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Three Things About Elsie
Three Things About Elsie
Joanna Cannon | 2018 | Fiction & Poetry
8
8.1 (9 Ratings)
Book Rating
Fantastic Writing and Humour (0 more)
I can't think of anything (0 more)
This book has received a lot of praise in the last couple of years. So, I was a bit dubious as to whether this novel was all hype and not actually going to be as good as people claimed it was.

The true is, this is a gem of a book.

One of the things that is special about this book, is the writing. ‘Three Things about Elsie’ had likeable, believable characters and even the secondary characters were as equally well-formed, as the main ones. I loved Handy Simon and Miss Ambrose and was pleased to find that both young and old characters, were equal in the story.

I also adored the brilliant, often profound observations of ageing, loneliness and life in general. This book pulled me into its story and even now, I still think about it.

Joanna Cannon’s turn of phrase, even when writing about the simplest of things, had me laughing out loud at times. Her descriptions of the landscape in which the story is set, were very good and I could easily imagine what the characters were seeing.

Another thing I really loved about the plot, was its success at building tension and intrigue throughout. This was a book which dealt with ageing, but it also had a gripping mystery, weaving its way throughout. At no point during this book, did I guess what was going to happen and that kept me reading.

On face value, most people would think that a novel about a octogenarian, wouldn’t appeal to a wide range of readers. However, Joanna Cannon’s story of finding your place within the world, speaks to all ages


‘Three Things About Elsie’ is a humorous, entertaining and wonderful read, which I absolutely loved. This is the best book I have read in a LONG time. It also has one of the best covers too!
  
Peace of Mind - Single by frogi
Peace of Mind - Single by frogi
8
8.0 (1 Ratings)
Album Rating
frogi is a singer-songwriter and producer based in Los Angeles, California. Not too long ago, she released a lovely debut single, entitled, “Peace of Mind”.

“How many days can we fade away? All that is left is every mistake. You know sometimes we’re picking it up to let it go. Are we alright? All I want is for you to let me know. All this time we’ve been playing all of the same notes. Can we find some peace of mind?” – lyrics

‘Peace of Mind’ tells an interesting tale of a young woman who invites her significant other to share a moment of clarity with her.

Apparently, she’s concern about their fading relationship and desires for them to be on a more serene plateau.

‘Peace of Mind’ contains a relatable storyline, retro vocals, and soft organ-driven instrumentation flavored with an alternative-pop aroma.

“I was feeling pretty low about the state of the world and wanted to make a song about meeting someone halfway. I think if we all could just forget our own bullsh*t and break these patterns we trap ourselves in, the world could be a better place. The song is about having love for someone, but also confronting them in a ‘hey, I care about you, I wanna know where you’re at and how we are’ kind of way. Instead of a ‘what’s wrong with you? I don’t understand you’ kind of way.” – frogi

frogi grew up outside of Chicago and moved to L.A. when she was 19-years-old. Not too long after that, she lost someone dear to her. But writing songs and playing with her dog helped her get through that dark moment in time.

Shortly afterward, she started her musical journey in an indie-rock band called ‘After Arrows’.

Since then, she has worked with an old-time songwriter named Ned (The Monkees, The Archies). He taught her about the writing process and gave her access to his studio, where she nurtured her writing and producing skills.

https://www.bongminesentertainment.com/frogi-peace-of-mind/
  
    Bagpipe Player

    Bagpipe Player

    Music and Education

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    The Bagpipe Player is app for IOS uses very popular format BWW, BMW files for writing music of the...

Tender Buttons by Broadcast
Tender Buttons by Broadcast
2005 | Rock
(0 Ratings)
Album Favorite

"Even just thinking about this song, I can feel the beginning of tears in the backs of my eyes. It's such an astonishing piece of lyric writing. It's like that Linton Kwesi Johnson track - the narrator of the song, and their emotions, are so believable. Both songs are about letters, funnily enough. “The imagery is so gentle but it's still significant and it's recognisable of a different world; just the idea of a typing pool now is absurd - it's something that belongs to a different decade. And then the imagery of the paper and the ink drying and there's a confession, but we don't know what the truth is. She's talking about telling the truth in this letter she's written, but we don't know whether she's confessing to something she's done or to the way she truly feels. “Either way, it's definitely a story about the end. 99.999% of people who've loved in their lives will know how that feels, what it's like when love ends and this is one of those songs that just gently captures the hugeness of that kind of situation. It's sung and worded very softly, but what it's describing is incomprehensibly massive. It's communicated with that image of the page being wiped clean, while the landscape remains unchanged. Absolutely astonishing. “Trish Keenan’s death is a story of tragedy in itself, because she was so unique. I know you shouldn't try to relate the personal story of the performer to the piece of music, or the writing, or the play, but you can't help but do it in this case because so many Broadcast songs are in that vein. When you communicate emotion in a song the reason it works is because, as a listener, you recognise something you've experienced before, and so Trish's writing doesn't just remind you of loss - it reminds you of the loss of her.”"

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The Complete Works by Edgard Varese
The Complete Works by Edgard Varese
2018 | Classical, Compilation, Jazz
(0 Ratings)
Album Favorite

"Varese is a universe. A dense universe of objects colliding, crystallising, dissipating and obliterating. I feel like I can relate to what I know of his temperament as well. As well as his obsession with the desert and need to rid himself of the historical baggage of the past is something I can relate to. That guy for me is the origin of a lot of ideas that I'm excited about. It's hard to even talk about him. You know when you've sat with someone for so long that it's difficult to even begin to say. He was one of the first major composers who transitioned into more of a sound artist. As people have said, he kind of liberated sound from the familiar tropes of Western music and turned sound into this absolute state. An appreciation of sound as object. Sound as environment or experience. So, he's that guy. He's someone who, as I grew up, getting into composition and trying to find someone who I can relate to because I love the music but the culture of classical music is stuffy and boring. And I don't give a shit about it. But he was such an intense, probably manic depressive, obsessive-compulsive, beautiful, frustrated, angry, passionate person – and all this stuff came through his music. And I love him for that. He came out of the whole Romantic orchestral universe, and this was pre-electronic age. So he was surrounded by Stravinsky, Debussy, these major models as far as orchestral writing goes. But there wasn't anyone who was taking that model, freezing it and laying to waste the baggage of history that comes with along with that music. He was able to erase all of that and push the idea of orchestral writing forward. If he was alive today, that's a question I would ask him – where are you coming from? Like Feldman though, he's very intuitive in his writing, so he just trusted himself."

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