Search
Dancing Bees: Karl Von Frisch and the Discovery of the Honeybee Language
Book
We think of bees as being among the busiest workers in the garden, admiring them for their...
What Is It All but Luminous: Notes from an Underground Man
Book
From the golden-haired, curly-headed half of Simon & Garfunkel--a memoir (of sorts): artful, moving,...
Music biography
Bonnie and Clyde: Radioactive
Clark Hays and Kathleen McFall
Book
THE REVENGE OF BONNIE AND CLYDE Saving the future by exploding the past It's January 1945, six...
thriller Bonnie & Clyde Bonnie and Clyde adult fiction
Debbiereadsbook (1441 KP) rated Endosymbiont (The Vampire Guard #3) in Books
May 8, 2022
great to catch up with these guys!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in The Vampire Guard series, and I STRONGLY recommend you read Codename Jack Rabbit, and Quarry before this one. It will give you a better view of this group and who they are and what they do.
It's been a long time since I read the first 2 books, 6 years and 3 years and it took me a little bit of time to get back into this group, their dynamics and what they do, and what they are, but once I did, I thoroughly enjoyed it!
It gets a bit complicated, when they are talking about the endosymbiont and what it does and what it was meant for, but I kinda glazed over that bit. In all honesty, my mind wasn't comprehending it, so I didn't try to hard to understand the technical stuff!
The story flips from various times in the past, 1929/1940s and now, giving you a picture of things that have happened to get to this point, at the bottom of the ocean where they are fighting for their lives and I loved that. It gives us Kai and Ori in all their glory, who (but feel free to correct, it has been YEARS!) are a new introduction to the Guard (in terms of these books) and some Sohpia and Porter too, along with Jonas, Lucas, Declan and Blair.
It's quite violent, but dealing with mutated beings would be. And again, it's clean and I'm finding I like that about these books. There is love and feelings, cos you get that through the various bonded pairings as things move along but no actual smexy times and its not needed at all.
There is an epilogue. Said epilogue ends rather abruptly. Leading me to believe that not only will there be another book, but the endosymbiont will pop up again.
A thoroughly enjoyable read, a great catch up with these guys.
4 stars
*same worded review will appear elsewhere
This is book 3 in The Vampire Guard series, and I STRONGLY recommend you read Codename Jack Rabbit, and Quarry before this one. It will give you a better view of this group and who they are and what they do.
It's been a long time since I read the first 2 books, 6 years and 3 years and it took me a little bit of time to get back into this group, their dynamics and what they do, and what they are, but once I did, I thoroughly enjoyed it!
It gets a bit complicated, when they are talking about the endosymbiont and what it does and what it was meant for, but I kinda glazed over that bit. In all honesty, my mind wasn't comprehending it, so I didn't try to hard to understand the technical stuff!
The story flips from various times in the past, 1929/1940s and now, giving you a picture of things that have happened to get to this point, at the bottom of the ocean where they are fighting for their lives and I loved that. It gives us Kai and Ori in all their glory, who (but feel free to correct, it has been YEARS!) are a new introduction to the Guard (in terms of these books) and some Sohpia and Porter too, along with Jonas, Lucas, Declan and Blair.
It's quite violent, but dealing with mutated beings would be. And again, it's clean and I'm finding I like that about these books. There is love and feelings, cos you get that through the various bonded pairings as things move along but no actual smexy times and its not needed at all.
There is an epilogue. Said epilogue ends rather abruptly. Leading me to believe that not only will there be another book, but the endosymbiont will pop up again.
A thoroughly enjoyable read, a great catch up with these guys.
4 stars
*same worded review will appear elsewhere
Awix (3310 KP) rated The Incredible Hulk in TV
Mar 16, 2018 (Updated Mar 16, 2018)
The weird thing about the Hulk TV show is that it is almost nothing like the comic book version of the character, but still manages to be a classic piece of television (and was, for a long time, by far the most successful adaptation of a Marvel character to another medium). Creator Kenneth Johnson didn't want to do it, and did his hardest to distance his version from the book (he wanted to change the colour of the Hulk, but Marvel refused to let him), and ended up basically doing an American version of Les Miserables (the novel, not the musical) with Jean Valjean getting cross and swelling up into a monster twice an episode.
Everyone remembers this show as the one with the Hulk rasslin' small-time thugs every week, lots of jokes about 'how many shirts does this guy get through, ha ha', and 'you won't like me when I'm angry', but the range of styles and influences involved is really much greater - the programme goes from serious movie-of-the-week drama, to freewheeling comedy, to B-movie inspired horror and SF, and makes a pretty good job of all of them. Highlights include 'The Snare' (psycho millionaire whose hobby is hunting and killing drifters picks the wrong target), 'The Psychic' (a woman with unusual powers discovers Banner's secret just as it seems the Hulk has committed a murder), 'Equinox' (Banner and his indefatigable nemesis McGee finally come face-to-face at a masked ball, rather inspired by Masque of the Red Death), and 'The First' (Banner encounters another Hulk, created in the 1940s).
The programme's great strength is Bill Bixby's performance as Banner, for he is always utterly committed and usually highly convincing even when the episodes themselves wobble a bit. The show's Hulk is mute, but even so Ferrigno gives an increasingly effective turn as the creature (and eventually gets an episode where he appears as himself, so to speak, and does a pretty good job).
It is occasionally a bit formulaic, and you have to accept a few built-in implausibilities in the format, but this is a show which still stands up extremely well, and is still probably the biggest single influence on public perceptions of the Hulk. Well worth watching.
Everyone remembers this show as the one with the Hulk rasslin' small-time thugs every week, lots of jokes about 'how many shirts does this guy get through, ha ha', and 'you won't like me when I'm angry', but the range of styles and influences involved is really much greater - the programme goes from serious movie-of-the-week drama, to freewheeling comedy, to B-movie inspired horror and SF, and makes a pretty good job of all of them. Highlights include 'The Snare' (psycho millionaire whose hobby is hunting and killing drifters picks the wrong target), 'The Psychic' (a woman with unusual powers discovers Banner's secret just as it seems the Hulk has committed a murder), 'Equinox' (Banner and his indefatigable nemesis McGee finally come face-to-face at a masked ball, rather inspired by Masque of the Red Death), and 'The First' (Banner encounters another Hulk, created in the 1940s).
The programme's great strength is Bill Bixby's performance as Banner, for he is always utterly committed and usually highly convincing even when the episodes themselves wobble a bit. The show's Hulk is mute, but even so Ferrigno gives an increasingly effective turn as the creature (and eventually gets an episode where he appears as himself, so to speak, and does a pretty good job).
It is occasionally a bit formulaic, and you have to accept a few built-in implausibilities in the format, but this is a show which still stands up extremely well, and is still probably the biggest single influence on public perceptions of the Hulk. Well worth watching.
Pamela Hansford Johnson: Her Life, Work and Times
Book
This first biography of Pamela Hansford Johnson (1912-1981) has been written with the full...
City of Girls
10.0
Rate It
Book
From the # 1 New York Times bestselling author of Eat, Pray, Love and The Signature of All Things, a...
The Bucket: Memories of an Inattentive Childhood
Book
The Bucket by Allan Ahlberg - the enthralling childhood story one of Britain's best-loved children's...
Deng Xiaoping: A Revolutionary Life
Alexander V. Pantsov and Steven I. Levine
Book
Deng Xiaoping joined the Chinese Communist movement as a youth and rose in its ranks to become an...
Andy K (10823 KP) rated Creature from the Black Lagoon (1954) in Movies
Sep 22, 2019
The creature lurks!
In the Amazon jungle, a prehistoric amphibian claw fossil is found prodding local scientists to investigate its origins. They decide on an expedition to gain more information and possibly locate its origins.
The journey is a dangerous one figuring out where to find the mysterious lagoon which is locked in a desolate location within the tropical jungle. Their undersea adventures are met with initial disappoint only locating some interesting plant and animal life.
Within the depths on the lagoon, a strange creature has taken notice of his new guests and is not too happy about it. He lurks submerged within the deep watching and waiting for his opportunity to strike. He ventures close by to gather information and figure out his opponents' vulnerabilities. He also notices the pretty girl among the crew of men.
After a few encounters with the creature, the scientists grow increasingly concerned after the creature has had his way with a few of them, so they attempt to make their escape. Somehow, a large fallen tree is now blocking their path which was clear when they arrived at the lagoon.
There will be an ultimate standoff to secure their release or the demise of the creature.
The look of this film is plain remarkable. This has to be one of the earliest movies to utilize extensive underwater footage and it is very believable. The cinematography for the time period is both beautiful and menacing when needed in glorious black and white.
Obviously, we are talking 1950s special effects here; however, the creature itself stands the test of time. I am not sure how the man in the rubber sit was able to not only see what he was doing, swim quickly in and under water as well as jump into the water while on fire at one point. The mask also was able to move the creature's mouth up and down as well as look like he was breathing while out of the water using his gills. The effect worked really well.
This film was made at a time when the previous Universal Studios monster films had run their course in the 1930s and 1940s, but were not yet into the ultra B movie era in the 1950s and beyond.
If Universal ever gets back to its current "Monster" universe after the mediocre Tom Cruise "Mummy" film, I'm sure the creature will rise again. Until then, enjoy this classic creature gem.
The journey is a dangerous one figuring out where to find the mysterious lagoon which is locked in a desolate location within the tropical jungle. Their undersea adventures are met with initial disappoint only locating some interesting plant and animal life.
Within the depths on the lagoon, a strange creature has taken notice of his new guests and is not too happy about it. He lurks submerged within the deep watching and waiting for his opportunity to strike. He ventures close by to gather information and figure out his opponents' vulnerabilities. He also notices the pretty girl among the crew of men.
After a few encounters with the creature, the scientists grow increasingly concerned after the creature has had his way with a few of them, so they attempt to make their escape. Somehow, a large fallen tree is now blocking their path which was clear when they arrived at the lagoon.
There will be an ultimate standoff to secure their release or the demise of the creature.
The look of this film is plain remarkable. This has to be one of the earliest movies to utilize extensive underwater footage and it is very believable. The cinematography for the time period is both beautiful and menacing when needed in glorious black and white.
Obviously, we are talking 1950s special effects here; however, the creature itself stands the test of time. I am not sure how the man in the rubber sit was able to not only see what he was doing, swim quickly in and under water as well as jump into the water while on fire at one point. The mask also was able to move the creature's mouth up and down as well as look like he was breathing while out of the water using his gills. The effect worked really well.
This film was made at a time when the previous Universal Studios monster films had run their course in the 1930s and 1940s, but were not yet into the ultra B movie era in the 1950s and beyond.
If Universal ever gets back to its current "Monster" universe after the mediocre Tom Cruise "Mummy" film, I'm sure the creature will rise again. Until then, enjoy this classic creature gem.