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ClareR (5681 KP) rated Death of an Old Girl in Books
Sep 19, 2018
Old (very!) style police procedural!
I was sent this book by Sapere books to read and review, and I have to admit to some trepidation initially. A book originally published in the 1960's set in an all girls public school? Well, I needn't have worried. I thoroughly enjoyed it, to be quite honest.
The body of an 'old girl' is found in the art room after the annual reunion ('Festival') of the Old Girls. Beatrice Baynes had remained near her old school, living within walking distance, and had a reputation of being a busy body - and quite unpleasant with it. When her body is found, Scotland Yard send Inspector Pollard and Sergeant Toye to solve the murder.
I've read quite a few police procedurals recently, and the modern version can be gritty, violent and very graphic. This isn't any of those things. I do assume that it portrays the way in which murders were investigated back then quite well (I'd have to ask my Dad. He was in the Met Police in London in the 1960s, 70s and 80s!). Although I'm pretty sure that the investigating officers weren't all as pleasant as Pollard and Toye.
I loved all the old language ("frocks" for one!) and attitudes, even if they were very old fashioned. It's just so different to what's on offer now.
Well worth a read - and it's interesting to note that the Pollard and Toye series consisted of something like 19 books! Lots to be getting on with!
The body of an 'old girl' is found in the art room after the annual reunion ('Festival') of the Old Girls. Beatrice Baynes had remained near her old school, living within walking distance, and had a reputation of being a busy body - and quite unpleasant with it. When her body is found, Scotland Yard send Inspector Pollard and Sergeant Toye to solve the murder.
I've read quite a few police procedurals recently, and the modern version can be gritty, violent and very graphic. This isn't any of those things. I do assume that it portrays the way in which murders were investigated back then quite well (I'd have to ask my Dad. He was in the Met Police in London in the 1960s, 70s and 80s!). Although I'm pretty sure that the investigating officers weren't all as pleasant as Pollard and Toye.
I loved all the old language ("frocks" for one!) and attitudes, even if they were very old fashioned. It's just so different to what's on offer now.
Well worth a read - and it's interesting to note that the Pollard and Toye series consisted of something like 19 books! Lots to be getting on with!
Michael Packner (32 KP) rated Child's Play (1988) in Movies
Jun 21, 2019
The atmosphere is top notch. (4 more)
The tension could be cut with a knife at times.
Young Alex Vincent is surprisingly amazing in the film.
The film quickly establishes Chucky as a horror icon.
Everything was done with practical effects and actually looks amazing
Hi I'm Chucky, wanna play?
I'm sorry but at least for me this is about as close as you can get to a perfect horror film. The atmosphere of this film is perfect and both the acting and direction are top notch. The special effects are astounding for the time that this came out and Chucky is masterfully voiced by Brad Douriff. This film is interesting in the fact that if you grew up in the 80s and early 90s and remember what life was like back then, not only was this film absolutely terrifying for you as a child, but it holds up beautifully 30 years later. If you are a child of the modern era however, you just might find this film ridiculous and dated. The kills are extremely well thought out and suspenseful and the dark as night soundtrack fully adds to the terrifying experience. Child's Play remains 30 years later for me a staple of the horror genre and one of the main reasons I became such a big fan of the genre. Alex Vincent is unbelievably great holding down the lead role as a 6 year old. Not many horror films can survive centered around a protagonist so young, but this film does so masterfully.
I'm sorry but at least for me this is about as close as you can get to a perfect horror film. The atmosphere of this film is perfect and both the acting and direction are top notch. The special effects are astounding for the time that this came out and Chucky is masterfully voiced by Brad Douriff. This film is interesting in the fact that if you grew up in the 80s and early 90s and remember what life was like back then, not only was this film absolutely terrifying for you as a child, but it holds up beautifully 30 years later. If you are a child of the modern era however, you just might find this film ridiculous and dated. The kills are extremely well thought out and suspenseful and the dark as night soundtrack fully adds to the terrifying experience. Child's Play remains 30 years later for me a staple of the horror genre and one of the main reasons I became such a big fan of the genre. Alex Vincent is unbelievably great holding down the lead role as a 6 year old. Not many horror films can survive centered around a protagonist so young, but this film does so masterfully.
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LeftSideCut (3778 KP) rated The Howling (1981) in Movies
Oct 30, 2020
A fair few werewolf horror movies came out during the 80s, but whilst American Werewolf in London is generally considered to be the best of the bunch, The Howling definitely deserves a look in for that honour.
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.
