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Sarah (7798 KP) rated The Bell Jar in Books
Mar 18, 2020
A worthy classic
The Bell Jar is one of those well known classic books that pretty much everyone has heard of, but yet for me I hadn't a clue what the story was actually about. The story centres around a young woman's mental breakdown and descent into depression, and her subsequent slow path to recovery. It's not in the slightest what I was expected, but this is actually a rather good and worthy classic novel.
I wouldnt say Esther is a particularly endearing protagonist, there's a lot about her tale that doesn't make sense or seems a little lacking but I'm guessing this is because it's meant to represent her rather unhinged state of mind. It can get a little frustrating when things aren't explained properly, but for the most part the plot and story is very interesting and I struggled to put this down. It's well written without being pretentious, and it seems to be a very realistic tale about mental illness. The metaphor of the bell jar itself is a rather wonderful term despite the subject matter and one of the best metaphors I've ever come across in literature, as it's so true.
Overall this is a great classic and whilst it may seem a little dated, it's a really good study on mental health.
I wouldnt say Esther is a particularly endearing protagonist, there's a lot about her tale that doesn't make sense or seems a little lacking but I'm guessing this is because it's meant to represent her rather unhinged state of mind. It can get a little frustrating when things aren't explained properly, but for the most part the plot and story is very interesting and I struggled to put this down. It's well written without being pretentious, and it seems to be a very realistic tale about mental illness. The metaphor of the bell jar itself is a rather wonderful term despite the subject matter and one of the best metaphors I've ever come across in literature, as it's so true.
Overall this is a great classic and whilst it may seem a little dated, it's a really good study on mental health.
Matthew Krueger (10051 KP) rated The Secret of Monkey Island in Video Games
May 8, 2020
Point and Click Away
The Secert of Monkey Island- is a 1990 point-and-click graphic adventure game developed and published by Lucasfilm Games.
It takes place in a fictional version of the Caribbean during the age of piracy. The player assumes the role of Guybrush Threepwood, a young man who dreams of becoming a pirate and explores fictional islands while solving puzzles.
The early releases of the game came with copy-protection. A cardboard wheel, named "Dial-a-Pirate", was provided, and the player had to match the pirate shown on-screen with that of the wheel.
The Secret of Monkey Island is a 2D adventure game played from a third-person perspective. Via a point-and-click interface, the player guides protagonist Guybrush Threepwood through the game's world and interacts with the environment by selecting from twelve verb commands (nine in newer versions) such as "talk to" for communicating with characters and "pick up" for collecting items between commands and the world's objects in order to successfully solve puzzles and thus progress in the game.
The in-game action is frequently interrupted by cutscenes.
Like other LucasArts adventure games, The Secret of Monkey Island features a design philosophy that makes the player character's death nearly impossible (Guybrush does drown if he stays underwater for more than ten minutes.
Its a excellent and classic game.
It takes place in a fictional version of the Caribbean during the age of piracy. The player assumes the role of Guybrush Threepwood, a young man who dreams of becoming a pirate and explores fictional islands while solving puzzles.
The early releases of the game came with copy-protection. A cardboard wheel, named "Dial-a-Pirate", was provided, and the player had to match the pirate shown on-screen with that of the wheel.
The Secret of Monkey Island is a 2D adventure game played from a third-person perspective. Via a point-and-click interface, the player guides protagonist Guybrush Threepwood through the game's world and interacts with the environment by selecting from twelve verb commands (nine in newer versions) such as "talk to" for communicating with characters and "pick up" for collecting items between commands and the world's objects in order to successfully solve puzzles and thus progress in the game.
The in-game action is frequently interrupted by cutscenes.
Like other LucasArts adventure games, The Secret of Monkey Island features a design philosophy that makes the player character's death nearly impossible (Guybrush does drown if he stays underwater for more than ten minutes.
Its a excellent and classic game.
I received a digital copy from the author in exchange for an honest review.
Contemporary, young adult, romance, fantasy, steampunk, action... is there any category this book does not fit in to?! Jordan Elizabeth takes readers on a journey from New York to a fantasy world that very few knows exist in her recent novel Lock. Sarah Lockwood, the protagonist, thought the Realm was a story her late father used to tell her, however, when she discovers it is real, she jumps at the chance to visit, not realising the dangers that lie ahead.
Sarah is a self-sufficient young woman who has been living with her belly-dancing aunt since the death of her parents. Invited to stay with her Uncle William, she feels obliged to accept, however, almost regrets the decision after the cold welcome she receives. The gardener's son Archer, however, soon takes her mind off her troubles, particularly when he suggests travelling to a parallel world.
Archer comes from a family of Record Writers and it is his job to record the daily goings-on in the Realm. Sarah soon learns the Realm no longer lives up to the descriptions in the fairytales. A usurper has murdered the royal family and the inhabitants live in constant fear and poverty. Whilst this is shocking, Sarah unveils another revelation: the usurper is someone from her world, someone very close to home.
Although Lock has similarities with fantasy lands such as Narnia, it is written for a slightly older generation of readers. Sarah is 19 years old and some scenes are markedly "adult". There is also a lot of bloodshed and the occasional expletive. Nonetheless, it is a fast-paced, exciting story.
Once again, Jordan Elizabeth has written a book that is unlike the others she has written before. It is difficult to categorise the author and her novels since they are so diverse, however, one thing is for sure: Jordan Elizabeth knows how to tell a good story.
Contemporary, young adult, romance, fantasy, steampunk, action... is there any category this book does not fit in to?! Jordan Elizabeth takes readers on a journey from New York to a fantasy world that very few knows exist in her recent novel Lock. Sarah Lockwood, the protagonist, thought the Realm was a story her late father used to tell her, however, when she discovers it is real, she jumps at the chance to visit, not realising the dangers that lie ahead.
Sarah is a self-sufficient young woman who has been living with her belly-dancing aunt since the death of her parents. Invited to stay with her Uncle William, she feels obliged to accept, however, almost regrets the decision after the cold welcome she receives. The gardener's son Archer, however, soon takes her mind off her troubles, particularly when he suggests travelling to a parallel world.
Archer comes from a family of Record Writers and it is his job to record the daily goings-on in the Realm. Sarah soon learns the Realm no longer lives up to the descriptions in the fairytales. A usurper has murdered the royal family and the inhabitants live in constant fear and poverty. Whilst this is shocking, Sarah unveils another revelation: the usurper is someone from her world, someone very close to home.
Although Lock has similarities with fantasy lands such as Narnia, it is written for a slightly older generation of readers. Sarah is 19 years old and some scenes are markedly "adult". There is also a lot of bloodshed and the occasional expletive. Nonetheless, it is a fast-paced, exciting story.
Once again, Jordan Elizabeth has written a book that is unlike the others she has written before. It is difficult to categorise the author and her novels since they are so diverse, however, one thing is for sure: Jordan Elizabeth knows how to tell a good story.
LeftSideCut (3778 KP) rated Indiana Jones and the Last Crusade (1989) in Movies
Jan 28, 2021
Returning to a much more balanced tone that the overly "cooky" Temple of Doom, the third Indiana Jones adventure gives Raiders of the Lost Ark some serious competition for best entry in the franchise (Raiders just about beats it for me based on the ratio of melting nazi face content).
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
HLD (99 KP) rated The Alienist - Season 1 in TV
Aug 22, 2018 (Updated Aug 22, 2018)
Superb scenery (2 more)
I imagine a close representation of the time period
Character development is slight in some of the main cast, but it is there
Dakota Fanning never smiles. Not once (1 more)
For all the terrible things that happen, I don't feel, as a viewer, the terrible people got what they deserved
Engaging and thrilling
Much like 'Hannibal', or 'Mindhunter', this show attempts to put our protagonist in the mind of the monster he is hunting. Although it takes him a while to realise that is indeed what he is doing.
This is in interesting idea for a show. Before Psychology was a respected field of medicine, you have alienists. Essentially doing the same job, but categorised differently.
Every character appears to have demons of their own. By the end of the season, they confront those demons simply by talking about them aloud to another person.
Also, was paedophilia as accepted 118 years ago as this show portrays? Is it merely an exaggeration of some historical accounts? Who knows, but it definitely created an unhealthy dynamic within society.
Everyone cares so much about the murders of these young men, but nobody cares about the children living on the streets. Or the people having sex with them.
The filming of the show does out-perform some of the acting, but the scenery added to the storylines that occur are sure to keep you entertained until episode ten.
This is in interesting idea for a show. Before Psychology was a respected field of medicine, you have alienists. Essentially doing the same job, but categorised differently.
Every character appears to have demons of their own. By the end of the season, they confront those demons simply by talking about them aloud to another person.
Also, was paedophilia as accepted 118 years ago as this show portrays? Is it merely an exaggeration of some historical accounts? Who knows, but it definitely created an unhealthy dynamic within society.
Everyone cares so much about the murders of these young men, but nobody cares about the children living on the streets. Or the people having sex with them.
The filming of the show does out-perform some of the acting, but the scenery added to the storylines that occur are sure to keep you entertained until episode ten.
Phil Leader (619 KP) rated The Gatekeeper (Afterlife #0.5) in Books
Nov 13, 2019
If you've read the author's rather excellent young adult Afterlife series about angels battling demons for control of mortal souls you will know The Gatekeeper as the cackling, taunting old man. If you have not read the series this novella may be a good introduction.
Aker might seem like a normal boy but there is something different about him. He is a little more cruel, a little more keen to cause trouble and misery than his peers. His downward path soon brings him to the attention of the demon world, a world he adapts to with ease. But demons survive either on their strength or their wits. Aker may not be strong but he is very cunning and very eager to prove himself.
One of the major achievements of this story is that the main protagonist is (hopefully) in no way relateable to the reader; he is sly, selfish and cruel, caring nothing at all for anybody but himself. Yet the writing means that although we might not agree with any of his choices, it is clear why he makes them. So although the reader has no sympathy for Aker, there is some understanding of him.
The story moves quickly as Aker progresses through the demon world and there is little to time to catch one's breath between scenes. This makes it an easy read, and one that manages to provide a lot of background on the wider series without ever deviating from telling the central story.
Aker might seem like a normal boy but there is something different about him. He is a little more cruel, a little more keen to cause trouble and misery than his peers. His downward path soon brings him to the attention of the demon world, a world he adapts to with ease. But demons survive either on their strength or their wits. Aker may not be strong but he is very cunning and very eager to prove himself.
One of the major achievements of this story is that the main protagonist is (hopefully) in no way relateable to the reader; he is sly, selfish and cruel, caring nothing at all for anybody but himself. Yet the writing means that although we might not agree with any of his choices, it is clear why he makes them. So although the reader has no sympathy for Aker, there is some understanding of him.
The story moves quickly as Aker progresses through the demon world and there is little to time to catch one's breath between scenes. This makes it an easy read, and one that manages to provide a lot of background on the wider series without ever deviating from telling the central story.
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