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PopcornPaul (3 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jul 15, 2017
Returning cast, soundtrack is great, special effects and action, cameos (1 more)
Baby Groot
Guardians of the Galaxy Vol. 2
Writer/director James Gunn takes us back to Knowhere to join Star-Lord, Drax, Gamora, Rocket and Baby Groot in the follow-up to the unexpected smash Guardians of the Galaxy.
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)
Scott Tostik (389 KP) rated Truth or Dare (2013) in Movies
Aug 24, 2017
Plot (3 more)
Awesome Special Effects
A great indie horror film
Ryan Kiser rocks!!!
Gory, disturbing and a helluva good time
I waited five years to see this movie, and it was totally worth it.
Jessica Cameron co-wrote and directed a worth wile addition to the horror genre.
It's hard to believe this was her first stab at directing. Pardon the pun folks, but stab is exactly what happens in this movie.
I had never heard of Ryan Kiser before this film, but he portrays an obsessed fan with psychotic gusto only equivalent to that of veteran horror actors.
Cameron, Dorff and the rest of the cast envelop them selves in their characters so much, and the camera work is so simple that it makes the disgusting game of Truth or Dare seem realistic and unstaged.
After reading the reviews for this splatterfest I can see how some people who are not horror hounds would be repulsed by this movie.
Myself, I brought an open mind and honestly didn't expect what I saw. But as a horror fanatic and self proclaimed horror movie GOD, I am in love with the concept of this film.
It brought obsession to a new height. It makes the viewer see that people can become so enthralled in other people's lives, that they can become obsessed with what they view.
Jessica Cameron deserves the spoils she received for her debut movie.
In this writers opinion this movie is the beginning of an amazing career for her as both a writer and director.
Big Studios take notice. This indie Queen is coming at you all with her nails out. I hope this is the first of many movie from her disturbed mind.
Buy this film people... Support the horror underground. You won't be disappointed.
Here's a link to the Amazon page where you can purchase this movie. Support indie film people...
https://www.amazon.ca/gp/aw/d/B01N963DXN/ref=mp_s_a_1_3?ie=UTF8&qid=1503580613&sr=8-3&pi=AC_SX236_SY340_QL65&keywords=truth+or+dare&dpPl=1&dpID=51tSWEEbQ7L&ref=plSrch
Jessica Cameron co-wrote and directed a worth wile addition to the horror genre.
It's hard to believe this was her first stab at directing. Pardon the pun folks, but stab is exactly what happens in this movie.
I had never heard of Ryan Kiser before this film, but he portrays an obsessed fan with psychotic gusto only equivalent to that of veteran horror actors.
Cameron, Dorff and the rest of the cast envelop them selves in their characters so much, and the camera work is so simple that it makes the disgusting game of Truth or Dare seem realistic and unstaged.
After reading the reviews for this splatterfest I can see how some people who are not horror hounds would be repulsed by this movie.
Myself, I brought an open mind and honestly didn't expect what I saw. But as a horror fanatic and self proclaimed horror movie GOD, I am in love with the concept of this film.
It brought obsession to a new height. It makes the viewer see that people can become so enthralled in other people's lives, that they can become obsessed with what they view.
Jessica Cameron deserves the spoils she received for her debut movie.
In this writers opinion this movie is the beginning of an amazing career for her as both a writer and director.
Big Studios take notice. This indie Queen is coming at you all with her nails out. I hope this is the first of many movie from her disturbed mind.
Buy this film people... Support the horror underground. You won't be disappointed.
Here's a link to the Amazon page where you can purchase this movie. Support indie film people...
https://www.amazon.ca/gp/aw/d/B01N963DXN/ref=mp_s_a_1_3?ie=UTF8&qid=1503580613&sr=8-3&pi=AC_SX236_SY340_QL65&keywords=truth+or+dare&dpPl=1&dpID=51tSWEEbQ7L&ref=plSrch
Haley Mathiot (9 KP) rated Triangles in Books
Apr 27, 2018
The thing about Ellen Hopkins is she writes about the stuff that everyone knows happens, but nobody is willing to admit to. She gives emotion and reason to why people make the choices we do, and what they feel like in the middle of a messy hurtful situation. She is the opposite of happyland syndrome. She tells it how it is.
I had read a little bit of Hopkins's work before: I started Crank (When I say started I mean read the first few pages) and loved it, but I was busy and never got the chance to get into it. But I got an ARC of Triangles, so I sat down and read it—and after one page I was hooked.
If you've been reading my blog at all, you know I'm not a person who likes stories about love gone wrong and marriages failing and extramarital sex etc. because I'm a Christian, and a romantic, and a softie (read 'wimp'). But I went ahead and dove into this book, because I knew Hopkins is a good writer.
It surpassed my expectations. I should have expected her to be this awesome, since obviously she's pretty famous and everyone else figured it out before I did, but I really am blown away, not only by her blunt yet graceful storytelling, but by her nerve to tackle the stories nobody wants to tell: a dying child, a gay son, a pregnant teen, sexual disease, threesomes, a woman sleeping with her best friend's husband… it's all in here. Yet, it's not plot overkill. She made it work. Somehow.
Though, be warned. Since she does say it like it is, this book is not for the easily offended. But if you're willing to look past the content, there's a gem waiting for you about forgiveness, hope, and what love really means.
Content/recommendation: explicit sexual content, swearing. Ages 18+
I had read a little bit of Hopkins's work before: I started Crank (When I say started I mean read the first few pages) and loved it, but I was busy and never got the chance to get into it. But I got an ARC of Triangles, so I sat down and read it—and after one page I was hooked.
If you've been reading my blog at all, you know I'm not a person who likes stories about love gone wrong and marriages failing and extramarital sex etc. because I'm a Christian, and a romantic, and a softie (read 'wimp'). But I went ahead and dove into this book, because I knew Hopkins is a good writer.
It surpassed my expectations. I should have expected her to be this awesome, since obviously she's pretty famous and everyone else figured it out before I did, but I really am blown away, not only by her blunt yet graceful storytelling, but by her nerve to tackle the stories nobody wants to tell: a dying child, a gay son, a pregnant teen, sexual disease, threesomes, a woman sleeping with her best friend's husband… it's all in here. Yet, it's not plot overkill. She made it work. Somehow.
Though, be warned. Since she does say it like it is, this book is not for the easily offended. But if you're willing to look past the content, there's a gem waiting for you about forgiveness, hope, and what love really means.
Content/recommendation: explicit sexual content, swearing. Ages 18+
Acanthea Grimscythe (300 KP) rated Throne of Glass in Books
May 15, 2018
Throne of Glass is the first book of Sarah J. Maas’s debut series, and that much is obvious when reading it. In a way, opening its pages has enlightened me to her growth as a writer. And while Throne of Glass is far more difficult to get into than Maas’s A Court of Thorns and Roses, I can definitely see where its fandom comes from – now if only my library had book two!
One of the things I was most excited to learn by reading this book is that Maas isn’t one of those authors that fall victim to making all their characters the same. In fact, I was thrilled to learn that Celaena is nothing like Feyre from A Court of Thorns and Roses (or should it be the other way around since this was published first?). Her love interests are vastly different, and so realistic that I couldn’t decide who I wanted to cheer for. Usually I’m pretty decided on what characters I like/don’t like, but even this early work from Maas shows she makes it difficult to simply pick and choose.
The plot of Throne of Glass is a bit Hunger Games-ish, what with a competition to find out who will be the King’s assassin meaning that it gets narrowed down to one. I will admit that I wish I’d read this book before I read Mask of Shadows by Linsey Miller, as this one was published first and the plot is a bit too similar for my taste. Both books center around a competition to become the ruler’s assassin, so I couldn’t help but think of Miller’s book the entire time I was reading this one. That, and Sal and Celaena have similar attitudes. It makes me wonder if this book inspired Miller. I do like the idea of magic only just returning to the world of Throne of Glass, though – if you can call it that.
That said, I really, truly cannot wait for the opportunity to read the next book.
One of the things I was most excited to learn by reading this book is that Maas isn’t one of those authors that fall victim to making all their characters the same. In fact, I was thrilled to learn that Celaena is nothing like Feyre from A Court of Thorns and Roses (or should it be the other way around since this was published first?). Her love interests are vastly different, and so realistic that I couldn’t decide who I wanted to cheer for. Usually I’m pretty decided on what characters I like/don’t like, but even this early work from Maas shows she makes it difficult to simply pick and choose.
The plot of Throne of Glass is a bit Hunger Games-ish, what with a competition to find out who will be the King’s assassin meaning that it gets narrowed down to one. I will admit that I wish I’d read this book before I read Mask of Shadows by Linsey Miller, as this one was published first and the plot is a bit too similar for my taste. Both books center around a competition to become the ruler’s assassin, so I couldn’t help but think of Miller’s book the entire time I was reading this one. That, and Sal and Celaena have similar attitudes. It makes me wonder if this book inspired Miller. I do like the idea of magic only just returning to the world of Throne of Glass, though – if you can call it that.
That said, I really, truly cannot wait for the opportunity to read the next book.
Rachel King (13 KP) rated Last Breath (The Morganville Vampires, #11) in Books
Feb 11, 2019
I always crack open the next Morganville book knowing that I will love it before I read a single word. Rachel Caine is a writer I can depend on. In this book, she takes the concept that she used in the previous book of sharing the P.O.V. with another character and multiplies it. In other words, while Claire still gets the most narration, the reader also gets to read a bit of narration by Amelie, Shane, Michael, and Eve. Shane's thought process is familiar from the previous book, and Eve's reminds me of her diary entries from the early books in the series. Michael's are interesting because I got to see some of the darkness that he struggles with on a daily basis, while trying to hide it from the other members of the Glass House. I enjoy Amelie's P.O.V. the most because she obviously has the most secrets and history to reveal. Caine could easily make Amelie the main character of a prequel series about the founding of Morganville (how I wish!).
Claire is in top form as usual, as she has the unique -- and unexplained -- ability to see Magnus before anyone else, or before Magnus even wants to be seen. Magnus is quite the horror-movie creature, the draug, whom even the local vamps fear. Reading the detailed descriptions of what he can do with water gives me goosebumps. As for how Magnus retaliates against Claire, I simply refused to believe that Claire's state was permanent -- she is simply too essential to the series. Now I am wondering, though, how the series would fare if Claire went vamp -- but that's all up to Rachel Caine.
The one thing I really disliked, of course, was how the book ended -- the first cliff-hanger of the series. There was just way too big of a loose end hanging to leave me feeling satisfied. The rest of the book was still fabulous, though, and I can't wait for Black Dawn to hit the shelves.
Claire is in top form as usual, as she has the unique -- and unexplained -- ability to see Magnus before anyone else, or before Magnus even wants to be seen. Magnus is quite the horror-movie creature, the draug, whom even the local vamps fear. Reading the detailed descriptions of what he can do with water gives me goosebumps. As for how Magnus retaliates against Claire, I simply refused to believe that Claire's state was permanent -- she is simply too essential to the series. Now I am wondering, though, how the series would fare if Claire went vamp -- but that's all up to Rachel Caine.
The one thing I really disliked, of course, was how the book ended -- the first cliff-hanger of the series. There was just way too big of a loose end hanging to leave me feeling satisfied. The rest of the book was still fabulous, though, and I can't wait for Black Dawn to hit the shelves.
Rachel King (13 KP) rated Insatiable (Insatiable, #1) in Books
Feb 11, 2019
I normally try to avoid Meg Cabot, simply because I've found some of her writing too teeny-bopper for me, but this book was written for adults and features an all-adult cast list. Now this is a book that could be made into a movie.
The book starts out as an anti-vampire book, and makes fun of the over-saturation in pop culture through Meena Harper's character. I love Meena's character right away, with her writing skills and passion for a decades-old soap opera, she is someone I can relate to. Her ability to predict others' deaths only makes her more intriguing. I also find it fittingly ironic when more and more of the people around Meena turn out to be vampires, as she eventually acknowledges herself.
Even though the book is written for adults, Meg Cabot still keeps the writing clean, skipping through the intimate bedroom scenes with only the smallest of hints at the sordid details. She also leaves many of the gruesome aspects of the plot up to the imagination of the readers, which I prefer.
Because this book is all about tongue-in-cheek irony, it is only fitting that the state of Meena's mind -- the jumbled mess of a writer -- attracts the prince of all vampires, Lucien, who happens to be a Romanian history professor when he isn't attending to his princely duties. I get the feeling that there is more to Lucien and Meena's attraction to each other than what Meg Cabot is telling the reader, but by the end of the book, this is still a mystery. Plus, a good-looking vampire slayer suffering from too much micromanagement and even less communication skills causes some interesting conflicts and obstacles for Meena and Lucien. His attraction to Meena is like water to a sponge, but Meena is less drawn to Alaric.
I wasn't crazy by how the book ended, but it made sense for Meena's independence. Still, I'm hoping Meena's choices will change in the next book, Overbite.
The book starts out as an anti-vampire book, and makes fun of the over-saturation in pop culture through Meena Harper's character. I love Meena's character right away, with her writing skills and passion for a decades-old soap opera, she is someone I can relate to. Her ability to predict others' deaths only makes her more intriguing. I also find it fittingly ironic when more and more of the people around Meena turn out to be vampires, as she eventually acknowledges herself.
Even though the book is written for adults, Meg Cabot still keeps the writing clean, skipping through the intimate bedroom scenes with only the smallest of hints at the sordid details. She also leaves many of the gruesome aspects of the plot up to the imagination of the readers, which I prefer.
Because this book is all about tongue-in-cheek irony, it is only fitting that the state of Meena's mind -- the jumbled mess of a writer -- attracts the prince of all vampires, Lucien, who happens to be a Romanian history professor when he isn't attending to his princely duties. I get the feeling that there is more to Lucien and Meena's attraction to each other than what Meg Cabot is telling the reader, but by the end of the book, this is still a mystery. Plus, a good-looking vampire slayer suffering from too much micromanagement and even less communication skills causes some interesting conflicts and obstacles for Meena and Lucien. His attraction to Meena is like water to a sponge, but Meena is less drawn to Alaric.
I wasn't crazy by how the book ended, but it made sense for Meena's independence. Still, I'm hoping Meena's choices will change in the next book, Overbite.
graveyardgremlin (7194 KP) rated Night Pleasures (Dark-Hunter, #1) in Books
Feb 15, 2019
Okay, before I start my review, I have a little pet peeve about Sherrilyn Kenyon's writing: She'll switch from one character to another without warning. There I am, happily reading along from Amanda's viewpoint, when all of a sudden it's Kyrian. Ugh! I know I've read other authors who do the same thing, but somehow it flows better and isn't like - what just happened?! Okay, end rant.
Overall, I enjoyed this book, but I did like Fantasy Lover more than this one. While I don't always think Ms. Kenyon is the best writer (it sometimes feels disjointed to me) her world is very imaginative and interesting. The creatures/characters are intriguing, and the story was just plain fun to read. Hey, there's a tortured hero, what more do you need? I was really into it close to 200 pages in, then I had to put it down. The next day I picked it up and it didn't grab me as much as the day before. Though towards the end it started to pick up for me, and of course I'm a big sap for happy endings. That's why I read romances more than anything else. I don't know about other romance readers, but I've had a hard life and I need a little lightness in it. That's where romances help. Now that I've bared my soul (no pun intended - hopefully you'll get it if you've read the book), I think I'll get back to the review. Now where was I? I know that Talon will be in the next book in the series, but I can't wait to read about Acheron. If he doesn't have a book out now, Ms. Kenyon needs to start writing his story. Well, as I said before (I think), it was a fast and fun read!
Please excuse me if my review is a little disjointed (haha), I can't quite put into words how to explain how I felt about the book. Ah, oh well; can't win them all!
Overall, I enjoyed this book, but I did like Fantasy Lover more than this one. While I don't always think Ms. Kenyon is the best writer (it sometimes feels disjointed to me) her world is very imaginative and interesting. The creatures/characters are intriguing, and the story was just plain fun to read. Hey, there's a tortured hero, what more do you need? I was really into it close to 200 pages in, then I had to put it down. The next day I picked it up and it didn't grab me as much as the day before. Though towards the end it started to pick up for me, and of course I'm a big sap for happy endings. That's why I read romances more than anything else. I don't know about other romance readers, but I've had a hard life and I need a little lightness in it. That's where romances help. Now that I've bared my soul (no pun intended - hopefully you'll get it if you've read the book), I think I'll get back to the review. Now where was I? I know that Talon will be in the next book in the series, but I can't wait to read about Acheron. If he doesn't have a book out now, Ms. Kenyon needs to start writing his story. Well, as I said before (I think), it was a fast and fun read!
Please excuse me if my review is a little disjointed (haha), I can't quite put into words how to explain how I felt about the book. Ah, oh well; can't win them all!
Cyn Armistead (14 KP) rated Night's Edge in Books
Mar 1, 2018
"Dancers in the Dark" by Charlaine Harris is set in the same universe as the Southern Vampire/Sookie Stackhouse stories, but with none of the incredibly annoying characters. How refreshing! It does go back to the same stuff Harris explored in her Shakespeare series and one of her standalone books (<i>Sweet and Deadly</i>? I can't remember if it was that one of the other, as they don't stand out in my memory too much anyway). The story wasn't terribly, though, and I was engaged. I kept thinking while reading, "Didn't I read another short story or novella in this universe about dancers?" Anybody else remember? I hate it when my memory goes wonky like that.
"Her Best Enemy" was too hackneyed, bringing in too many old standbyes. There's a tough girl reporter who is really a sweet woman who just needs a good man after a bad one took everything she had, a sexy man who is tougher than he looks and better able to protect her than even he knew, etc. I don't remember reading anything really strong by Maggie Shayne yet, but she's definitely on the romance side of the paranormal romance street, so that may explain my lack of enthusiasm.
Barbara Hambly's contribution, "Someone Else's Shadow," has us back in the world of dance. I wouldn't be surprised to see this one and the first story in a dance-themed anthology (they probably are, already, and I just don't realize it yet). It was the strongest story of the three (with reason, as Hambly is certainly the most experienced and IMNSHO best writer of the three). Sound plotting, good reasoning, likable characters who are well-rounded and believable, neither perfect saints nor disgusting sinners.
I kept thinking of Hope while reading the last story because the main character dances and teaches belly dance, and there's a lovely quote from the first time she dances in front of her love interest, <i>"It's all dancing. Skill infused with joy. Weaving jewelry out of dreams."</i>
"Her Best Enemy" was too hackneyed, bringing in too many old standbyes. There's a tough girl reporter who is really a sweet woman who just needs a good man after a bad one took everything she had, a sexy man who is tougher than he looks and better able to protect her than even he knew, etc. I don't remember reading anything really strong by Maggie Shayne yet, but she's definitely on the romance side of the paranormal romance street, so that may explain my lack of enthusiasm.
Barbara Hambly's contribution, "Someone Else's Shadow," has us back in the world of dance. I wouldn't be surprised to see this one and the first story in a dance-themed anthology (they probably are, already, and I just don't realize it yet). It was the strongest story of the three (with reason, as Hambly is certainly the most experienced and IMNSHO best writer of the three). Sound plotting, good reasoning, likable characters who are well-rounded and believable, neither perfect saints nor disgusting sinners.
I kept thinking of Hope while reading the last story because the main character dances and teaches belly dance, and there's a lovely quote from the first time she dances in front of her love interest, <i>"It's all dancing. Skill infused with joy. Weaving jewelry out of dreams."</i>
Micky Barnard (542 KP) rated Big Little Lies in Books
Aug 25, 2018
So much more than I expected
This was my first read by Liane Moriarty and I'm fairly blown away by this book. BIG LITTLE LIES takes the ridiculousness of a bunch of mainly elitist mums surrounding their kids' kindergarten class. Oh and there's husbands too. It was a witty painting of cliques, bitchiness, friendships strong and true and tragedy.
"Jane, nice to meet you! I'm Amabella's mum, and I have Jackson in Year 2. That's Amabella by the way, not Annabella. It's French. We didn't make it up."
"We're a bit too white bread here in the peninsula. We like to think we're terribly diverse but it's only our bank accounts that vary."
There are three friends in this book, each carrying secrets but these three really did care for one another. I liked each flawed woman in this threesome, Madeline, Celeste and Jane. There were characters to love, like, hate and those that redeemed themselves.
Bullying and more is a thread in this book and I felt sick, heart-sick, at times in terms of the nature of these issues. There is also some gut wrenching heart ache and I felt each emotion in full technicolor.
"She'd always known that her reaction to this night had been too big, or perhaps too small. She hadn't ever cried. She hadn't told anyone. She'd swallowed it while and pretended it meant nothing, and therefore it had come to mean everything."
At the heart of BIG LITTLE LIES is a tale of suspense. The seeds are placed right at the beginning and I spent the whole book guessing, re-guessing and second-guessing all my suspicions. Liane Moriarty is a truly talented writer, I enjoyed the light, the witty quips and dialogue, alongside the dark and sad. I'm definitely eager to read more by her.
A copy of this book was provided by the publisher through netgalley in return for a honest review.
"Jane, nice to meet you! I'm Amabella's mum, and I have Jackson in Year 2. That's Amabella by the way, not Annabella. It's French. We didn't make it up."
"We're a bit too white bread here in the peninsula. We like to think we're terribly diverse but it's only our bank accounts that vary."
There are three friends in this book, each carrying secrets but these three really did care for one another. I liked each flawed woman in this threesome, Madeline, Celeste and Jane. There were characters to love, like, hate and those that redeemed themselves.
Bullying and more is a thread in this book and I felt sick, heart-sick, at times in terms of the nature of these issues. There is also some gut wrenching heart ache and I felt each emotion in full technicolor.
"She'd always known that her reaction to this night had been too big, or perhaps too small. She hadn't ever cried. She hadn't told anyone. She'd swallowed it while and pretended it meant nothing, and therefore it had come to mean everything."
At the heart of BIG LITTLE LIES is a tale of suspense. The seeds are placed right at the beginning and I spent the whole book guessing, re-guessing and second-guessing all my suspicions. Liane Moriarty is a truly talented writer, I enjoyed the light, the witty quips and dialogue, alongside the dark and sad. I'm definitely eager to read more by her.
A copy of this book was provided by the publisher through netgalley in return for a honest review.
Steve Fearon (84 KP) rated Insidious: Chapter 3 (2015) in Movies
Sep 7, 2018
A good antagonist for this one (1 more)
An interesting approach to character helplessness
Overall drop in quality of the cast and camerawork is noticable. (1 more)
Lacks some of the character of the first 2 movies
Whannell Takes the wheel...
So the third instalment sees co-writer Leigh Whannell take the wheel of this fledgling franchise, probably since James Wan is one of the busiest men in hollywood.
Whilst the familar faces of the first two movies are missing in this prequel, the mystic (Elise) returns as the point of familiarity, and one suspects the popularity of her character has led to this prequel.
The casting of the movie is interesting, with a generally weaker cast despite a bigger budget...the main protagonist does a decent job of essentially being a teenage scream queen, being pursued by a breathing-masked ghost/entity with mucky feet that torments her after she has her legs broken in a car accident.
Her claustrophobic situation, being essentially bed-bound, leads to a number of uncomfortable scenes, with the very creepy 'man who can't breath', as well as a hand, foot and faceless woman at one point.
The pacing of this film seems a little faster, getting to the ghostly scenes much quicker, and perhaps a little impatient to get to the moneymaking shots, some of which felt a little tacked on as 'additional scares' without any context, but they are mostly fun so I can let them slide.
The film answers a few questions about Elise, and how she meets the two goons that follow her around during the other films, as well as showing her talking with the other psychic from Insidious 2, and they are constantly making references to the family from the earlier movies, but most of this is pretty incidental to the core of the actual film itself.
All in all its a solid if unspectacular sequel, with some great moments, some clunky exposition and throwbacks, and some questions answered that you never knew needed answering!
Whilst the familar faces of the first two movies are missing in this prequel, the mystic (Elise) returns as the point of familiarity, and one suspects the popularity of her character has led to this prequel.
The casting of the movie is interesting, with a generally weaker cast despite a bigger budget...the main protagonist does a decent job of essentially being a teenage scream queen, being pursued by a breathing-masked ghost/entity with mucky feet that torments her after she has her legs broken in a car accident.
Her claustrophobic situation, being essentially bed-bound, leads to a number of uncomfortable scenes, with the very creepy 'man who can't breath', as well as a hand, foot and faceless woman at one point.
The pacing of this film seems a little faster, getting to the ghostly scenes much quicker, and perhaps a little impatient to get to the moneymaking shots, some of which felt a little tacked on as 'additional scares' without any context, but they are mostly fun so I can let them slide.
The film answers a few questions about Elise, and how she meets the two goons that follow her around during the other films, as well as showing her talking with the other psychic from Insidious 2, and they are constantly making references to the family from the earlier movies, but most of this is pretty incidental to the core of the actual film itself.
All in all its a solid if unspectacular sequel, with some great moments, some clunky exposition and throwbacks, and some questions answered that you never knew needed answering!