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Blackberry Wine
7.3
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Like her well-received 1999 novel, Chocolat, Harris's latest outing unfolds around the arrival of an...
France
Solid Gold Murder
9.0
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Dee Stern’s Golden Motel-of-the-Mountains promises a tranquil getaway for outdoor lovers in the...
Merissa (14030 KP) rated Ghosting Academy (The Limerent Series #4) in Books
Jan 12, 2026
GHOSTING ACADEMY is the fourth book in The Limerent Series. While the others have mostly stood on their own, I definitely recommend you at least read Bright Midnights before this one, as Amelie once again has a leading role to play.
Her life has changed a lot since her time with Clovis. She now works for the Academy as an operative, using her abilities on their behalf. She lives with other operatives, called a Pod, who are as close as a family, although they are not allowed to talk about their abilities or to ask too many questions.
I was enjoying the book immensely and was overjoyed when Caio made an appearance, but it didn't quite hit the same mark as the others for me, once they were on the island.
Don't get me wrong - the story is a mix of fantasy and science fiction, with old characters playing cameo roles. I loved the mentions of Sarah and seeing Lazlo and Victoria again, BUT it was the Academy itself that lost my interest. It became the Big Bad in such a way as to become almost ridiculous.
Another thing that is different about this book is that it ends on a cliffhanger, so consider yourself warned! There are many threads still loose, and I am desperate to know what happens next.
Ms Delorme is an amazing writer, and I love losing myself in her worlds. I look forward to continuing with this series to find out what happens next.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 12, 2026
Her life has changed a lot since her time with Clovis. She now works for the Academy as an operative, using her abilities on their behalf. She lives with other operatives, called a Pod, who are as close as a family, although they are not allowed to talk about their abilities or to ask too many questions.
I was enjoying the book immensely and was overjoyed when Caio made an appearance, but it didn't quite hit the same mark as the others for me, once they were on the island.
Don't get me wrong - the story is a mix of fantasy and science fiction, with old characters playing cameo roles. I loved the mentions of Sarah and seeing Lazlo and Victoria again, BUT it was the Academy itself that lost my interest. It became the Big Bad in such a way as to become almost ridiculous.
Another thing that is different about this book is that it ends on a cliffhanger, so consider yourself warned! There are many threads still loose, and I am desperate to know what happens next.
Ms Delorme is an amazing writer, and I love losing myself in her worlds. I look forward to continuing with this series to find out what happens next.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 12, 2026
The Spirits of Nature (Spirits of Nature #1)
10.0
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He taught her the true spirit of unconditional love and devotion. She taught him that love can be...
Native American History
A Plus One for Murder
10.0
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Entrepreneur Emma Westlake is reinventing herself as a hired friend when murder gets in the way in...
Where to begin with this book? Well, first off, I thoroughly enjoyed it, and was lost in the story whilst I read - it’s very ‘all-consuming’. The main reason for that is that it’s completely out there! It’s unpredictable. I tried to think of another couple of words to go with that, but I can’t get any better than ‘unpredictable’ to be honest.
The pandemic of teenage suicides is disturbing, and reflects their despair at the state of the world left for them by previous generations. Parents with money think that they can prevent their childs’ suicide and cure their anxiety throwing money and anti-depressants at the ‘problem’, and sending them to an Anxiety Abatement Centre - and that’s how Simon meets the Prophet and Louise. And that’s where the quest begins.
It turns out that adults are responsible for more than Climate Change. You can add child abuse and big Pharma into the mix as well. And then there’s the political state of the country, where no party is any better than the other, and what’s more, they’re interchangeable. There was a lot of head nodding going on as I read.
And Noah Hawley breaks the 4th wall as he talks directly to the reader, talking about his thought process in writing the novel.
This book is a huge exaggeration of the state of the world, at the same time as it’s not. I hope it doesn’t come to the things that happen in Anthem, but we’ve seen snapshots of it on the news already.
It’s just the right level of crazy, believable, unbelievable, mind-blowing fiction that keeps me well-entertained. I know Noah Hawley is a screen writer, and I can see this as a film - hey, I’d watch it.
The pandemic of teenage suicides is disturbing, and reflects their despair at the state of the world left for them by previous generations. Parents with money think that they can prevent their childs’ suicide and cure their anxiety throwing money and anti-depressants at the ‘problem’, and sending them to an Anxiety Abatement Centre - and that’s how Simon meets the Prophet and Louise. And that’s where the quest begins.
It turns out that adults are responsible for more than Climate Change. You can add child abuse and big Pharma into the mix as well. And then there’s the political state of the country, where no party is any better than the other, and what’s more, they’re interchangeable. There was a lot of head nodding going on as I read.
And Noah Hawley breaks the 4th wall as he talks directly to the reader, talking about his thought process in writing the novel.
This book is a huge exaggeration of the state of the world, at the same time as it’s not. I hope it doesn’t come to the things that happen in Anthem, but we’ve seen snapshots of it on the news already.
It’s just the right level of crazy, believable, unbelievable, mind-blowing fiction that keeps me well-entertained. I know Noah Hawley is a screen writer, and I can see this as a film - hey, I’d watch it.
ClareR (6241 KP) rated The Double Life of Daisy Hemmings in Books
Jan 24, 2023
I loved this twisty tale about identity and ambition.
The Double Life of Daisy Hemmings by Joanna Nadin begins in a small Cornish seaside town. Jason longs for more than working in his manipulative fathers pub, and wants to escape his life. When a group of wealthy young people arrive in the town, including the twins Daisy and Bea, he is drawn into their circle.
He spends more and more time with them, until the night that both Jason and Bea drown in an accident.
30 years later, writer James Tate is asked by Daisy Hemmings to ghost write her autobiography. James is a master of reinvention: he knew Daisy 30 years ago when she, her twin and their friends spent a summer together in a small Cornish village.
It’s made clear from the start that James is in fact Jason (so I’m giving nothing away), but the really interesting thing is how exactly he did it, how he managed to convince everyone that he’s someone completely different.
The characters in this are all really interesting and so well written: the twins and how completely different they are from one another; how their wealthy friends contrast starkly against Jason and his life. Whether they’re likeable or not, I really wanted to find out more about them.
I enjoyed the alternating timelines - how happenings in 1988 impacted on the present - I particularly liked how we’re introduced to the Jason/ James character right at the beginning. Their lives couldn’t be more different.
I’ve relished both of Joanna Nadin’s previous adult books (The Queen of Bloody Everything and The Talk of Pram Town), and after reading Daisy Hemmings, I’m looking forward to whatever comes next.
The Double Life of Daisy Hemmings by Joanna Nadin begins in a small Cornish seaside town. Jason longs for more than working in his manipulative fathers pub, and wants to escape his life. When a group of wealthy young people arrive in the town, including the twins Daisy and Bea, he is drawn into their circle.
He spends more and more time with them, until the night that both Jason and Bea drown in an accident.
30 years later, writer James Tate is asked by Daisy Hemmings to ghost write her autobiography. James is a master of reinvention: he knew Daisy 30 years ago when she, her twin and their friends spent a summer together in a small Cornish village.
It’s made clear from the start that James is in fact Jason (so I’m giving nothing away), but the really interesting thing is how exactly he did it, how he managed to convince everyone that he’s someone completely different.
The characters in this are all really interesting and so well written: the twins and how completely different they are from one another; how their wealthy friends contrast starkly against Jason and his life. Whether they’re likeable or not, I really wanted to find out more about them.
I enjoyed the alternating timelines - how happenings in 1988 impacted on the present - I particularly liked how we’re introduced to the Jason/ James character right at the beginning. Their lives couldn’t be more different.
I’ve relished both of Joanna Nadin’s previous adult books (The Queen of Bloody Everything and The Talk of Pram Town), and after reading Daisy Hemmings, I’m looking forward to whatever comes next.
Merissa (14030 KP) rated Dearest Milton James in Books
Aug 27, 2021 (Updated Jul 17, 2023)
DEAREST MILTON JAMES is a Mary Poppins book - practically perfect in every way! We are introduced to a young Malachi (twenty-seven) and a slightly older Julian (thirty-four). Malachi is told by his father that he will be working for Julian for as long as he can hold down his job. His father doesn't think he will last. Malachi doesn't think he will last. So it is a wonderful surprise when he finds he loves his new job, his quirky colleagues, and his hot-as-hell boss.
Oh man, what a story. I loved every word. Malachi is fabulous without being in-your-face flamboyant. Julian is a sweetheart with a wicked sense of humour. The only thing that confused me was right at the beginning. Even knowing that N.R. Walker is an Australian writer; when I read about London and Kings Cross, I automatically went to London, UK. So then I got confused about the price of a stamp, gift cards, etc. It didn't take me long to realise my error and to laugh at myself.
The story has the perfect cast of characters and a heartwarming mystery to solve. Honestly, I just can't point out the bits that I loved, as I would simply be telling you about the whole book. One thing I will say though is thank you for not crushing my hopeful little romantic heart. Instead, you brought tears to my eyes and a huge smile to my face.
This is an absolute corker of a book that I highly recommend. I adored every word.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 27, 2021
Oh man, what a story. I loved every word. Malachi is fabulous without being in-your-face flamboyant. Julian is a sweetheart with a wicked sense of humour. The only thing that confused me was right at the beginning. Even knowing that N.R. Walker is an Australian writer; when I read about London and Kings Cross, I automatically went to London, UK. So then I got confused about the price of a stamp, gift cards, etc. It didn't take me long to realise my error and to laugh at myself.
The story has the perfect cast of characters and a heartwarming mystery to solve. Honestly, I just can't point out the bits that I loved, as I would simply be telling you about the whole book. One thing I will say though is thank you for not crushing my hopeful little romantic heart. Instead, you brought tears to my eyes and a huge smile to my face.
This is an absolute corker of a book that I highly recommend. I adored every word.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 27, 2021
Hazel (1853 KP) rated Red Rising in Books
May 30, 2017
Mildly boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Red Rising by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike The Hunger Games Trilogy by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. Red Rising suddenly becomes Hunger Games-esque and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about Red Rising was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realises that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of Red Rising. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
Red Rising by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike The Hunger Games Trilogy by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. Red Rising suddenly becomes Hunger Games-esque and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about Red Rising was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realises that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of Red Rising. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
Lucy Buglass (45 KP) rated Dead In A Week (Or Your Money Back) (2018) in Movies
Jun 20, 2019
Dark comedy at its finest
This review discusses dark topics such as death and suicide. Reader discretion advised.
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/