"This is another great example of repetition, something simple and small that carries a huge resonance. There’s that line he keeps repeating: 'Don’t give up, 2000 man.' That whole record has got this incredible apocalyptic feel and the scene they paint over and over again is one of Earth covered in detritus from this era that’s become obsolete; something happened to humans and now all their crap is left everywhere, their computer keyboards and so on. “I’ve used that idea six times in my own band: the title ‘Qwerty Finger’ is about a qwerty keyboard that washes up on a beach and at the end of ‘NASA Is On Your Side’ you’ve got children climbing over fridges. It’s because that imagery is so powerful and I don’t think anyone really went there again. “I kind of believe that will happen and I don’t know if I believe it because of Grandaddy or because it’s a rational thing to think, but I do and I do still believe that our time will pass and all of our technology and crap will come to nothing. That’s a big influence for a band to have on a little boy I think. “This song is probably the best one on there and the way it just keeps on going is incredible, both in terms of its length and that churning message: 'Don’t give up'. It made me feel that I was the start of life around that age, the ‘2000 man’ and that’s very powerful stuff if you hit the right kid at the right time."

"My number one is American Psycho, 2000. A masterful adaptation of words to cinema by Mary Harron, an important American director, and writer. She made Alias Grace, The Notorious Bettie Page, I Shot Andy Warhol, et cetera. This is adapted from Bret Easton Ellis’s 1991 novel that was set in the 1980s. And I think that the film resonates even more now than when it was made almost 20 years ago. Though at the time it was called sexist filth by some [laughs]. Christian Bale’s performance is brutally riveting, and the entire cast– Willem Dafoe, Chloe Sevigny, Reese Witherspoon, and Jared Leto – are all just really good. There’s also an uncut ‘Killer Collections’ edition, which I would strongly recommend. It’s a great film."

"Yes – of all his albums this is the one that got me. I admire him to the nth degree, no matter what, but that record just captured me wholeheartedly when it was released, and I must have listened to it at least 2000 times. My dad was living in England at the time and it was really here that I fell into the chasm of that journey. I've so many memories of my dad taking me to these really dodgy carnivals that they would have in the suburbs, with guys with tattoos operating these iffy lifts, and I would be listening to 'Raspberry Beret' or 'Around the World in a Day' on my Walkman. I'm a lucky guy; that was a fun period."