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Chris Sawin (602 KP) rated Friday the 13th Part III (1982) in Movies
Jun 20, 2019 (Updated Jun 21, 2019)
Chris and her friends just want to have a good time this weekend, so they're taking a trip to her family's nice, relaxing family cabin in Higgins Haven. Unfortunately for them, Jason survived his encounter with Ginny from the last film. He winds up at a store where he kills a married couple and gets a change of clothes. Higgins Haven just happens to be close by. Chris has more than one reason for going on this trip though. She was attacked a few years ago by a hideously disfigured man and is facing her fears in hopes of moving past it. Could this mysterious man and Jason have something in common?
This is the film that introduced us to the hockey mask and was originally in 3-D. It's a shame that's all it really offers though. Watching the 3-D version now will just leave you with a horrible headache. I actually prefer the film in 2-D. The nudity in the film is also rather light and before you jump on me for saying that, that's one of the main things you look forward to in a Friday the 13th film; Jason Voorhees, inventive kills, T&A, and maybe a few laughs. That's what makes the Friday the 13th films fun. Especially compared to the first two films, sideboob and a brief glimpse in the shower doesn't really cut it. I guess what really ruined it for me was the homages to the first film. By the way, what the hell is up with the ending? And why does Mrs. Voorhees suddenly have her head again? It wasn't a bad idea to do a few throwbacks to the original, but it felt like too much by the end of the film.
This is the film that introduced us to the hockey mask and was originally in 3-D. It's a shame that's all it really offers though. Watching the 3-D version now will just leave you with a horrible headache. I actually prefer the film in 2-D. The nudity in the film is also rather light and before you jump on me for saying that, that's one of the main things you look forward to in a Friday the 13th film; Jason Voorhees, inventive kills, T&A, and maybe a few laughs. That's what makes the Friday the 13th films fun. Especially compared to the first two films, sideboob and a brief glimpse in the shower doesn't really cut it. I guess what really ruined it for me was the homages to the first film. By the way, what the hell is up with the ending? And why does Mrs. Voorhees suddenly have her head again? It wasn't a bad idea to do a few throwbacks to the original, but it felt like too much by the end of the film.
Gareth von Kallenbach (971 KP) rated Transformers: Dark of the Moon (2011) in Movies
Aug 7, 2019
Delivering a much-needed shot of adrenaline to the summer movie season, “Transformers: Dark of the Moon”, arrives awash in stunning visuals and cutting-edge 3-D.
The movie picks up a few years after the events of the last film, as Sam (Shia LaBeouff), is struggling to adjust to his post college life. Despite the fact that he has been honored by the president for his heroic actions in the two previous films, Sam finds himself like many graduates, unable to find a job in today’s economy.
Sam bemoans the fact that he wants to do its work that matters again to his new girlfriend Carly (Rose Huntington-Whiteley), and is become increasingly frustrated with not being able to contribute to their finances. The fact that Carly works for suave and rich boss named Dylan, (Patrick Dempsey), only heightens Sam’s insecurity.
Meanwhile Sam’s Autobot friends are working closely with the government to root out any threats to national security as well as staying on alert for Decepticon attacks.
It is learned that an object great importance is on the moon in a crashed ship, and that the United States and Russia created their space race during the Cold War in an effort to obtain the secrets of the crash.
When alerted to the existence of the crash site, the Autobots investigate and discover their long-lost leader Sentinel Prime (Leonard Nimoy) is still alive and guarding precious cargo.
Despite meeting interference from a politician overseeing the top-secret program (Francis McDormand), Sam discovers a shocking secret with the help of Simmons (John Turturro), which soon has the entire planet caught in a battle between the two alien forces.
As loyalty, love, and friendships are put to the test, Sam and the Autobots must once again face their mortal enemies to save all life on earth.
The film is much darker than the previous films in the series as watching cities and civilian’s cut down during various enemy attacks may be hard for some fans of the series to watch.
That being said, the film is a visual masterpiece as the wizards at Industrial Light and Magic have crafted an amazing experience that at times is hard to believe are comprised of digital imagery rather than actual creatures.
Director Michael Bay who made a name for himself with summer action films that are big on explosions while short on plot has created arguably the best film of the series and perhaps of his career.
While the film runs at two hours and 40 minutes and does at times lag, Bay keeps things moving along at a steady clip and injects a little bit of humor into the film in between the chaos and mayhem.
While the acting and plot are not going to win any awards, they are better than usual for a summer action film.
It was reported that Paramount pressured Bay into filming in 3-D by threatening post convert the film if he had filmed in 2D. Bay responded with lavish 3-D effects that show off the true beauty and potential of the new 3-D technology and drastically underscores why Hollywood needs to stop doing the vastly inferior post conversion 3-D which has been done to the majority of 3D films that are being released. While it does not have the immersive quality of “Avatar”, the film nonetheless provides quality visual experience without resorting to the in-your-face gimmicks which are so common with 3-D films.
There are several fine supporting performances in the film including John Malkovich, Alan Tudyk, and John Tuturro who lift up the scenes they are in. Rose Huntington-Whiteley taking over for Megan Fox provides a fresh new romantic interest for Sam even though she’s given little more to do than play the damsel in distress for large parts the film. When she is given the chance, she throws herself deep into the action with a gusto worthy of any of her cast mates.
The film does have more than a few plot holes and without giving away any spoilers, suffice it to say that I had to question the events the last two films after seeing this one.
When a long-term objective is revealed, I had to ask why the events of the previous films took place now rather than in the past when certain parties had all of the required information available to them for decades.
It certainly would’ve been just as easy for characters to have initiated the actions of this film in an earlier film or timeline and would have wasted less resources.
That being said, when you’re dealing with shape changing aliens, one does have to allow a good degree of leeway in the storytelling process.
While it may not be the end to the series, certain cast members (Shia LaBeouff), have indicated that this is their last performance in the series. If that is the case, the film goes out on a strong note is arguably the best film in the series and a highly enjoyable summer movie experience.
The movie picks up a few years after the events of the last film, as Sam (Shia LaBeouff), is struggling to adjust to his post college life. Despite the fact that he has been honored by the president for his heroic actions in the two previous films, Sam finds himself like many graduates, unable to find a job in today’s economy.
Sam bemoans the fact that he wants to do its work that matters again to his new girlfriend Carly (Rose Huntington-Whiteley), and is become increasingly frustrated with not being able to contribute to their finances. The fact that Carly works for suave and rich boss named Dylan, (Patrick Dempsey), only heightens Sam’s insecurity.
Meanwhile Sam’s Autobot friends are working closely with the government to root out any threats to national security as well as staying on alert for Decepticon attacks.
It is learned that an object great importance is on the moon in a crashed ship, and that the United States and Russia created their space race during the Cold War in an effort to obtain the secrets of the crash.
When alerted to the existence of the crash site, the Autobots investigate and discover their long-lost leader Sentinel Prime (Leonard Nimoy) is still alive and guarding precious cargo.
Despite meeting interference from a politician overseeing the top-secret program (Francis McDormand), Sam discovers a shocking secret with the help of Simmons (John Turturro), which soon has the entire planet caught in a battle between the two alien forces.
As loyalty, love, and friendships are put to the test, Sam and the Autobots must once again face their mortal enemies to save all life on earth.
The film is much darker than the previous films in the series as watching cities and civilian’s cut down during various enemy attacks may be hard for some fans of the series to watch.
That being said, the film is a visual masterpiece as the wizards at Industrial Light and Magic have crafted an amazing experience that at times is hard to believe are comprised of digital imagery rather than actual creatures.
Director Michael Bay who made a name for himself with summer action films that are big on explosions while short on plot has created arguably the best film of the series and perhaps of his career.
While the film runs at two hours and 40 minutes and does at times lag, Bay keeps things moving along at a steady clip and injects a little bit of humor into the film in between the chaos and mayhem.
While the acting and plot are not going to win any awards, they are better than usual for a summer action film.
It was reported that Paramount pressured Bay into filming in 3-D by threatening post convert the film if he had filmed in 2D. Bay responded with lavish 3-D effects that show off the true beauty and potential of the new 3-D technology and drastically underscores why Hollywood needs to stop doing the vastly inferior post conversion 3-D which has been done to the majority of 3D films that are being released. While it does not have the immersive quality of “Avatar”, the film nonetheless provides quality visual experience without resorting to the in-your-face gimmicks which are so common with 3-D films.
There are several fine supporting performances in the film including John Malkovich, Alan Tudyk, and John Tuturro who lift up the scenes they are in. Rose Huntington-Whiteley taking over for Megan Fox provides a fresh new romantic interest for Sam even though she’s given little more to do than play the damsel in distress for large parts the film. When she is given the chance, she throws herself deep into the action with a gusto worthy of any of her cast mates.
The film does have more than a few plot holes and without giving away any spoilers, suffice it to say that I had to question the events the last two films after seeing this one.
When a long-term objective is revealed, I had to ask why the events of the previous films took place now rather than in the past when certain parties had all of the required information available to them for decades.
It certainly would’ve been just as easy for characters to have initiated the actions of this film in an earlier film or timeline and would have wasted less resources.
That being said, when you’re dealing with shape changing aliens, one does have to allow a good degree of leeway in the storytelling process.
While it may not be the end to the series, certain cast members (Shia LaBeouff), have indicated that this is their last performance in the series. If that is the case, the film goes out on a strong note is arguably the best film in the series and a highly enjoyable summer movie experience.
Gareth von Kallenbach (971 KP) rated Kung Fu Panda 3 (2016) in Movies
Aug 6, 2019
The new Dreamworks Animation release Kung Fu Panda 3 has several big name actors voicing the characters. Among them are Jack Black as Po, Angelina Jolie as Tigress, Kate Hudson as Mei Mei, Bryan Cranston as Li, Dustin Hoffman as Shifu, Jackie Chan as Monkey,
Seth Rogan as Mantis and Lucy Liu as Viper.
Po discovers a long-lost relative who travels with him to a secret enclave of Panda relatives. Meanwhile, the trapped super-villain Kai escapes, and begins to defeat all the king-fu masters across the land.
Po must gather his new-found relatives and his long-time friends, and tries to train them to work together to defeat Kai.
What results is a heartwarming tale of friends & family working together to beat the odds, and of discovering that your strengths and abilities can be used in situations that might seem otherwise hopeless. It shows you that no matter what your capabilities are as an individual, working together can achieve great things.
The music throughout the film was engaging, and the graphics and animation were superb. This is one movie that is released in 3-D that is actually worth seeing in 3-D!
I had the 3 kids with me and they all loved it. The youngest, a girl, is 6, and her comment was ‘That movie was AWESOME!’, and her favorite part was ‘all the cool fighting scenes’
The oldest, a 9 year old boy, said ‘it was a GREAT movie!’, and his favorite part was when Po discovered his dad again.
The middle child, 7, a boy says ‘I thought it was so great that I wanted to cry’, and his favorite part was the baby pandas doing their tricks to help defeat Kai.
From an adult perspective I thought it was a great family film, with a message of acceptance and working together despite our differences in order to accomplish a common goal. I loved how Po’s adopted father and natural father worked together and got along and that they all ended up as ‘family’, without sides being chosen. I felt that was a really great message in this day & age.
I would give this movie a solid 4.5 out of 5 stars, and recommend it for any family looking for a fun activity to head out to on the weekend.
Seth Rogan as Mantis and Lucy Liu as Viper.
Po discovers a long-lost relative who travels with him to a secret enclave of Panda relatives. Meanwhile, the trapped super-villain Kai escapes, and begins to defeat all the king-fu masters across the land.
Po must gather his new-found relatives and his long-time friends, and tries to train them to work together to defeat Kai.
What results is a heartwarming tale of friends & family working together to beat the odds, and of discovering that your strengths and abilities can be used in situations that might seem otherwise hopeless. It shows you that no matter what your capabilities are as an individual, working together can achieve great things.
The music throughout the film was engaging, and the graphics and animation were superb. This is one movie that is released in 3-D that is actually worth seeing in 3-D!
I had the 3 kids with me and they all loved it. The youngest, a girl, is 6, and her comment was ‘That movie was AWESOME!’, and her favorite part was ‘all the cool fighting scenes’
The oldest, a 9 year old boy, said ‘it was a GREAT movie!’, and his favorite part was when Po discovered his dad again.
The middle child, 7, a boy says ‘I thought it was so great that I wanted to cry’, and his favorite part was the baby pandas doing their tricks to help defeat Kai.
From an adult perspective I thought it was a great family film, with a message of acceptance and working together despite our differences in order to accomplish a common goal. I loved how Po’s adopted father and natural father worked together and got along and that they all ended up as ‘family’, without sides being chosen. I felt that was a really great message in this day & age.
I would give this movie a solid 4.5 out of 5 stars, and recommend it for any family looking for a fun activity to head out to on the weekend.
Ari Augustine (10 KP) rated His Hideous Heart in Books
May 4, 2020
His Hideous Heart is an anthology collection of 13 re-imagined tales inspired by works of Edgar Allan Poe. The book is split into two sections: The Tales Retold and The Original Tales. What I liked about the layout of this collection is that its easy for those of us whove read the originals to revisit them before or after reading the retold stories and its also convenient for readers whove never been introduced to Poe before. When it comes to retellings in any form, catching on to the fact that a story was inspired by another can be a challenge, especially if the inspiration is rather loose. But thats another reason why I love the layout of this collection: Its clear as to which original story inspired a retelling, and I loved reading along, connecting the dots and yet, being surprised by all the new twists and turns.
In a perfect world, Id love to review each and every retelling in this collection, because many of them were downright gorgeous and grotesque. However, my absolute favorites were:
1. Its Carnival! by Tiffany D. Jackson
2. Lygia by Dahlia Adler (inspired by Ligeia)
3. Happy Days, Sweetheart by Stephanie Kuehn
4. The Glittering Death by Caleb Roehrig
Check out my full review to find out WHY I adored these stories: https://bookishvalhalla.com/his-hideous-heart-by-dahlia-adler-a-poe-etic-review-of-genre-bending-tales/
In a perfect world, Id love to review each and every retelling in this collection, because many of them were downright gorgeous and grotesque. However, my absolute favorites were:
1. Its Carnival! by Tiffany D. Jackson
2. Lygia by Dahlia Adler (inspired by Ligeia)
3. Happy Days, Sweetheart by Stephanie Kuehn
4. The Glittering Death by Caleb Roehrig
Check out my full review to find out WHY I adored these stories: https://bookishvalhalla.com/his-hideous-heart-by-dahlia-adler-a-poe-etic-review-of-genre-bending-tales/
Chris Sawin (602 KP) rated Coraline (2009) in Movies
Jun 20, 2019
Coraline is bored to tears in her new home. She's just moved away from the town she knew along with her best friends while her parents are too busy with their work to pay any sort of attention to her. While exploring her new home one rainy day, she comes across a secret door. The door winds up leading to an "other" world where her parents are actually fun and everything seems to be focused around Coraline, but there is a catch. Everyone has buttons for eyes and Coraline soon finds out that things aren't as wonderous and magical in the "other" world as they appear to be.
Henry Selick delivers a stop-motion animated feature that's darker than what people may be expecting. Having a film based on a story by Neil Gaiman should be the first clue that this isn't an everyday run-of-the-mill children's film. If anything, adults will probably get more of a kick out of it. There's a scene where Miss Forcible, a woman with gigantic breasts, is wearing barely anything at all. Remember that Lil Kim outfit? It was kinda like that. If replacing somebody's eyes with buttons still doesn't put parents off from showing this to their three year old, then the dark atmosphere most certainly will. The film generally has a creepy feeling throughout its duration while it focuses around creatures that are insect-like and are practically in the face of the audience the entire time. Since the film was shot in 3-D, it shows at times as characters are pretty much jumping off the screen.
Coraline may not be for everyone, but it will be a blast for fans of The Nightmare Before Christmas and Corpse Bride. It's a stop-motion animated film that's full of imagination and creativity that is probably best for anyone over the age of ten. The only downside was not being able to catch this in 3-D while it was in theaters.
Henry Selick delivers a stop-motion animated feature that's darker than what people may be expecting. Having a film based on a story by Neil Gaiman should be the first clue that this isn't an everyday run-of-the-mill children's film. If anything, adults will probably get more of a kick out of it. There's a scene where Miss Forcible, a woman with gigantic breasts, is wearing barely anything at all. Remember that Lil Kim outfit? It was kinda like that. If replacing somebody's eyes with buttons still doesn't put parents off from showing this to their three year old, then the dark atmosphere most certainly will. The film generally has a creepy feeling throughout its duration while it focuses around creatures that are insect-like and are practically in the face of the audience the entire time. Since the film was shot in 3-D, it shows at times as characters are pretty much jumping off the screen.
Coraline may not be for everyone, but it will be a blast for fans of The Nightmare Before Christmas and Corpse Bride. It's a stop-motion animated film that's full of imagination and creativity that is probably best for anyone over the age of ten. The only downside was not being able to catch this in 3-D while it was in theaters.
Gareth von Kallenbach (971 KP) rated Cirque Du Soleil: Worlds Away (2012) in Movies
Aug 7, 2019
The talented combination of Academy award-winning filmmaker James Cameron and the renowned Cirque du Soleil combine in a new film entitled “Cirque du Soleil: Worlds Away”. For those unfamiliar with the dazzling and spectacular world of Cirque du Soleil, the company has created several amazing shows which blend music, costuming, innovative sets, and amazing feats of acrobatic, gymnastic and performance art. Many of their shows tour the world and several are in permanent residence in Vegas.
The movie stars Erica Linz as Mia who, after witnessing an unexpected event at a local circus, soon finds herself in another world that is comprised of bright star-filled skies, ever present mist, illuminated tents, and all manner of dazzling yet odd residents.
Mia is attempting to find the trapeze artist who disappeared during his performance and as she journeys around the strange new landscape she witnesses firsthand all sorts of incredible feats performed by the Cirque du Soleil cast. There are dazzling routines performed in water as well as aerial displays, each one is framed by Mia as she journeys to a new area.
While at first I found this captivating it soon became a little repetitious for me. After seeing eight live Cirque du Soleil shows I was quickly able to discern several routines that I’d seen previously. Selections from KA, Viva Elvis, Verekai and more are all being re-created up on the screen. This is not to devalue the stunning and amazing performances but after seeing them live, the acts seemed diminished to me up on the big screen as you do not get the full visual and aural experience of watching it live.
The credits verified that many of the sequences in the film are taken from their performances in Vegas and other venues. Aside from the 3-D aspect it brought to mind watching several of the shows when they’re broadcast on Bravo. While technically brilliant and amazing the movie is an extremely poor substitute for seeing them in person.
I have to say I was also disappointed with the 3-D aspect as James Cameron, who brought stunning visuals to “Avatar” to the point where one believed they were truly immersed upon the alien moon Pandora, came up short this time around. While there were some spectacular 3-D shots with the water based routines as well as some aerial features there simply wasn’t enough there to enhance the film beyond what was already presented by the performers.
This was a very hard review to write as this was not really a movie where one can bring a lot of attention to the acting. The story was little more than a framework to put a highlight reel of performances from many of their shows.
If you have never seen a Cirque du Soleil performance by all means I definitely recommend seeing this film but for those hard-core fans who are regular attendees of Cirque du Soleil, one might want to wait to catch this on DVD and make sure to catch a live show in person the next time that they are able.
The movie stars Erica Linz as Mia who, after witnessing an unexpected event at a local circus, soon finds herself in another world that is comprised of bright star-filled skies, ever present mist, illuminated tents, and all manner of dazzling yet odd residents.
Mia is attempting to find the trapeze artist who disappeared during his performance and as she journeys around the strange new landscape she witnesses firsthand all sorts of incredible feats performed by the Cirque du Soleil cast. There are dazzling routines performed in water as well as aerial displays, each one is framed by Mia as she journeys to a new area.
While at first I found this captivating it soon became a little repetitious for me. After seeing eight live Cirque du Soleil shows I was quickly able to discern several routines that I’d seen previously. Selections from KA, Viva Elvis, Verekai and more are all being re-created up on the screen. This is not to devalue the stunning and amazing performances but after seeing them live, the acts seemed diminished to me up on the big screen as you do not get the full visual and aural experience of watching it live.
The credits verified that many of the sequences in the film are taken from their performances in Vegas and other venues. Aside from the 3-D aspect it brought to mind watching several of the shows when they’re broadcast on Bravo. While technically brilliant and amazing the movie is an extremely poor substitute for seeing them in person.
I have to say I was also disappointed with the 3-D aspect as James Cameron, who brought stunning visuals to “Avatar” to the point where one believed they were truly immersed upon the alien moon Pandora, came up short this time around. While there were some spectacular 3-D shots with the water based routines as well as some aerial features there simply wasn’t enough there to enhance the film beyond what was already presented by the performers.
This was a very hard review to write as this was not really a movie where one can bring a lot of attention to the acting. The story was little more than a framework to put a highlight reel of performances from many of their shows.
If you have never seen a Cirque du Soleil performance by all means I definitely recommend seeing this film but for those hard-core fans who are regular attendees of Cirque du Soleil, one might want to wait to catch this on DVD and make sure to catch a live show in person the next time that they are able.
Gareth von Kallenbach (971 KP) rated G-Force (2009) in Movies
Aug 9, 2019
A 3-D film about Guinea Pigs who help the government using advanced super small technology, at least I knew I wasn’t going to be bored. Was “G-Force” going to be so over the top that even children would find it ridiculous? Maybe it was going to hit big with that famous Disney magic. Suffice to say I entered the film with no expectations.
“G-Force” is the story of a team of unlikely heroes; guinea pigs, a mole, and a fly, who through the aid of special government technology, are completing spy missions with the dream of FBI acceptance. On their first mission out the team lead by the appropriately named guinea pig, Darwin (voiced by Sam Rockwell) discover that the world’s largest electrical device manufacturer has an evil plot for world domination. Attempting to expose the plan, our non-traditional protagonists encounter a numerous obstacles ranging from a lack of government acceptance to rodent chasing dogs.
The plotline in classic Disney fashion is filled with a strong moral under tone specifically concentrated on importance of family and belief in oneself. The film does manage to get these points a crossed while entertaining children who will love the popular culture references and the speed at which the action occurs.
All of the creature’s characterizations are amusing and engaging from the layer cake obsessed long-haired guinea pig, Hurley, (voice by Jon Favreau) to mice who get excited about absolutely everything. Also worth noting was the interesting casting of Zach Galifianakis (most recently of “The Hangover” success) who plays the not so mad scientist, Ben, creator of the multi-faceted “G-Force” technology and animal special task force idea.
The special effects are superb. The 3-D futuristic spy technology at the beginning was so excellent it had me wondering when I will see the medium in action flicks.
The downsides were simple; sometimes-obvious one-liners, which the kid-filled audience seemed to enjoy, and an unnecessary maybe love triangle between three of the heroes.
Not as over the top as expected with plenty of funny moments and fun heartfelt adventure “G-Force” is a worthwhile film for kids and adults alike.
“G-Force” is the story of a team of unlikely heroes; guinea pigs, a mole, and a fly, who through the aid of special government technology, are completing spy missions with the dream of FBI acceptance. On their first mission out the team lead by the appropriately named guinea pig, Darwin (voiced by Sam Rockwell) discover that the world’s largest electrical device manufacturer has an evil plot for world domination. Attempting to expose the plan, our non-traditional protagonists encounter a numerous obstacles ranging from a lack of government acceptance to rodent chasing dogs.
The plotline in classic Disney fashion is filled with a strong moral under tone specifically concentrated on importance of family and belief in oneself. The film does manage to get these points a crossed while entertaining children who will love the popular culture references and the speed at which the action occurs.
All of the creature’s characterizations are amusing and engaging from the layer cake obsessed long-haired guinea pig, Hurley, (voice by Jon Favreau) to mice who get excited about absolutely everything. Also worth noting was the interesting casting of Zach Galifianakis (most recently of “The Hangover” success) who plays the not so mad scientist, Ben, creator of the multi-faceted “G-Force” technology and animal special task force idea.
The special effects are superb. The 3-D futuristic spy technology at the beginning was so excellent it had me wondering when I will see the medium in action flicks.
The downsides were simple; sometimes-obvious one-liners, which the kid-filled audience seemed to enjoy, and an unnecessary maybe love triangle between three of the heroes.
Not as over the top as expected with plenty of funny moments and fun heartfelt adventure “G-Force” is a worthwhile film for kids and adults alike.
Gareth von Kallenbach (971 KP) rated World War Z (2013) in Movies
Jun 19, 2019
Inspired by the book of the same name, “World War Z” starring Brad Pitt has made it to theaters after several delays including seven weeks of additional shooting that was ordered by the studio after principal photography had ended. While the book covers survivor interviews in the wake of the zombie pandemic, the film covers the early days the outbreak and casts Pitt as Gerry Lane, a former U.N. troubleshooter who is left his life in the field for the ability to be a stay-at-home husband and dad to his wife and daughters. When an unexpected outbreak starts to lay waste to several cities, Gerry and his family are evacuated by his old U.N. Allies to a secure location aboard a naval flotilla and he is told that his family will remain in security providing he agrees to spearhead an investigation to determine the source of the outbreak.
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
Chris Sawin (602 KP) rated Up (2009) in Movies
Jun 22, 2019
Carl Fredricksen is a balloon salesman who has always wanted to have that one big adventure ever since he was a little boy. As a boy, he idolized the then famous explorer, Charles Muntz. He's now 78-years-old and the odds are against him in having that adventure this late in his life until one fateful day. When Carl is left with no other option than to leave his home, he ties thousands of balloons to his house and literally floats away. He heads to South America just like a certain special someone who used to be in Carl's life would've wanted it. A wilderness explorer named Russell who's looking to get his "helping the elderly" badge is accidentally brought along on Carl's adventure. Carl soon figures out that even though keeping his word and going on an adventure he promised to take (crossed his heart) is something to be proud of, that particular adventure will eventually end and he'll have to rummage out on his own.
Pixar always seems to release one of the best films each and every year. This year is no exception. Up is able to take its audience through so many ups and downs throughout its running time. It makes your heart heavy in the first ten to fifteen minutes before the actual story begins, then the rest of the film seems to juggle its audience between humor, excitement, and being genuinely heartfelt. Pixar films seem to have this ability to accomplish more than other films. The writing is always extremely solid and the film is always built around an incredibly creative idea. It's like a Pixar film holds your emotions in the palm of its hand. Every emotion you have is a labeled button on the remote in this imaginary hand and Pixar can access these emotions at the simple push of a button. In fact, Pixar is at its strongest when there is no dialogue at all. The first half of WALL-E is a perfect example, but the short shown before Up (Partly Cloudy) is another great example. There's no dialogue at all, but my eyes were welling up before it was all said and done. When the credits roll to a Pixar film, a sense of fulfillment washes over its viewers. They're left with that warm fuzzy feeling that many films only dream of leaving their audience with.
There's nothing else that can really be said about the animation in this film that people aren't already expecting. It's top notch as the animation is fluid, character features (such as hair) look realistic (Carl grows a five o'clock shadow by the time the third day in Paradise Falls rolls around), and everything is just so colorful and vibrant. While knowing full well it's an animated feature, characters seem to jump off the screen and scenery looks like what would be found in actual wildlife. The 3-D was a nice touch, but isn't necessary to enjoying the film to its full extent. Although seeing 3-D animated characters in a 3-D world in actual 3-D really seemed to fit like a glove.
Each character is given just the right amount of screen time in the film to make its audience really care about them. Russell has this whole back story as to why he wants his "helping the elderly" badge, "Kevin" (the giant, colorful snipe) really just squawks and makes weird noises but is actually just trying to get home to serve its real purpose, and Dug (the dog with the collar that enables it to talk) is the outcast of his pack but pretty much steals whatever scene he is in. The whole story is built around Carl, so caring about him is pretty much a given after that heartbreaking opening that was mentioned earlier. The whole film is filled with oddball characters that all have their own quirks and gags (SQUIRREL!) that you really want nothing more than to see more of each and every one of them.
Up is one of the year's best films and will more than likely be on most best of lists by the time this year comes to a close. It is a family film, but it generally has something to offer for everybody. It is definitely the type of film to see to put anyone in a better mood and put a smile on your face. Up is a whimsical and heartwarming animated feature that's incredibly fun for anyone.
Pixar always seems to release one of the best films each and every year. This year is no exception. Up is able to take its audience through so many ups and downs throughout its running time. It makes your heart heavy in the first ten to fifteen minutes before the actual story begins, then the rest of the film seems to juggle its audience between humor, excitement, and being genuinely heartfelt. Pixar films seem to have this ability to accomplish more than other films. The writing is always extremely solid and the film is always built around an incredibly creative idea. It's like a Pixar film holds your emotions in the palm of its hand. Every emotion you have is a labeled button on the remote in this imaginary hand and Pixar can access these emotions at the simple push of a button. In fact, Pixar is at its strongest when there is no dialogue at all. The first half of WALL-E is a perfect example, but the short shown before Up (Partly Cloudy) is another great example. There's no dialogue at all, but my eyes were welling up before it was all said and done. When the credits roll to a Pixar film, a sense of fulfillment washes over its viewers. They're left with that warm fuzzy feeling that many films only dream of leaving their audience with.
There's nothing else that can really be said about the animation in this film that people aren't already expecting. It's top notch as the animation is fluid, character features (such as hair) look realistic (Carl grows a five o'clock shadow by the time the third day in Paradise Falls rolls around), and everything is just so colorful and vibrant. While knowing full well it's an animated feature, characters seem to jump off the screen and scenery looks like what would be found in actual wildlife. The 3-D was a nice touch, but isn't necessary to enjoying the film to its full extent. Although seeing 3-D animated characters in a 3-D world in actual 3-D really seemed to fit like a glove.
Each character is given just the right amount of screen time in the film to make its audience really care about them. Russell has this whole back story as to why he wants his "helping the elderly" badge, "Kevin" (the giant, colorful snipe) really just squawks and makes weird noises but is actually just trying to get home to serve its real purpose, and Dug (the dog with the collar that enables it to talk) is the outcast of his pack but pretty much steals whatever scene he is in. The whole story is built around Carl, so caring about him is pretty much a given after that heartbreaking opening that was mentioned earlier. The whole film is filled with oddball characters that all have their own quirks and gags (SQUIRREL!) that you really want nothing more than to see more of each and every one of them.
Up is one of the year's best films and will more than likely be on most best of lists by the time this year comes to a close. It is a family film, but it generally has something to offer for everybody. It is definitely the type of film to see to put anyone in a better mood and put a smile on your face. Up is a whimsical and heartwarming animated feature that's incredibly fun for anyone.
Mike Carlson (115 KP) rated The Amazing Spider-Man : 24/7 in Books
Mar 15, 2018
Daze in the life
This collection of loosely-strung vignettes varies in quality. It happens, especially when you have half a dozen issues with as many creators.
The first story, "Loose Ends", offers a promising future foe in Kraven's daughter. It's a follow-up to a story told elsewhere.
Next is "Marked". It features a "D-list" (according to Spider-Man) villain going by The Spot. He should be upgraded to more of a threat seeing as he doesn't set off the Spidey Sense anymore.
Following this is "Birthday Boy". Pretty much a character-centric filler with Wolverine. It's not bad - none of these really are - it just feels like treading water.
The 2 part "Face Front" features the Fantastic Four. The story about dabbling in an alternate dimension's affairs is cliche, and the focus on a mindwipe about Spidey's identity starts to grate after a while.
Finally, we have the 3 part "24/7". This is the most entertaining of the bunch. Peter goes on a superhero spree for days, simply to annoy the newly-elected mayor. It also introduces an acid-spitting version of the Vulture.
The first story, "Loose Ends", offers a promising future foe in Kraven's daughter. It's a follow-up to a story told elsewhere.
Next is "Marked". It features a "D-list" (according to Spider-Man) villain going by The Spot. He should be upgraded to more of a threat seeing as he doesn't set off the Spidey Sense anymore.
Following this is "Birthday Boy". Pretty much a character-centric filler with Wolverine. It's not bad - none of these really are - it just feels like treading water.
The 2 part "Face Front" features the Fantastic Four. The story about dabbling in an alternate dimension's affairs is cliche, and the focus on a mindwipe about Spidey's identity starts to grate after a while.
Finally, we have the 3 part "24/7". This is the most entertaining of the bunch. Peter goes on a superhero spree for days, simply to annoy the newly-elected mayor. It also introduces an acid-spitting version of the Vulture.