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BookInspector (124 KP) rated The Art Fiasco (Poppy Denby Investigates #5) in Books
Nov 9, 2020
The protagonist in this book is Poppy Denby, an investigative journalist from London, who is visiting her family in Newcastle and the towns around it. After a famous artist is murdered, Poppy needs to figure out who actually killed her, to protect her aunt, that is accused of it. I fell in love with Poppy instantly, she is such a cool young woman, and her interactions with other characters are very amusing to read about. The story is told from multiple perspectives, and it was a true joy to know more about the characters that sometimes get forgotten. There are quite a few characters in this book, and the author provides a very handy list of all the characters at the beginning of the book. (I did not need to use it though 🙂 ) All the characters are diverse, very charismatic, very intriguing personalities, some of them have disabilities, and I really loved the author’s choice of all the characters for this novel.
The narrative of this book was very absorbing to me. I really loved the 1920ties atmosphere and the whole setting of this novel. I liked the way the author played with the multiple timelines in this novel, there were parts from the past, as well as the present, that increased my curiosity even more. There is a lot of things happening in this novel, but the whole investigation was written superbly. I really loved how the author was trying to confuse the reader, and how all the clues were piecing the whole story beautifully. The topics discussed in this novel were paedophilia, coal miner’s lives, the art world, romance, family relationships, teenage pregnancy and many more. The author has experience in art and journalism, and I really liked that she utilised her personal experience in this novel.
I absolutely loved the writing style of this book, the whole book is masterfully plotted and kept me guessing throughout the whole book. The author provides the map of Newcastle in 1920ies, to allow the reader to follow Poppy throughout her adventure. The chapters are to the longer side, but the story really gripped me, so I just could not put it down. Even though this book is a part of a series, it can easily be read as a stand-alone. The ending of this book was spectacular and I think it rounded the story very well.
So, to conclude, Poppy Denby has a new fan! I thoroughly enjoyed this novel, filled with unique and complex personalities as well as incredibly well-plotted narrative, the had me glued to this book, and always intrigued.
The narrative of this book was very absorbing to me. I really loved the 1920ties atmosphere and the whole setting of this novel. I liked the way the author played with the multiple timelines in this novel, there were parts from the past, as well as the present, that increased my curiosity even more. There is a lot of things happening in this novel, but the whole investigation was written superbly. I really loved how the author was trying to confuse the reader, and how all the clues were piecing the whole story beautifully. The topics discussed in this novel were paedophilia, coal miner’s lives, the art world, romance, family relationships, teenage pregnancy and many more. The author has experience in art and journalism, and I really liked that she utilised her personal experience in this novel.
I absolutely loved the writing style of this book, the whole book is masterfully plotted and kept me guessing throughout the whole book. The author provides the map of Newcastle in 1920ies, to allow the reader to follow Poppy throughout her adventure. The chapters are to the longer side, but the story really gripped me, so I just could not put it down. Even though this book is a part of a series, it can easily be read as a stand-alone. The ending of this book was spectacular and I think it rounded the story very well.
So, to conclude, Poppy Denby has a new fan! I thoroughly enjoyed this novel, filled with unique and complex personalities as well as incredibly well-plotted narrative, the had me glued to this book, and always intrigued.
BookInspector (124 KP) rated The Snow Angel in Books
Sep 24, 2020
It tells a story of 11-year-old girl Makena, who lives in Nairobi, Kenya. Her parents died because of a cruel disease, leaving Makena an orphan. Due to some events, she ends up in the slum, where she meets her one true friend Snow.
I really enjoyed this book and its complex characters. The protagonist in this novel is Makena. She is a very smart person for an eleven-year-old. Her thoughts about life, survival and friendship were so inspiring to me, that’s why, I think, this book is superb for young readers. Makena teaches so many great values and shows great appreciation for things that matter in life. I really loved that the author chose such unique and original characters. They all had very intriguing personalities and their input in the story was irreplaceable. The story was mostly told from Makena’s perspective, and it was fully sufficient for me.
The narrative was absolutely gorgeous. It has a lot to offer to the reader, it is serious, educational but at the same time playful and magical. I think the author has done a great research for this book, and her personal experience was very well utilized in this novel. There is plenty of surprises in this story, which kept me glued to this book. I really loved the topics which the author was discussing, such as Ebola and its effects on the families they left behind, poverty and fight for survival, charity workers and their lives, and many more. The setting and atmosphere always change in this book, from Mount Kenya to slums, to the Scottish Highlands, so, your imagination will not be bored and will be taking you to various places…
I really enjoyed the writing style of this novel, I think it was very well crafted and I found it easy, and pleasant to read. The chapters are not very short, but for me, they just flew by because I was absorbed by the story itself. It has absolutely stunning illustrations by Catherine Hyde, and it makes the whole reading experience even more pleasant. I did enjoy the ending of this book, I think it rounded the story very nicely and gave the closure which left me very satisfied.
So, to conclude, this is a very beautiful story, filled with inspiring and motivating characters, who made me smile and cry on multiple occasions, and I do strongly recommend this book not only to children but to adults as well. There are plenty of things to learn from little Makena.
I really enjoyed this book and its complex characters. The protagonist in this novel is Makena. She is a very smart person for an eleven-year-old. Her thoughts about life, survival and friendship were so inspiring to me, that’s why, I think, this book is superb for young readers. Makena teaches so many great values and shows great appreciation for things that matter in life. I really loved that the author chose such unique and original characters. They all had very intriguing personalities and their input in the story was irreplaceable. The story was mostly told from Makena’s perspective, and it was fully sufficient for me.
The narrative was absolutely gorgeous. It has a lot to offer to the reader, it is serious, educational but at the same time playful and magical. I think the author has done a great research for this book, and her personal experience was very well utilized in this novel. There is plenty of surprises in this story, which kept me glued to this book. I really loved the topics which the author was discussing, such as Ebola and its effects on the families they left behind, poverty and fight for survival, charity workers and their lives, and many more. The setting and atmosphere always change in this book, from Mount Kenya to slums, to the Scottish Highlands, so, your imagination will not be bored and will be taking you to various places…
I really enjoyed the writing style of this novel, I think it was very well crafted and I found it easy, and pleasant to read. The chapters are not very short, but for me, they just flew by because I was absorbed by the story itself. It has absolutely stunning illustrations by Catherine Hyde, and it makes the whole reading experience even more pleasant. I did enjoy the ending of this book, I think it rounded the story very nicely and gave the closure which left me very satisfied.
So, to conclude, this is a very beautiful story, filled with inspiring and motivating characters, who made me smile and cry on multiple occasions, and I do strongly recommend this book not only to children but to adults as well. There are plenty of things to learn from little Makena.
BookInspector (124 KP) rated After He Died in Books
Sep 24, 2020
The main protagonist in this novel is Paula, a middle-class housewife, who just became a widow. A young woman – Cara, is trying to shine a different light on Paula’s deceased husband Thomas. This novel is told from two different perspectives – Paula’s and Cara’s. This book is soaked with grief, both of these characters lost people in their past, and they are still dealing with their grief. I really liked Paula in this book. I could feel her pain and her confusion, and to be honest, I was confused with her because all those little clues and words left me as much baffled as Paula herself. I really wanted to like Cara in this novel, but I couldn’t bond with her. I did like what she represented and I did like her attitude, but I couldn’t warm up to her.
The narrative of this novel is very masterfully delivered. It covers a really wide spectrum of events: we have a domestic noir, filled with family relationships and grief, and at the same time we have murders and mystery which are unfolding very slowly. I really liked the topics M. Malone discussed in this book, such as poverty and homelessness; how people deal with grief and what death brings to the families; drugs and how it influences people and their future, etc. I think this novel is more character driven than the investigation itself, but all these talks about feelings and sadness were too much for me at times, I wanted more pace and more unexpected findings. 🙂 Don’t get me wrong, there were plenty of surprises and twists, but I needed more. 😀
I really enjoyed M. Malone’s writing style, it is a very well crafted novel, and his way of sharing Scottish lingual nuances was absolutely adorable and I really liked them. 🙂 This book has a very strong “rich vs. poor” accent, and the setting is changing between luxury, wellness, and shady areas with homeless people, and I found it very well balanced in this book. The chapters were pretty short, and the whole novel was quick and easy to read. The ending of this book rounded this novel very well and it did leave me satisfied. So, to conclude, this is a very sensitive novel, where the pain after someone’s death is very raw and haunting, but at the same time, it is a great thriller filled with very realistic and casual characters and a very unexpected plot. I really liked this novel, and I hope you will give this book a try and enjoy as much as I did.
The narrative of this novel is very masterfully delivered. It covers a really wide spectrum of events: we have a domestic noir, filled with family relationships and grief, and at the same time we have murders and mystery which are unfolding very slowly. I really liked the topics M. Malone discussed in this book, such as poverty and homelessness; how people deal with grief and what death brings to the families; drugs and how it influences people and their future, etc. I think this novel is more character driven than the investigation itself, but all these talks about feelings and sadness were too much for me at times, I wanted more pace and more unexpected findings. 🙂 Don’t get me wrong, there were plenty of surprises and twists, but I needed more. 😀
I really enjoyed M. Malone’s writing style, it is a very well crafted novel, and his way of sharing Scottish lingual nuances was absolutely adorable and I really liked them. 🙂 This book has a very strong “rich vs. poor” accent, and the setting is changing between luxury, wellness, and shady areas with homeless people, and I found it very well balanced in this book. The chapters were pretty short, and the whole novel was quick and easy to read. The ending of this book rounded this novel very well and it did leave me satisfied. So, to conclude, this is a very sensitive novel, where the pain after someone’s death is very raw and haunting, but at the same time, it is a great thriller filled with very realistic and casual characters and a very unexpected plot. I really liked this novel, and I hope you will give this book a try and enjoy as much as I did.
Dominicana
8.0
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SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2020 'A story for now, an important story . . ....
Historical Fiction New York Literary Fiction Adult Fiction The Dominican Republic Coming of Age
Kristy H (1252 KP) rated Just One Look in Books
Aug 12, 2021
A slightly bland thriller
After an incident at the law firm where she works, Cassie Woodson finds herself temping. She's reviewing correspondence for a fraud case--several tiers removed from her life as a lawyer. While going through the tedious emails, she discovers a series of exchanges between one of the firm partners, Forest Watts, and his wife Annabelle. Cassie can't help but read them, fixating on the way Forest seems to love and adore his wife. But when she finds a way to "accidentally" meet Forest, her fixation with the Watts turns into a full blown obsession.
"He has no idea that I have access to every corner of his life. Even the dusty ones."
This was a perfectly fine thriller, though I found it a little bland. I think it's because I'm so over unreliable alcoholic narrators. For me, that trope is just done. I lose sympathy for the protagonist at that point and just stop caring. Cassie is just an insane train wreck of a character. The whole book felt like watching one, honestly. The premise here is that she's abandoned by her mother at a young age, hence making her unstable and leading to a series of incidents (including the one where she came unglued at her law firm). But I could never quite buy why she became so obsessed with Forest Watts and his wife.
"Eyes aren't the windows to the soul. Emails are."
Most of the book focuses on Cassie's preoccupation with Forest--starting with the emails and then branching out into real life. The girl is committed, I will give you that. She creates a binder on the Watts and everything. If only she was that dedicated to something more productive. There's also a subplot with her temp co-worker, Dalton. Then with about 10 to 15% of the book left, the plot takes a complete turn and things get more exciting. However, nothing that happened previously really seemed to gel with that plot twist, so I found it all a little odd. It was a strange, out of left field turn.
Overall, I found this book interesting enough that I kept reading, so I'm still giving it 3 stars. But it was a strange ride, to say the least. Others liked it more than me, so take my review with a grain of salt.
I received a copy of this book from Random House - Ballantine and Netgalley in return for an unbiased review.
"He has no idea that I have access to every corner of his life. Even the dusty ones."
This was a perfectly fine thriller, though I found it a little bland. I think it's because I'm so over unreliable alcoholic narrators. For me, that trope is just done. I lose sympathy for the protagonist at that point and just stop caring. Cassie is just an insane train wreck of a character. The whole book felt like watching one, honestly. The premise here is that she's abandoned by her mother at a young age, hence making her unstable and leading to a series of incidents (including the one where she came unglued at her law firm). But I could never quite buy why she became so obsessed with Forest Watts and his wife.
"Eyes aren't the windows to the soul. Emails are."
Most of the book focuses on Cassie's preoccupation with Forest--starting with the emails and then branching out into real life. The girl is committed, I will give you that. She creates a binder on the Watts and everything. If only she was that dedicated to something more productive. There's also a subplot with her temp co-worker, Dalton. Then with about 10 to 15% of the book left, the plot takes a complete turn and things get more exciting. However, nothing that happened previously really seemed to gel with that plot twist, so I found it all a little odd. It was a strange, out of left field turn.
Overall, I found this book interesting enough that I kept reading, so I'm still giving it 3 stars. But it was a strange ride, to say the least. Others liked it more than me, so take my review with a grain of salt.
I received a copy of this book from Random House - Ballantine and Netgalley in return for an unbiased review.
Heather Cranmer (2721 KP) created a post
Nov 3, 2021
Gareth von Kallenbach (980 KP) rated Cloud Atlas (2012) in Movies
Aug 7, 2019
While I am not familiar with the novel, I was not excited to review the film adaptation of David Mitchell’s Cloud Atlas. Though the Screenplay was written and directed by the Wachowskis (The Matrix) and Tom Tykwer (Run Lola Run) I did not know exactly what I was getting into. The trailer shows it as an epic sci-fi film crossing the time and lives of several stories and how everything and everyone is connected. Needless to say my curiosity was piqued. But I was nervous because I knew it would take a grand effort to keep this epic and ambitious project from falling flat. And well, I can honestly say that I am not quite sure if the combined effort succeeded.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Kristy H (1252 KP) rated Paper Ghosts in Books
Jun 4, 2018
Odd, creepy thriller
Carl Feldman was a famous photographer whose photos were well-known and whose books sold around the country. Then, he was tried--and acquitted--for the murder of a young mother. Now he lives in a home for wayward folks and criminals with dementia. Supposedly his mind is going, and there's much he doesn't remember about his past. There are tremors in his arm and gaps in his past. But each week a young woman visits, claiming to be his daughter. Eventually, she shows up to take Carl on a trip. But this isn't a father/daughter bonding ritual. She's convinced Carl knows what happened to her sister, Rachel, who disappeared when she was twelve and Rachel nineteen. She's spent years accumulating clues and evidence that point squarely to Carl's guilt--including his own photographs. How much does Carl really remember about those years? And how much is she at risk driving into Texas with a potential killer?
This was really different and odd book--not necessarily in a bad way, but it takes some getting used to and it's hard to explain, especially without spoiling anything. Our characters are few, with a focus on our female protagonist (who isn't named until the end of the book, so I won't name her here) and Carl. Both come alive through Heaberlin's well-written words, but neither are easy to like at times. Our main character is on a quest--one she's been on from the moment Rachel disappeared: to figure out what happened to her beloved sister. Her drive and desperation seep through the pages, and she's a fascinating and dynamic character, if not always a sympathetic or reliable one.
Yet she's completely lovable next to Carl, a potential serial killer who could be whispering to ghosts or plotting to kill her--it's so hard for us to know. What's so intriguing about this book is the bond to the two form as they drive across Texas, whose landscape becomes almost a third character in the novel. While at times I felt the plot dip and drag a bit, wondering where things were going, other times I was struck by the amazing dynamic Heaberlin created between the two. So much of the book is just Carl and our main character, alone in a vehicle in Texas, and it's very interesting, honestly, how she kept that interesting!
The book is creepy and tense at times, with Carl's behavior coming across as spooky and a layer of distrust covering the whole book. Who can we trust or believe? How much does Carl really remember? What is our main character really trying to achieve with this journey with Carl; is she telling us everything? I was left jumping and mistrustful, always wondering what would happen next.
The mixed media aspect of the book helps too, with not only commentary from our main character, but also excerpts from her childhood journal, pictures of Carl's, and snippets from one of his photography books. As such, things unfold slowly and ominously, overlaying the tense atmosphere of the novel. A lot happens and it can get a little perplexing at times, but it's also intriguing and compelling. A few twists and turns made me go "whoa." There's even a few moments between Carl and his "daughter" that are humorous. By the end, you're a little dazed and worn out, and the ending seems shocking. It definitely wasn't what I was expecting, that's for sure. The whole book felt the way, even though I enjoyed it.
Overall, this is slow-burning thriller that takes some time to warm to, but once you get into the rhythm, is interesting and compelling. The main characters are well-faceted, different, and unreliable. It's a creepy and tense read. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
This was really different and odd book--not necessarily in a bad way, but it takes some getting used to and it's hard to explain, especially without spoiling anything. Our characters are few, with a focus on our female protagonist (who isn't named until the end of the book, so I won't name her here) and Carl. Both come alive through Heaberlin's well-written words, but neither are easy to like at times. Our main character is on a quest--one she's been on from the moment Rachel disappeared: to figure out what happened to her beloved sister. Her drive and desperation seep through the pages, and she's a fascinating and dynamic character, if not always a sympathetic or reliable one.
Yet she's completely lovable next to Carl, a potential serial killer who could be whispering to ghosts or plotting to kill her--it's so hard for us to know. What's so intriguing about this book is the bond to the two form as they drive across Texas, whose landscape becomes almost a third character in the novel. While at times I felt the plot dip and drag a bit, wondering where things were going, other times I was struck by the amazing dynamic Heaberlin created between the two. So much of the book is just Carl and our main character, alone in a vehicle in Texas, and it's very interesting, honestly, how she kept that interesting!
The book is creepy and tense at times, with Carl's behavior coming across as spooky and a layer of distrust covering the whole book. Who can we trust or believe? How much does Carl really remember? What is our main character really trying to achieve with this journey with Carl; is she telling us everything? I was left jumping and mistrustful, always wondering what would happen next.
The mixed media aspect of the book helps too, with not only commentary from our main character, but also excerpts from her childhood journal, pictures of Carl's, and snippets from one of his photography books. As such, things unfold slowly and ominously, overlaying the tense atmosphere of the novel. A lot happens and it can get a little perplexing at times, but it's also intriguing and compelling. A few twists and turns made me go "whoa." There's even a few moments between Carl and his "daughter" that are humorous. By the end, you're a little dazed and worn out, and the ending seems shocking. It definitely wasn't what I was expecting, that's for sure. The whole book felt the way, even though I enjoyed it.
Overall, this is slow-burning thriller that takes some time to warm to, but once you get into the rhythm, is interesting and compelling. The main characters are well-faceted, different, and unreliable. It's a creepy and tense read. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Hazel (1853 KP) rated A Piece Of The World in Books
May 30, 2018
I received this book for free through Goodreads First Reads.
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, A Piece of the World is written around a single painting in the Museum of Modern Art, New York: Christina’s World (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be Charcot-Marie-Tooth disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting Christina’s World, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
A Piece of the World is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, A Piece of the World is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, A Piece of the World is written around a single painting in the Museum of Modern Art, New York: Christina’s World (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be Charcot-Marie-Tooth disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting Christina’s World, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
A Piece of the World is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, A Piece of the World is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
Hazel (1853 KP) rated A Piece Of The World in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, <i>A Piece of the World</i> is written around a single painting in the Museum of Modern Art, New York: <i>Christina’s World</i> (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be <i>Charcot-Marie-Tooth</i> disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting <i>Christina’s World</i>, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
<i>A Piece of the World</i> is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, </i>A Piece of the World</i> is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
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Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, <i>A Piece of the World</i> is written around a single painting in the Museum of Modern Art, New York: <i>Christina’s World</i> (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be <i>Charcot-Marie-Tooth</i> disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting <i>Christina’s World</i>, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
<i>A Piece of the World</i> is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, </i>A Piece of the World</i> is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
<imgsrc="https://www.moma.org/media/W1siZiIsIjE2NTQ1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=33c151dba7f8de4c"width="100"height="40"alt="ChristinasWorld"/>;