Search
Search results
Neon's Nerd Nexus (360 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 5, 2019 (Updated Aug 6, 2019)
Genocide, Shmenocide.
Hobbs and Shaw had an easy job, we have these two great characters that have already been set up for us in other movies so all they needed to do was let them loose in an over the top action spectacle that knows exactly what it is. So why does what we actually got feel like an overlong, overstuffed film with characters (the reason why we are here) that aren't likeable anymore?. Is it the banter thats either worn thin or feels like its trying to hard, the scenes full of characters constantly explaining the plot or whats going to happen, the paint by numbers villain with generic motives or the many random nods to pop culture and other popular things that people like that didnt do anything but make me feel like a carrot is being dangled in front of us the entire time or im watching a peter kay stand up. Answer is im not sure but i know one thing, for every part of this movie i found cool or fun two more things popped up and dragged my enjoyment down. Action set pieces are really cool and well very well filmed with great scale/destruction and the movie overall has a 90s/commando action movie style i really enjoyed which might of worked at an hour and a half but just when you think its over another useless 40 minutes are then tagged on the end and the film becomes basically a big Dwayne Johnson advertisement. Yes i get it he has roots and the tribe thing going on, he has big muscles, he was a wrestler and he has a big tribal tattoo but why does that have to be an integral part of every films plot that he's in nowadays?. I'm just bored of seeing it now and id rather they cut the movie shorter and had a tighter film overall or explored the villain a bit more to be honest. I really did say find some enjoyment in Hobbs and Shaw (especially the action) but it was let down to often elsewhere. Statham steals the show here and clearly tries to have fun with his character but Idris Elba feels wasted as a villain and theres no tension or threat at all when your two leads seem invincible. Ryan Reynolds and Kevin Heart were also totaly unnecessary as was that Italian Job connection. Id say see it for the action scene at about 1h 40m in but other than that is sadly very veru forgettable and a little boring.
Hazel (1853 KP) rated Station Eleven in Books
May 30, 2017
Horrifyingly Plausible
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
Hazel (1853 KP) rated Station Eleven in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
Hazel (1853 KP) rated Red Rising in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Red Rising</i> by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike <i>The Hunger Games Trilogy</i> by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. <i>Red Rising</i> suddenly becomes <i>Hunger Games-esque</i> and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about <i>Red Rising</i> was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realizes that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of <i>Red Rising</i>. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
<i>Red Rising</i> by debut author Pierce Brown is a very difficult book to review. It is clear that Brown is an excellent writer with amazing ideas, but at the same time it does not feel possible to rate the book any higher that two or three stars. This first book of three is somewhat alike <i>The Hunger Games Trilogy</i> by Suzanne Collins and has some very exciting themes. However at other times it provoked a range of emotions from disgust to almost verging on boredom.
Set thousands of years in the future, the world has become colour coded. Gold are the elite, the ruling colour, and at the bottom of the pile are the Reds. Darrow is a Red and lives below the surface of the planet Mars in the mines with the responsibility of helping to make the planet’s surface habitable for humans in the future. He soon discovers that the ruling societies have been lying to him all his life, and to the many generations before him. But there is an uprising brewing and Darrow has been chosen to play a vital role in it, even though that means pretending to be the enemy.
Although it was difficult to get into the novel it appeared to be clear what the plot would be about. Wrong! Once Darrow has been trained to behave like a Gold the storyline changes completely. It is almost as though it is a different book altogether. <i>Red Rising</i> suddenly becomes <i>Hunger Games-esque</i> and the situations with the Reds, while being referred to once or twice, was all but forgotten. Presumably those original themes will continue within the final books of the trilogy.
Living under the surface of Mars with no sunlight speeds up the aging process of the inhabitants. People in the thirties are considered old; therefore even though Darrow is a teenager in Earth years, he is portrayed as a man – an image that is difficult to shake off throughout the entire book. Once Darrow is living with the Golds and, supposedly, resembling his true age, it is still easy to forget that he is young. This may change the way the reader pictures the scenes compared with how the author intended them to be imagined. The characters are still only children but may be mistaken for adults due Darrow’s opening scenes.
It cannot be denied that Brown is a very knowledgeable writer. As well as writing in an exceptionally well-structured way, he incorporates a vast amount of high culture into his story. A lot of the novel is influenced by Greek and Roman mythology and he also quotes famous philosophers such as Cicero and Plato. So despite its science fiction genre it also has a slight educational nature.
Something interesting about <i>Red Rising</i> was the character development of Darrow. At the beginning he was rather naïve, believing everything he was told, following orders etc. But soon he becomes more confident, clever, Gold-like. However he then becomes like a wild beast, killing to survive, to win. Thankfully his cleverness takes control and he realizes that he needs to become a leader and not a tyrant. Towards the end he even becomes messiah-like. As Darrow progresses through these changes he becomes a more likable character.
I am not sure whether I want to read the next installment of <i>Red Rising</i>. For the beginning storyline to continue and become the main focus, the book would need to be completely different. This could be a good thing because, as mentioned, there were times when it was a little boring, however there’s the risk that it will not feel like a follow on from the first book. I do not want to put anyone off from reading it, but I will honestly say that it was not really what I was expecting.
Ian Anderson recommended Classic FM Presents... by Alfie Boe in Music (curated)
BookwormMama14 (18 KP) rated Chivalrous (Valiant Hearts, #2) in Books
Jan 2, 2019
In 1217 the daughter of a baron has but one obligation in life: To marry the man her father chooses and continue the family line. But what if said daughter wished for something different, what if her heart's desire was to become a knight?
"Gwen felt no fear, only the surge of battle coursing through her. Steeling her. Strengthening her."
Gwendolyn Barnes longs to be be a chivalrous knight like her brothers. But her ruthless father has plans to marry her to a man who is able to break her free spirit. She is expected to become a meek and submissive wife to whomever her father chooses. Even in the Arthurian-inspired land of North Britannia Gwen is expected to concede to her parents decisions. But when Sir Allen comes to Edendale, Gwen finds herself longing for a family of her own, if Sir Allen were the one she was wed to. When tragedy befalls the land they must make their choices. Ones which could separate them forever. Will the love Gwen has found be lost forever? Will she be forced to marry a brute of a man? Will Sir Allen, the hope of the land, be able to save them all from destruction?
"She would cling tight to her shield of faith. God would be her defense."
Chivalrous is a riveting story of faith, hope and love. As I was reading I was constantly reminded of the Disney movie Brave (which is one of my favorites). Dina Sleiman's Valiant Hearts series is incredible! I love imagining what it would have been like to live in medieval England. However, it is hard for me to fathom being born into a culture that does not allow a person to choose their own future. To be bound by rules and regulations that dictate your every waking moment. It makes me grateful to be born in the time I was. There is a lot of emotions experienced in this book. But through it all the message is clear. Never give up! Keep fighting for what is right and true. And God will be with us every step of the way, guiding us into our destiny.
I received a free digital copy of Chivalrous from Bethany House Publishing through NetGalley in exchange for my honest review.
"Gwen felt no fear, only the surge of battle coursing through her. Steeling her. Strengthening her."
Gwendolyn Barnes longs to be be a chivalrous knight like her brothers. But her ruthless father has plans to marry her to a man who is able to break her free spirit. She is expected to become a meek and submissive wife to whomever her father chooses. Even in the Arthurian-inspired land of North Britannia Gwen is expected to concede to her parents decisions. But when Sir Allen comes to Edendale, Gwen finds herself longing for a family of her own, if Sir Allen were the one she was wed to. When tragedy befalls the land they must make their choices. Ones which could separate them forever. Will the love Gwen has found be lost forever? Will she be forced to marry a brute of a man? Will Sir Allen, the hope of the land, be able to save them all from destruction?
"She would cling tight to her shield of faith. God would be her defense."
Chivalrous is a riveting story of faith, hope and love. As I was reading I was constantly reminded of the Disney movie Brave (which is one of my favorites). Dina Sleiman's Valiant Hearts series is incredible! I love imagining what it would have been like to live in medieval England. However, it is hard for me to fathom being born into a culture that does not allow a person to choose their own future. To be bound by rules and regulations that dictate your every waking moment. It makes me grateful to be born in the time I was. There is a lot of emotions experienced in this book. But through it all the message is clear. Never give up! Keep fighting for what is right and true. And God will be with us every step of the way, guiding us into our destiny.
I received a free digital copy of Chivalrous from Bethany House Publishing through NetGalley in exchange for my honest review.
LoganCrews (2861 KP) rated Dane Cook: Vicious Circle (2006) in Movies
Dec 5, 2020 (Updated Dec 6, 2020)
DANEgerous Edition
Less a stand-up show and more an event where you get to watch a manic cokehead scream at the top of his lungs and convulse around a small circular stage in front of a packed, sports-arena-esque crowd for nearly 2 hours and 15 minutes - one of the most breathless and impossible-to-look-away-from things I've ever seen. Say what you will about him, but he'll die before he loses your attention - it felt like *I* burned calories after watching him writhe, sweat, and shriek about for this long. Before Chappelle's similarly hit-or-miss 𝘚𝘵𝘪𝘤𝘬𝘴 & 𝘚𝘵𝘰𝘯𝘦𝘴, this was arguably the most divisive stand-up special out there - most people either swore by it as one of the greats, or lambasted it as a stain on the legacy of comedy itself. It's hard to remember, but there was a time Cook was a megastar - the same year this special aired he was listed in TIME Magazine's "Top 100 Most Influential People In the World" alongside industry titans Meryl Streep and George Clooney. Outside of maybe Bam Margera I don't think any other sole entertainer represented the crass ode to reckless debauchery that was the mid-2000s quite like this guy; it's beguilingly bizarre almost solely as a piece of a pop culture time capsule alone. Though on its own merits this shockingly holds up a lot more than expected, not always funny (does some cringe 2006 shit like having two women make out on stage while Dane watches for no reason and a rather uncomfortable segment where he seemingly makes a young lady flash her breasts onstage) but home to a satiable amount of hearty chuckles and an exuberant energy that can't be denied even well past the two hour mark. Laden with dead-on observations, colossal vulgarity, intense (and super idiosyncratic) physicality, oddly cerebral camerawork + editing, and guttural cries unlike any other set I've seen... then after all that he comes back on the stage with an acoustic guitar to fucking *sing* - this is the human body being put to its endurance test as a comedic performer. A great time even if some of the jokes get drawn out way past the point of repair - what I can only describe as unforgettable, often really fucking funny, spastically aroused hyperspecificity. Nearly top-to-bottom infectious in spite of its whiffs.
Less a stand-up show and more an event where you get to watch a manic cokehead scream at the top of his lungs and convulse around a small circular stage in front of a packed, sports-arena-esque crowd for nearly 2 hours and 15 minutes - one of the most breathless and impossible-to-look-away-from things I've ever seen. Say what you will about him, but he'll die before he loses your attention - it felt like *I* burned calories after watching him writhe, sweat, and shriek about for this long. Before Chappelle's similarly hit-or-miss 𝘚𝘵𝘪𝘤𝘬𝘴 & 𝘚𝘵𝘰𝘯𝘦𝘴, this was arguably the most divisive stand-up special out there - most people either swore by it as one of the greats, or lambasted it as a stain on the legacy of comedy itself. It's hard to remember, but there was a time Cook was a megastar - the same year this special aired he was listed in TIME Magazine's "Top 100 Most Influential People In the World" alongside industry titans Meryl Streep and George Clooney. Outside of maybe Bam Margera I don't think any other sole entertainer represented the crass ode to reckless debauchery that was the mid-2000s quite like this guy; it's beguilingly bizarre almost solely as a piece of a pop culture time capsule alone. Though on its own merits this shockingly holds up a lot more than expected, not always funny (does some cringe 2006 shit like having two women make out on stage while Dane watches for no reason and a rather uncomfortable segment where he seemingly makes a young lady flash her breasts onstage) but home to a satiable amount of hearty chuckles and an exuberant energy that can't be denied even well past the two hour mark. Laden with dead-on observations, colossal vulgarity, intense (and super idiosyncratic) physicality, oddly cerebral camerawork + editing, and guttural cries unlike any other set I've seen... then after all that he comes back on the stage with an acoustic guitar to fucking *sing* - this is the human body being put to its endurance test as a comedic performer. A great time even if some of the jokes get drawn out way past the point of repair - what I can only describe as unforgettable, often really fucking funny, spastically aroused hyperspecificity. Nearly top-to-bottom infectious in spite of its whiffs.
The world is ruled by Silvers, with their shining blood and abilities. The Red have no special powers are seen as lesser. They are relegated to perpetual poverty, while the Silbers live lives of luxury. But what happens when a Red manifests abilities in an arena filled with noble Silvers? They make her a future princess of course, but it's not the fairy tale it sounds like.
Mare is thrust into a world she never wished for and doesn't fit into. She is given no choice but to accept. There is much to learn about her abilities and how to control them. The one demand she made was to ensure the safety and well-being of her family. Her brothers are called home from the war, but not soon enough to save all of them. <spoiler> One was a member of a rebel/revolutionary group and was executed for it. </spoiler> This pushes Mare over the edge and she joins the rebel group, the Scarlet Guard.
It's intriguing to learn what each person has the ability to do. The control over water, manipulation of light, healing, mind-reading and more. But it's very off-putting and juvenile when the author refers to them as greenies or telkies. It sounds more like a two-year-old naming their stuffed bear Brownie or Fluffy than an author giving life to special abilities.
The world is not our own, so it would be nice to learn more about it. Unfortunately, Mare is not very learned and we must view the world through her lens. It would be fascinating to be given a history, geography and culture lesson from Julian in novella form. What does their domain look like? What about the surrounding kingdoms, their rulers, ruling abilities and geography? How did these new borders come to be? (It is mentioned that the borders were not always the way they are currently.) Overall, the world building is pretty good but could be improved (which it does later in the book.) The physical descriptions of the towns the royals pass on their way to the palace late in the story are good and allow the reader to immese themselves in the world more fully.
The princes are, unsurprisingly good people despite the harshness of the King and Queen. <spoiler> Or at least appear to be that way in the beginning, but it does not last. </spoiler> The future love interest(s) must be liked by the reader. Mare herself is harsh and quick-tempered by likable nonetheless. Though she has no choice in her future, she assures her family's well-being and that shows she has a good heart.
Of course, our protagonist catches the attention of not just one but two princes. The older and future King, Cal, wants to be a good ruler so he secretly ventures out in public to learn and experience his people outside the reports of advisors. He even decides to send a group of Silver soldiers to the front line and chooses to lead them. It may win the war, but it could also kill him. The younger, forever shadowed brother Maven believes that Reds and Silvers are equals. He even joins the Scarlet Guard to help propel change and spark a revolution.
Anyone can betray anyone.
The Scarlet Guard secrets Maven and Mare out of a play and transports them to another town just to have a conversation. Clearly the travel and discussion would take a significant amount of time and yet no one wonders where they are. The return trip and the play ending are just completely skipped. It was abrupt and didn't seem well-thought out.
The book ends with betrayal and bloodshed. But it also ends with a promise and the hope that not all is lost. It makes me want to begin the next book immeiate. Highly recommended book to fans of YA novels with good world building and character development that deal with monarchical rule and upheavals as well as people with special abilities.
Mare is thrust into a world she never wished for and doesn't fit into. She is given no choice but to accept. There is much to learn about her abilities and how to control them. The one demand she made was to ensure the safety and well-being of her family. Her brothers are called home from the war, but not soon enough to save all of them. <spoiler> One was a member of a rebel/revolutionary group and was executed for it. </spoiler> This pushes Mare over the edge and she joins the rebel group, the Scarlet Guard.
It's intriguing to learn what each person has the ability to do. The control over water, manipulation of light, healing, mind-reading and more. But it's very off-putting and juvenile when the author refers to them as greenies or telkies. It sounds more like a two-year-old naming their stuffed bear Brownie or Fluffy than an author giving life to special abilities.
The world is not our own, so it would be nice to learn more about it. Unfortunately, Mare is not very learned and we must view the world through her lens. It would be fascinating to be given a history, geography and culture lesson from Julian in novella form. What does their domain look like? What about the surrounding kingdoms, their rulers, ruling abilities and geography? How did these new borders come to be? (It is mentioned that the borders were not always the way they are currently.) Overall, the world building is pretty good but could be improved (which it does later in the book.) The physical descriptions of the towns the royals pass on their way to the palace late in the story are good and allow the reader to immese themselves in the world more fully.
The princes are, unsurprisingly good people despite the harshness of the King and Queen. <spoiler> Or at least appear to be that way in the beginning, but it does not last. </spoiler> The future love interest(s) must be liked by the reader. Mare herself is harsh and quick-tempered by likable nonetheless. Though she has no choice in her future, she assures her family's well-being and that shows she has a good heart.
Of course, our protagonist catches the attention of not just one but two princes. The older and future King, Cal, wants to be a good ruler so he secretly ventures out in public to learn and experience his people outside the reports of advisors. He even decides to send a group of Silver soldiers to the front line and chooses to lead them. It may win the war, but it could also kill him. The younger, forever shadowed brother Maven believes that Reds and Silvers are equals. He even joins the Scarlet Guard to help propel change and spark a revolution.
Anyone can betray anyone.
The Scarlet Guard secrets Maven and Mare out of a play and transports them to another town just to have a conversation. Clearly the travel and discussion would take a significant amount of time and yet no one wonders where they are. The return trip and the play ending are just completely skipped. It was abrupt and didn't seem well-thought out.
The book ends with betrayal and bloodshed. But it also ends with a promise and the hope that not all is lost. It makes me want to begin the next book immeiate. Highly recommended book to fans of YA novels with good world building and character development that deal with monarchical rule and upheavals as well as people with special abilities.
Goddess in the Stacks (553 KP) rated All the Rage in Books
Feb 20, 2018
Trigger Warning: Rape and Recovery
Contains spoilers, click to show
Wow. I finished this book, sat back, and stared at it in silence for a while. This is an emotional wringer of a book that more people should read. It's also full of trauma triggers, so beware.
Trigger Warning. Rape and Recovery.
All The Rage is about a girl. It's about rape culture. It's about her trauma, and the aftermath. The book flashes back and forth a little - it includes a triggered flashback to her rape, and her memories of it. The font choices show how mixed up she is sometimes, and how hard it is for her to tell what's really happening, what is a memory, and what is a flashback. Her rape is never written about in high detail. One Goodreads reviewer made a good point - the details being scant makes the shadows larger for the devil to hide in. (Her review is is posted in full on her blog, and it's a powerful one.) (links can be found on my blog as they can't be embedded here.)
The book was an easy read, technically - I read it in an afternoon - but it was a very hard read, emotionally and mentally. The main character, Romy, talks about how no one prepares girls for this, and she's right. As a society, we don't. We tell girls how to avoid those kinds of situations, but not what to do when actually IN them. Or how to determine the best course of action. Because surviving an attack is usually the priority, and screaming and fighting isn't always the best way to do that. Romy froze, and she blames herself for the failure to fight. But she also blames society for not teaching girls what to do. And once the unthinkable has happened, society abandons the victims. That was one of the hardest parts of the book - the victim-blaming. No one believes Romy. They call her a slut and a liar. Her high school classmates do horrible things to her.
The book is dark, but there are points of light. Leon is a coworker at the diner, and he's sweet on Romy. The book uses the relationship to show how rape can affect any future intimacy. Romy can't trust him, because her rapist seemed sweet, too. Until he wasn't. Romy's mother and mother's boyfriend are both supportive, caring, and loving. They don't understand what she's going through, mostly because Romy won't tell them, but they do their best anyway.
All The Rage is a really good book. It's also a very important book, and personally I think it should be required reading in high school. (That will never happen, it's too graphic and would offend parents, I'm sure. But it should.) If it's something you've experienced personally, it's very triggery and should maybe be avoided. But if it isn't? Read this book. You need to know.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Trigger Warning. Rape and Recovery.
All The Rage is about a girl. It's about rape culture. It's about her trauma, and the aftermath. The book flashes back and forth a little - it includes a triggered flashback to her rape, and her memories of it. The font choices show how mixed up she is sometimes, and how hard it is for her to tell what's really happening, what is a memory, and what is a flashback. Her rape is never written about in high detail. One Goodreads reviewer made a good point - the details being scant makes the shadows larger for the devil to hide in. (Her review is is posted in full on her blog, and it's a powerful one.) (links can be found on my blog as they can't be embedded here.)
The book was an easy read, technically - I read it in an afternoon - but it was a very hard read, emotionally and mentally. The main character, Romy, talks about how no one prepares girls for this, and she's right. As a society, we don't. We tell girls how to avoid those kinds of situations, but not what to do when actually IN them. Or how to determine the best course of action. Because surviving an attack is usually the priority, and screaming and fighting isn't always the best way to do that. Romy froze, and she blames herself for the failure to fight. But she also blames society for not teaching girls what to do. And once the unthinkable has happened, society abandons the victims. That was one of the hardest parts of the book - the victim-blaming. No one believes Romy. They call her a slut and a liar. Her high school classmates do horrible things to her.
The book is dark, but there are points of light. Leon is a coworker at the diner, and he's sweet on Romy. The book uses the relationship to show how rape can affect any future intimacy. Romy can't trust him, because her rapist seemed sweet, too. Until he wasn't. Romy's mother and mother's boyfriend are both supportive, caring, and loving. They don't understand what she's going through, mostly because Romy won't tell them, but they do their best anyway.
All The Rage is a really good book. It's also a very important book, and personally I think it should be required reading in high school. (That will never happen, it's too graphic and would offend parents, I'm sure. But it should.) If it's something you've experienced personally, it's very triggery and should maybe be avoided. But if it isn't? Read this book. You need to know.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Hazel (1853 KP) rated In a Land of Paper Gods in Books
May 25, 2017
Better than expected
I received this book for free through Goodreads First Reads.
“My name is Henrietta S. Robertson. That’s my English name… My Chinese name is Ming-Mei.”
As the child of members of the Interior Alliance Mission, Henrietta has grown up between two cultures: English and Chinese. From the age of six she was sent to boarding school on a mountain in the Jiangxi Province, where four years later she remains as a small, pale, lonely girl.
For a girl as young as ten, Etta has a big imagination. She decides that God has called her to be a prophetess, and encourages the other girls in Dormitory A to join her in a Prophetess Club. This results is Etta getting into all sorts of trouble as she naively goes about inventing prophecies; all the while the Second Sino-Japanese War gets closer and closer to their mountain sanctuary.
Told mostly from Etta’s point of view, In a Land of Paper Gods is a hilarious historical novel about a young girl’s innocence. A large part of the story is about the missionary school rather than the ongoing war, therefore the focus is on Etta’s interpretation of the bible and her understanding of the differences between Western Christian and Chinese culture. However, once America joins the war effort, it is shockingly quick how the tale can go from humorous to heartbreaking.
The other character who plays a large part in this novel is Muriel, a dorm aunty, whom Etta regards highly. Muriel wanted to be a missionary but instead has found herself working at the Lushan school, keeping an eye on the ten and eleven year old girls. Although most of the book is written in Etta’s first person narrative, Rebecca Mackenzie has also included the occasional diary entry from Aunty Muriel. Since these are so few, it is not clear what their purpose is, as the story could easily continue without them.
Despite being an historical novel, In a Land of Paper Gods focuses less on fact and more on the impact the times had on a young girl. It is interesting to see the character development of Etta as she goes from a naughty, attention-seeking schoolgirl, to a young woman who must fend for herself. All the while she has her belief in God to resort to for explanations about the world she is living in. The reader also witnesses the growth of a relationship between Aunty Muriel and Etta. To begin with it is that of an adult and child, however it ends with them being equals in their suffering.
In a Land of Paper Gods is a pleasure to read. It is comically entertaining to begin with as the reader grows to love the characters, particularly mischievous Etta. It is hard to put the book down due to pure delight of the storyline, yet when the story turns darker it is just as difficult to put down, as we want to find out if the characters are going to be okay.
For some people, the Christian content will not mean anything, however it is possible to enjoy the novel without a religious background. For those, like myself, who do have a Christian upbringing, this aspect makes the story even better. Readers may recognize themselves or of their childhood in Etta, particularly her understanding of the bible.
Overall I loved this book. I was not sure what to expect, and have often found historical novels set in China to be rather dull. Therefore I was pleasantly surprised to discover how good this book was. I encourage others to read In a Land of Paper Gods, and I look forward to reading what Mackenzie writes next.
“My name is Henrietta S. Robertson. That’s my English name… My Chinese name is Ming-Mei.”
As the child of members of the Interior Alliance Mission, Henrietta has grown up between two cultures: English and Chinese. From the age of six she was sent to boarding school on a mountain in the Jiangxi Province, where four years later she remains as a small, pale, lonely girl.
For a girl as young as ten, Etta has a big imagination. She decides that God has called her to be a prophetess, and encourages the other girls in Dormitory A to join her in a Prophetess Club. This results is Etta getting into all sorts of trouble as she naively goes about inventing prophecies; all the while the Second Sino-Japanese War gets closer and closer to their mountain sanctuary.
Told mostly from Etta’s point of view, In a Land of Paper Gods is a hilarious historical novel about a young girl’s innocence. A large part of the story is about the missionary school rather than the ongoing war, therefore the focus is on Etta’s interpretation of the bible and her understanding of the differences between Western Christian and Chinese culture. However, once America joins the war effort, it is shockingly quick how the tale can go from humorous to heartbreaking.
The other character who plays a large part in this novel is Muriel, a dorm aunty, whom Etta regards highly. Muriel wanted to be a missionary but instead has found herself working at the Lushan school, keeping an eye on the ten and eleven year old girls. Although most of the book is written in Etta’s first person narrative, Rebecca Mackenzie has also included the occasional diary entry from Aunty Muriel. Since these are so few, it is not clear what their purpose is, as the story could easily continue without them.
Despite being an historical novel, In a Land of Paper Gods focuses less on fact and more on the impact the times had on a young girl. It is interesting to see the character development of Etta as she goes from a naughty, attention-seeking schoolgirl, to a young woman who must fend for herself. All the while she has her belief in God to resort to for explanations about the world she is living in. The reader also witnesses the growth of a relationship between Aunty Muriel and Etta. To begin with it is that of an adult and child, however it ends with them being equals in their suffering.
In a Land of Paper Gods is a pleasure to read. It is comically entertaining to begin with as the reader grows to love the characters, particularly mischievous Etta. It is hard to put the book down due to pure delight of the storyline, yet when the story turns darker it is just as difficult to put down, as we want to find out if the characters are going to be okay.
For some people, the Christian content will not mean anything, however it is possible to enjoy the novel without a religious background. For those, like myself, who do have a Christian upbringing, this aspect makes the story even better. Readers may recognize themselves or of their childhood in Etta, particularly her understanding of the bible.
Overall I loved this book. I was not sure what to expect, and have often found historical novels set in China to be rather dull. Therefore I was pleasantly surprised to discover how good this book was. I encourage others to read In a Land of Paper Gods, and I look forward to reading what Mackenzie writes next.