Search
Search results
LeftSideCut (3778 KP) rated Bill & Ted Face the Music (2020) in Movies
May 12, 2021
To be clear, I absolutely love the first two Bill & Ted films, and I've been pretty excited to check this out, but now, a few days after finally getting around to watching it, I realise that I'm not, and never was, too sure what I wanted from it.
On the one hand, I have a huge amount of respect for the filmmakers in respect to how hard they commited to sticking to the original tone and comedy style. Unfortunately, for me anyway, it just didn't work. The zany comedy of the first two are perfect for the late 80s/early 90s era, but these days, the whole thing comes across as try hard and occasionally cringe worthy. Don't get me wrong, there are certainly some funny moments, but the overall experience left me cold.
I'm sad that I feel this way, as it's an unnecessary sequel that I hoped would turn out to be surprisingly great, but a few days down the line, and I've largely forgotten most of what happens.
Bill & Ted Face the Music is a good natured attempt at recapturing the magic, but ultimately falls flat. I know that a lot of people liked it, so if you are a fan of the series in any way, then certainly check it out, and I hope you find something to love, but it just wasn't for me (sad face)
On the one hand, I have a huge amount of respect for the filmmakers in respect to how hard they commited to sticking to the original tone and comedy style. Unfortunately, for me anyway, it just didn't work. The zany comedy of the first two are perfect for the late 80s/early 90s era, but these days, the whole thing comes across as try hard and occasionally cringe worthy. Don't get me wrong, there are certainly some funny moments, but the overall experience left me cold.
I'm sad that I feel this way, as it's an unnecessary sequel that I hoped would turn out to be surprisingly great, but a few days down the line, and I've largely forgotten most of what happens.
Bill & Ted Face the Music is a good natured attempt at recapturing the magic, but ultimately falls flat. I know that a lot of people liked it, so if you are a fan of the series in any way, then certainly check it out, and I hope you find something to love, but it just wasn't for me (sad face)
Richard Linklater recommended If... (1968) in Movies (curated)
Dianne Robbins (1738 KP) rated The Last Movie Star (2017) in Movies
Mar 31, 2021
Burt Reynold's humility (3 more)
Burt Reynold's humanity
History of Burt's film career
Nostalgia
I wept.
I saw all of the Smokey and the Bandit movies when I was a kid, at the drive-in, no less. And Burt Reynold's was pretty hot stuff both in his looks and as box office gold back in the day. I didn't think much of him from the mid-to-late '80s until 1997 when he popped up in Boogie Nights. He was great in that role, but I didn't give him much thought after that until I saw this movie, even when he died. Now, I don't think I'll forget or dismiss him so easily. There is a great undercurrent of regret and sadness in this movie and of Reynold's wanting to relive simpler times, reminisce, and make amends to those hurt and forgotten along the way. There is a depth I was not expecting and I felt things I did not expect to feel. My boyfriend and I both cried gently at the beauty and pain of this film. I usually try to hide my tears in embarrassment when I am moved by a film but I didn't hide them here. The emotions were palpable and you'd have had to have been a marble statue not to be moved by this movie.
Nicky Wire recommended What's Going On by Marvin Gaye in Music (curated)
Sarah (7798 KP) rated Machines Like Me in Books
Sep 12, 2020
Great idea, just not well executed
The idea behind this book and the base plot is a really great idea. An alternate 80s Britain thats more technologically advanced than we are currently in 2020 is a fascinating idea and I really enjoyed the parts of the book that detailed all the differences - some of which (like Apan Turing still being alive) were actually rather emotive and almost made you wish real life had been like this.
Adam too is a fascinating character and any part of the book that featured him was a winner. The problem with this book is the two main characters Charlie and Miranda. They are completely unlikeable and self absorbed, and the way they treat Adam (and Mark in some respects) is absolutely awful. There's something Alan Turing says towards the end of the book that really sums up how much of a horrible person Charlie is. Whilst having unlikeable characters isn't necessarily a bad thing for some books, in this I just found them rather irritating and annoying. And Charlie's constant internal rambling monologuing got rather boring and really dragged on.
I really wanted to love this because the general idea is fantastic, and there are parts of this where I did love it. It's just a same it was let down by the characters.
Adam too is a fascinating character and any part of the book that featured him was a winner. The problem with this book is the two main characters Charlie and Miranda. They are completely unlikeable and self absorbed, and the way they treat Adam (and Mark in some respects) is absolutely awful. There's something Alan Turing says towards the end of the book that really sums up how much of a horrible person Charlie is. Whilst having unlikeable characters isn't necessarily a bad thing for some books, in this I just found them rather irritating and annoying. And Charlie's constant internal rambling monologuing got rather boring and really dragged on.
I really wanted to love this because the general idea is fantastic, and there are parts of this where I did love it. It's just a same it was let down by the characters.
LoganCrews (2861 KP) rated Before the Devil Knows You're Dead (2007) in Movies
Sep 19, 2020 (Updated Oct 12, 2020)
Completely fucked, 'from worse to even worse' filmmaking in vein of something like 𝘜𝘯𝘤𝘶𝘵 𝘎𝘦𝘮𝘴. I think this is a terrific - even in many instances traumatizing - thriller with even more gobsmackingly terrific performances (particularly from Philip Seymour Hoffman in a straight up *brutal* role). It's very nasty and gritty but also very sophisticated, and looks wonderful while doing so, too. That all being said, sacrilege as this may be, is it too much to ask for one Sidney Lumet film to actually have some momentum? Good God, at least from the ones I've seen - still good as they are - they're absolutely killed from prestige greatness because of the dire sag in pacing. Scenes here drone on well past the point of no return for really no reason, granted at least in this one it's mostly salvaged by the clever asynchronous way the stories are all edited together - but still, it'd be nice for this to be a little snappier at times. That aside, it's a testament to all these mammoth performances and emotionally gripping writing that it was able to come out as solid as it was - and it is something that Lumet, into his 80s here, was able to end his career with such a stimulating, grimy drama. Legitimately jaw-dropping ending, nearly gave me whiplash.
Simon Says Classic and Extreme
Games and Education
App
An addictive and challenging memory game based on Simon Says classic game, one of the most popular...
LeftSideCut (3778 KP) rated VFW (2019) in Movies
Jul 28, 2020
VFW feels like Hobo With a Shotgun mashed together with From Dusk Till Dawn, with a sprinkling of Mandy for good measure, all whilst accompanied by an atmospheric synthwave score. What's not to love?
Truthfully, it brings nothing new to the table. What we see in VFW has been done before, and Joe Begos just wallows in that fact. It's a good time.
It has a distinctive grindhouse feel to it throughout, it has a semi Terminator style 80s feel to it throughout, but still manages to carve out its own identity.
The cast are great - Stephen Lang, William Sadler, Fred Williamson, Martin , David Patrick Kelly - all actors that I thoroughly enjoy, here playing war veterans fighting back against a gang of leather clad drug addicts laying siege to their bar. It's a simple premise, mixed with a 90 minute runtime, ensuring that VFW packs a hyper violent punch.
When I say violent, I mean violent. It's gory as all hell and doesn't shy away from what it shows. It doesn't feel too over the top as the film is so fast paced, you hardly have time to process what just happened before something else ridiculous happens.
VFW is certainly not for everyone, but I found it to be an over the top and stylish horror gem. Check it out!
Truthfully, it brings nothing new to the table. What we see in VFW has been done before, and Joe Begos just wallows in that fact. It's a good time.
It has a distinctive grindhouse feel to it throughout, it has a semi Terminator style 80s feel to it throughout, but still manages to carve out its own identity.
The cast are great - Stephen Lang, William Sadler, Fred Williamson, Martin , David Patrick Kelly - all actors that I thoroughly enjoy, here playing war veterans fighting back against a gang of leather clad drug addicts laying siege to their bar. It's a simple premise, mixed with a 90 minute runtime, ensuring that VFW packs a hyper violent punch.
When I say violent, I mean violent. It's gory as all hell and doesn't shy away from what it shows. It doesn't feel too over the top as the film is so fast paced, you hardly have time to process what just happened before something else ridiculous happens.
VFW is certainly not for everyone, but I found it to be an over the top and stylish horror gem. Check it out!
LeftSideCut (3778 KP) rated Blood Machines (2019) in Movies
Aug 15, 2020
Blood Machines is essentially a glorified music video for French synthwave outfit Carpenter Brut. That's not something that automatically de-credits the project of course, and sci-fi fans will undoubtedly get a kick out of it.
Aesthetically, Blood Machines looks pretty stunning. The entire 50 minute runtime is bursting with colour, and is visually impressive. The settings are truly otherworldly.
The screenplay and to a certain extent the plot, take a backseat. The dialogue is frequently silly (possibly intentional) and doesn't really offer much - I actually think it could have benefited from no dialogue at all - but the makers hope to distract from this with naked women adorning upside down crucifixes across their torsos. Nothing like a bit of nudity mixed with anti-religious symbolism to fill up the "edgy" quota after all.
I actually saw Carpenter Brut at Arctangent in 2019, completely unaware of who they were, and honestly had a great time. Their music is heavily inspired by 80s movies, and the visuals they use in their live performances reflect that. Here, their music adds to the experience of Blood Machines in spades, and a big part of why I enjoyed it.
If you have an hour to kill and like Sci-Fi, then I would encourage you to check out Blood Machines. It's not revolutionary but it's entertaining enough for what it's is.
Aesthetically, Blood Machines looks pretty stunning. The entire 50 minute runtime is bursting with colour, and is visually impressive. The settings are truly otherworldly.
The screenplay and to a certain extent the plot, take a backseat. The dialogue is frequently silly (possibly intentional) and doesn't really offer much - I actually think it could have benefited from no dialogue at all - but the makers hope to distract from this with naked women adorning upside down crucifixes across their torsos. Nothing like a bit of nudity mixed with anti-religious symbolism to fill up the "edgy" quota after all.
I actually saw Carpenter Brut at Arctangent in 2019, completely unaware of who they were, and honestly had a great time. Their music is heavily inspired by 80s movies, and the visuals they use in their live performances reflect that. Here, their music adds to the experience of Blood Machines in spades, and a big part of why I enjoyed it.
If you have an hour to kill and like Sci-Fi, then I would encourage you to check out Blood Machines. It's not revolutionary but it's entertaining enough for what it's is.