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Duck Soup (1933)
Duck Soup (1933)
1933 | Classics, Comedy, War
8
8.7 (12 Ratings)
Movie Rating
Decent Story Held Back By Too Many Confusing Plot Points
In Duck Soup, a wealthy widow offers aid to a struggling country on the condition they make a chaotic idiot their leader.

Acting: 10

Beginning: 10

Characters: 10
Main character Rufus T. Firefly (Groucho Marx) is absolutely hilarious. He has quips for days and he’s always doing something to liven up a scene. The other characters, while good, get lost in the greatness of his funny antics.

Cinematography/Visuals: 10
Numerous setpieces abound here which keeps the movie fresh. The movies’s consistent change of scenery and large visual spectacles propels Duck Soup to almost passable heights. I can appreciate a movie with a constant change of pace, especially older films.

Conflict: 3
I spent a decent amount of this movie trying to figure out just what exactly was going on. The conflict never seemed strong enough for me to think the stakes were worth it. It was clear the focus was more on the comedy aspect rather than driving the story.

Entertainment Value: 8

Memorability: 3

Pace: 10

Plot: 7

Resolution: 5
The ending was meh and that’s me being generous. It was essentially a compounding of the story as a whole which totally lost steam for me towards the back half of the movie. it felt like, by the time we reach the end, the writer forgot what initially made the story great in the first place.

Overall: 76
When you don’t really know what’s going on right off the nose, it makes it hard to settle into the story. Duck Soup does a lot of things rights. However, a solid main character and grandiose scenes aren’t quite enough to mask the fact that the movie falls just shy of being good. Not terrible, but definitely not great.
  
Rent: Filmed Live On  Broadway (2008)
Rent: Filmed Live On Broadway (2008)
2008 | Drama, Musical, Romance
8
8.0 (1 Ratings)
Movie Rating
Brings the power of being in the theater
Every decade, it seems, Broadway produces a transcendent musical. In the 1970's, it was A CHORUS LINE, in the 1980's, it was LES MISERABLES. Jump to the 2000's, you have WICKED and, of course, the 2010's brought us HAMILTON.

The 1990's brought us a "rock musical" that focused on a global pandemic set against the backdrop of social protesting and racial injustices (sound familiar), this musical is Jonathan Larson's RENT.

Following (loosely) the plot of the 1896 opera LA BOHEME, RENT tells the tale of disaffected artists trying to live and love (and make rent) while living their lives the way they wish to live it. Writer Jonathan Larson (who passed, suddenly, the day before previews began) created a powerful, rock driven, story that is poignant, sad and hopeful all at the same time. The original Broadway production Iwhich I am bragging that I saw 2x with the original cast) brought such talent as Jesse L. Martin, Anthony Rapp, Taye Diggs and Idina Menzel to the forefront.

But...skip the film version of this musical (starring most of the original cast) that came out in 2005. It is purfunctuary and lifeless. Instead, seek out the 2008 RENT: FILMED LIVE ON BROADWAY. Like Hamilton, this is a filmed version of the stage show and is able to capture the power and emotion that only live theater can provide.

The cast in this production is outstanding - with the standout being (no surprise) a young Renee Elise Goldsberry (Angelica Schulyer in Hamilton) who shines brightly as Mimi.

Like Hamilton, Rent showcases the power - and purpose - of live theater. A place that I cannot wait to go to again in 2021.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank (ofMarquis)