Search
Search results
Alexandra Hammond and her family are living in Washington DC, and on the outside, they are a typical modern family. But Alexandra and her husband, Josh, are exhausted and frustrated as parents of two children: eleven-year-old Iris and thirteen-year-old Tilly. Tilly, you see, has been diagnosed with PDD-NOS, a form of autism, and it means that Alexandra's lovely, intelligent daughter, who could read by the age of three, is also prone to violent outbursts where she yells out curse words, has an inability to control many of her thoughts and actions, and truly, just doesn't seem to fit into the mold society wishes to place our children. When yet another school kicks Tilly out, Alexandra and Josh are at a loss. So Alexandra turns to Scott Bean, a self-professed expert with "difficult" children whose seminars and private sessions she's been attending for several years now. Scott is starting Camp Harmony in New Hampshire: an isolated society for families struggling with children like Tilly, free of outside influences, electronics, harmful foods and stimulants, and most of all, free from judgement. So Alexandra and Josh do the unthinkable: they sell everything and pack up the kids and head to New Hampshire, joining Scott and two other families in making Camp Harmony work. But will it work? Can it work?
If you haven't read anything by Carolyn Parkhurst, you're missing out. She's a wonderful author, whose books are simply beautiful. My particular favorite is [b:The Dogs of Babel|89691|The Dogs of Babel|Carolyn Parkhurst|https://d.gr-assets.com/books/1344269639s/89691.jpg|1585061], a lovely, haunting novel about a woman, her husband, and her dog that I read 10 years ago and still touches me to this day. While I wasn't as affected by this novel, it still has many flashes of the amazing brilliance of Parkhurst and her wonderful way with the written word. Her characters form before you eyes.
In [b:Harmony|29236564|Harmony|Carolyn Parkhurst|https://d.gr-assets.com/books/1469411954s/29236564.jpg|49477924], Parkhurst does an excellent job conveying Alexandra's fear and anxiety over the frightening aspects of our society and its effects on our children, and how our society has changed, with things like autism and food allergies seemingly becoming more prevalent each year. She doesn't preach, she just paints a picture with her words and Alexandra's thoughts. The book is told between alternating points of view and time periods. We hear from Alexandra in the past, telling the story of Tilly (and Iris) growing up and how things have reached this point and then we hear from Iris, in the present, at Camp Harmony.
Alexandra captures a life and marriage in moments and snapshots, with Parkhurst easily depicting the desperation that parents of children that are different feel. You can sense her terror and why she would actually consider packing up entire family and moving them to an isolated camp in the middle of nowhere, led by a man they really know nothing about.
Iris' perspective, meanwhile, is just beautiful and touching. Parkhurst wonderfully conveys her voice. There were times when I felt Iris was a bit "old" for an eleven-year-old, but I chalked a lot of that up to having a sister such as Tilly and having to grow up rather quickly. And as the book progressed, there were many moments where Iris came across as a scared, naive kid, after all. Iris' depiction of the camp-through her innocent eyes-is perfect, and she has a wonderful way of portraying her sister, where you will grow to love Tilly, as well, and understand Alexandra's fierce desire to protect both her children.
All in all, despite its serious subject matter, the book is often humorous, and I loved its portrayal of real characters and situations, despite the fact that they all gathered in an isolated camp site in New Hampshire. My only real issue with the book was the camp's leader, Scott Bean. To me, he was the least developed character of the bunch, and while you sensed that perhaps we were hurtling toward trouble, the ending seemed a little quick and too pat for such a well-written and developed book.
Still, this book was quite well-done and certainly a must for any parent struggling with a child who feels different, or really, any parent struggling to raise a child in today's modern society. Parkhurst is a wonderful writer, and she will not disappoint with her latest. 3.5+ stars.
I received a copy of this novel from the publisher and Edelweiss - thank you! It is available everywhere as of 08/02/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>;
If you haven't read anything by Carolyn Parkhurst, you're missing out. She's a wonderful author, whose books are simply beautiful. My particular favorite is [b:The Dogs of Babel|89691|The Dogs of Babel|Carolyn Parkhurst|https://d.gr-assets.com/books/1344269639s/89691.jpg|1585061], a lovely, haunting novel about a woman, her husband, and her dog that I read 10 years ago and still touches me to this day. While I wasn't as affected by this novel, it still has many flashes of the amazing brilliance of Parkhurst and her wonderful way with the written word. Her characters form before you eyes.
In [b:Harmony|29236564|Harmony|Carolyn Parkhurst|https://d.gr-assets.com/books/1469411954s/29236564.jpg|49477924], Parkhurst does an excellent job conveying Alexandra's fear and anxiety over the frightening aspects of our society and its effects on our children, and how our society has changed, with things like autism and food allergies seemingly becoming more prevalent each year. She doesn't preach, she just paints a picture with her words and Alexandra's thoughts. The book is told between alternating points of view and time periods. We hear from Alexandra in the past, telling the story of Tilly (and Iris) growing up and how things have reached this point and then we hear from Iris, in the present, at Camp Harmony.
Alexandra captures a life and marriage in moments and snapshots, with Parkhurst easily depicting the desperation that parents of children that are different feel. You can sense her terror and why she would actually consider packing up entire family and moving them to an isolated camp in the middle of nowhere, led by a man they really know nothing about.
Iris' perspective, meanwhile, is just beautiful and touching. Parkhurst wonderfully conveys her voice. There were times when I felt Iris was a bit "old" for an eleven-year-old, but I chalked a lot of that up to having a sister such as Tilly and having to grow up rather quickly. And as the book progressed, there were many moments where Iris came across as a scared, naive kid, after all. Iris' depiction of the camp-through her innocent eyes-is perfect, and she has a wonderful way of portraying her sister, where you will grow to love Tilly, as well, and understand Alexandra's fierce desire to protect both her children.
All in all, despite its serious subject matter, the book is often humorous, and I loved its portrayal of real characters and situations, despite the fact that they all gathered in an isolated camp site in New Hampshire. My only real issue with the book was the camp's leader, Scott Bean. To me, he was the least developed character of the bunch, and while you sensed that perhaps we were hurtling toward trouble, the ending seemed a little quick and too pat for such a well-written and developed book.
Still, this book was quite well-done and certainly a must for any parent struggling with a child who feels different, or really, any parent struggling to raise a child in today's modern society. Parkhurst is a wonderful writer, and she will not disappoint with her latest. 3.5+ stars.
I received a copy of this novel from the publisher and Edelweiss - thank you! It is available everywhere as of 08/02/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>;
BankofMarquis (1832 KP) rated The Suicide Squad (2021) in Movies
Aug 8, 2021
More Fun Than I Expected
It is almost an effort in futility to review a movie such as THE SUICIDE SQUAD, for most folks fall into 1 of 2 camps:
1). Are a DC (or Comic Book Movie) Fan, and will go see this no matter what.
2). Are not of fan of the darker DCEU movies (as compared to the MCU films) and might have checked out the first SUICIDE SQUAD, but have no intention to watch this one.
This review is for the folks in the 2nd camp - for THE SUICIDE SQUAD is a fun summer action flick with silliness, action, humor and HEART at it’s core.
Directed by James Gunn (GUARDIANS OF THE GALAXY), THE SUICIDE SQUAD starts out like the first SUICIDE SQUAD film (and most of the DCEU films) - dark, gritty and intense - with a new pack of anti-heroes joining in on a fight that absolutely cements this team as THE SUICIDE SQUAD.
After that, the film makes an interesting adjustment, actually giving the audience anti-heroes that you can root for with just enough of a balance between the dark grittiness that one has come to expect from a DCEU film with a bit more humane touch that really is the hallmark of the MCU.
And, under the Direction of James Gunn, this film finds that balance very, very well.
Gunn, of course, knows how to make these films - his balance of action and character moments is accurate, his action sequences are well plotted and choreographed (no need for “shaky cam” to hide the faults) and he populates this Suicide Squad with some memorable characters.
Margot Robbie, of course, is in another stratosphere in her portrayal of Harley Quinn. This is the 3rd film that Robbie stars as Quinn and she has this part down pat. The problem with the other 2 films that she starred in as Quinn (2016’s SUICIDE SQUAD and 2020’s BIRDS OF PREY) is that she was SO GOOD in those films, that everyone else paled in comparison, but in this film, she has some strong actors/characters to play off of, and this benefits the movie.
Starting with Idris Elba as Bloodsport the “Leader” of the Squad (in essence, replacing Will Smith) and this is a smart move for Elba has the commanding presence of a Leader with that sense of foreboding that he might not be such a good guy underneath - a quality that I just didn’t buy from Smith in the first movie.
Joining Elba as characters that were interesting and strong were RatCatcher 1 (Taiki Waititi - in an extended cameo) and RatCatcher 2 (Daniela Melchior), Savant (Michael Rooker), freedom fighter Sol Soria (Sonya Braga), Thinker (Peter Capaldi) and the “Groot” of this piece, King Shark (Sylvester Stallone).
Oh…and special notice needs to be made of the character of Polka Dot Man (David Dastmalchian). Director Gunn has stated he wanted to find the dumbest villain in the DCEU and make him into one of the heroes of this piece. He found him in Polka Dot Man and is played with great pathos by Dastmalchian.
Fairing less well is the great Viola Davis as the hard-nosed Amanda Waller who seems to be still acting in the gritty, dark style of the first SUICIDE SQUAD film, so misses out on some of the fun of this film as well as Joel Kinneman as Colonel Rick Flagg (the military leader of the group). I really wasn’t invested in Flagg (or Kinneman’s portrayal of Flagg) in the first film - and I am not in this one either. He just isn’t at nearly the same level of performance as the others listed above.
Also…a note about John Cena (and his character PeaceMaker). This is the 2nd 2021 Summer Blockbuster Action flick that I have seen Cena in (following his turn in F9) and in both these films I found his performance to be “flat”. It just didn’t fill the screen, nor does he have enough charisma (a la The Rock) to charm his way through. I was bored by him in this film (as well as in F9).
But…this is a James Gunn film - and he doesn’t spend much time with the characters/actors that don’t really work, but rather, spends his camera time on the ones that do - and the over-the-top action sequences (and villain) that are filmed with a slight grin and a wink-in-the-eye.
It’s a much needed shot-in-the-arm for DCEU films, but - I’m afraid - it might be too little too late, as most folks have already tuned out the DCEU for being “too dark”. Which is too bad, for this is the fun summer blockbuster film action and comic book fans have been looking for.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
1). Are a DC (or Comic Book Movie) Fan, and will go see this no matter what.
2). Are not of fan of the darker DCEU movies (as compared to the MCU films) and might have checked out the first SUICIDE SQUAD, but have no intention to watch this one.
This review is for the folks in the 2nd camp - for THE SUICIDE SQUAD is a fun summer action flick with silliness, action, humor and HEART at it’s core.
Directed by James Gunn (GUARDIANS OF THE GALAXY), THE SUICIDE SQUAD starts out like the first SUICIDE SQUAD film (and most of the DCEU films) - dark, gritty and intense - with a new pack of anti-heroes joining in on a fight that absolutely cements this team as THE SUICIDE SQUAD.
After that, the film makes an interesting adjustment, actually giving the audience anti-heroes that you can root for with just enough of a balance between the dark grittiness that one has come to expect from a DCEU film with a bit more humane touch that really is the hallmark of the MCU.
And, under the Direction of James Gunn, this film finds that balance very, very well.
Gunn, of course, knows how to make these films - his balance of action and character moments is accurate, his action sequences are well plotted and choreographed (no need for “shaky cam” to hide the faults) and he populates this Suicide Squad with some memorable characters.
Margot Robbie, of course, is in another stratosphere in her portrayal of Harley Quinn. This is the 3rd film that Robbie stars as Quinn and she has this part down pat. The problem with the other 2 films that she starred in as Quinn (2016’s SUICIDE SQUAD and 2020’s BIRDS OF PREY) is that she was SO GOOD in those films, that everyone else paled in comparison, but in this film, she has some strong actors/characters to play off of, and this benefits the movie.
Starting with Idris Elba as Bloodsport the “Leader” of the Squad (in essence, replacing Will Smith) and this is a smart move for Elba has the commanding presence of a Leader with that sense of foreboding that he might not be such a good guy underneath - a quality that I just didn’t buy from Smith in the first movie.
Joining Elba as characters that were interesting and strong were RatCatcher 1 (Taiki Waititi - in an extended cameo) and RatCatcher 2 (Daniela Melchior), Savant (Michael Rooker), freedom fighter Sol Soria (Sonya Braga), Thinker (Peter Capaldi) and the “Groot” of this piece, King Shark (Sylvester Stallone).
Oh…and special notice needs to be made of the character of Polka Dot Man (David Dastmalchian). Director Gunn has stated he wanted to find the dumbest villain in the DCEU and make him into one of the heroes of this piece. He found him in Polka Dot Man and is played with great pathos by Dastmalchian.
Fairing less well is the great Viola Davis as the hard-nosed Amanda Waller who seems to be still acting in the gritty, dark style of the first SUICIDE SQUAD film, so misses out on some of the fun of this film as well as Joel Kinneman as Colonel Rick Flagg (the military leader of the group). I really wasn’t invested in Flagg (or Kinneman’s portrayal of Flagg) in the first film - and I am not in this one either. He just isn’t at nearly the same level of performance as the others listed above.
Also…a note about John Cena (and his character PeaceMaker). This is the 2nd 2021 Summer Blockbuster Action flick that I have seen Cena in (following his turn in F9) and in both these films I found his performance to be “flat”. It just didn’t fill the screen, nor does he have enough charisma (a la The Rock) to charm his way through. I was bored by him in this film (as well as in F9).
But…this is a James Gunn film - and he doesn’t spend much time with the characters/actors that don’t really work, but rather, spends his camera time on the ones that do - and the over-the-top action sequences (and villain) that are filmed with a slight grin and a wink-in-the-eye.
It’s a much needed shot-in-the-arm for DCEU films, but - I’m afraid - it might be too little too late, as most folks have already tuned out the DCEU for being “too dark”. Which is too bad, for this is the fun summer blockbuster film action and comic book fans have been looking for.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Lee (2222 KP) rated #Alive (2020) in Movies
Sep 11, 2020
The bar for South Korean zombie movies, or for any kind of zombie movie for that matter, was set exceptionally high when Train to Busan was released back in 2016. #Alive, which arrived on Netflix earlier this week, having premiered in its home country of South Korea back in June, had a lot to live up to. But by focusing primarily on just a single character, #Alive manages to deliver a quarantine story that we can all relate to after the chaos and uncertainty of 2020 and brings a touch of originality to a very familiar genre.
#Alive certainly doesn’t waste much time in dropping us straight into the zombie apocalypse. Young gamer Oh Joon-woo wakes up at 10 am, alone in the high-rise apartment that he shares with his parents. A note left by them tells us that they’ve gone away for a few days, leaving Oh Joon-woo to fend for himself. “Make sure you pick up some groceries”, his mum tells him, but instead he heads back to his room and begins playing an online game with some friends. But shortly into their game, his friends are distracted by some disturbing news reports on the TV, so Oh Joon-woo goes to check for himself.
He doesn’t need to watch much of the news on TV before realising that he can look outside of his apartment window and see for himself what the panic is all about. Down on the streets, people are running and screaming in all directions while others are in a frenzied state, attacking and biting everyone around them. Family members turn on each other, a fire truck crashes into a row of cars, and a nearby explosion quickly sends a dazed and confused Oh Joon-woo back inside his apartment.
The news reports talk of people quickly turning violent and attacking others, immediately passing on whatever it is that has turned them into crazed zombies. It describes how you can tell a person is turning because they will be bleeding from the eyes. “Citizens must stay home and avoid going out.” is the advice given. Sound familiar?
Oh Joon-woo does what a lot of us probably did during lockdown - he plays video games, drinks his dad’s alcohol, and tries to just ride it all out the best he can. He quickly regrets ignoring his mum’s request to go and buy groceries though, as he lays out the very small amount of mostly unhealthy food items that are in the apartment out onto the table, and separates them into meals for each day over the coming week or so.
Days pass, but without any sign of the outside chaos subsiding. There are still zombies down on the streets, taking out any unfortunate survivor unlucky enough to be outside, and any investigative trips outside the apartment front door are fraught with danger. We’ve now passed day 20, and Oh Joon-woo is struggling.
At his lowest point, Oh Joon-woo notices a laser pointer shining into his apartment from the high-rise opposite. When he goes to investigate, he sees that there is another survivor looking back at him. Kim Yoo-bin is also at a fairly low point in her life, but with food, weapons and homemade zombie traps, she appears to be a bit of a badass, clearly better equipped at dealing with the crisis than Oh Joon-woo. She initially thinks Oh Joon-woo is an idiot, sending food across a wire that they manage to set up between their buildings so that he doesn’t starve. But they soon form a close bond, sending messages to each other before eventually employing the use of walkie-talkies so that they can discuss a way out of their predicament.
#Alive taps into the feelings that so many of us will have felt during lockdown this year - feeling isolated, lonely, scared. It’s the quiet human moments that work so well here, especially with the introduction of a friend and an ally in the form of Kim Yoo-bin. Finding each other does literally save both of their lives.
But it’s never too long before we’re jolted right back into some zombie action, and thankfully that aspect doesn’t disappoint. The news reports had already informed us that the zombies appeared to be able to remember certain human actions from before they turned, such as opening doors. They even appear to retain aspects of behaviour from their human occupations. This makes for some entertaining and unpredictable zombie fun, most notably a firefighter zombie who scales the outside of the high-rise in an attempt to try and reach Kim Yoo-bin.
There’s a late plot twist and a deus ex machina which may seem like a bit of a cop-out for some, but overall #Alive is certainly a worthwhile watch for fans of zombie action with a focus on the human characters.
#Alive certainly doesn’t waste much time in dropping us straight into the zombie apocalypse. Young gamer Oh Joon-woo wakes up at 10 am, alone in the high-rise apartment that he shares with his parents. A note left by them tells us that they’ve gone away for a few days, leaving Oh Joon-woo to fend for himself. “Make sure you pick up some groceries”, his mum tells him, but instead he heads back to his room and begins playing an online game with some friends. But shortly into their game, his friends are distracted by some disturbing news reports on the TV, so Oh Joon-woo goes to check for himself.
He doesn’t need to watch much of the news on TV before realising that he can look outside of his apartment window and see for himself what the panic is all about. Down on the streets, people are running and screaming in all directions while others are in a frenzied state, attacking and biting everyone around them. Family members turn on each other, a fire truck crashes into a row of cars, and a nearby explosion quickly sends a dazed and confused Oh Joon-woo back inside his apartment.
The news reports talk of people quickly turning violent and attacking others, immediately passing on whatever it is that has turned them into crazed zombies. It describes how you can tell a person is turning because they will be bleeding from the eyes. “Citizens must stay home and avoid going out.” is the advice given. Sound familiar?
Oh Joon-woo does what a lot of us probably did during lockdown - he plays video games, drinks his dad’s alcohol, and tries to just ride it all out the best he can. He quickly regrets ignoring his mum’s request to go and buy groceries though, as he lays out the very small amount of mostly unhealthy food items that are in the apartment out onto the table, and separates them into meals for each day over the coming week or so.
Days pass, but without any sign of the outside chaos subsiding. There are still zombies down on the streets, taking out any unfortunate survivor unlucky enough to be outside, and any investigative trips outside the apartment front door are fraught with danger. We’ve now passed day 20, and Oh Joon-woo is struggling.
At his lowest point, Oh Joon-woo notices a laser pointer shining into his apartment from the high-rise opposite. When he goes to investigate, he sees that there is another survivor looking back at him. Kim Yoo-bin is also at a fairly low point in her life, but with food, weapons and homemade zombie traps, she appears to be a bit of a badass, clearly better equipped at dealing with the crisis than Oh Joon-woo. She initially thinks Oh Joon-woo is an idiot, sending food across a wire that they manage to set up between their buildings so that he doesn’t starve. But they soon form a close bond, sending messages to each other before eventually employing the use of walkie-talkies so that they can discuss a way out of their predicament.
#Alive taps into the feelings that so many of us will have felt during lockdown this year - feeling isolated, lonely, scared. It’s the quiet human moments that work so well here, especially with the introduction of a friend and an ally in the form of Kim Yoo-bin. Finding each other does literally save both of their lives.
But it’s never too long before we’re jolted right back into some zombie action, and thankfully that aspect doesn’t disappoint. The news reports had already informed us that the zombies appeared to be able to remember certain human actions from before they turned, such as opening doors. They even appear to retain aspects of behaviour from their human occupations. This makes for some entertaining and unpredictable zombie fun, most notably a firefighter zombie who scales the outside of the high-rise in an attempt to try and reach Kim Yoo-bin.
There’s a late plot twist and a deus ex machina which may seem like a bit of a cop-out for some, but overall #Alive is certainly a worthwhile watch for fans of zombie action with a focus on the human characters.
Movie Metropolis (309 KP) rated Joker (2019) in Movies
Oct 14, 2019
I’ve never left the cinema more unnerved than I did after watching Todd Phillips’ first foray in the superhero genre. Joker is a frequently violent, often grotesque and regularly intense portrayal of the iconic character that’s already receiving praise and backlash in equal measure from those in the critic community.
With development originally beginning way back in 2016, Joaquin Phoenix walking out of interviews and the press junket being cancelled altogether, it’s safe to say that the path to release has not been easy, but what’s the finished product like?
Forever alone in a crowd, failed comedian Arthur Fleck (Phoenix) seeks connection as he walks the streets of Gotham City. Arthur wears two masks, the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he’s part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
Director of The Hangover trilogy, you’d be forgiven for thinking that Phillips is an odd choice to helm a picture like this, but his darkly comedic roots shine through in Joker and add a much-needed lightness of touch over the course of the running time. Without these pockets of humour, Joker would just be far too murky, more so than it already is.
Phoenix is absolutely astounding and his physical transformation defies words. Alongside Heath Ledger, these two very different portrayals of this iconic character are fully deserving of as much recognition as possible. Arguably however, Phoenix delivers the best iteration yet and one that perhaps needed even more commitment – this is a two-hour film dedicated to the character, whereas the Joker has always been a supporting part of previous films.
From the frame devoid of any muscle, dark circles under his eyes and wrinkles etched on his face, Phoenix’s dedication to this role is on another level to anything we have seen before. As his transformation from troubled Arthur Fleck to criminal mastermind gets underway, this only serves to highlight the acting prowess of this incredible performer. Elsewhere, supporting cast members like Robert De Niro, Frances Conroy and Zazie Beets are also wonderful in their roles of varying screen-time, but as Joker is a film about the singular character, they stay in the background, and rightly so.
The script too is exceptionally written. Phillips and co-writer Scott Silver, who also wrote 8 Mile, deliver a tightly wound screenplay that is at times just too tense for its own good. This is never a film you can sit back and relax to, it feels like you’re on the edge of your seat for the full two hours. The comedic notes that I alluded to earlier nicely round off some of the sharp edges however, but make no mistake, this is a brutal and unforgiving film.
The comedic notes… nicely round off some of the sharp edges
Criticism has been levelled already about the significance this film may have on those who already actively promote the character’s actions, and it’s easy to see why people are concerned. However, as an art form, Joker doesn’t need to be processed in such a way. Yes, it’s brutal, yes, it’s bloody and yes it sometimes hits too close to home about the issues we face in the real world, but cinema is escapism and that’s what it offers.
To look at it’s clear that the very modest of budget of $55million has been put to good use. The city of Gotham feels dirty, grimy and about to erupt and this is exactly how we as the audience want it to be. The uprising is coming and with each grimace from Phoenix’s face, we get closer and closer to that critical moment.
For me that critical moment occurs a little too late into the film and with not a lot of time left after this point, Joker tries to wrap up its loose ends too quickly, but this is a miniscule criticism in a deeply impressive and immersive cinema experience.
The score too is excellent. Icelandic composer Hildur Ingveldardóttir Guðnadóttir has worked on films like The Revenant and Sicario 2 and that gritty realism she brought to those films has been replicated here. It’s a soaring orchestral score populated with some sharp string solos that work perfectly with the character.
Overall, Joker is a masterpiece. Phoenix’s performance is one of the best I’ve ever had the pleasure of witnessing in the cinema and to go alongside that commitment the audience is treated to an engrossing script and beautiful score. Where DC has failed in the past is in forgetting to carve their own niche. Marvel has the 12A game all sewn up and there’s no point in competing there. Joker is the direction that should have been taken from the very beginning and it’s one of the best films I’ve seen in years.
Brutal? Yes. Beautiful? Absolutely.
With development originally beginning way back in 2016, Joaquin Phoenix walking out of interviews and the press junket being cancelled altogether, it’s safe to say that the path to release has not been easy, but what’s the finished product like?
Forever alone in a crowd, failed comedian Arthur Fleck (Phoenix) seeks connection as he walks the streets of Gotham City. Arthur wears two masks, the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he’s part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
Director of The Hangover trilogy, you’d be forgiven for thinking that Phillips is an odd choice to helm a picture like this, but his darkly comedic roots shine through in Joker and add a much-needed lightness of touch over the course of the running time. Without these pockets of humour, Joker would just be far too murky, more so than it already is.
Phoenix is absolutely astounding and his physical transformation defies words. Alongside Heath Ledger, these two very different portrayals of this iconic character are fully deserving of as much recognition as possible. Arguably however, Phoenix delivers the best iteration yet and one that perhaps needed even more commitment – this is a two-hour film dedicated to the character, whereas the Joker has always been a supporting part of previous films.
From the frame devoid of any muscle, dark circles under his eyes and wrinkles etched on his face, Phoenix’s dedication to this role is on another level to anything we have seen before. As his transformation from troubled Arthur Fleck to criminal mastermind gets underway, this only serves to highlight the acting prowess of this incredible performer. Elsewhere, supporting cast members like Robert De Niro, Frances Conroy and Zazie Beets are also wonderful in their roles of varying screen-time, but as Joker is a film about the singular character, they stay in the background, and rightly so.
The script too is exceptionally written. Phillips and co-writer Scott Silver, who also wrote 8 Mile, deliver a tightly wound screenplay that is at times just too tense for its own good. This is never a film you can sit back and relax to, it feels like you’re on the edge of your seat for the full two hours. The comedic notes that I alluded to earlier nicely round off some of the sharp edges however, but make no mistake, this is a brutal and unforgiving film.
The comedic notes… nicely round off some of the sharp edges
Criticism has been levelled already about the significance this film may have on those who already actively promote the character’s actions, and it’s easy to see why people are concerned. However, as an art form, Joker doesn’t need to be processed in such a way. Yes, it’s brutal, yes, it’s bloody and yes it sometimes hits too close to home about the issues we face in the real world, but cinema is escapism and that’s what it offers.
To look at it’s clear that the very modest of budget of $55million has been put to good use. The city of Gotham feels dirty, grimy and about to erupt and this is exactly how we as the audience want it to be. The uprising is coming and with each grimace from Phoenix’s face, we get closer and closer to that critical moment.
For me that critical moment occurs a little too late into the film and with not a lot of time left after this point, Joker tries to wrap up its loose ends too quickly, but this is a miniscule criticism in a deeply impressive and immersive cinema experience.
The score too is excellent. Icelandic composer Hildur Ingveldardóttir Guðnadóttir has worked on films like The Revenant and Sicario 2 and that gritty realism she brought to those films has been replicated here. It’s a soaring orchestral score populated with some sharp string solos that work perfectly with the character.
Overall, Joker is a masterpiece. Phoenix’s performance is one of the best I’ve ever had the pleasure of witnessing in the cinema and to go alongside that commitment the audience is treated to an engrossing script and beautiful score. Where DC has failed in the past is in forgetting to carve their own niche. Marvel has the 12A game all sewn up and there’s no point in competing there. Joker is the direction that should have been taken from the very beginning and it’s one of the best films I’ve seen in years.
Brutal? Yes. Beautiful? Absolutely.
Daniel Boyd (1066 KP) rated 10 Cloverfield Lane (2016) in Movies
Jul 24, 2017
The limited cast is great (1 more)
The sound design is amazing
Expect the Unexpected
Contains spoilers, click to show
I remember when the first Cloverfield movie was released, it was made in secret and after the trailer dropped people were really hyped. Then the movie came out and it was okay, but nowhere near as good as the trailer and most people quickly forgot about it and it has kind of faded into obscurity since then, remembered only as an interesting experiment that never really lived up to its full potential. So when a follow up movie set in the same universe was announced at the start of this year, you can imagine the surprise of movie fans. Again this movie was made in secret, not an easy thing to do in this day and age and although it shared a name with the first movie, this isn’t necessarily a sequel or a prequel. This review will contain a spoiler free section then a section where I will spoil the hell out of everything in the movie, but don’t worry I’ll give you fair warning before I do that.
This movie is an example of why sometimes it is better to have a small, focused team of people working on a restrictive budget towards a collective aim and end product, because what we end up with is a concentrated, purposeful film, in which each aspect has been handled with care. First off, this movie has three characters and that’s it, so the performances have to be nothing less than stellar for the piece to work. Luckily they are here. Mary Elizabeth Winstead plays a young girl called Michelle who has just left her man, however it is when she is driving away that she has a car accident and wakes up in the basement of Howard’s Doomsday bunker, the character played by John Goodman. As the film’s traumatising event unfold, she shows resilience, persistence, tenacity and resourcefulness and she pulls it off in a believable way. John Gallagher Jr plays a man called Emmet who has known John Goodman’s character from before the events of the movie play out. He is the comic relief of the movie, but his character is just as important as the other two and he delivers a spot on performance. However John Goodman’s performance in this film is of a different class, he runs away with the movie and steals every scene he is in. This film is a great reminder of why he is considered one of the great character actors of our time. it is very rare that I will say that an actor is perfect in a role, to be a perfect performance, the character must have no lines or scenes that I dislike, steal every scene that they are in and make me totally forget about the actor playing the part and only see the character that they are portraying. The last person to successfully pull it off was JK Simmons in Whiplash, that is the level of quality that we are talking about here, definitely Goodman’s best performance of the last decade.
The other star of this film is the audio, both the score used and the sound effects are so well timed and effective. The various tracks played throughout mixed with the straight up terrifying noises of simple things in the environment, especially the door of Michelle’s room, which honestly sounds like a woman screaming every time it is opened or closed. Also, I don’t know if John Goodman’s breathing was amplified in any way, but it is terrifying. The editing in this movie is also fantastic, best executed during Michelle’s crash at the start of the movie, the abrupt nature of the scenes and sound effects instantly let you know what kind of ride you are in for, for the next 90 minutes.
Okay, from this point on major plot points and twists will be spoiled, you have been warned.
As the film progresses, we learn that Howard had a daughter called Megan, but Emmet and Michelle suspect that he may have killed his daughter or at least some other young girls, so they hatch a plan to break out. Howard finds evidence of the plan and confronts the pair, Emmett takes the blame and what is one of the most shocking scenes I have seen in cinema, Howard shoots him point blank in the head with a thunderous gunshot. After this, Michelle realises he really is crazy and she has to get out, but he also catches her with evidence of the escape plan and chases her around the bunker. Michelle then kicks acid over him and makes for the exit hatch in a terrifying chase sequence. After she gets out the bunker explodes, but she soon realises she isn’t in the clear yet. A dog like monster chases her around the garden which she runs from, then a large alien ship lifts her up, but just as it is about to devour her, she makes a Molotov cocktail and throws it into the mouth of the beast blowing it up, she then drives away and the movie ends. People have a problem with the end of this movie after Michelle leaves the bunker, but although I will say that the first half is definitely superior, I still enjoyed the ending and overall this is probably my favourite movie of 2016 so far.
This movie is an example of why sometimes it is better to have a small, focused team of people working on a restrictive budget towards a collective aim and end product, because what we end up with is a concentrated, purposeful film, in which each aspect has been handled with care. First off, this movie has three characters and that’s it, so the performances have to be nothing less than stellar for the piece to work. Luckily they are here. Mary Elizabeth Winstead plays a young girl called Michelle who has just left her man, however it is when she is driving away that she has a car accident and wakes up in the basement of Howard’s Doomsday bunker, the character played by John Goodman. As the film’s traumatising event unfold, she shows resilience, persistence, tenacity and resourcefulness and she pulls it off in a believable way. John Gallagher Jr plays a man called Emmet who has known John Goodman’s character from before the events of the movie play out. He is the comic relief of the movie, but his character is just as important as the other two and he delivers a spot on performance. However John Goodman’s performance in this film is of a different class, he runs away with the movie and steals every scene he is in. This film is a great reminder of why he is considered one of the great character actors of our time. it is very rare that I will say that an actor is perfect in a role, to be a perfect performance, the character must have no lines or scenes that I dislike, steal every scene that they are in and make me totally forget about the actor playing the part and only see the character that they are portraying. The last person to successfully pull it off was JK Simmons in Whiplash, that is the level of quality that we are talking about here, definitely Goodman’s best performance of the last decade.
The other star of this film is the audio, both the score used and the sound effects are so well timed and effective. The various tracks played throughout mixed with the straight up terrifying noises of simple things in the environment, especially the door of Michelle’s room, which honestly sounds like a woman screaming every time it is opened or closed. Also, I don’t know if John Goodman’s breathing was amplified in any way, but it is terrifying. The editing in this movie is also fantastic, best executed during Michelle’s crash at the start of the movie, the abrupt nature of the scenes and sound effects instantly let you know what kind of ride you are in for, for the next 90 minutes.
Okay, from this point on major plot points and twists will be spoiled, you have been warned.
As the film progresses, we learn that Howard had a daughter called Megan, but Emmet and Michelle suspect that he may have killed his daughter or at least some other young girls, so they hatch a plan to break out. Howard finds evidence of the plan and confronts the pair, Emmett takes the blame and what is one of the most shocking scenes I have seen in cinema, Howard shoots him point blank in the head with a thunderous gunshot. After this, Michelle realises he really is crazy and she has to get out, but he also catches her with evidence of the escape plan and chases her around the bunker. Michelle then kicks acid over him and makes for the exit hatch in a terrifying chase sequence. After she gets out the bunker explodes, but she soon realises she isn’t in the clear yet. A dog like monster chases her around the garden which she runs from, then a large alien ship lifts her up, but just as it is about to devour her, she makes a Molotov cocktail and throws it into the mouth of the beast blowing it up, she then drives away and the movie ends. People have a problem with the end of this movie after Michelle leaves the bunker, but although I will say that the first half is definitely superior, I still enjoyed the ending and overall this is probably my favourite movie of 2016 so far.
Justin Patchett (42 KP) rated The Trump Prophecy (2018) in Movies
Mar 9, 2019 (Updated Mar 24, 2019)
My prophetic vision of how bad it could get
Contains spoilers, click to show
Part of my bill-paying job is managing our store’s DVD section. This past Tuesday, I opened our new release boxes to find a number of copies of a movie called "The Trump Prophecy." I got physically ill. Not ill enough to go home, but I could feel my stomach turn. It wasn’t because I was holding in my hands a movie about Donald Trump, though, because I can make it through many a title about the Bedswerver-in-Chief. There’s something worse: Associating support of him with Christian faith.
Now, ordinarily, I do movie reviews. That’s where I have to watch a movie, first, before writing about it. This time, though, I feel obligated to attempt my own sort of prophecy and write a review of a movie before I see it. I'll take a bit of research on the subject of the film, but until the final paragraph, I'm not actually going to watch this film. Here goes nothing.
"The Trump Prophecy" follows a self-proclaimed prophet, Mark Taylor, as he and a pseudo-publicist, Mary Colbert, spread the word of his vision: That Trump will become President of the United States. They lead a prayer movement to try to see it through, and lo and behold, it works. Sort of. You see, Taylor first put pen to paper to write out his vision in April of 2011, stating that while “they will spend billions to keep this president in,” “the next election will be a clean sweep for the man [Trump] I have chosen.” Clearly, this can only refer to the 2012 election, the very next presidential election in which Barack Obama would end up successfully keeping the presidency for one more term. An election in which Donald Trump did not even run. With that in mind, Taylor’s self-glorification film glosses over the fact that he was completely wrong about that prophecy out of necessity, instead focusing on his rehash of the prophecy going into 2016.
This movie lazily creeps into both the political propaganda and faith-based film genres. Faith-based films generally serve as evangelistic tools. "The Trump Prophecy" fails that, as its characters are already faithful Christians prior to the events of the film, providing no real evangelistic moments for its unsaved audience. It's almost like they know nobody is coming to this film for that. Political propaganda films, on the other hand, intend to indoctrinate in a certain belief. "The Trump Prophecy" fails that, as well. In fact, it has to actively avoid political discussion at all. Could you imagine a movie like this having to make a failing attempt to reconcile Christian faith against supporting Donald Trump?
The cinematography looks like it was shot as a bootleg of "The Room." The leads act with a flatness on par with their cardboard cutouts. Its lone redeeming quality is not tricking you into anything other than what it is: A schlocky puff piece intended to associate Christianity with support of the President, as Trump was God’s chosen man. Allegedly.
Get past its worst cinematic qualities and you’re left with even more problems. "The Trump Prophecy" insults its target audience by minimizing God. It suggests God can't enact his will unless people pray for the things He reveals to them as visions of the future. It paradoxically says God is either not omnipotent to make Trump president, not omniscient to know whether or not Trump would be made president, or both. It also suggests gullibility being the key to godliness, urging the viewer not to question the source of a grammatically incorrect prophecy. (Seriously. Taylor confuses the homophones “waste” and “waist” in his 2011 "Commander in Chief" prophecy). This call to gullibility is precisely why Jerry Falwell Jr.'s Liberty University got itself involved in this mess. If you weren’t a fan of Trump before, you should be one because God said so. To a provably false prophet.
Which leads me to the point where I actually have to subject myself to this nonsense and tell you just how right I was about it.
And dear gosh, was I right. In fact, it’s stranger than I might have though. Remember how I mentioned Taylor’s false prophecy? The opening narration directly quotes from it, giving you the chance, if you haven’t already looked into it, to see exactly where he went from potential prophet to false prophet. And if you missed it the first time, you'll have it repeated twice more. Finally, I'll admit the fault to my prophetic review: Cinematically, "The Trump Prophecy" is closer to a bootleg of a movie produced by The Asylum, but Asylum films are actually enjoyable. But as a bonus, though, combine it with the special effects work of "Birdemic." The film "ends" with an embedded music video and a series of so-called reflective conversations--monologues by demagogues. I can't remember much about these because I had already tuned out. The only fairness I'll give is that "The Trump Prophecy" may be unintentionally hilarious on occasion, but it’s mostly cringe-worthy. The biggest cringe, though is when you realize how many people actually believe this film as fact.
Now, ordinarily, I do movie reviews. That’s where I have to watch a movie, first, before writing about it. This time, though, I feel obligated to attempt my own sort of prophecy and write a review of a movie before I see it. I'll take a bit of research on the subject of the film, but until the final paragraph, I'm not actually going to watch this film. Here goes nothing.
"The Trump Prophecy" follows a self-proclaimed prophet, Mark Taylor, as he and a pseudo-publicist, Mary Colbert, spread the word of his vision: That Trump will become President of the United States. They lead a prayer movement to try to see it through, and lo and behold, it works. Sort of. You see, Taylor first put pen to paper to write out his vision in April of 2011, stating that while “they will spend billions to keep this president in,” “the next election will be a clean sweep for the man [Trump] I have chosen.” Clearly, this can only refer to the 2012 election, the very next presidential election in which Barack Obama would end up successfully keeping the presidency for one more term. An election in which Donald Trump did not even run. With that in mind, Taylor’s self-glorification film glosses over the fact that he was completely wrong about that prophecy out of necessity, instead focusing on his rehash of the prophecy going into 2016.
This movie lazily creeps into both the political propaganda and faith-based film genres. Faith-based films generally serve as evangelistic tools. "The Trump Prophecy" fails that, as its characters are already faithful Christians prior to the events of the film, providing no real evangelistic moments for its unsaved audience. It's almost like they know nobody is coming to this film for that. Political propaganda films, on the other hand, intend to indoctrinate in a certain belief. "The Trump Prophecy" fails that, as well. In fact, it has to actively avoid political discussion at all. Could you imagine a movie like this having to make a failing attempt to reconcile Christian faith against supporting Donald Trump?
The cinematography looks like it was shot as a bootleg of "The Room." The leads act with a flatness on par with their cardboard cutouts. Its lone redeeming quality is not tricking you into anything other than what it is: A schlocky puff piece intended to associate Christianity with support of the President, as Trump was God’s chosen man. Allegedly.
Get past its worst cinematic qualities and you’re left with even more problems. "The Trump Prophecy" insults its target audience by minimizing God. It suggests God can't enact his will unless people pray for the things He reveals to them as visions of the future. It paradoxically says God is either not omnipotent to make Trump president, not omniscient to know whether or not Trump would be made president, or both. It also suggests gullibility being the key to godliness, urging the viewer not to question the source of a grammatically incorrect prophecy. (Seriously. Taylor confuses the homophones “waste” and “waist” in his 2011 "Commander in Chief" prophecy). This call to gullibility is precisely why Jerry Falwell Jr.'s Liberty University got itself involved in this mess. If you weren’t a fan of Trump before, you should be one because God said so. To a provably false prophet.
Which leads me to the point where I actually have to subject myself to this nonsense and tell you just how right I was about it.
And dear gosh, was I right. In fact, it’s stranger than I might have though. Remember how I mentioned Taylor’s false prophecy? The opening narration directly quotes from it, giving you the chance, if you haven’t already looked into it, to see exactly where he went from potential prophet to false prophet. And if you missed it the first time, you'll have it repeated twice more. Finally, I'll admit the fault to my prophetic review: Cinematically, "The Trump Prophecy" is closer to a bootleg of a movie produced by The Asylum, but Asylum films are actually enjoyable. But as a bonus, though, combine it with the special effects work of "Birdemic." The film "ends" with an embedded music video and a series of so-called reflective conversations--monologues by demagogues. I can't remember much about these because I had already tuned out. The only fairness I'll give is that "The Trump Prophecy" may be unintentionally hilarious on occasion, but it’s mostly cringe-worthy. The biggest cringe, though is when you realize how many people actually believe this film as fact.
Chris Sawin (602 KP) rated Harsh Times (2005) in Movies
Jun 18, 2019
Writer and director (and sometimes producer) David Ayer debuted in the film industry writing films such as Training Day, The Fast and the Furious, and S.W.A.T. but he came into his own once he started directing and producing (as well as continuing to write) his own projects with End of Watch and Fury being two of his best. In the past couple years, Ayer has produced and directed two big budget films (Suicide Squad and Bright) in the past few years that received a negative critical reputation that audiences still seem to love (sequels for both are in development). The first film David Ayer produced, wrote, and directed that’s more in the vein of Training Day and End of Watch and is largely based on the individuals Ayer knew while living in South Central, Los Angeles is a little crime film called Harsh Times.
Jim Luther Davis (Christian Bale) seems like a normal guy that anyone could know. Now that he’s done his time as a soldier, it’s now his dream to become a cop in Los Angeles. Unfortunately though, Jim likes to spend most days drinking, smoking pot, and looking for ways to either get laid or kick the snot out of someone and his time as a soldier gets to him more than he lets on. He has nightmares every night and wakes up screaming with cold chills and is on the verge of downright insanity.
His best friend, Mike Alonzo (Freddy Rodriguez), has the intention of getting a job to make his wife happy but his drinking problem stands in the way of that. While Mike has his wife, Sylvia (Eva Longoria), Jim has his girlfriend, Marta (Tammy Trull), back in Mexico that he hopes to get across the border once he gets that dream job. One day, Jim gets a call from Homeland Security and Mike has an interview go surprisingly well at one of the best businesses in town; the two best friends think their lives are beginning to look up. However, Jim gets pushed too far and innocent people are suddenly caught in the crossfire.
Harsh Times plays out like a song that becomes a sleeper hit or one that eventually evolves into one of your favorites; events unfold rather slowly but they’re also building towards a big finale. Once the ball gets rolling, it’s inevitable to try and resist the mayhem that’s sure to ensue. Harsh Times may not be that appealing on the surface, but David Ayer has mastered the dynamic of two cops (one is usually Caucasian and the other is usually Hispanic or African American) set within a broken neighborhood. Watching Jim and Mike give into their vices and basically flush their dreams down the toilet by relishing the deteriorated reputation they’re known for is a riveting train wreck. Aside from Christian Bale’s outstanding performance, the real gem of the film lies within the last 20 minutes.
Ayer typically aims to shock or catch you off guard with the finales of his crime films, but there’s also a scene involving Jim that is unexpected. It’s an intriguing scene that is spontaneous in nature, but it puts what Jim went through as a soldier into perspective. Jim is completely unfazed by what he puts himself through, but Mike seems to be physically traumatized by the whole ordeal. It seems rather unimportant as it’s occurring, but it’s also the most memorable sequence once the credits roll. Before Don’t Breathe came along in 2016, this was the worst way any Hollywood film ever utilized a turkey baster.
For several years, Christian Bale was known for dramatically changing his appearance and using a different accent in every project he was a part of. Watching Harsh Times after seeing Batman Begins (both films were released in 2005) for the first time allows you to appreciate Bale’s performance even more. Imagine Batman or even Bruce Wayne trying to say with a straight face, “Yeah, homie. That’s how we roll in these streets, dawg.” It seems implausible and almost otherworldly; it’s a transition you never expected Bale to make. The transformation of the Jim Luther Davis character is incredible. The film’s editing when Jim is going through one of his episodes is an admirable nod to how unstable he is. Once the screen has that yellow tint to it, you know something detrimental is about to go down.
Harsh Times has a reputation for being slow and boring, but it’s worth a watch especially if you’re a fan of David Ayer films. The crime film may not appeal to everyone, but it probably has a lot more to offer than anyone gives it credit for. Christian Bale has a particularly strong performance in the film that deserves to behold and the intense finale should make up for any slow or dragging sequences. If you’re watching the film for the first time, try giving it a chance when you know you have a more patient mentality. You may be pleasantly surprised with Harsh Times.
Harsh Times is available to stream on YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s available on Amazon Prime for free if you have Showtime with Prime Video channels. The film is available on Amazon on DVD for $7.96 and Multi-Format Blu-ray for $13.49. The pre-owned DVD is currently $4.09 with free shipping while a brand new Multi-Format Blu-ray is $15.98 with free shipping on eBay.
Jim Luther Davis (Christian Bale) seems like a normal guy that anyone could know. Now that he’s done his time as a soldier, it’s now his dream to become a cop in Los Angeles. Unfortunately though, Jim likes to spend most days drinking, smoking pot, and looking for ways to either get laid or kick the snot out of someone and his time as a soldier gets to him more than he lets on. He has nightmares every night and wakes up screaming with cold chills and is on the verge of downright insanity.
His best friend, Mike Alonzo (Freddy Rodriguez), has the intention of getting a job to make his wife happy but his drinking problem stands in the way of that. While Mike has his wife, Sylvia (Eva Longoria), Jim has his girlfriend, Marta (Tammy Trull), back in Mexico that he hopes to get across the border once he gets that dream job. One day, Jim gets a call from Homeland Security and Mike has an interview go surprisingly well at one of the best businesses in town; the two best friends think their lives are beginning to look up. However, Jim gets pushed too far and innocent people are suddenly caught in the crossfire.
Harsh Times plays out like a song that becomes a sleeper hit or one that eventually evolves into one of your favorites; events unfold rather slowly but they’re also building towards a big finale. Once the ball gets rolling, it’s inevitable to try and resist the mayhem that’s sure to ensue. Harsh Times may not be that appealing on the surface, but David Ayer has mastered the dynamic of two cops (one is usually Caucasian and the other is usually Hispanic or African American) set within a broken neighborhood. Watching Jim and Mike give into their vices and basically flush their dreams down the toilet by relishing the deteriorated reputation they’re known for is a riveting train wreck. Aside from Christian Bale’s outstanding performance, the real gem of the film lies within the last 20 minutes.
Ayer typically aims to shock or catch you off guard with the finales of his crime films, but there’s also a scene involving Jim that is unexpected. It’s an intriguing scene that is spontaneous in nature, but it puts what Jim went through as a soldier into perspective. Jim is completely unfazed by what he puts himself through, but Mike seems to be physically traumatized by the whole ordeal. It seems rather unimportant as it’s occurring, but it’s also the most memorable sequence once the credits roll. Before Don’t Breathe came along in 2016, this was the worst way any Hollywood film ever utilized a turkey baster.
For several years, Christian Bale was known for dramatically changing his appearance and using a different accent in every project he was a part of. Watching Harsh Times after seeing Batman Begins (both films were released in 2005) for the first time allows you to appreciate Bale’s performance even more. Imagine Batman or even Bruce Wayne trying to say with a straight face, “Yeah, homie. That’s how we roll in these streets, dawg.” It seems implausible and almost otherworldly; it’s a transition you never expected Bale to make. The transformation of the Jim Luther Davis character is incredible. The film’s editing when Jim is going through one of his episodes is an admirable nod to how unstable he is. Once the screen has that yellow tint to it, you know something detrimental is about to go down.
Harsh Times has a reputation for being slow and boring, but it’s worth a watch especially if you’re a fan of David Ayer films. The crime film may not appeal to everyone, but it probably has a lot more to offer than anyone gives it credit for. Christian Bale has a particularly strong performance in the film that deserves to behold and the intense finale should make up for any slow or dragging sequences. If you’re watching the film for the first time, try giving it a chance when you know you have a more patient mentality. You may be pleasantly surprised with Harsh Times.
Harsh Times is available to stream on YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s available on Amazon Prime for free if you have Showtime with Prime Video channels. The film is available on Amazon on DVD for $7.96 and Multi-Format Blu-ray for $13.49. The pre-owned DVD is currently $4.09 with free shipping while a brand new Multi-Format Blu-ray is $15.98 with free shipping on eBay.
Darren (1599 KP) rated Aliens (1986) in Movies
Jun 20, 2019
Story: Aliens starts when Ripley (Weaver) is finally rescued from her hyper sleep, only to find out that she has been sleeping for centuries, questioned for her action on the spacecraft she learns that the same planet LV-426 has been colonised with no problems from any alien species. We get to see how the colony is building on the planet which includes us watching Newt (Henn) and her family being the ones to find the alien ship.
The company representative Burke (Reiser) looks to recruit Ripley into helping them once the company loses connect with the colony, this time armed with marines led by Lieutenant Gorman (Hope). The elite unit including Corporal Hicks (Biehn), Private Hudson (Paxton), Private Vasquez (Goldstein) and Private Drake (Rolston) to mention a few is armed to the teeth ready for any combat needed, but it is the android Bishop (Henriksen) that cause Ripley the worries especially after what happened last time she was on a mission with one.
Once at the colony the soldiers find the place abandoned at first until they find Newt only to learn the truth about what happened at the base. The unit find themselves under attack from multiply xenomorphs and only Ripley knows how to fight them off.
Aliens is the sequel to one of the greatest horror movies that actually takes the film in a different direction by adding action element. This doesn’t take away anything because if the sequel had just been on one ship with limited weapons it simply would have been a remake feeling, this story feels fresh because we already know the basics of what our heroes are up against we just needed to learn how they will deal with them this time. When it comes to the story it once again is simple soldiers versus aliens in a battle to survive which all works perfectly for this classic 30 years later.
Actor Review
Sigourney Weaver: Ripley is the lone survivor from the events of the first film, she has been in hyper sleep for years. She is charged for her actions as no evidence of any alien life form is discovered in the wreck, dealing with all the side effects we get to see how she is getting on with her life again. All this changes when the company that blamed her turned to her for help on the same planet that we first met a xenomorph. When things go wrong she takes charge of the situation while trying to protect a little girl. Sigourney was nominated for an Oscar for this performance and it would hard not to praise her brilliant performance.ripley
Carrie Henn: Newt is the little girl that was living on the colony before the attack, she is also the lone survivor once the soldiers turn up to deal with the situation. She has survived by hiding and offers the soldiers much needed advice on where to survive. Carrie is great in this role for such a young actress at the time.
Michael Biehn: Corporal Hicks has to take charge of the soldiers once his seniors become incapacitated. He will listen to Ripley and make the right decisions when it comes to fighting the xenomorphs. Michael is great in this role where he actually plays the sensible soldier.
Lance Henriksen: Bishop is the android on the mission, he is instantly disliked by Ripley but this time we only see good from the android who is willing to risk his own life to save the humans. Lance is great as this android keeping the emotionless expression throughout.
Support Cast: Aliens has a supporting cast that is mostly the soldiers who are generic in their own way along with the company man that also works for this film very well.
Director Review: James Cameron – James is a director that always makes classics and this could well be his best.
Action: Aliens is filled with combat driven action which comes off very nicely in the confined spaces.
Horror: Aliens is still filled with horror of isolation on the planet being hunted down by an alien enemy.
Sci-Fi: Aliens puts our characters in space and a new planet ticking off all of the sci-fi elements to make this an action sci-fi film.
Settings: Aliens creates a larger isolation idea with the characters being trapped on a base rather than a ship with no escape from the enemy.
Special Effects: Aliens has stunning effects that still stand the test of time.xena
Suggestion: Aliens is one I do feel everyone should have watched at least once in a lifetime. (Watch)
Best Part: First meeting the aliens.
Worst Part: Depends which cut you watch, the shorter cut takes away a lot of back story.
Action Scene Of The Film: Final fight.
Favourite Quote: Ripley ‘Get away from her you bitch’
Believability: No
Chances of Tears: No
Chances of Sequel: Yes
Post Credits Scene: No
Oscar Chances: Won Two Oscars for Best Sound Effects and Visual Effects.
Box Office: $85 Million
Budget: $ 18.5 Million
Runtime: 2 Hours 34 Minutes
Tagline: There are some places in the universe you don’t go alone.
Trivia: The knife trick scene was not in the original shooting script. According to Lance Henriksen, the adding of Hudson’s hand to the knife trick was discussed with almost everyone, except Bill Paxton.
Overall: Stunning sci-fi action horror that really comes off as the true classic
https://moviesreview101.com/2016/05/25/aliens-1986/
The company representative Burke (Reiser) looks to recruit Ripley into helping them once the company loses connect with the colony, this time armed with marines led by Lieutenant Gorman (Hope). The elite unit including Corporal Hicks (Biehn), Private Hudson (Paxton), Private Vasquez (Goldstein) and Private Drake (Rolston) to mention a few is armed to the teeth ready for any combat needed, but it is the android Bishop (Henriksen) that cause Ripley the worries especially after what happened last time she was on a mission with one.
Once at the colony the soldiers find the place abandoned at first until they find Newt only to learn the truth about what happened at the base. The unit find themselves under attack from multiply xenomorphs and only Ripley knows how to fight them off.
Aliens is the sequel to one of the greatest horror movies that actually takes the film in a different direction by adding action element. This doesn’t take away anything because if the sequel had just been on one ship with limited weapons it simply would have been a remake feeling, this story feels fresh because we already know the basics of what our heroes are up against we just needed to learn how they will deal with them this time. When it comes to the story it once again is simple soldiers versus aliens in a battle to survive which all works perfectly for this classic 30 years later.
Actor Review
Sigourney Weaver: Ripley is the lone survivor from the events of the first film, she has been in hyper sleep for years. She is charged for her actions as no evidence of any alien life form is discovered in the wreck, dealing with all the side effects we get to see how she is getting on with her life again. All this changes when the company that blamed her turned to her for help on the same planet that we first met a xenomorph. When things go wrong she takes charge of the situation while trying to protect a little girl. Sigourney was nominated for an Oscar for this performance and it would hard not to praise her brilliant performance.ripley
Carrie Henn: Newt is the little girl that was living on the colony before the attack, she is also the lone survivor once the soldiers turn up to deal with the situation. She has survived by hiding and offers the soldiers much needed advice on where to survive. Carrie is great in this role for such a young actress at the time.
Michael Biehn: Corporal Hicks has to take charge of the soldiers once his seniors become incapacitated. He will listen to Ripley and make the right decisions when it comes to fighting the xenomorphs. Michael is great in this role where he actually plays the sensible soldier.
Lance Henriksen: Bishop is the android on the mission, he is instantly disliked by Ripley but this time we only see good from the android who is willing to risk his own life to save the humans. Lance is great as this android keeping the emotionless expression throughout.
Support Cast: Aliens has a supporting cast that is mostly the soldiers who are generic in their own way along with the company man that also works for this film very well.
Director Review: James Cameron – James is a director that always makes classics and this could well be his best.
Action: Aliens is filled with combat driven action which comes off very nicely in the confined spaces.
Horror: Aliens is still filled with horror of isolation on the planet being hunted down by an alien enemy.
Sci-Fi: Aliens puts our characters in space and a new planet ticking off all of the sci-fi elements to make this an action sci-fi film.
Settings: Aliens creates a larger isolation idea with the characters being trapped on a base rather than a ship with no escape from the enemy.
Special Effects: Aliens has stunning effects that still stand the test of time.xena
Suggestion: Aliens is one I do feel everyone should have watched at least once in a lifetime. (Watch)
Best Part: First meeting the aliens.
Worst Part: Depends which cut you watch, the shorter cut takes away a lot of back story.
Action Scene Of The Film: Final fight.
Favourite Quote: Ripley ‘Get away from her you bitch’
Believability: No
Chances of Tears: No
Chances of Sequel: Yes
Post Credits Scene: No
Oscar Chances: Won Two Oscars for Best Sound Effects and Visual Effects.
Box Office: $85 Million
Budget: $ 18.5 Million
Runtime: 2 Hours 34 Minutes
Tagline: There are some places in the universe you don’t go alone.
Trivia: The knife trick scene was not in the original shooting script. According to Lance Henriksen, the adding of Hudson’s hand to the knife trick was discussed with almost everyone, except Bill Paxton.
Overall: Stunning sci-fi action horror that really comes off as the true classic
https://moviesreview101.com/2016/05/25/aliens-1986/
KalJ95 (25 KP) rated the PlayStation 4 version of STAR WARS Battlefront II in Video Games
Jun 10, 2020
Star Wars Immersion At Its Finest. (2 more)
Multiplayer Is Feels Fluid, Bouncy And Satisfying.
Frequent Updates Have Saved The Game.
Sometimes Buggy. (1 more)
Campaign Is Short, Bare and Repetitive.
Can EA Redeem Themselves? (2020 Update Review)
I will begin this by telling you a story. Back in 2016, I bought EA and DICE's STAR WARS Battlefront for £25, feeling like a got a pretty good bargain. Little did I know at the time that this was an EA project, I had very high hopes after spending hundreds of hours of my childhood playing the original, Battlefront and Battlefront II, on my original XBOX. To me, along with KOTOR and Rogue Squadron II: Rogue Leader, were the pinnacle of how good a STAR WARS game could be. I played four hours of this remake, and realised how much of a mistake I had made. I subsequently put the game on eBay, with the description, “Please take this abomination from me before I throw it at the wall!”. It sold for £9. Worth it.
Once I discovered EA and DICE were doing a sequel, I knew this was to be avoided at all costs. Upon launch, Battlefront II was slammed by critics and fans for various reasons, including a loot based system that gave a player a clear advantage over another, and a story which was so short and bare boned it barely even passed four hours. A complete disaster all round. Yet, a new hope arose. Frequent updates have come since then, and all updates have been free for players as a sorry for all the mistakes both companies have made with the property. So, with all this information in the past, I received Battlefront II as a free game with PlayStation Plus for June. A what a treat it is.
STAR WARS Battlefront II is a well improved shooter over its 2015 release, and an all round excellent game, and this is down to its updates being made free to all its players. Battlefront II must be broken up into parts in order to properly get a fair review, so let’s start with the campaign.
Narrative:
The story follows Iden Versio, an Empire Commander who’s morals are tested and sides are divided once she discovers the truth behind her allegiances as the story goes on. The campaign is the weakest part of the package, roughly taking around four to five hours to complete, and the missions feel the same; go to objective, kill enemies, find other objectives etc. The formula gets mixed a few times to introduce iconic heroes and villains through this timeline of STAR WARS history. Average would be the perfect word to describe this aspect, it doesn’t try anything new or experiment, and thats a shame because they introduce some new ideas that could of shaken up the story a little. They did add an expansion called Resurrection, following on some years after the campaign. Again, its too short for any real substance or replay value. Arcade mode is fun enough too, pitting you against different tasks for the Light and Dark side. Each one puts you with different Heroes, Villains or Soldiers, as you fight against a numbered amount of enemies. It all is enough to satisfy for a couple of hours, but if you're buying Battlefront for single-player purposes, don't bother.
Multiplayer:
The Multiplayer is fantastic, immersion filled experience fans of STAR WARS will love. I’ve recently lost a lot of love for the franchise, but this game has made me remember why I loved it as a child. The combination of John William’s score, the fluid gunplay that bounces with every successful hit, mixed with the amazing environments of each world and excellent sound effects. This makes it absolutely flawless. It features various different game modes to choose from, my personal favourite being Co-op missions, all your standard multiplayer shooter modes. Unlike before, where you had to buy the STAR WARS characters you want to play as, you now have to earn points during battle to play as them. The system works as you feel you’ve earned the way to play as, for example, Luke or Han. Sometimes it feels a little buggy in places, especially in modes with forty players, but it never ruins the overall game.
The issues, which they’re are many, occur in multiplayer frequently. The Galactic Assault is messy, and frustrating most of the time due to wonky controls. It feels like the controller doesn’t work for the ships, but works perfectly for the on-ground assaults. I did try this mode a number of times, and the same things happened again and again.
The package is finely finished with some great customisation options for your troopers and also the main characters of the franchise. The sheer number of characters in the roster is staggering. Some choices, like BB-8, feel a little shoehorned, but weirdly they all feel different, with their own unique perks. As a whole, it feels like for once EA has decided to put the consumer first with their product, rather than thinking of the money. They’ve taken the time to issue an apology for the awful services they’ve been providing, by putting a product they know the fans will love. I never thought I would say it, but props to DICE and EA. You’ve redeemed yourselves, for now.
Once I discovered EA and DICE were doing a sequel, I knew this was to be avoided at all costs. Upon launch, Battlefront II was slammed by critics and fans for various reasons, including a loot based system that gave a player a clear advantage over another, and a story which was so short and bare boned it barely even passed four hours. A complete disaster all round. Yet, a new hope arose. Frequent updates have come since then, and all updates have been free for players as a sorry for all the mistakes both companies have made with the property. So, with all this information in the past, I received Battlefront II as a free game with PlayStation Plus for June. A what a treat it is.
STAR WARS Battlefront II is a well improved shooter over its 2015 release, and an all round excellent game, and this is down to its updates being made free to all its players. Battlefront II must be broken up into parts in order to properly get a fair review, so let’s start with the campaign.
Narrative:
The story follows Iden Versio, an Empire Commander who’s morals are tested and sides are divided once she discovers the truth behind her allegiances as the story goes on. The campaign is the weakest part of the package, roughly taking around four to five hours to complete, and the missions feel the same; go to objective, kill enemies, find other objectives etc. The formula gets mixed a few times to introduce iconic heroes and villains through this timeline of STAR WARS history. Average would be the perfect word to describe this aspect, it doesn’t try anything new or experiment, and thats a shame because they introduce some new ideas that could of shaken up the story a little. They did add an expansion called Resurrection, following on some years after the campaign. Again, its too short for any real substance or replay value. Arcade mode is fun enough too, pitting you against different tasks for the Light and Dark side. Each one puts you with different Heroes, Villains or Soldiers, as you fight against a numbered amount of enemies. It all is enough to satisfy for a couple of hours, but if you're buying Battlefront for single-player purposes, don't bother.
Multiplayer:
The Multiplayer is fantastic, immersion filled experience fans of STAR WARS will love. I’ve recently lost a lot of love for the franchise, but this game has made me remember why I loved it as a child. The combination of John William’s score, the fluid gunplay that bounces with every successful hit, mixed with the amazing environments of each world and excellent sound effects. This makes it absolutely flawless. It features various different game modes to choose from, my personal favourite being Co-op missions, all your standard multiplayer shooter modes. Unlike before, where you had to buy the STAR WARS characters you want to play as, you now have to earn points during battle to play as them. The system works as you feel you’ve earned the way to play as, for example, Luke or Han. Sometimes it feels a little buggy in places, especially in modes with forty players, but it never ruins the overall game.
The issues, which they’re are many, occur in multiplayer frequently. The Galactic Assault is messy, and frustrating most of the time due to wonky controls. It feels like the controller doesn’t work for the ships, but works perfectly for the on-ground assaults. I did try this mode a number of times, and the same things happened again and again.
The package is finely finished with some great customisation options for your troopers and also the main characters of the franchise. The sheer number of characters in the roster is staggering. Some choices, like BB-8, feel a little shoehorned, but weirdly they all feel different, with their own unique perks. As a whole, it feels like for once EA has decided to put the consumer first with their product, rather than thinking of the money. They’ve taken the time to issue an apology for the awful services they’ve been providing, by putting a product they know the fans will love. I never thought I would say it, but props to DICE and EA. You’ve redeemed yourselves, for now.
Charlie Cobra Reviews (1840 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Oct 2, 2020 (Updated Oct 6, 2020)
Margot Robbie and her return to Harley Quinn (2 more)
Badass fight choreography
Some really cool action sequences
I wasn't a fan of the self narration the entire film. (2 more)
I also didn't like the Tarantino-ish way of chopping up the story and going back and forth the way they did.
I feel like every character in this movie was underutilized and could have been done better or had better character development.
Birds of a Feather Can't Stick Their Landing On This One
Contains spoilers, click to show
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is a 2020 action super hero film. Distributed by Warner Bros. Pictures, it is a follow-up to Suicide Squad (2016). The movie was directed by Cathy Yan and written by Christina Hodson, and it stars Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina and Ewan McGregor.
Four years after the defeat of the Enchantress, the Joker throws Harley Quinn out on the Gotham City streets when they break up. The already extremely volatile and unhinged, Harley (Margot Robbie) finds herself all alone with a huge target on her back. Without the Joker in the picture, the city is turned upside down as criminals that have a beef with Harley hunt her down. Gotham's most narcissistic villain, Roman Sionis (Ewan McGregor), and his right-hand man, Victor Zsasz (Chris Messina), have Harley and a precious diamond in their sights. Now Harley, Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell) and Detective Renee Montoya's (Rosie Perez) paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
First off let me say that I love Margot Robbie as Harley Quinn. I've always been a big Harley fan since before she was mainstream cool and a big part of that would have to be the Batman Animated Series and how it portrayed her. I liked Margot Robbie's performance in Suicide Squad and thought she did an excellent job of bringing that character to "life". I didn't have high expectations for this movie going in and sometimes that can be a good thing because it leaves you more open to the film being better than you thought it was going to be. Right away I didn't like the whole, Harley narrating the movie in the beginning and kind of throughout the movie. I don't know if they were trying to go for a "funny" Deadpool breaking the "4th" wall type thing but for me it just kind of made the movie less fun. I also have to say that I wasn't a big fan of the pacing and the whole going back and forth through time in the events of the movie. I think it might have been better on paper than how it actually came out in the movie. Kind of Tarantino-ish but just kind of overdone because of the info-dumping narration. There were some awesome fight sequences and there was plenty of over the top violence and action but a lot could have been done better. For me the plot was what felt like it made the movie feel a little lackluster. I really felt like they failed to flesh out Black Canary's character and Huntress felt extremely unpolished as well. A lot of the character's were underutilized except in gratuitous fight scenes and the audience is not shown their motivations a lot of the time but instead told them. I have to say some parts did make me laugh and the music wasn't terrible. The acting was extremely bad sometimes though. I don't know what they were going for with Huntress/Mary Elizabeth Winstead but she comes off as a badass but then really awkward or nerdy and then for a little bit she was a raging psychopath killer. I don't think they knew what direction to take the character and her performance definitely suffered. Black Canary/Jurnee Smollett-Bell was a character that was really cool but without knowing her motivations it really took alot out by never uncovering more about her character until later. A lot of things didn't make sense too. I can't believe that anyone would want to mess with Harley even if she wasn't with Joker. I however could have seen anyone and I mean anyone go after her for a big reward like they placed on the kid. Also a big reward like that on a no name kid who is just a low level pick pocket wouldn't have brought in that much results. Plus the diamond that she has is something you wouldn't want anybody else finding out about so why bring so much attention to it. Harley Quinn and all the other female actors in this movie have "plot armor" and never get hurt even when being blown up or shot at. All-in-all, it was an enjoyable movie but I wouldn't say it was anything special. This was a big-budget superhero film that comes off more run of the mill and fails to bring anything "wow" except some pretty kick ass action sequences and Margot Robbie and her return to Harley Quinn. I give it a 5/10.
Four years after the defeat of the Enchantress, the Joker throws Harley Quinn out on the Gotham City streets when they break up. The already extremely volatile and unhinged, Harley (Margot Robbie) finds herself all alone with a huge target on her back. Without the Joker in the picture, the city is turned upside down as criminals that have a beef with Harley hunt her down. Gotham's most narcissistic villain, Roman Sionis (Ewan McGregor), and his right-hand man, Victor Zsasz (Chris Messina), have Harley and a precious diamond in their sights. Now Harley, Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell) and Detective Renee Montoya's (Rosie Perez) paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
First off let me say that I love Margot Robbie as Harley Quinn. I've always been a big Harley fan since before she was mainstream cool and a big part of that would have to be the Batman Animated Series and how it portrayed her. I liked Margot Robbie's performance in Suicide Squad and thought she did an excellent job of bringing that character to "life". I didn't have high expectations for this movie going in and sometimes that can be a good thing because it leaves you more open to the film being better than you thought it was going to be. Right away I didn't like the whole, Harley narrating the movie in the beginning and kind of throughout the movie. I don't know if they were trying to go for a "funny" Deadpool breaking the "4th" wall type thing but for me it just kind of made the movie less fun. I also have to say that I wasn't a big fan of the pacing and the whole going back and forth through time in the events of the movie. I think it might have been better on paper than how it actually came out in the movie. Kind of Tarantino-ish but just kind of overdone because of the info-dumping narration. There were some awesome fight sequences and there was plenty of over the top violence and action but a lot could have been done better. For me the plot was what felt like it made the movie feel a little lackluster. I really felt like they failed to flesh out Black Canary's character and Huntress felt extremely unpolished as well. A lot of the character's were underutilized except in gratuitous fight scenes and the audience is not shown their motivations a lot of the time but instead told them. I have to say some parts did make me laugh and the music wasn't terrible. The acting was extremely bad sometimes though. I don't know what they were going for with Huntress/Mary Elizabeth Winstead but she comes off as a badass but then really awkward or nerdy and then for a little bit she was a raging psychopath killer. I don't think they knew what direction to take the character and her performance definitely suffered. Black Canary/Jurnee Smollett-Bell was a character that was really cool but without knowing her motivations it really took alot out by never uncovering more about her character until later. A lot of things didn't make sense too. I can't believe that anyone would want to mess with Harley even if she wasn't with Joker. I however could have seen anyone and I mean anyone go after her for a big reward like they placed on the kid. Also a big reward like that on a no name kid who is just a low level pick pocket wouldn't have brought in that much results. Plus the diamond that she has is something you wouldn't want anybody else finding out about so why bring so much attention to it. Harley Quinn and all the other female actors in this movie have "plot armor" and never get hurt even when being blown up or shot at. All-in-all, it was an enjoyable movie but I wouldn't say it was anything special. This was a big-budget superhero film that comes off more run of the mill and fails to bring anything "wow" except some pretty kick ass action sequences and Margot Robbie and her return to Harley Quinn. I give it a 5/10.
