Billy Bob Thornton

"Once again, another movie that I don’t think people could watch these days because they have to sit too long and listen to people talk. This is a brilliant movie, and Paul Newman, out of everything he ever did, this was his greatest performance. When he got the Academy Award for The Color of Money, I think it was a make-up job [by the Academy]. Jack Warden was terrific in it, as well as James Mason. I hated [James Mason] in that movie more than any character I’ve ever hated as the defense attorney for the Catholic Church. He was really mean–cold, really. All the actors are terrific, too."

"I love that movie, when I was a kid I went to the movie theater and saw it 14 times the first weekend. You could see it over and over, they wouldn’t kick you out of the theater back then, so I would just stay there everyday and watch it. To this day, I still love that movie. I think it was brilliant. Sometimes with things like that, you attach a certain period of your life to it, and I saw this when I was a kid. If I’d been 40 years old in 1966, maybe I would have felt differently."

"It has every human emotion and condition in it, cowardice and bravery, fear, love, hate, desperation. It’s a movie about how at the end of the day, who will be there for you. I just love that. It’s also done in real time, and the acting style was different in those days, but when you’re watching those movies in that period you have to accept that and get the core of it. It’s a terrific movie."

"I can’t help but love Giant. A lot of people don’t take Giant seriously. A lot of people like Rebel WIthout a Cause when you’re talking about a movie with James Dean and it’s okay, but I thought James Dean was practically Soupy Sales in that movie. Very over the top. Rock Hudson and Elizabeth Taylor were great in this movie. It’s a classic sweeping story, it’s got a Gone with the Wind kind of vibe, and once again, the little guy who strikes oil becomes this power mad lunatic. Then the whole way they dealt with racism and how it was at the time in Texas, with the Latino wife of Dennis Hopper and that whole thing. Great story and well acted and looked like a movie, you know?"

"It’s probably as relevant today as it was at the time–maybe more so–about how anybody who’s got an opinion can become a big deal, and how dangerous that can be to them and the public. Made by a great filmmaker [Elia] Kazan, Andy Griffith and Patricia Neal were terrific in it. That last scene when he’s standing on the balcony with his applause machine yelling Patricia Neal’s name, oh man. It’s a very hard-hitting movie; I never got over it."