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Hazel (1853 KP) rated Capturing Jasmina (India's Street Kids #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.
Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.
Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.
<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.
It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.
Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
Night Reader Reviews (683 KP) rated Bad News Belinda in Books
Jan 9, 2020
Bad News Belinda by Stewart Martin Johnson is an amazingly cute little childrens book of only about thirty pages or so. Each page only has an average of about one sentence which makes it a very easy read. For some reason, it brought back memories of Amelia Bedelia from my childhood, but that may just be because of the name.
Aunt Belinda coming to stay for a visit is one of those visits that we all come to dread. In some way, most people can probably relate to having a relative that they are less than enthusiastic to see but hopefully they are not as bad as Belinda. When Belinda is around the children have to hide their candy and clean while Belinda either sits around or makes a mess of things.
Belinda doesn't do fun things with the children like the other aunts do, instead, she makes things miserable for them. The other Aunts help the children plan to get rid of Belinda, but Belinda overhears them. After everyone tells Belinda what they really think of her she leaves on her own and the children have a party with the good aunts.
What I liked best was how the artwork and the story worked very well together. For childrens books, I feel it is very important that the artwork and the story work together. This book is a wonderful example of that. When Belinda is around the coloring is darker, messy, and has a negative feeling, but it is bright, happy, and cheerful when she is gone. If I had to choose something that I didnt like it would be how everyone told Belinda they did not like her. However, seeing as how Belinda being a problem was kind of the whole point of the book it's not really a negative.
The target readers for this book are any children who like to be read to and young beginning readers. As an adult I also found this book to be fun and enjoyed reading it to my children. That being said I rate this book to be a perfect 4 out of 4. This is because everything about this book is great. The short sentences and overall length do not intimidate young readers. The artwork is spot on with the tones of the book. It has some funny and silly moments such as Belinda eating a goldfish and some very nice rhymes.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/bad-news-belinda
Aunt Belinda coming to stay for a visit is one of those visits that we all come to dread. In some way, most people can probably relate to having a relative that they are less than enthusiastic to see but hopefully they are not as bad as Belinda. When Belinda is around the children have to hide their candy and clean while Belinda either sits around or makes a mess of things.
Belinda doesn't do fun things with the children like the other aunts do, instead, she makes things miserable for them. The other Aunts help the children plan to get rid of Belinda, but Belinda overhears them. After everyone tells Belinda what they really think of her she leaves on her own and the children have a party with the good aunts.
What I liked best was how the artwork and the story worked very well together. For childrens books, I feel it is very important that the artwork and the story work together. This book is a wonderful example of that. When Belinda is around the coloring is darker, messy, and has a negative feeling, but it is bright, happy, and cheerful when she is gone. If I had to choose something that I didnt like it would be how everyone told Belinda they did not like her. However, seeing as how Belinda being a problem was kind of the whole point of the book it's not really a negative.
The target readers for this book are any children who like to be read to and young beginning readers. As an adult I also found this book to be fun and enjoyed reading it to my children. That being said I rate this book to be a perfect 4 out of 4. This is because everything about this book is great. The short sentences and overall length do not intimidate young readers. The artwork is spot on with the tones of the book. It has some funny and silly moments such as Belinda eating a goldfish and some very nice rhymes.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/bad-news-belinda
Eleanor Luhar (47 KP) rated Ghost Boy in Books
Jun 24, 2019
Another young adult novel, following an 11-year-old boy. His name is Ben, and he sees ghosts. Well, spirits, and only a few. Mainly, he sees Abby, a girl of his own age. His mother views his ability as a 'gift', but his father thinks he's crazy. He gets angry when Ben talks about Abby as if she's real, and tries several methods to rid Ben of his spirits.
Ben goes through a lot in this novel, from his cousin losing his foot, his father sending him to a shrink, being caught graffiti-ing, and being beaten up for standing up to a bully. And more! These things are mostly nothing to do with Abby or Ben's ability to see the dead, but there are some connections. In one case, Ben actually exorcises a 'dybbuk' from a stranger on a beach.
It is clear that Ben is desperate for his father's approval. He attempts daring and foolish stunts designed to impress him, and he ends up lying about taking anti-psychotic medication just to please him. His mother often stands up for Ben, but this causes h er to fight with his father. Ben's sister is rarely mentioned, and does not seem to make any comments on Ben's ability - if she even knows about it.
A lot of this book felt like it was completely disconnected to the main plot; it felt a bit like a generic YA fiction novel at times. The plot revolving around Abby seemed to disappear for a while, before being re-introduced.
The plot with Abby was actually very interesting. I had my hunches from relatively early on, but it wasn't overly obvious or predictable. I did find it a bit strange how Ben believed he had a romantic interest in her at one point, and the 'solution' she suggests is also a bit strange... But it was unique and innovative, that's for sure. I'm intrigued to know where Abby got her name from, as it is later revealed that her mother referred to her as Eliza.
Ben's exorcising ability was not explained or developed upon at all, and there was no other mention of/reference to dybbuks or similar demons. This was a bit of a shame, as that was an interesting aspect.
As Ben was quite a young protagonist, I do believe I am a bit too old to actually really appreciate this. The writing definitely seemed more suited to a slightly younger audience, but wasn't overly immature. I'd definitely recommend this for slightly younger readers. I noticed a few mistakes, but only generic typos. 3.5 stars.
Ben goes through a lot in this novel, from his cousin losing his foot, his father sending him to a shrink, being caught graffiti-ing, and being beaten up for standing up to a bully. And more! These things are mostly nothing to do with Abby or Ben's ability to see the dead, but there are some connections. In one case, Ben actually exorcises a 'dybbuk' from a stranger on a beach.
It is clear that Ben is desperate for his father's approval. He attempts daring and foolish stunts designed to impress him, and he ends up lying about taking anti-psychotic medication just to please him. His mother often stands up for Ben, but this causes h er to fight with his father. Ben's sister is rarely mentioned, and does not seem to make any comments on Ben's ability - if she even knows about it.
A lot of this book felt like it was completely disconnected to the main plot; it felt a bit like a generic YA fiction novel at times. The plot revolving around Abby seemed to disappear for a while, before being re-introduced.
The plot with Abby was actually very interesting. I had my hunches from relatively early on, but it wasn't overly obvious or predictable. I did find it a bit strange how Ben believed he had a romantic interest in her at one point, and the 'solution' she suggests is also a bit strange... But it was unique and innovative, that's for sure. I'm intrigued to know where Abby got her name from, as it is later revealed that her mother referred to her as Eliza.
Ben's exorcising ability was not explained or developed upon at all, and there was no other mention of/reference to dybbuks or similar demons. This was a bit of a shame, as that was an interesting aspect.
As Ben was quite a young protagonist, I do believe I am a bit too old to actually really appreciate this. The writing definitely seemed more suited to a slightly younger audience, but wasn't overly immature. I'd definitely recommend this for slightly younger readers. I noticed a few mistakes, but only generic typos. 3.5 stars.
Shadow and Light (Arizona Raptors #3)
RJ Scott and V.L. Locey
10.0
Rate It
Book
Is it easier to fall into the shadows than hold onto the light? Injured in a horrific car...
Contemporary MM Sports Romance
Hadley (567 KP) rated Chosen Ones in Books
Jul 21, 2021
Writing (3 more)
Inconsistencies
Constantly stopping the story
Stereo-typical character
What usually draws readers into a hero versus villain story is to see the hero's fight to victory. The struggle, the refusal to back down - - - we usually put ourselves into this character and root for them to win at any cost. But the Chosen Ones starts us off after our heroes are victorious in the battle against the villain. The heroes are trying to cope with every day life after achieving the most important thing they would ever accomplish, but memories of the war against the Dark One keep them from returning to that normal life.
Sloane is our main character - - - one of the five heroes that was picked by a prophecy years ago to take down the Dark One. One of the effects of battling the villain for her is she now endures PTSD-induced nightmares. We meet her in the midst of one of these nightmares, where she nearly stabs her boyfriend, Matt (also one of the five heroes), with a kitchen knife. And this isn't the first time this has happened: it happens enough that Sloane was put on medication to help with her PTSD, as well as going to therapy.
But with the ten year anniversary of the Dark One's defeat looming ahead, life seems to be getting even harder for the heroes. All the heroes want is to move on and forget the war had ever happened - - - but then something happens that causes them to relive the Dark One's fight all over again.
The heroes end up on a magic-using world called Genetrix where a man going by the name the Resurrectionist is causing the same destruction as the Dark One did on their world. Disoriented and curious, the heroes have no choice but to believe the two main magic users who brought them there, Aelia and Nero. The two seem to be the ones in charge of finding the chosen one to take down the Resurrectionist. But soon after the heroes agree to take down this world's Dark One, they begin to believe that Aelia and Nero are hiding information from them.
The heroes decide to focus on learning to use magic, so they can defend themselves on this world. With the help of siphons, the heroes are able to begin practicing magic for their fight with the Resurrectionist. . . but for Sloane, she is unable to get her siphon to work, instead, she contains an ability that came from a cursed object from their world, a cursed object that wants her back.
This book contains a lot of the problems that went on during 2020, possibly too many of them. Unlike most books released last year, Chosen Ones didn't do a well enough job of hiding reality in plain sight. Chosen Ones also made the mistake of cutting up the story with intermissions of newspaper articles and government reports. Divergent author Veronica Roth disrupted the flow of the story by doing such that it felt like the story continuously came to a stand still.
Chosen Ones also plays up the Young Adult genre tropes. The relationship between Sloane and Mox happens so quickly that it isn't believable to the reader, and the result is awkward to the point of embarrassing. Also, the friendship between the heroes is very flat, so much so that when conflict arises, I was left believing that no one cared if the other one died.
But it was the idea of the story that hooked me as a reader - - - movies, television shows, and other novels normally focus on the heroes during the great fight with the villain, allowing readers to live the war and pick the fighter they want to win. In this novel, the connection with the heroes is severely lacking, especially when the only character development happens to Sloane. Very reminiscent of Mira Grant's 'Feed,' I couldn't bring myself to like the main character. Sloane tries too hard to be a strong and independent woman, she comes off as a teenager trapped in an adult woman's body, even Ines, one of the other female heroes, is a more well-put together character than Sloane is. This is the trope that is killing lead female characters in the Young Adult genre, but I suppose it's better than having the stereo-typical ditzy female lead characters most adult novels have.
Although the synopsis caused me to buy this book, I was really disappointed with the path in which Roth took it down. The biggest issue was how much of 2020's problems were shoved into one book because it took away from what this story could have been. The heroes are blatantly fighting Donald Trump aka the Dark One, and this subject has been done to-death so much that I couldn't get fully immersed into the story. They also fight against people who can do magic, including people who are apparently Wiccans - - - but Roth labels them as 'evil. ' Having known actually Wiccans in my life, I know that they believe in harming none. Roth's stereo-typing of anyone who is not her heroes shows a shallowness that is becoming more prevalent, unfortunately, in female writers.
Chosen Ones could have been so much more than what it was because it just ends up being another empty story that takes on today's problems just to sell a book. With inconsistencies and bad writing throughout, I can't recommend this book to anyone, but if you love YA tropes, then you'll love this one.
Sloane is our main character - - - one of the five heroes that was picked by a prophecy years ago to take down the Dark One. One of the effects of battling the villain for her is she now endures PTSD-induced nightmares. We meet her in the midst of one of these nightmares, where she nearly stabs her boyfriend, Matt (also one of the five heroes), with a kitchen knife. And this isn't the first time this has happened: it happens enough that Sloane was put on medication to help with her PTSD, as well as going to therapy.
But with the ten year anniversary of the Dark One's defeat looming ahead, life seems to be getting even harder for the heroes. All the heroes want is to move on and forget the war had ever happened - - - but then something happens that causes them to relive the Dark One's fight all over again.
The heroes end up on a magic-using world called Genetrix where a man going by the name the Resurrectionist is causing the same destruction as the Dark One did on their world. Disoriented and curious, the heroes have no choice but to believe the two main magic users who brought them there, Aelia and Nero. The two seem to be the ones in charge of finding the chosen one to take down the Resurrectionist. But soon after the heroes agree to take down this world's Dark One, they begin to believe that Aelia and Nero are hiding information from them.
The heroes decide to focus on learning to use magic, so they can defend themselves on this world. With the help of siphons, the heroes are able to begin practicing magic for their fight with the Resurrectionist. . . but for Sloane, she is unable to get her siphon to work, instead, she contains an ability that came from a cursed object from their world, a cursed object that wants her back.
This book contains a lot of the problems that went on during 2020, possibly too many of them. Unlike most books released last year, Chosen Ones didn't do a well enough job of hiding reality in plain sight. Chosen Ones also made the mistake of cutting up the story with intermissions of newspaper articles and government reports. Divergent author Veronica Roth disrupted the flow of the story by doing such that it felt like the story continuously came to a stand still.
Chosen Ones also plays up the Young Adult genre tropes. The relationship between Sloane and Mox happens so quickly that it isn't believable to the reader, and the result is awkward to the point of embarrassing. Also, the friendship between the heroes is very flat, so much so that when conflict arises, I was left believing that no one cared if the other one died.
But it was the idea of the story that hooked me as a reader - - - movies, television shows, and other novels normally focus on the heroes during the great fight with the villain, allowing readers to live the war and pick the fighter they want to win. In this novel, the connection with the heroes is severely lacking, especially when the only character development happens to Sloane. Very reminiscent of Mira Grant's 'Feed,' I couldn't bring myself to like the main character. Sloane tries too hard to be a strong and independent woman, she comes off as a teenager trapped in an adult woman's body, even Ines, one of the other female heroes, is a more well-put together character than Sloane is. This is the trope that is killing lead female characters in the Young Adult genre, but I suppose it's better than having the stereo-typical ditzy female lead characters most adult novels have.
Although the synopsis caused me to buy this book, I was really disappointed with the path in which Roth took it down. The biggest issue was how much of 2020's problems were shoved into one book because it took away from what this story could have been. The heroes are blatantly fighting Donald Trump aka the Dark One, and this subject has been done to-death so much that I couldn't get fully immersed into the story. They also fight against people who can do magic, including people who are apparently Wiccans - - - but Roth labels them as 'evil. ' Having known actually Wiccans in my life, I know that they believe in harming none. Roth's stereo-typing of anyone who is not her heroes shows a shallowness that is becoming more prevalent, unfortunately, in female writers.
Chosen Ones could have been so much more than what it was because it just ends up being another empty story that takes on today's problems just to sell a book. With inconsistencies and bad writing throughout, I can't recommend this book to anyone, but if you love YA tropes, then you'll love this one.
Bob Mann (459 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Sep 28, 2021
A fantasy that’s glossy and beautiful to look at.
Before the heavyweight juggernaut of “Mary Poppins Returns” arrives at Christmas, here’s another Disney live action feature to get everyone in the festive spirit.
The Plot.
It’s Victorian London and Young Clara (Mackenzie Foy) lives with her father (Matthew Macfadyen), her older sister Louise (Ellie Bamber) and her younger brother Fritz (Tom Sweet). It’s Christmas and the family are having a hard time as they are grieving the recent death of wife and mother Marie (Anna Madeley). Like her mother, Clara has an astute mind with an engineering bias and is encouraged in this pursuit by her quirky inventor godfather, Drosselmeyer (Morgan Freeman). At his fabled Christmas ball, Clara asks for his help in accessing a gift Clara’s mother has bequeathed to her. This leads Clara on a magical adventure to a parallel world with four realms, where everything is not quite peace and harmony.
The Review.
This is a film that visually delights from the word go. The film opens with a swooping tour of Victorian London (who knew the Disney castle was in the capital’s suburbs?!) via Westminster bridge and into the Stahlbaum’s attic. It’s a spectacular tour-de-force of special-effects wizardry and sets up the expectation of what’s to come. For every scene that follows is a richly decorated feast for the eyes. Drosselmeyer’s party is a glorious event, full of extras, strong on costume design and with a rich colour palette as filmed by Linus Sandgren (“La La Land“). When we are pitched into the Four Realms – no wardrobe required – the magical visions continue.
The film represents a Narnia-esque take on the four compass-point lands of Oz, and on that basis it’s a bit formulaic. But the good vs evil angles are more subtley portrayed. Of the Four Realms leaders, Keira Knightley as Sugar Plum rather steals the show from the others (played by Richard E. Grant, Eugenio Derbez and Helen Mirren). Mirren in particular is given little to do.
What age kids would this be suitable for? Well, probably a good judge would be the Wizard of Oz. If your kids are not completely freaked out by the Wicked Witch of the West and the flying monkeys, then they will probably cope OK with the scary bits of the “Realm of Entertainment”. Although those who suffer from either musophobia or (especially) coulrophobia might want to give it a miss! All kids are different though, and the “loss of the mother” is also an angle to consider: that might worry and upset young children. It is definitely a “PG” certificate rather than a “U” certificate.
Young people who also enjoy ballet (I nearly fell into a sexist trap there!) will also get a kick out of some of the dance sequences, which are “Fantasia-esque” in their presentation and feature Misty Copeland, famously the first African American Female Principal Dancer with the American Ballet Theatre. (I have no appreciation at all for ballet, but I’m sure it was brilliant!)
As for the moral tone of the film, the female empowerment message is rather ladled on with a trowel, but as it’s a good message I have no great problem with that. I am often appalled at how lacking in confidence young people are in their own abilities. Here is a young lady (an engineer!) learning self-resilience and the confidence to be able to do anything in life she puts her mind to. Well said.
The story is rather generic – child visits a magical other world – but the screenplay is impressive given its the first-feature screenplay for Ashleigh Powell: there is an article on her approach to screenwriting that you might find interesting here.
The film is credited with two directors. This – particularly if there is also an army of screenwriters – is normally a warning sign on a film. (As a case in point, the chaotic 1967 version of “Casino Royale” had six different directors, and it shows!). Here, there clearly were issues with the filming since Disney insisted on reshoots for which the original director, Lasse Hallström, was not available. This is where the “Captain America” director Joe Johnston stepped in.
The turns.
I really enjoyed Mackenzie Foy‘s performance as Clara. Now 18, she is a feisty and believable Disney princess for the modern age. (If, like me, you are struggling to place where you’ve heard her name before, she was the young Murph in Nolan’s “Interstellar“).
Another name I was struggling with was Ellie Bamber as her sister. Ellie was excellent in the traumatic role of the daughter in the brilliant “Nocturnal Animals“, one of my favourite films of 2016. (Hopefully the therapy has worked and Ellie can sleep at night again!).
A newcomer with a big role is Jayden Fowora-Knight as the Nutcracker soldier: Jayden had a bit part in “Ready Player One” but does a great job here in a substantial role in the film. He stands out as a black actor in a Disney feature: notwithstanding the Finn character in “Star Wars”, this is a long-overdue and welcome approach from Disney.
British comedians Omid Djalili and Jack Whitehouse turn up to add some light relief, but the humour seems rather forced and not particularly fitting.
Final thoughts
I wasn’t expecting to enjoy this one much, but I did. Prinicipally because it is such a visual feast and worth going to see just for that alone: I have a prediction that this film will be nominated for production design, costume design and possible special effects.
I think kids of the right age – I would have thought 6 to 10 sort of range – will enjoy this a lot, particularly if they like dance. Young girls in particular will most relate to the lead character. For such kids, I’d rate this a 4*. The rating below reflects my rating as an adult: so I don’t think ‘drag-a-long’ parents in the Christmas holidays (if it is still on by then) will not be totally bored.
The Plot.
It’s Victorian London and Young Clara (Mackenzie Foy) lives with her father (Matthew Macfadyen), her older sister Louise (Ellie Bamber) and her younger brother Fritz (Tom Sweet). It’s Christmas and the family are having a hard time as they are grieving the recent death of wife and mother Marie (Anna Madeley). Like her mother, Clara has an astute mind with an engineering bias and is encouraged in this pursuit by her quirky inventor godfather, Drosselmeyer (Morgan Freeman). At his fabled Christmas ball, Clara asks for his help in accessing a gift Clara’s mother has bequeathed to her. This leads Clara on a magical adventure to a parallel world with four realms, where everything is not quite peace and harmony.
The Review.
This is a film that visually delights from the word go. The film opens with a swooping tour of Victorian London (who knew the Disney castle was in the capital’s suburbs?!) via Westminster bridge and into the Stahlbaum’s attic. It’s a spectacular tour-de-force of special-effects wizardry and sets up the expectation of what’s to come. For every scene that follows is a richly decorated feast for the eyes. Drosselmeyer’s party is a glorious event, full of extras, strong on costume design and with a rich colour palette as filmed by Linus Sandgren (“La La Land“). When we are pitched into the Four Realms – no wardrobe required – the magical visions continue.
The film represents a Narnia-esque take on the four compass-point lands of Oz, and on that basis it’s a bit formulaic. But the good vs evil angles are more subtley portrayed. Of the Four Realms leaders, Keira Knightley as Sugar Plum rather steals the show from the others (played by Richard E. Grant, Eugenio Derbez and Helen Mirren). Mirren in particular is given little to do.
What age kids would this be suitable for? Well, probably a good judge would be the Wizard of Oz. If your kids are not completely freaked out by the Wicked Witch of the West and the flying monkeys, then they will probably cope OK with the scary bits of the “Realm of Entertainment”. Although those who suffer from either musophobia or (especially) coulrophobia might want to give it a miss! All kids are different though, and the “loss of the mother” is also an angle to consider: that might worry and upset young children. It is definitely a “PG” certificate rather than a “U” certificate.
Young people who also enjoy ballet (I nearly fell into a sexist trap there!) will also get a kick out of some of the dance sequences, which are “Fantasia-esque” in their presentation and feature Misty Copeland, famously the first African American Female Principal Dancer with the American Ballet Theatre. (I have no appreciation at all for ballet, but I’m sure it was brilliant!)
As for the moral tone of the film, the female empowerment message is rather ladled on with a trowel, but as it’s a good message I have no great problem with that. I am often appalled at how lacking in confidence young people are in their own abilities. Here is a young lady (an engineer!) learning self-resilience and the confidence to be able to do anything in life she puts her mind to. Well said.
The story is rather generic – child visits a magical other world – but the screenplay is impressive given its the first-feature screenplay for Ashleigh Powell: there is an article on her approach to screenwriting that you might find interesting here.
The film is credited with two directors. This – particularly if there is also an army of screenwriters – is normally a warning sign on a film. (As a case in point, the chaotic 1967 version of “Casino Royale” had six different directors, and it shows!). Here, there clearly were issues with the filming since Disney insisted on reshoots for which the original director, Lasse Hallström, was not available. This is where the “Captain America” director Joe Johnston stepped in.
The turns.
I really enjoyed Mackenzie Foy‘s performance as Clara. Now 18, she is a feisty and believable Disney princess for the modern age. (If, like me, you are struggling to place where you’ve heard her name before, she was the young Murph in Nolan’s “Interstellar“).
Another name I was struggling with was Ellie Bamber as her sister. Ellie was excellent in the traumatic role of the daughter in the brilliant “Nocturnal Animals“, one of my favourite films of 2016. (Hopefully the therapy has worked and Ellie can sleep at night again!).
A newcomer with a big role is Jayden Fowora-Knight as the Nutcracker soldier: Jayden had a bit part in “Ready Player One” but does a great job here in a substantial role in the film. He stands out as a black actor in a Disney feature: notwithstanding the Finn character in “Star Wars”, this is a long-overdue and welcome approach from Disney.
British comedians Omid Djalili and Jack Whitehouse turn up to add some light relief, but the humour seems rather forced and not particularly fitting.
Final thoughts
I wasn’t expecting to enjoy this one much, but I did. Prinicipally because it is such a visual feast and worth going to see just for that alone: I have a prediction that this film will be nominated for production design, costume design and possible special effects.
I think kids of the right age – I would have thought 6 to 10 sort of range – will enjoy this a lot, particularly if they like dance. Young girls in particular will most relate to the lead character. For such kids, I’d rate this a 4*. The rating below reflects my rating as an adult: so I don’t think ‘drag-a-long’ parents in the Christmas holidays (if it is still on by then) will not be totally bored.
Heather Cranmer (2721 KP) rated The Program (The Program, #1) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I'd been wanting to read this book for a long time now. The blurb really caught my attention (especially as I've suffered with major depression in the past), so when I got the chance to buy a book, this one was my choice. Luckily, it was a super fantastic read!
I like the title of this book. I like how it's really plain and simple, yet, it works. The title very much suits the book as it's pretty straight-forward about what the book's going to be about.
I like the cover for The Program. All teenagers who enter the program are made to wear yellow lemon colored scrubs. I like how it shows the uniforms.
The world building is superb! Everything is explained fantastically throughout the book. Young makes it easy to believe that one day there will be a "cure" for depression and teen suicide. There's only one bit in the world building towards the end of the book that kind of made me question its reliability. I don't want to give away spoilers though, and this could just be me over thinking things.
The pacing is spot on. From the very first sentence, this book had me hooked. I couldn't wait to see what happened next. To say I devoured this book would be an understatement.
The plot was super interesting. Teens are being taken to The Program once they become depressed. Apparently, teen suicide is contagious and an epidemic, so the only cure is The Program where memories are erased. When Sloane's boyfriend, James, gets taken into The Program, it's not long before Sloane becomes depressed and is taken in as well. Will James and Sloane remember each other or will their memories be totally erased? I thought the plot was very original, and I enjoyed every bit of it. Some of the scenes in The Program reminded me of The Matrix. I believe this book could be read as a standalone since there wasn't a major cliff hanger, but I think it'd be better read as a series.
I loved the characters! I loved how Sloane came across as just a normal teenage girl who had been through a traumatic experience. I felt that her vulnerability made her even more lovable. I also really liked James. I loved how he wanted to protect Sloane from everything. It was very evident how much James and Sloane loved each other. The only character I didn't really care for was Realm. It's not that he wasn't well written because he was. It was just that I never really felt like I could trust Realm. There's just something about him.
The dialogue was fantastic and fit in well with a young adult novel. I loved reading the dialogue between Sloane and James the best. There are innocent mentions of sex although not many. There's also some swearing and some violence, but nothing over the top.
Overall, The Program by Suzanne Young is an original story that has fantastic world building, great characters, and hits close to home. I've already bought the next book in the series.
I'd recommend this book to those aged 16+ who are after a book with an original story line and want a thrilling read.
(I purchased this book in paperback format through Amazon with my own money. I was not required to review this book).
I'd been wanting to read this book for a long time now. The blurb really caught my attention (especially as I've suffered with major depression in the past), so when I got the chance to buy a book, this one was my choice. Luckily, it was a super fantastic read!
I like the title of this book. I like how it's really plain and simple, yet, it works. The title very much suits the book as it's pretty straight-forward about what the book's going to be about.
I like the cover for The Program. All teenagers who enter the program are made to wear yellow lemon colored scrubs. I like how it shows the uniforms.
The world building is superb! Everything is explained fantastically throughout the book. Young makes it easy to believe that one day there will be a "cure" for depression and teen suicide. There's only one bit in the world building towards the end of the book that kind of made me question its reliability. I don't want to give away spoilers though, and this could just be me over thinking things.
The pacing is spot on. From the very first sentence, this book had me hooked. I couldn't wait to see what happened next. To say I devoured this book would be an understatement.
The plot was super interesting. Teens are being taken to The Program once they become depressed. Apparently, teen suicide is contagious and an epidemic, so the only cure is The Program where memories are erased. When Sloane's boyfriend, James, gets taken into The Program, it's not long before Sloane becomes depressed and is taken in as well. Will James and Sloane remember each other or will their memories be totally erased? I thought the plot was very original, and I enjoyed every bit of it. Some of the scenes in The Program reminded me of The Matrix. I believe this book could be read as a standalone since there wasn't a major cliff hanger, but I think it'd be better read as a series.
I loved the characters! I loved how Sloane came across as just a normal teenage girl who had been through a traumatic experience. I felt that her vulnerability made her even more lovable. I also really liked James. I loved how he wanted to protect Sloane from everything. It was very evident how much James and Sloane loved each other. The only character I didn't really care for was Realm. It's not that he wasn't well written because he was. It was just that I never really felt like I could trust Realm. There's just something about him.
The dialogue was fantastic and fit in well with a young adult novel. I loved reading the dialogue between Sloane and James the best. There are innocent mentions of sex although not many. There's also some swearing and some violence, but nothing over the top.
Overall, The Program by Suzanne Young is an original story that has fantastic world building, great characters, and hits close to home. I've already bought the next book in the series.
I'd recommend this book to those aged 16+ who are after a book with an original story line and want a thrilling read.
(I purchased this book in paperback format through Amazon with my own money. I was not required to review this book).
Heather Cranmer (2721 KP) rated The Treatment (The Program, #2) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I loved The Program by Suzanne Young, so I had to get The Treatment as soon as it was released to find out what happened to James and Sloane. While I didn't love The Treatment as much as The Program, this was still a good read.
I like the title. It's a good fit for what the books about, and it fits with the first boo in the series.
I like the cover. I like how, to me, it kind of portrays James and Sloane on the run. I had the hardback copy of this book, so when I took off the dust jacket, it had the pill cover which is the treatment.
The world building was done fantastically! I could see each of the scenes in my mind clearly. This time, the setting of the book takes James and Sloane all over the United States.
The pacing was a bit slow for about the first two-thirds of the book, and I was really disappointed. However, I kept reading because I desperately wanted to like this book. Luckily, I was rewarded when the last section of the book picked up pace, and I couldn't wait to see what would happen next.
The plot is good. Sloane and James are on the run from the Program after rekindling their romance from before the Program. They meet other rebels who are on the run, and they all try to stay one step ahead of the Program. Sloane is still wondering if she should take the Treatment, which would restore all of her memories, that Realm gave her. The only thing I didn't like about the plot is that it was too mushy when it came to the romance. The first book in the series wasn't as bad as this. Plus, it seemed in this book that James and Sloane were having sex at the end of almost every chapter!
I thought the characters were written really well even if James and Sloane were humping like rabbits all the time! Sloane is still a very strong female character, and in this book, we're introduced to Dallas who is also a very strong female character. Dallas does have some vulnerability though, and I found it very interesting to learn what she was like before the Program. We're also introduced to Cas in this book. Cas was like the comic relief in this book. He would always try to defuse the situation. Realm is back in this book, and I don't really like him. He's not written poorly, but he just grates on my nerves the way he's always trying to make Sloane second guess her love for James. James is very hot-headed in this book. I still do like him as a character, and I can understand why he got angry.
I enjoyed the dialogue especially when Dallas or Cas where involved in the scene. The dialogue felt very natural and fitting for a young adult book. There is some swearing in this book as well as violence. There are some sexual scenes in this book although they aren't graphic.
Overall, The Treatment (The Program #2) by Suzanne Young starts off being slow but picks up during the last third of the book. The characters are still written very well, and the world building is fantastic.
I'd recommend this book to those aged 16+ who enjoyed The Program and want to know more about Sloane and James.
I loved The Program by Suzanne Young, so I had to get The Treatment as soon as it was released to find out what happened to James and Sloane. While I didn't love The Treatment as much as The Program, this was still a good read.
I like the title. It's a good fit for what the books about, and it fits with the first boo in the series.
I like the cover. I like how, to me, it kind of portrays James and Sloane on the run. I had the hardback copy of this book, so when I took off the dust jacket, it had the pill cover which is the treatment.
The world building was done fantastically! I could see each of the scenes in my mind clearly. This time, the setting of the book takes James and Sloane all over the United States.
The pacing was a bit slow for about the first two-thirds of the book, and I was really disappointed. However, I kept reading because I desperately wanted to like this book. Luckily, I was rewarded when the last section of the book picked up pace, and I couldn't wait to see what would happen next.
The plot is good. Sloane and James are on the run from the Program after rekindling their romance from before the Program. They meet other rebels who are on the run, and they all try to stay one step ahead of the Program. Sloane is still wondering if she should take the Treatment, which would restore all of her memories, that Realm gave her. The only thing I didn't like about the plot is that it was too mushy when it came to the romance. The first book in the series wasn't as bad as this. Plus, it seemed in this book that James and Sloane were having sex at the end of almost every chapter!
I thought the characters were written really well even if James and Sloane were humping like rabbits all the time! Sloane is still a very strong female character, and in this book, we're introduced to Dallas who is also a very strong female character. Dallas does have some vulnerability though, and I found it very interesting to learn what she was like before the Program. We're also introduced to Cas in this book. Cas was like the comic relief in this book. He would always try to defuse the situation. Realm is back in this book, and I don't really like him. He's not written poorly, but he just grates on my nerves the way he's always trying to make Sloane second guess her love for James. James is very hot-headed in this book. I still do like him as a character, and I can understand why he got angry.
I enjoyed the dialogue especially when Dallas or Cas where involved in the scene. The dialogue felt very natural and fitting for a young adult book. There is some swearing in this book as well as violence. There are some sexual scenes in this book although they aren't graphic.
Overall, The Treatment (The Program #2) by Suzanne Young starts off being slow but picks up during the last third of the book. The characters are still written very well, and the world building is fantastic.
I'd recommend this book to those aged 16+ who enjoyed The Program and want to know more about Sloane and James.
My rating 3.5
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
Hazel (1853 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
And I Darken</i> is the first book in a brand new saga, <i>The Conquerors</i>, by bestselling author Kiersten White. Aimed at young adults, it is set at the time of the Ottoman Empire, providing a brief historical lesson as well as an entertaining story.
Inspired by Vlad the Impaler, the tale begins in Transylvania, 1453 with the birth of Lada, a daughter for the ruler of Wallachia, Vlad Dracula (no relation to the vampire). Despite the expectation that women are quiet, docile and mere possessions, Lada grows up with a vicious temper, as wild and fierce as a boar, unlike her younger brother, Radu, who is very cautious by nature. The siblings, caught up in their father’s politics, are sent away to another city. Lada however cannot be tamed, and is quick to insult or physically assault anyone who tries to put her in her place, even her new friend who so happens to be in line to become sultan of the Ottoman Empire.
As the children grow up they begin to involve themselves in the running of the empire, providing advice and companionship to the new sultan. Both Lada and Radu experience strong feelings for their friend, which they try to suppress - Radu, because it is improper (for that time period), and Lada, because she wants to be a strong, independent warrior with the same rights as all men.
<i>And I Darken</i> is extremely political but not in the same vein as politics today. Back in the 1400s, constitutional disagreements lead directly to wars, usually caused by the greed of the ever-expanding empire. Whilst these events are taking place, the true story line surfaces, exploring three very strong relationships. Despite Lada’s façade she is a young woman who cares deeply but does not let her feelings get in the way of achieving greatness. Jealousies and misunderstandings challenge the bonds between friends and siblings, resulting in a cliffhanger to encourage the read to eagerly await the next installment.
Although based on true events, <i>And I Darken</i> is mostly a fantasy. Lada has the characteristics and behaviour of Vlad the Impaler, something that would not have been possible at the time for a woman, but other than references to various battles, there are no other correlations.
The relationships focused on in the narrative can be frustrating at times, and it is easy to become annoyed at the key characters’ actions. Often I felt like giving up on the book, as I was not interesting in the gruesome fighting scenes, and not particularly keen on either Lada or Radu. Although I can admire Lada for her strengths and aspirations and agree that she is right to want more in her life as a woman, I found her malicious behavior difficult to respect.
Overall, <i>And I Darken</i> is a bold attempt by Kiersten White to combine history, romance and young adult fiction, particularly as the characters who would be considered teenagers today, were deemed adults during that time period, resulting in them being much more mature than many of today’s readers. This series is suitable for male and female readers alike as it contains an equal measure of bloody action and budding romance. Sadly, despite my high hopes, this book was not for me.
And I Darken</i> is the first book in a brand new saga, <i>The Conquerors</i>, by bestselling author Kiersten White. Aimed at young adults, it is set at the time of the Ottoman Empire, providing a brief historical lesson as well as an entertaining story.
Inspired by Vlad the Impaler, the tale begins in Transylvania, 1453 with the birth of Lada, a daughter for the ruler of Wallachia, Vlad Dracula (no relation to the vampire). Despite the expectation that women are quiet, docile and mere possessions, Lada grows up with a vicious temper, as wild and fierce as a boar, unlike her younger brother, Radu, who is very cautious by nature. The siblings, caught up in their father’s politics, are sent away to another city. Lada however cannot be tamed, and is quick to insult or physically assault anyone who tries to put her in her place, even her new friend who so happens to be in line to become sultan of the Ottoman Empire.
As the children grow up they begin to involve themselves in the running of the empire, providing advice and companionship to the new sultan. Both Lada and Radu experience strong feelings for their friend, which they try to suppress - Radu, because it is improper (for that time period), and Lada, because she wants to be a strong, independent warrior with the same rights as all men.
<i>And I Darken</i> is extremely political but not in the same vein as politics today. Back in the 1400s, constitutional disagreements lead directly to wars, usually caused by the greed of the ever-expanding empire. Whilst these events are taking place, the true story line surfaces, exploring three very strong relationships. Despite Lada’s façade she is a young woman who cares deeply but does not let her feelings get in the way of achieving greatness. Jealousies and misunderstandings challenge the bonds between friends and siblings, resulting in a cliffhanger to encourage the read to eagerly await the next installment.
Although based on true events, <i>And I Darken</i> is mostly a fantasy. Lada has the characteristics and behaviour of Vlad the Impaler, something that would not have been possible at the time for a woman, but other than references to various battles, there are no other correlations.
The relationships focused on in the narrative can be frustrating at times, and it is easy to become annoyed at the key characters’ actions. Often I felt like giving up on the book, as I was not interesting in the gruesome fighting scenes, and not particularly keen on either Lada or Radu. Although I can admire Lada for her strengths and aspirations and agree that she is right to want more in her life as a woman, I found her malicious behavior difficult to respect.
Overall, <i>And I Darken</i> is a bold attempt by Kiersten White to combine history, romance and young adult fiction, particularly as the characters who would be considered teenagers today, were deemed adults during that time period, resulting in them being much more mature than many of today’s readers. This series is suitable for male and female readers alike as it contains an equal measure of bloody action and budding romance. Sadly, despite my high hopes, this book was not for me.