Assassin's Creed: The Official Movie Novelization
Book
Based on the Assassin's Creed game series by Ubisoft, adapted from the big screen movie, this book...
Game Query: The Mind-Stretching Economist Quiz
Philip Coggan, Geoffrey Carr, Josie Delap, John Prideaux and Simon Wright
Book
TEST YOURSELF AGAINST THE ECONOMIST'S CHAMPION QUIZ TEAM - THE ONLY QUIZ BOOK YOU NEED THIS...
business finance
Nonya Heritage Kitchen: Origins, Utensils and Recipes
Book
The Peranakan or Baba and Nonya culture is the result of intermarriage, from the 15th century,...
The King’s Mother
Book
1461. Through blood and battle Edward has gained England’s throne – king by right and conquest...
Historical fiction Plantagenets British history 15th century
Stocks Widget - Track stock market portfolios and quotes inside the Today notification center
Finance and Utilities
App
View streaming stock quotes and portfolio changes (gains/losses) inside the Today notification...
The Empire's Bladesmen: Forbidden Relics
Book
Captain Shao Lian, a battle-hardened veteran of the Ming Dynasty’s imperial army, had become a...
historical fiction historical fantasy
Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe
Robert P. Lanza and Bob Berman
Book
Robert Lanza is one of the most respected scientists in the world--a US News & World Report cover...
Coventry's Medieval Suburbs: Excavations at Hill Street, Upper Well Street and Far Gosford Street 2003-2007
Paul Mason, Iain Soden and Danny McAree
Book
Hill Street, Upper Well Street and Far Gosford Street comprise three suburban streets which stood...
Awix (3310 KP) rated The Messenger: The Story of Joan of Arc (1999) in Movies
May 3, 2019
So: Joan of Arc, an iconic, legendary, complex figure, is brought to the screen by Milla Jovovich, whose performance mostly consists of her rolling her eyes a lot and squeaking. No matter how distinguished the rest of the cast, or how well staged the various massed battle scenes, this is a problem which any film would struggle to overcome. Some other odd creative choices don't help much (Dustin Hoffman turns up as the embodiment of Joan's self-doubt). Still, there is a genuine sense of the medieval grotesque, and Besson is very much in his comfort zone during the battles. Certainly a brave and imaginative take on history, but the end result is too close to Monty Python and the Holy Grail for comfort.
