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LeftSideCut (3778 KP) rated The Dead Don't Die (2019) in Movies

Jan 7, 2020 (Updated Jan 29, 2020)  
The Dead Don't Die (2019)
The Dead Don't Die (2019)
2019 | Comedy, Horror
Several Wild Animals
The Dead Don't Die is truly a bizarre experience.

Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.

A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.

The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.

The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.

I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
  
The Girl With All the Gifts (2017)
The Girl With All the Gifts (2017)
2017 | Drama
Contains spoilers, click to show
The Girl With All the Gifts is a slow paced zombie movie based on the book of the same name. Unlike a lot of zombie movies, 'The Girl With All the Gifts' doesn't go in for gore, although there is a bit. Instead it uses it's slow pace to build suspense as the protagonists try to find safety as they pass through zombie infested England. As they travel the group find out more about both the zombies and the strange children that now inhabit the earth.
As I said, 'The Girl With All the Gifts' is slow but it uses this pace to let us know about the new world, the zombies and the other characters. The scenery is both beautiful and harsh as the characters travel through the now overgrown city of London and the visual effects are built on by the eerie soundtrack.
If you have read the book then you should find that the film is close to the main story, of course the film cuts out some of the back story's and there are some scenes missing but over all the film does well and manages to show how the events of the story change some of the characters (although even this is a bit lacking from the book but that is too be expected) and, over all the film does manage to get the feel of the book.
As I said, 'The Girl With All The Gifts' does not really go for gore so, if you want to see lots of action and people getting eaten then this isn't really for you. 'The Girl With All the Girts' focus more on what lies ahead, both for the reaming humans and for the zombies who will be left and the answer is bleak.

So, 'The Girl With All the Gifts' is a slow, story based zombie film with an interesting, well thought out take on the popular monster.
  
#Alive (2020)
#Alive (2020)
2020 | Action, Drama, Horror
10
8.0 (9 Ratings)
Movie Rating
Contains spoilers, click to show
#Alive is a Korean zombie movie that focuses on the survival of Oh Joon-woo, a young man who is stranded in his family's apartment at the outbreak of the zombie virus and follows him as he tries to work out what is happening, how he can survive and how he can cope with the fact that his family is probably dead.
#Alive is defiantly a film of 3 parts, the first part focuses solely on Oh Joon-woo and his attempts at survival alone in his apartment as he struggles to cope with the zombies, running out of food and the lose of his family. The portrayal of Isolation and loneliness is very well done, leading up to what could almost be a very short film.
Then Oh Joon-woo meets Kim Yoo-bin, another survivor who lives in the apartments across the street from him. The isolation continues as the two find ways to communicate and survive but now there is hope.
The two are eventually forced from their apartments and have to meet up and move up as they try to find somewhere safe to survive.
#Alive is a film without a big main cast and this helps the sense of isolation and loneliness which is only increased by the fact that they spend most of the film separated by a street full of the undead.
Surprisingly #Alive manages to avoid becoming a love story. Normally when you have two survivors who meet in films like this they fall for each other and, at least part of the film is taken up by their relationship. However #Alive doesn't do this, Oh Joon-woo and Kim Yoo-bin obviously become friends but they are too busy surviving but their relationship doesn't overtake the main point of the film, survival.
There are moments of tension and relief in the film and they work well making #Alive a different type of film than a lot of other zombie films, including the other Korean zombie blockbuster, Train to Busan.
  
TY
The Year's Work at the Zombie Research Center
Edward P. Comentale, Aaron Jaffe | 2014 | Philosophy, Psychology & Social Sciences
8
8.0 (1 Ratings)
Book Rating
I had to read this book for my zombie film course at UCI and I can honestly say it was incredibly interesting. I loved seeing all these ideas about how deep the zombie narrative is because it made me think in ways I would not have otherwise.

There are essays on race, post feminism, the health care system, and so many more.

I loved how it related to both zombie films from the 1930s as well as the more prevalent films known about today. These essays took into consideration the history of zombies and the actual cultural significance of these monsters instead of ignoring it. Many of these essays made references to the Haitian culture surrounding zombies which was awesome.

I enjoyed seeing the different cultural and gender perspectives on all of these issues. Instead of only seeing the viewpoint of some middle aged white male, we get to see women and men of color all engaging in this scholarship and being able to keep it entertaining enough to keep the readers engaged.

If you like reading essays on popular culture connecting to both social and political issues of the time period, then definitely pick this book up, it is worth the read. Honestly, even if you don't like reading those types of books, pick it up because it could give you a different perspective on something you feel like you already know.
  
Anna and the Apocalypse (2018)
Anna and the Apocalypse (2018)
2018 | Comedy, Horror, Musical
Too many genres!
I’m a massive fan of zombie films, musicals and Christmas films, but I’m really not too sure what to make of them all thrown into one film. I feel like they’ve just picked a handful of popular genres of films that people love and decided to mash them all together. And not very successfully either.

This film isn’t bad. The songs are quite good, they just seem ridiculously out of place in a zombie film and there are some dodgy vocals at times. A Christmas zombie film is a pretty decent idea though, especially as there’s nothing more anti-festive than a load of flesh eating zombies. It has a decent cast, with Mark Benton and Paul Kaye the old hands in a younger cast. However i think Paul Kaye may have taken overacting a little too far in this. He’s beyond fun and hammy and just sheer ridiculous. It’s a shame as he’s a great actor but it feels like he’s hamming it up in a kids pantomime. In fact, a lot of the humour in this seems to be made for kids or very young teenagers. Which is strange seen as it has a 15 rating! I just found it all a little bit juvenile, which is a shame as I had little expectations about this film.

It’s not bad, but it’s not great either. Watchable, and only memorable because of how truly bizarre it is!
  
Tiny Epic Zombies
Tiny Epic Zombies
2018 | Collectible Components, Horror, Zombie / Survivalist
Another in the Tiny Epic series, this one take the trope of co-op zombie survival games and turns it into a small package. The component quality is great, with sweet looking motorcycle and car that your Meeples can fit in, as well as each character Meeple able to hold weapons.

Gameplay wise, the object is for the human players to complete three randomly objectives while the zombies (either controlled by an automa or another human player) tries to eat the civilians/players while running around 8 different rooms around a central courtyard. Combat is done with either rolling in melee, or spending ammo for ranged. There's a great risk vs. reward with ranged and melee, with ranged being consistent, but spends a resource every time, while melee can potentially lose health, but can also go on a zombie killing rampage. The health system is a balance between health and ammo. If your ammo is ever less then the damage you've taken, you get eaten instantly.

I found that playing can be a little bit finicky, especially if the zombie is an automata instead of a human. The pieces are tiny (appropriate) and the gameplay can be stressful ( appropriate for a zombies coop). The missions can be a bit annoying at times and aren't equally fun or challenging.

All in all, tiny epic zombies is a serviceable co-op game that fits its theme very well and definitely looks great.
  
Zombie Army 4: Dead War
Zombie Army 4: Dead War
2020 | Shooter
With the success of the Zombie Army series of DLC as well as the Zombie Army Trilogy game; Rebellion has released the next chapter in the series with Zombie Army 4: Dead War. The game is set at the end of World War 2 where Hitler has unleashed evil Occult powers to create an unstoppable army of the dead.
The game opens with players playing either on their own or in a group of up to four players as the Rebellion is seeing a resurgence of the Zombie forces that have spread over Europe.

This time around players will have many more options at their disposal such as the ability to find Upgrade Kits that will allow them to upgrade their weapons with added power, enhanced magazines, and other features. As before players can use Sniper Rifles, Shotguns, Machines Guns, and Pistols. There is a nice variety of weapons and players will want to find and customize ones that best suit their style of play.
Another great new feature is the Heavy Weapons that can be used when a player defeats a Boss Zombie and they include a Heavy Machine Gun, Flamethrower, and Super Saw. There are some others as well such as a Rocket Launcher and Emplacement Machine Guns.
All this is needed as the hordes are endless and they come at players in unending waves as they attempt to complete mission objectives and make it to strategic points on a map.
There are scores of new creatures to battle beyond the traditional hordes and the vast variety and abilities of the enemies makes the game a challenge. This combined with the fact that ammunition, health packs, and explosives are in limited supply, players must find supply chests and recover them from enemies in the form of stomping enemies.
Zombie Army 4 also allows players to customize the look of their characters and enhance their abilities such as Stamina as they would the same way they upgrade weapons.
The various segments are broken down into four-part chapters and the names and visuals that go with them embark memories of the classic Horror Films of the 70s and 80s.

Players will be able to take a break from the action by locating Safe Rooms at the end of each chapter. This haven allows players a safe place to upgrade, heal, reload, and more before taking on the next chapter.

Another nice feature of the game is that players can now do Melee based eliminations of enemies as well as pick a custom option such as a Flaming Axe, Power Punch, etc. to clear the hordes. Should a player fall they are able to be revived by their fellow players or else they have to wait until the next Checkpoint to be revived.

The game has some really impressive graphics and great imagery as locales from Sewers, Docks, Zoos, Bunkers, and more are all depicted in full detail complete with Macabre and Gory Supernatural decor.

Zombie Army 4: Dead War is lots of fun to play and has all of the gory action that fans of the series will love. The addition of all the new enemies, weapons, customizations, and abilities greatly enhances the game as well as the replay value as players can select a skill level that works best for them.

Should players need a break from the traditional game and want to practice using the traps, explosives, and other techniques in the game, there is a Horde Mode where players can simply focus on taking down waves vs doing mission objectives.

While the series began as a DLC; Zombie Army 4: Dead War looks and plays like a completely new game from the ground up. The look and gameplay will be familiar to fans of the series but the multitude of enhancements and new features make this a game that players will want to play.
Some of the lines in the game did get a bit annoying as they repeated themselves often and in the heat of battle hearing the same thing over and over gets old fast. Another issue comes when players play as the same character and you hear the voice of your character saying that their ammo was low even though you just reloaded.

In the end; Zombie Army 4: Dead War is not only an engaging and fun game; it is the best game in the series.
4 stars out of 5
  
Warm Bodies (2013)
Warm Bodies (2013)
2013 | Comedy
9
6.5 (11 Ratings)
Movie Rating
Considering how many movies are typically released in the first quarter of the year, Warm Bodies is by far the best movie of 2013 so far. “Zombie Love Story” was the first term that came to my mind when I was first made aware of the movie, but it is so much more than that. Part “Romeo and Juliet”, part “Zombieland”, this adaptation of Isaac Marion’s critically acclaimed young adult novel is a humorous and surprisingly fresh zombie movie that gives its own unique look at love.

R, the zombie in our “Romeo” role, is your typical walker (excuse me while I borrow terms from another hit zombie medium). He moves around without purpose, mostly spending his days at the airport. He carries “conversations” with another zombie, M, and his internal monologue certainly lets the viewer know that zombies are fully aware of what they are. As a result of their condition, they no longer have control over what they do. Nor does R try to make excuses for it; they are what they are. This is demonstrated when he and a horde of walkers attack a group of humans. In this group is Julie, who as I am sure you have guessed is our “Juliet”. R immediately falls for her and is determined to have her reciprocate the feelings. This might prove to be difficult, considering that humans and zombies at their core just want to kill each other. It is this feeling, this emotion, that humans thought zombies incapable of, that begins to change R, and other zombies around him.

After the attack, R takes Julie back to his… er, safe haven comes to mind, but it’s really just an abandoned airplane sitting on a tarmac filled with wacky items that R has collected in the time since he became a zombie. Writer/Director Jonathan Levine, who adapted Marion’s novel, has managed to create very smart, witty dialogue, but in a cute way as he did with The Wackness (which Levine also wrote). The sincerity of the dialogue in the movie keeps you interested in a growing relationship that’s way, way outside the box. There is plenty of violence in the movie too, as we see R attack a human, bite their arm, and hide their brains away for a snack later. Speaking of brain, the film explains that when a zombie eats a human’s brains, they remember our memories. This is kind of important.

Despite being a very different romantic comedy, the film also delivers a healthy horror flick. Zombies are not the only thing that is a result of the zombie outbreak. In this post-apocalyptic world there is another threat: bonies. Bonies are zombies that are so far gone they do not care anymore. They’ve given up, have peeled off their skin and attack anything with beating hearts. R says it best in the film. “Zombies do this also, but at least they are conflicted about eating it.” Even though the bonies are fully CG creations, and utterly obviously so, Levine has done it in such a way that you only get quick glances, which is a nice way to keep the PG-13 rating considering all of the blood flowing in the film.

Nicholas Hoult is fantastic in the lead role of R, and he finds a way to turn on the creepy just as easily as he can turn the funny on. Everything our “Romeo” character is supposed to be is remarkably portrayed by Hoult. Of course it helps to have a great supporting cast, Teresa Palmer strong and sweet as Julie and John Malkovich as her father who is the hardened general who is leading the human survivors.

Warm Bodies is a great zombie movie, with an excellent sound track to set the mood throughout the film. But it’s more than that. It is also a charming story of unconventional love. Telling the story from R’s point of view gives it a very fresh feel, but it’s the thought and care that Levine and the cast members put into it that make it such a superb film. Warm Bodies is a love story between woman and monster, and the screenwriting and execution delivers a charm that cannot be denied. Warm Bodies is funny, but it’s also sweet, a bit dark at times, and highly original. All of this combined makes it the first must-see film of 2013.