Jon Savage

"One of my favourite rewatches, a fantastic odyssey. It doesn't let up! I love stories that are just the passage of a group of people through a concentrated period of time and this is a strong dose of that. The gang costumes and the whole look of New York are incredible."

"The Girl Can't Help It isn't about the status of teenagers, but it had huge impact on teenage audiences. On one level it's like one of those terrible Don't Knock The Rock films - just a compendium of performances. But it's got a more sophisticated plot that alludes to mob involvement in the music business. And it's got Tom Ewell, who's a very fine comic actor, and Jayne Mansfield, who's a fascinating and fated character as well. You get Eddie Cochran and Little Richard – neither of whom played in the UK for another few years – so you can imagine what it meant to The Beatles when they went to see it. All that early rock & roll period is so un-self conscious, people didn't know what they were doing and The Girl Can't Help It showed British teenagers the American lifestyle. America is the thing that everyone aspired to at that point. Glorious Technicolor in every way."

"I saw it on TV again recently and was just bowled over by it. In it's own way it's very intense: you've only basically got seven characters and they're all in same set up. There's very little break out from the library where they're all stuck. And so you really get the character development and the inter-relationships, and you really get to the heart of the kind of teenage cruelties and the way it all dissolves with their common plight. It's a very clever film. It's one of those films that creates a whole genre, not all of which I like – St Elmo's Fire, for example, was so sentimental it made me want to puke, but The Breakfast Club isn't like that. It's taut and it's very much about the teenage condition."

"It's about the quality of the star, those people who the camera just loves, and James Dean is really amazing. He's moody, but there's a lot going on beneath the surface. He doesn't go with the crowd which is always very attractive. When you're dealing with adolescence you've always got the kids with that strength of character. I think that's very important. I watched Rebel Without A Cause in the eighties with a group of kids and they thought it was really funny and old fashioned. When you look at it it now it is obviously a bit melodramatic, but that's partly because it's influenced so many films since. It's also a very strange film, a fated film, because the three main juvenile leads, Sal Mineo, Natalie Wood and James Dean, died prematurely. Sal Mineo was murdered in the late seventies, Natalie Wood drowned in an accident, and of course JD was too fast too young."

"This annoyed me at the time - like Animal House - because it was not historical. It was smearing late seventies ideas of street credibility over sixties mod. I thought it very doubtful that a top face would be working at a scrap yard, for instance. But who cares? I've seen it many times since and it's an excellent teen movie: a great soundtrack, strong cast - a new generation of actors like Ray Winstone, Phil Davies, Mark Wingett and Phil Daniels, who would go on to have lustrous careers - and an archetypal loner-vs-the-gang storyline. It's noticeable that as Jimmy gets weirder, he gets more androgynous. As the film goes on, the activities of the gang get so tiresome you don't blame him for breaking away."

"It's pretty fucking brutal but also very truthful about the amorality of adolescence and how some kids can be. And it was also dealing honestly with HIV amongst heterosexuals, which was a first. It launched Harmony Korine and started a whole new genre but made a real stink at the time. A tough film with no feel good factor in sight. It's completely unsentimental."

"We didn't watch many films in preparation for Teenage because licensing features is incredibly expensive. Also because there weren't that many specifically about youth culture as something different from adult culture. On the other hand there were some significant films that were about the problems of youth that were taken up by the youth audience. One of them is It starring Clara Bow, the original 'It Girl'. Clara Bow is the most amazing screen presence, a huge silent star. She was fantastically sexy but also very alluring. One of those people that just lights up the screen when she's on it. A lot of people thought It was rather scandalous and tried to ban it. In the film she's a working girl but beautiful and cheeky, who marries a rich guy, so it's a classic Hollywood fantasy fulfilment role, one of the first times it was done. There was a whole moral panic about the movie and Clara Bow, so it was very popular amongst kids. There are earlier teenage films like Flaming Youth from 1923, but we don't know if a print still exists, we tried to find one and couldn't. There's a whole phase of college movies from the twenties and they've all disappeared."

"Again, it's all about the outsider and making the ugly beautiful, which John Waters is very well placed to deal with. It's also about a very particular place, which is Baltimore, and about a particular pop culture moment: the early sixties, just before The Beatles hit, which is a forgotten time and much more interesting than everybody thinks. People often go with that Nik Cohn line that there's nothing interesting before The Beatles, which is absolute bullshit: I love all those songs like 'The Bug' and 'The Madison'. It's got Debbie Harry in it and it's got Divine of course, who's as wonderful as ever. What's not to like? It has a lot of charm and is fascinating on a number of levels."