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Sarah (7800 KP) rated Mulan (2020) in Movies
Dec 18, 2020
Completely uninteresting
Mulan (2020) is the live action adaptation of the 1998 Disney animation of the same name, the latest in the live action remakes of Disney classics based on a young woman who disguises herself as a male soldier to save her father.
I’ll start with an admission: I’ve never seen the original animated Mulan. Despite being an avid Disney fan, growing up living and breathing everything Disney, somehow as an eleven year old when it was first released Mulan just passed me by, and has carried in doing so in the 20+ years since. Unlike the other live action Disney remakes in which I had so many preconceptions and so much love for the originals, I went into Mulan entirely open and with no expectations. This I hoped would prove to be a benefit when watching this remake, however I’m afraid to say that it actually may have put me at even more of a disadvantage.
The biggest issue with this film is that is entirely lacking in everything you’d usually expect from an animated Disney film and what I don’t doubt is present in the 1998 original. Disney films are full of heart, laughter, cutesy creatures and catchy songs whilst with an underlying serious plot with more menace and threat than you’d expect. This remake appears to have removed everything you know and love about Disney and replaced it with a very serious, very drawn out and actually quite dull plot. Yes there is still the good message in here that hopefully will motivate young women, but it’s lost behind a film that is severely lacking in any really spirit or character.
Yifei Liu does well as Mulan, at least with what she’s given to work with as far as the script goes. However she really suffers with the romance side, as there is zero chemistry between Mulan and Honghui, even with Yoson An’s charismatic performance. Jet Li is barely recognisable as the Emperor and Donnie Yen really needed to channel more of his Rogue One character to lighten the mood. Even the villains, Bori Khan (Jason Scott Lee) and Xianniang (Li Gong) have little to work with, with Xianniang’s witch being let down by the most by the poor writing and character development.
The cast however aren’t really at fault here. The film looks good, the sets and costumes are impressive and everything feels lush and colourful. However I felt the action scenes had been so obviously ‘Disney-fied’ that they lost all sense of fun and, well, action. They felt over choreographed and with the large amount of fight scenes in this, the lack of proper violence and blood was far too obvious. And the over-used slow motion alongside some questionable CGI was unbearable. Considering they wanted to make this a more accurate and serious Disney adaptation, it’s a shame they didn’t go far enough to make the action a little more adult.
I really wanted to like this, but for me it was just severely deficient in anything that makes a Disney film likeable. Had I seen the original, it may have at least brought some form of love and nostalgia. However all this has succeeded in doing is making me want to watch the original, both as a comparison and for some much needed fun and laughter.
I’ll start with an admission: I’ve never seen the original animated Mulan. Despite being an avid Disney fan, growing up living and breathing everything Disney, somehow as an eleven year old when it was first released Mulan just passed me by, and has carried in doing so in the 20+ years since. Unlike the other live action Disney remakes in which I had so many preconceptions and so much love for the originals, I went into Mulan entirely open and with no expectations. This I hoped would prove to be a benefit when watching this remake, however I’m afraid to say that it actually may have put me at even more of a disadvantage.
The biggest issue with this film is that is entirely lacking in everything you’d usually expect from an animated Disney film and what I don’t doubt is present in the 1998 original. Disney films are full of heart, laughter, cutesy creatures and catchy songs whilst with an underlying serious plot with more menace and threat than you’d expect. This remake appears to have removed everything you know and love about Disney and replaced it with a very serious, very drawn out and actually quite dull plot. Yes there is still the good message in here that hopefully will motivate young women, but it’s lost behind a film that is severely lacking in any really spirit or character.
Yifei Liu does well as Mulan, at least with what she’s given to work with as far as the script goes. However she really suffers with the romance side, as there is zero chemistry between Mulan and Honghui, even with Yoson An’s charismatic performance. Jet Li is barely recognisable as the Emperor and Donnie Yen really needed to channel more of his Rogue One character to lighten the mood. Even the villains, Bori Khan (Jason Scott Lee) and Xianniang (Li Gong) have little to work with, with Xianniang’s witch being let down by the most by the poor writing and character development.
The cast however aren’t really at fault here. The film looks good, the sets and costumes are impressive and everything feels lush and colourful. However I felt the action scenes had been so obviously ‘Disney-fied’ that they lost all sense of fun and, well, action. They felt over choreographed and with the large amount of fight scenes in this, the lack of proper violence and blood was far too obvious. And the over-used slow motion alongside some questionable CGI was unbearable. Considering they wanted to make this a more accurate and serious Disney adaptation, it’s a shame they didn’t go far enough to make the action a little more adult.
I really wanted to like this, but for me it was just severely deficient in anything that makes a Disney film likeable. Had I seen the original, it may have at least brought some form of love and nostalgia. However all this has succeeded in doing is making me want to watch the original, both as a comparison and for some much needed fun and laughter.
Heather Cranmer (2721 KP) rated The Westing Game in Books
Dec 13, 2020
While looking for my next read, I came across The Westing Game by Ellen Raskin. I had never heard of it before, but the synopsis sounded interesting. I decided to give it a read, and I'm glad I did.
Sixteen people all move into Sam Westing's apartment building after receiving a letter inviting them to move in. They are the only tenants in the building. Little do they know that they were picked to play in a game where they could potentially win a lot of money. However, they must play hard to win if they want to inherit millions even if the game may be dangerous.
I didn't realize it while reading The Westing Game, but this book is considered middle grade fiction. The way it is written, I think every age group would enjoy it. It's a fun and easy read. The plot flows smoothly, and the story progresses with ease. Each page is filled with mystery. I found myself guessing who was the murderer and which person would figure out the clues to inherit Sam Westing's inheritance. I will say that The Westing Game's mystery had me stumped. I never could guess who was who which made me love this book even more. This book is chock full of mystery and intrigue. It will leave you scratching your head as you read it trying to figure out who killed Sam Westing. There's plenty of plot twists, and just when you think you have figured everything out, you will find out how wrong your guess was. I've never read a book that stumped me so much while trying to figure out everything! However, by the end of the book, everything is revealed. All questions are answered, and the author lets us know how each character got on in life. One minor annoyance (and I believe it's a personal thing) was that the writing seemed a little choppy to me in how it was written. Maybe it is just that style, but I found it a bit peculiar. However, that didn't take away my interest in the story that much.
I thoroughly enjoyed the characters in Ellen Raskin's The Westing Game. I enjoyed the diversity of the characters in the book. I do wish there was a bit more backstory for each of the characters though. It's not that they didn't feel fleshed out because they did, but I would have enjoyed learning more about each one of them a bit more before they moved in to Westing's apartment building. I enjoyed Turtle's character the most. Although she was often looked over, her determination to prove herself was admirable. I like how, despite her young age, she threw herself into Sam Westing's game. Sydelle was my least favorite character. It wasn't because she wasn't written well, quite the opposite. I just found her personality annoying. I kept hoping she was somehow be kicked out. Even though she wasn't mentioned as much, I really liked Madame Hoo. I enjoyed her scenes and her personality on the pages she was mentioned in.
Trigger warnings for The Westing Game include minor violence, death, suicide, drinking, and minor racism from one of the characters.
With it's mysterious plot and interesting cast of characters, The Westing Game is one of those books that you will love reading while trying to figure out its plot. It will keep you on your toes at all times! I would definitely recommend The Westing Game by Ellen Raskin to those aged 13+ who are after an unpredictable and well written mystery novel.
Sixteen people all move into Sam Westing's apartment building after receiving a letter inviting them to move in. They are the only tenants in the building. Little do they know that they were picked to play in a game where they could potentially win a lot of money. However, they must play hard to win if they want to inherit millions even if the game may be dangerous.
I didn't realize it while reading The Westing Game, but this book is considered middle grade fiction. The way it is written, I think every age group would enjoy it. It's a fun and easy read. The plot flows smoothly, and the story progresses with ease. Each page is filled with mystery. I found myself guessing who was the murderer and which person would figure out the clues to inherit Sam Westing's inheritance. I will say that The Westing Game's mystery had me stumped. I never could guess who was who which made me love this book even more. This book is chock full of mystery and intrigue. It will leave you scratching your head as you read it trying to figure out who killed Sam Westing. There's plenty of plot twists, and just when you think you have figured everything out, you will find out how wrong your guess was. I've never read a book that stumped me so much while trying to figure out everything! However, by the end of the book, everything is revealed. All questions are answered, and the author lets us know how each character got on in life. One minor annoyance (and I believe it's a personal thing) was that the writing seemed a little choppy to me in how it was written. Maybe it is just that style, but I found it a bit peculiar. However, that didn't take away my interest in the story that much.
I thoroughly enjoyed the characters in Ellen Raskin's The Westing Game. I enjoyed the diversity of the characters in the book. I do wish there was a bit more backstory for each of the characters though. It's not that they didn't feel fleshed out because they did, but I would have enjoyed learning more about each one of them a bit more before they moved in to Westing's apartment building. I enjoyed Turtle's character the most. Although she was often looked over, her determination to prove herself was admirable. I like how, despite her young age, she threw herself into Sam Westing's game. Sydelle was my least favorite character. It wasn't because she wasn't written well, quite the opposite. I just found her personality annoying. I kept hoping she was somehow be kicked out. Even though she wasn't mentioned as much, I really liked Madame Hoo. I enjoyed her scenes and her personality on the pages she was mentioned in.
Trigger warnings for The Westing Game include minor violence, death, suicide, drinking, and minor racism from one of the characters.
With it's mysterious plot and interesting cast of characters, The Westing Game is one of those books that you will love reading while trying to figure out its plot. It will keep you on your toes at all times! I would definitely recommend The Westing Game by Ellen Raskin to those aged 13+ who are after an unpredictable and well written mystery novel.
Eleanor Luhar (47 KP) rated She Is Not Invisible in Books
Jun 24, 2019
This was not how I expected it to be. I liked the uniqueness of it, though, and how unpredictable it turned out to be.
It starts in an airport, with the protagonist and narrator (who's name we learn to be Laureth) and her little brother Benjamin. We soon discover that Laureth is blind, which provides us with a very interesting account of the events of this story. They are going to America, alone, to find their father. He's a writer, and holds his notebooks very dearly - so when Laureth gets an email about one being found in America when he's supposed to be in Switzerland (and then he fails to answer his phone) she immediately assumes something is very wrong.
This is told mostly chronologically, but with memories scattered throughout. Laureth also gives slight hints as to what will be happening later on, reinstating the fact that she is writing about past events. I quite liked this - we were told about certain memories and events that were relevant to the story at that time, nothing more, nothing less.
It turns into quite a dark, suspenseful hunt. Laureth starts to fear that her father may even have taken his own life. The pair even get cornered by a man with a knife who claims to have seen her father. His partner later breaks into their hotel room, searching for some valuable contents of her father's safe. Coincidentally, they run in to her father just moments later.
The obsession of Laureth and Ben's father is coincidences; a very interesting topic. He goes into great detail in his notebook (which we are shown throughout the book), discussing theories and particular physicists' experiences. Bit by bit, he seems to be delving deeper and deeper into the mysteries of the universe. Laureth is caught up in this - she looks for clues in every page of her dad's notebook. But is she looking too hard? Is she finding signs that aren't really there?
Laureth relies on her brother to navigate the world, and although he is only going, he is superbly helpful to her. She is adamant on being an independent young lady, and even hides her impairment from most people she meets. As she is the narrator of this book, we are given an account that does not include any visual descriptions. Instead, the other senses are used far more - sounds and feelings especially. I really liked this.
The ending was wonderful. It was different - completely unexpected. I especially liked how her "coincidental" meeting with Sam turned out to mean nothing at all. And her father's account of what had happened, and his realisation that his obsession was pointless, was so ironic. Laureth and Ben had been on this massive journey, worried their father was so caught up in his obsession that his life was in danger. They began to find strange patterns and signs everywhere - only to find out how coindences are completely fake.
And the last page was so clever, too. It was numbered 354 which is clever in itself - this number holds a massive significance throughout this book - but then there's also the hidden message that's revealed. One of the last sentences prompts you to look closely at the book, and then you find a heartwarming little phrase. I really liked this idea - it seems a bit naff, but actually worked really well.
I did feel like this was maybe a little more for younger adults (I'm nearly 18) but it was really easy to follow and quick to read. It wasn't lengthy or tiresome at all. 4 stars.
It starts in an airport, with the protagonist and narrator (who's name we learn to be Laureth) and her little brother Benjamin. We soon discover that Laureth is blind, which provides us with a very interesting account of the events of this story. They are going to America, alone, to find their father. He's a writer, and holds his notebooks very dearly - so when Laureth gets an email about one being found in America when he's supposed to be in Switzerland (and then he fails to answer his phone) she immediately assumes something is very wrong.
This is told mostly chronologically, but with memories scattered throughout. Laureth also gives slight hints as to what will be happening later on, reinstating the fact that she is writing about past events. I quite liked this - we were told about certain memories and events that were relevant to the story at that time, nothing more, nothing less.
It turns into quite a dark, suspenseful hunt. Laureth starts to fear that her father may even have taken his own life. The pair even get cornered by a man with a knife who claims to have seen her father. His partner later breaks into their hotel room, searching for some valuable contents of her father's safe. Coincidentally, they run in to her father just moments later.
The obsession of Laureth and Ben's father is coincidences; a very interesting topic. He goes into great detail in his notebook (which we are shown throughout the book), discussing theories and particular physicists' experiences. Bit by bit, he seems to be delving deeper and deeper into the mysteries of the universe. Laureth is caught up in this - she looks for clues in every page of her dad's notebook. But is she looking too hard? Is she finding signs that aren't really there?
Laureth relies on her brother to navigate the world, and although he is only going, he is superbly helpful to her. She is adamant on being an independent young lady, and even hides her impairment from most people she meets. As she is the narrator of this book, we are given an account that does not include any visual descriptions. Instead, the other senses are used far more - sounds and feelings especially. I really liked this.
The ending was wonderful. It was different - completely unexpected. I especially liked how her "coincidental" meeting with Sam turned out to mean nothing at all. And her father's account of what had happened, and his realisation that his obsession was pointless, was so ironic. Laureth and Ben had been on this massive journey, worried their father was so caught up in his obsession that his life was in danger. They began to find strange patterns and signs everywhere - only to find out how coindences are completely fake.
And the last page was so clever, too. It was numbered 354 which is clever in itself - this number holds a massive significance throughout this book - but then there's also the hidden message that's revealed. One of the last sentences prompts you to look closely at the book, and then you find a heartwarming little phrase. I really liked this idea - it seems a bit naff, but actually worked really well.
I did feel like this was maybe a little more for younger adults (I'm nearly 18) but it was really easy to follow and quick to read. It wasn't lengthy or tiresome at all. 4 stars.
Debbiereadsbook (1444 KP) rated Close to Home (Sawyer's Ferry #4) in Books
Jun 28, 2019
my fav of the four!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Sawyers Ferry series, but you don't NEED to read the other books for this one to make sense. The previous stories come before this in time, and the previous characters pop up here too. But, you know? two 5 stars and a 4star read from me, so why not, eh?
Witt somehow manages to get himself a beating, and by some miracle, drives himself to the only place he feels safe: Sawyers Ferry. His boss did not like it when Witt said no. Mason is struggling at his place with his house mates family visiting, so when Logan and Jackson ask Mason to move into their place to keep an eye on the still recovering Witt, he jumps at the chance to not only get out his house, but to get to know the shy man a whole lot better. Something about Witt pulls at Mason, and he can't figure out what, not yet. But when Witt's boss turns up in town, Mason figures it out real quick. Witt is HIS and Mason will do everything he can to protect him.
So, book 4 and this carries a far darker story line. Witt has been working with a bully, and managed to, up to now, avoid any serious confrontation but when Witt says no to more overtime, that confrontation happens and Witt suffers at the hands of his boss. How he managed to get as far as the ferry, he will never know, but Logan and Jackson are there, they will help him. Then Mason is in the house, and Witt doesn't quite know what to do about the man who seemed to have invaded his dreams somewhere along the way.
Mason works with Barrett at the Copper Creek Brewery. He met Witt some time ago, the smaller shy man trying to almost hide in the sofa. But Mason noticed, he noticed a lot about Witt. Visiting Witt at the hospital bought all kinds of rage out of Mason, and all kinds of other feelings he didn't want to examine just yet. Being able to look after Witt when Logan and Jackson go out of town is just the best thing.
Slowly, Witt comes out of himself. He is painfully shy, and Mason so darn gentle with him, it was a delight to see Witt break his shell. And when Witt decides to take the plunge and take what he wants, or rather WHO he wants, ooooeeee that was so hawt!
It was great fun watching these two dance around each other for a huge part of the book! Mason admitted his feelings to Barrett and Frnakie quite early, but Witt took a while to get there. Neither man was sure what the other was feeling!
Brody pops up, and Mason's best friend. He has a short in this series, Laguna, which is availble for free from Profilicworks. And I do mean SHORT! 34 pages is all, but I do know that Ms Ashwood will be writing Brody and Beckett's full story shortly! Can't wait for that, I tell ya!
I just got back off my holidays, and I read this on the plane. Fabulous way to pass a 4 hour flight!
5 full and shiny stars!
**same worded review will appear elsewhere**
This is book 4 in the Sawyers Ferry series, but you don't NEED to read the other books for this one to make sense. The previous stories come before this in time, and the previous characters pop up here too. But, you know? two 5 stars and a 4star read from me, so why not, eh?
Witt somehow manages to get himself a beating, and by some miracle, drives himself to the only place he feels safe: Sawyers Ferry. His boss did not like it when Witt said no. Mason is struggling at his place with his house mates family visiting, so when Logan and Jackson ask Mason to move into their place to keep an eye on the still recovering Witt, he jumps at the chance to not only get out his house, but to get to know the shy man a whole lot better. Something about Witt pulls at Mason, and he can't figure out what, not yet. But when Witt's boss turns up in town, Mason figures it out real quick. Witt is HIS and Mason will do everything he can to protect him.
So, book 4 and this carries a far darker story line. Witt has been working with a bully, and managed to, up to now, avoid any serious confrontation but when Witt says no to more overtime, that confrontation happens and Witt suffers at the hands of his boss. How he managed to get as far as the ferry, he will never know, but Logan and Jackson are there, they will help him. Then Mason is in the house, and Witt doesn't quite know what to do about the man who seemed to have invaded his dreams somewhere along the way.
Mason works with Barrett at the Copper Creek Brewery. He met Witt some time ago, the smaller shy man trying to almost hide in the sofa. But Mason noticed, he noticed a lot about Witt. Visiting Witt at the hospital bought all kinds of rage out of Mason, and all kinds of other feelings he didn't want to examine just yet. Being able to look after Witt when Logan and Jackson go out of town is just the best thing.
Slowly, Witt comes out of himself. He is painfully shy, and Mason so darn gentle with him, it was a delight to see Witt break his shell. And when Witt decides to take the plunge and take what he wants, or rather WHO he wants, ooooeeee that was so hawt!
It was great fun watching these two dance around each other for a huge part of the book! Mason admitted his feelings to Barrett and Frnakie quite early, but Witt took a while to get there. Neither man was sure what the other was feeling!
Brody pops up, and Mason's best friend. He has a short in this series, Laguna, which is availble for free from Profilicworks. And I do mean SHORT! 34 pages is all, but I do know that Ms Ashwood will be writing Brody and Beckett's full story shortly! Can't wait for that, I tell ya!
I just got back off my holidays, and I read this on the plane. Fabulous way to pass a 4 hour flight!
5 full and shiny stars!
**same worded review will appear elsewhere**
Emma @ The Movies (1786 KP) rated Robin Hood (2018) in Movies
Sep 25, 2019
At this point I feel like I've grown u with definitive versions of Robin Hood. Kevin Costner will always be a front runner, and Disney's foxified version brings a smile to my face every time. I was also lucky to have been shown Robin Hood Men In Tights when I was younger and will always appreciate Cary Elwes' rendition. Errol Flynn will always be the high point for class in the role. There's always that one we don't talk about... Russell Crowe, I'm looking at you. We probably should consider the small screen as well, after all should we be excluding Robin from Madi Marian and Her Merry Men?
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
Lottie disney bookworm (1056 KP) rated Mistress of All Evil: A Tale of the Dark Fairy (Villains #4) in Books
Sep 28, 2019
YES SERENA!
Mistress of Evil is precisely the book I wanted from the villain’s tales series: it had everything – an intriguing backstory; familiar characters as well as new ones who were pivotal to the plot; and of course, magic.
I couldn’t put this book down and I am so relieved that I can finally be super positive for the first time since Fairest of All.
Mistress of Evil takes place immediately after Poor Unfortunate Soul (these books have an order for a reason people!) and, with the odd sisters temporarily out of action, we learn that Maleficent must appeal to Circe and Nanny for assistance with a spell. However, it is soon revealed that Nanny, Maleficent and the odd sisters share a history.
What I loved most about this book is that Valentino spends a lot of time in Maleficent’s backstory, and it was evident that she took a lot of pride in the younger fairy she created. Maleficent is not 100% bad. Don’t get me wrong, she isn’t 100% good either, but the reader witnesses the circumstances that have made her this way. We observe abandonment, bullying and rejection but overall we witness prejudice against someone who is different and I feel it is this that really humanises Maleficent.
Familiar characters are also introduced; namely Flora, Fauna and Merryweather. Now, Merryweather has always been my favourite of the three fairies: something about her sarcastic and feisty personality calls to me. However, young Merryweather is a bit of a cow and, although I didn’t want to, I loved this twist. As usual, Valentino’s world is not black and white: if the good fairies had always been good, events may have turned out very differently.
Snow and her mother also play a role in the progression of the underlying story throughout all these tales: the one of the odd sisters. It wasn’t a complete surprise that Valentino brings one of her previous characters into the story, after all each tale has led into the next. However, it was really interesting to meet Queen Snow and glimpse at her life since we left her in Fairest of All. Also, a book from the odd sisters that possibly binds all our heroes and villains together is pure genius- particularly for someone who was obsessed with Once Upon a Time.
The level of detail in Valentino’s writing is superb. You can really picture the village in which Maleficent was raised- an experience that I haven’t felt in the previous tales. She also doesn’t neglect Aurora just because she is asleep but creates a dream world of mirrors that for some reason conjured images of Labyrinth for me. I also appreciated that, although snippets of the original story are included, they are just snippets- not a retelling.
I think it’s pretty clear that I loved this book. It wasn’t perfect (I still just don’t “get” Tulip and Popinjay and the timing at the start of the book was confusing) but it was pretty close! A prequel to Sleeping Beauty, complete with a fairy school, tree lords, dream worlds and fallouts that would make Jeremy Kyle wince? What more could you want?
A MASSIVE twist? You got it! I always knew no-one would be that angry over not being invited to a christening….
Mistress of Evil is precisely the book I wanted from the villain’s tales series: it had everything – an intriguing backstory; familiar characters as well as new ones who were pivotal to the plot; and of course, magic.
I couldn’t put this book down and I am so relieved that I can finally be super positive for the first time since Fairest of All.
Mistress of Evil takes place immediately after Poor Unfortunate Soul (these books have an order for a reason people!) and, with the odd sisters temporarily out of action, we learn that Maleficent must appeal to Circe and Nanny for assistance with a spell. However, it is soon revealed that Nanny, Maleficent and the odd sisters share a history.
What I loved most about this book is that Valentino spends a lot of time in Maleficent’s backstory, and it was evident that she took a lot of pride in the younger fairy she created. Maleficent is not 100% bad. Don’t get me wrong, she isn’t 100% good either, but the reader witnesses the circumstances that have made her this way. We observe abandonment, bullying and rejection but overall we witness prejudice against someone who is different and I feel it is this that really humanises Maleficent.
Familiar characters are also introduced; namely Flora, Fauna and Merryweather. Now, Merryweather has always been my favourite of the three fairies: something about her sarcastic and feisty personality calls to me. However, young Merryweather is a bit of a cow and, although I didn’t want to, I loved this twist. As usual, Valentino’s world is not black and white: if the good fairies had always been good, events may have turned out very differently.
Snow and her mother also play a role in the progression of the underlying story throughout all these tales: the one of the odd sisters. It wasn’t a complete surprise that Valentino brings one of her previous characters into the story, after all each tale has led into the next. However, it was really interesting to meet Queen Snow and glimpse at her life since we left her in Fairest of All. Also, a book from the odd sisters that possibly binds all our heroes and villains together is pure genius- particularly for someone who was obsessed with Once Upon a Time.
The level of detail in Valentino’s writing is superb. You can really picture the village in which Maleficent was raised- an experience that I haven’t felt in the previous tales. She also doesn’t neglect Aurora just because she is asleep but creates a dream world of mirrors that for some reason conjured images of Labyrinth for me. I also appreciated that, although snippets of the original story are included, they are just snippets- not a retelling.
I think it’s pretty clear that I loved this book. It wasn’t perfect (I still just don’t “get” Tulip and Popinjay and the timing at the start of the book was confusing) but it was pretty close! A prequel to Sleeping Beauty, complete with a fairy school, tree lords, dream worlds and fallouts that would make Jeremy Kyle wince? What more could you want?
A MASSIVE twist? You got it! I always knew no-one would be that angry over not being invited to a christening….
Debbiereadsbook (1444 KP) rated Reveal (Hidden Cove Season4, #4) in Books
Sep 29, 2019
bloody LOVED this book!
I was gifted the audio file of this book, that I write a review was not required, but I gotta, oh yeah, I GOTTA!!
I have not READ this book, just listened, so if my review lines blur, I’m sorry, but I’m not sure I can split the narration from the story itself, and I ususally at least TRY to.
Jason is a geek, a rocket scientist for God’s sake. Channing, a firefighter. They really don’t have much in common, other than a childhood of living next door to each other. So when Channing rescues Jason from the taunting that is a constant in his life from the guys at work, Jason does the only thing he thinks of, and asks Channing to be his *fake* boyfriend for a weekend work retreat. And Channing, the darling that he is, of course, says yes!
Oh! I LOVED these guys! I really did!
Jason is out and mostly proud. The guys at work make it hard for him though. Channing has only ever been with girls. But he thinks nothing of touching Jason, kissing him! Channing is, quite possibly, my favourite Ms Welch character! I loved how, while things creep up on Channing, when he questions them, to his best friend, Remi is, like *duh* well of course you are bisexual, you silly man!
When it all hits the fan, and their *fake* relationship is discovered, I loved how both men, separately and independently of each other, decided that they would wait for the other to make their own minds up, whether they wanted *this* to be real. Even if it meant they broke their hearts and had to walk away from the other. They did, of course they did, but it was painful but beautiful listening, as Jason dug deep into himself and found his TRUE self, not the one he THOUGHT he should be.
Nick J Russo narrates this book. And he does a cracking job!
His voices for Jason and Channing are different and distinctive, showing the marked differences in the lives so far. His reading voice is clear and even, and its part of why I love this narrator so much: his deep clear reading voice. You know the one, the one is telling the story. It makes for such easy listening, to a deaf head like me.
The voices for ALL the characters are clear, and I had no trouble keeping up with multi person conversations. I am intrigued by several of the supporting cast now, simply because of the voices that Russo gives them here! Remi and Kris especially! Harrison too.
Russo gets over all of Jason wish that they can work this out, that it be real. He gets over all of Channing’s dawning realisation of his true feelings for Jason, and we get all that love pouring out.
A narrator can only read the words they have been given, though and Ms Welch smashes this one out the park! Well, that was what I *THOUGHT* when I finished listening to this, I thought this was my favourite of this author so far. But before writing THIS review, I read Homeward Bound (Pine Cove #3) and now?? I can’t split them!
So, thank you, Ms Welch, for making the start of my work day a little more pleasant and thank you to Mr Russo for bringing these men to my ear (singular, like, cos one don’t work!)
5 full and oh so very cute stars for the book and the narration.
**same worded review will appear elsewhere**
I have not READ this book, just listened, so if my review lines blur, I’m sorry, but I’m not sure I can split the narration from the story itself, and I ususally at least TRY to.
Jason is a geek, a rocket scientist for God’s sake. Channing, a firefighter. They really don’t have much in common, other than a childhood of living next door to each other. So when Channing rescues Jason from the taunting that is a constant in his life from the guys at work, Jason does the only thing he thinks of, and asks Channing to be his *fake* boyfriend for a weekend work retreat. And Channing, the darling that he is, of course, says yes!
Oh! I LOVED these guys! I really did!
Jason is out and mostly proud. The guys at work make it hard for him though. Channing has only ever been with girls. But he thinks nothing of touching Jason, kissing him! Channing is, quite possibly, my favourite Ms Welch character! I loved how, while things creep up on Channing, when he questions them, to his best friend, Remi is, like *duh* well of course you are bisexual, you silly man!
When it all hits the fan, and their *fake* relationship is discovered, I loved how both men, separately and independently of each other, decided that they would wait for the other to make their own minds up, whether they wanted *this* to be real. Even if it meant they broke their hearts and had to walk away from the other. They did, of course they did, but it was painful but beautiful listening, as Jason dug deep into himself and found his TRUE self, not the one he THOUGHT he should be.
Nick J Russo narrates this book. And he does a cracking job!
His voices for Jason and Channing are different and distinctive, showing the marked differences in the lives so far. His reading voice is clear and even, and its part of why I love this narrator so much: his deep clear reading voice. You know the one, the one is telling the story. It makes for such easy listening, to a deaf head like me.
The voices for ALL the characters are clear, and I had no trouble keeping up with multi person conversations. I am intrigued by several of the supporting cast now, simply because of the voices that Russo gives them here! Remi and Kris especially! Harrison too.
Russo gets over all of Jason wish that they can work this out, that it be real. He gets over all of Channing’s dawning realisation of his true feelings for Jason, and we get all that love pouring out.
A narrator can only read the words they have been given, though and Ms Welch smashes this one out the park! Well, that was what I *THOUGHT* when I finished listening to this, I thought this was my favourite of this author so far. But before writing THIS review, I read Homeward Bound (Pine Cove #3) and now?? I can’t split them!
So, thank you, Ms Welch, for making the start of my work day a little more pleasant and thank you to Mr Russo for bringing these men to my ear (singular, like, cos one don’t work!)
5 full and oh so very cute stars for the book and the narration.
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated Passengers (2016) in Movies
Jul 12, 2019
Jim Preston (Chris Pratt) is a man looking for a fresh start on a new world. Along with 5000 other passengers; Jim is sleeping away the 120 year journey in stasis aboard a luxury ship. In the new film “Passengers”, Jim finds his entire world turned upside down when he is awakened 90 years before the completion of his trip. Alone with no way to return to stasis; Jim struggles to keep his wits as despite having food and recreation readily available, his only companions are server robots and an Android bartender named Arthur (Michael Sheen).
Unable to wake any of the crew to assist him with the situation or access the bridge of the ship, Jim uses his engineering skills to study the operations of the ship as well as gain access to areas normally reserved for VIP passengers.
As time goes by Jim becomes more and more despondent because he cannot even contact anyone on earth as the computer informs him that it will take 36 years for reply to any of his messages to reach the ship and he grows weary of the thought of spending the rest of his life alone.
During one of his frequent visits to his former stasis chamber, Jim discovers an attractive passenger named Aurora (Jennifer Lawrence), and using the ships database, proceeds to learn all about her and begins to fall in love with her as she sleeps blissfully unaware of his presence.
Fate eventually gets in the way and Aurora awakens and joins Jim is the only people awake on the massive ship. Having come from a privileged background as a successful author, Aurora is really upset over spending the rest of her life on the ship as her plan was to spend a year on the colony world before returning to Earth and resuming her writing career 241 years after she left with the adventure she is undertaken being the basis for some of her new work.
The two eventually have feelings for one another, but Jim is harboring a dark secret that threatens to unravel the happy life they have been able to build for one another. As if that was not enough, the ship is experiencing random and increasing malfunctions which threaten not only their survival, but the long-term survival of the fellow crew and passengers and the long journey that they have ahead of them.
What follows is a time predictable but albeit entertaining mix of romance and action. There are some very good visuals in the film and while the story moves along at a very predictable pace, the two leads make the material work. The film does have numerous plot holes in it which I cannot go into without spoiling it but suffice it to say the premise of q couple stranded is not new.
Yes we have seen this all before but the cast and the interesting locale and visuals make the film add up to more than the sum of its parts. I only wish there’d been a little more time shoring up the plot holes and perhaps adding a little bit of mystery and intrigue to the plot as it truly would’ve made this more compelling.
Unable to wake any of the crew to assist him with the situation or access the bridge of the ship, Jim uses his engineering skills to study the operations of the ship as well as gain access to areas normally reserved for VIP passengers.
As time goes by Jim becomes more and more despondent because he cannot even contact anyone on earth as the computer informs him that it will take 36 years for reply to any of his messages to reach the ship and he grows weary of the thought of spending the rest of his life alone.
During one of his frequent visits to his former stasis chamber, Jim discovers an attractive passenger named Aurora (Jennifer Lawrence), and using the ships database, proceeds to learn all about her and begins to fall in love with her as she sleeps blissfully unaware of his presence.
Fate eventually gets in the way and Aurora awakens and joins Jim is the only people awake on the massive ship. Having come from a privileged background as a successful author, Aurora is really upset over spending the rest of her life on the ship as her plan was to spend a year on the colony world before returning to Earth and resuming her writing career 241 years after she left with the adventure she is undertaken being the basis for some of her new work.
The two eventually have feelings for one another, but Jim is harboring a dark secret that threatens to unravel the happy life they have been able to build for one another. As if that was not enough, the ship is experiencing random and increasing malfunctions which threaten not only their survival, but the long-term survival of the fellow crew and passengers and the long journey that they have ahead of them.
What follows is a time predictable but albeit entertaining mix of romance and action. There are some very good visuals in the film and while the story moves along at a very predictable pace, the two leads make the material work. The film does have numerous plot holes in it which I cannot go into without spoiling it but suffice it to say the premise of q couple stranded is not new.
Yes we have seen this all before but the cast and the interesting locale and visuals make the film add up to more than the sum of its parts. I only wish there’d been a little more time shoring up the plot holes and perhaps adding a little bit of mystery and intrigue to the plot as it truly would’ve made this more compelling.
Kara Skinner (332 KP) rated Claiming Her Highway in Books
Sep 10, 2019
Contains spoilers, click to show
Genre: Historical
Words: 17,970
Average Goodreads Rating: 3.8/5 stars
My rating: 2/5 stars
Cass runs one of the greatest band of highwaymen around. Despite being a woman, she’s respected by her crew, and every night they return to camp richer than they were and she can enjoy being in the arms of her second-in-command, Will Carpenter. But that all changes when Will accepts a position in the King’s Guard. Cass knows Will wants more than what she can give him. He wants marriage and kids, as well as honest work instead of thieving. But Cass doesn’t know if she can ever give him up.
Claiming Her Highwayman is free on Smashwords.
I found myself underwhelmed by this story. When it starts, Will and Cass are already a couple, and the chemistry between them already feels forced, as well as the heist they’re about to go on. It’s like a bad first draft that hasn’t developed into something greater yet. Cass and Will feel more like paper dolls than people and unfortunately, I never get that attached to them. They just don’t have the chemistry.
It doesn’t help that my suspension of disbelief took a huge beating when Will’s offered a job with the King’s Guard, as the princess’s personal guard. He’s a highwayman! Since when do they let criminals guard princesses? Um, never. Not only that, but he’s still in contact with his old gang, and he’s not even in training to be a soldier! He just is. Apparently the standards for becoming a member of the King’s Guard is really low.
It would make a hell of a lot more sense to me if there was a scarcity of guards for some reason, like the country was at war, and that’s why they’re turning to criminals to keep up with the demand of soldiers. That would flesh out the plot, too. But nope. Apparently we’re supposed to accept that a robber can become a princess’s bodyguard easily after mugging her with his gang of bandits. Oh, and he almost becomes her husband. Because every king wants his little girl to marry a common criminal.
Despite everything wrong with the story, I like Will’s and Cass’s characters. Even though Will only exists to be Cass’s lover, he’s got some pretty charming lines in the story. His need to protect her is incredibly sexy.
Cass’s character is a little more complex. She’s strong and independent, and she knows what she wants in life. She’s the type of girl who would be bored to death in most respectable professions for a woman, instead enjoying being a bandit. But I hated her when Bryce, one of her men, attacked her in her tent. All she did to defend herself was bide her time until she could scream for help
What. The. Fuck.
She’s a damn gang leader and she doesn’t know how to defend herself against one man who gets too handsy? Please. That’s fucking ludicrous, and all of my respect for her is just gone because of that one scene. How the hell did she become a leader in the first place if she needs to scream like a damn damsel whenever she gets attacked? Not cool.
This book really didn’t do much for me. While it’s all right, it’s not that good. The characters aren’t good, and neither is the writing. I suggest you look elsewhere for your historical romance bad boy.
Words: 17,970
Average Goodreads Rating: 3.8/5 stars
My rating: 2/5 stars
Cass runs one of the greatest band of highwaymen around. Despite being a woman, she’s respected by her crew, and every night they return to camp richer than they were and she can enjoy being in the arms of her second-in-command, Will Carpenter. But that all changes when Will accepts a position in the King’s Guard. Cass knows Will wants more than what she can give him. He wants marriage and kids, as well as honest work instead of thieving. But Cass doesn’t know if she can ever give him up.
Claiming Her Highwayman is free on Smashwords.
I found myself underwhelmed by this story. When it starts, Will and Cass are already a couple, and the chemistry between them already feels forced, as well as the heist they’re about to go on. It’s like a bad first draft that hasn’t developed into something greater yet. Cass and Will feel more like paper dolls than people and unfortunately, I never get that attached to them. They just don’t have the chemistry.
It doesn’t help that my suspension of disbelief took a huge beating when Will’s offered a job with the King’s Guard, as the princess’s personal guard. He’s a highwayman! Since when do they let criminals guard princesses? Um, never. Not only that, but he’s still in contact with his old gang, and he’s not even in training to be a soldier! He just is. Apparently the standards for becoming a member of the King’s Guard is really low.
It would make a hell of a lot more sense to me if there was a scarcity of guards for some reason, like the country was at war, and that’s why they’re turning to criminals to keep up with the demand of soldiers. That would flesh out the plot, too. But nope. Apparently we’re supposed to accept that a robber can become a princess’s bodyguard easily after mugging her with his gang of bandits. Oh, and he almost becomes her husband. Because every king wants his little girl to marry a common criminal.
Despite everything wrong with the story, I like Will’s and Cass’s characters. Even though Will only exists to be Cass’s lover, he’s got some pretty charming lines in the story. His need to protect her is incredibly sexy.
Cass’s character is a little more complex. She’s strong and independent, and she knows what she wants in life. She’s the type of girl who would be bored to death in most respectable professions for a woman, instead enjoying being a bandit. But I hated her when Bryce, one of her men, attacked her in her tent. All she did to defend herself was bide her time until she could scream for help
What. The. Fuck.
She’s a damn gang leader and she doesn’t know how to defend herself against one man who gets too handsy? Please. That’s fucking ludicrous, and all of my respect for her is just gone because of that one scene. How the hell did she become a leader in the first place if she needs to scream like a damn damsel whenever she gets attacked? Not cool.
This book really didn’t do much for me. While it’s all right, it’s not that good. The characters aren’t good, and neither is the writing. I suggest you look elsewhere for your historical romance bad boy.
Andy K (10823 KP) rated Vox Lux (2018) in Movies
Sep 18, 2019
Black Swan 2: The Return of Durant
In 1999, a middle school teenager Celeste has survived a horrific school shooting which has left multiple students and teacher dead. Through tragedy, the wounded girl triumphs through the singing of a tribute song which goes viral and becomes an anthem for heartbreak throughout the world.
She achieves instant success with her song, so much so, she gets a recording contract and her and her sister are whisked away to Sweden to record it officially and make a music video. Her manager chaperones her time there, but does not have much success. The girls have a good time partying and choosing every excess including the consequences. The video is a success and she becomes a star.
Eighteen years later, the aging pop star is trying to make a comeback and show she can still keep up. Her relationships with her sister, teenage daughter and sister as she has lived the ego-driven life of a celebrity now for too long. One the eve of a concert performance, another massive multi-person shooting happens at a beachfront, the perpetrators donning masks used in one of her videos making her the target of paparazzi and media scrutiny at a pivotal time in her life.
She tries to salvage her relationship with her daughter who is going through her own teenage angst with mixed success. It seems she is her own worst enemy questioning her choices and continuing leading the lifestyle of a demanding celebrity.
The movie seems like a tale of two halves with the teenage Celeste and the "grown up" version even having screen captures saying so. For me the first half was way more interesting than the second. The teenage Celeste was more believable, maybe because you didn't know her, but the screenplay was more interesting for her as well.
One can only imagine the emotions of having to live through such a tragedy and having to rebuild your life afterwards. Then adding on top of it, her instantaneous global stardom could not have done well to heal her physical, but emotional scars as well.
I felt Natalie Portman seemed out of place and her acting felt very wooden and dry to me unlike most of her portfolio. She even was an executive producer on the film along with her costar Jude Law, so she may have been focused on that instead of her acting performance. She doesn't appear in the film until close to an hour in and filmed her scenes over 10 days. It is unfortunate, but I really didn't believe her and took me out of several scenes as a result.
It is hard to empathize with the celebrity lifestyle of excess and demands having never lived it myself. It has certainly been portrayed onscreen much better than it is here and it really felt like the two halves of the film were disconnected and not resolved.
I certainly don't mind, or even encourage, the vague open-ended type of film generally speaking if it is left you to think about the plight of the characters their decisions, and ultimate destinations; however, this film accomplishes this only through bad writing.
The concert footage was well done and Portman certainly delivered on transforming into a Madonna/Britney Spears type icon. I was just hoping for more of a payoff and felt disappointed in the end.
She achieves instant success with her song, so much so, she gets a recording contract and her and her sister are whisked away to Sweden to record it officially and make a music video. Her manager chaperones her time there, but does not have much success. The girls have a good time partying and choosing every excess including the consequences. The video is a success and she becomes a star.
Eighteen years later, the aging pop star is trying to make a comeback and show she can still keep up. Her relationships with her sister, teenage daughter and sister as she has lived the ego-driven life of a celebrity now for too long. One the eve of a concert performance, another massive multi-person shooting happens at a beachfront, the perpetrators donning masks used in one of her videos making her the target of paparazzi and media scrutiny at a pivotal time in her life.
She tries to salvage her relationship with her daughter who is going through her own teenage angst with mixed success. It seems she is her own worst enemy questioning her choices and continuing leading the lifestyle of a demanding celebrity.
The movie seems like a tale of two halves with the teenage Celeste and the "grown up" version even having screen captures saying so. For me the first half was way more interesting than the second. The teenage Celeste was more believable, maybe because you didn't know her, but the screenplay was more interesting for her as well.
One can only imagine the emotions of having to live through such a tragedy and having to rebuild your life afterwards. Then adding on top of it, her instantaneous global stardom could not have done well to heal her physical, but emotional scars as well.
I felt Natalie Portman seemed out of place and her acting felt very wooden and dry to me unlike most of her portfolio. She even was an executive producer on the film along with her costar Jude Law, so she may have been focused on that instead of her acting performance. She doesn't appear in the film until close to an hour in and filmed her scenes over 10 days. It is unfortunate, but I really didn't believe her and took me out of several scenes as a result.
It is hard to empathize with the celebrity lifestyle of excess and demands having never lived it myself. It has certainly been portrayed onscreen much better than it is here and it really felt like the two halves of the film were disconnected and not resolved.
I certainly don't mind, or even encourage, the vague open-ended type of film generally speaking if it is left you to think about the plight of the characters their decisions, and ultimate destinations; however, this film accomplishes this only through bad writing.
The concert footage was well done and Portman certainly delivered on transforming into a Madonna/Britney Spears type icon. I was just hoping for more of a payoff and felt disappointed in the end.