christine A. (965 KP) rated The Shadows in Books
Aug 24, 2020
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
While I have "read" audiobooks for years now, this is the first one I was given to review. Let me catch my breath before starting. Wow! OK. Wow! That needed to be said.
Alex North's "debut" novel, The Whisper Man, was a 2019 Goodreads Choice Award Nominee for Mystery & Thriller. When I finished reading it, I immediately added his second book, The Shadows, to my must-read list.
The narrators of The Shadows are Hannah Arterton and John Heffernan. The combination of North's writing and Arterton and Heffernan's narration provides a story that feels as if the narrators are the characters themselves, sitting by a fire, retelling North's story, and not merely reading the story. It is their narration that helps North bring the listener down the rabbit hole and ending up questioning everything they thought was true. I needed to reread sections to see how I could have gotten everything so wrong.
North is a British crime writer who has previously published under another name. According to Goodreads, this is Arterton's first narration. While Heffernan has narrated a few novels, he writes mostly for film and TV but also wrote Driver For The Dead, his first comic book series.
This 200-word review was published on Philomathinphila.com on 7/14/20 and updated on 8/24/20.
While I have "read" audiobooks for years now, this is the first one I was given to review. Let me catch my breath before starting. Wow! OK. Wow! That needed to be said.
Alex North's "debut" novel, The Whisper Man, was a 2019 Goodreads Choice Award Nominee for Mystery & Thriller. When I finished reading it, I immediately added his second book, The Shadows, to my must-read list.
The narrators of The Shadows are Hannah Arterton and John Heffernan. The combination of North's writing and Arterton and Heffernan's narration provides a story that feels as if the narrators are the characters themselves, sitting by a fire, retelling North's story, and not merely reading the story. It is their narration that helps North bring the listener down the rabbit hole and ending up questioning everything they thought was true. I needed to reread sections to see how I could have gotten everything so wrong.
North is a British crime writer who has previously published under another name. According to Goodreads, this is Arterton's first narration. While Heffernan has narrated a few novels, he writes mostly for film and TV but also wrote Driver For The Dead, his first comic book series.
This 200-word review was published on Philomathinphila.com on 7/14/20 and updated on 8/24/20.
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