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Andy K (10821 KP) rated Suspiria (2018) in Movies
Feb 25, 2019
Not the Suspiria you were looking for.
"Reimagined" would be the only word to describe this new vision of the original cult horror Argento classic from director Luca Guadagnino. It reminded me of a lot of other 70s and 80s horror including the original Hellraiser, The Wicker Man, or some early David Cronenberg body horror films.
The same basic story of American dancer Susie Banion coming to join a famous European dance company only to discover its leaders are a coven of witches is still there, but with much more complexity. As with the original, the coven does not take kindly when girls try and leave the group and usually meet with some sort of gruesome outcome.
Things get intense slowly over the 2 1/2 hour runtime with the last 20 minutes being some of the most explicit freak show, sadistic, torturous bloodbath I have ever seen. Not sure how this would play with a mainstream audience. I think some would be bored with the beginning and then get up and leave during the extreme climax scene.
Since I watch a ton of movies, I seek out the strange and unusual at this point and this one did not disappoint. It is interesting to see another director's take on the story and going in a completely opposite direction. Argento was always known, especially in this film, for his use of wild colors and patterns and this new version stands as a stark contrast opting for more neutral tones and white and black.
If you have a strong stomach and crave an interesting challenge, I highly recommend. Then let me know so we can discuss.
The same basic story of American dancer Susie Banion coming to join a famous European dance company only to discover its leaders are a coven of witches is still there, but with much more complexity. As with the original, the coven does not take kindly when girls try and leave the group and usually meet with some sort of gruesome outcome.
Things get intense slowly over the 2 1/2 hour runtime with the last 20 minutes being some of the most explicit freak show, sadistic, torturous bloodbath I have ever seen. Not sure how this would play with a mainstream audience. I think some would be bored with the beginning and then get up and leave during the extreme climax scene.
Since I watch a ton of movies, I seek out the strange and unusual at this point and this one did not disappoint. It is interesting to see another director's take on the story and going in a completely opposite direction. Argento was always known, especially in this film, for his use of wild colors and patterns and this new version stands as a stark contrast opting for more neutral tones and white and black.
If you have a strong stomach and crave an interesting challenge, I highly recommend. Then let me know so we can discuss.
Eleanor (1463 KP) rated B is for Burglar (Kinsey Millhone, #2) in Books
May 29, 2019
Ok mystery bogged down in detail
I listened to the audio book of this read by Mary Peiffer.
Another outing with the independent PI Kinsey Millhone. This time she is approached to track down the missing sister of Beverly Danziger in what appears to be a straightforward case. It quickly starts to look a lot more suspicious when even the sister herself doesn't seem to want Kinsey to get to the bottom of the matter. A lot of different threads appear for Kinsey to try and unravel.
I found this book to really get bogged down in minor details and excessive descriptions of every little thing, making it a bit of a drag. The strong female lead was wasted on a bit of a drawn out story line, I felt it lacked something to keep the reader engaged (descriptions of egg sandwiches just doesn't cut it).
Written in the 80s I do love the nostalgia of a world pre mobile phones, saving the “battery died” line most books feel the need to throw in now. I also like having a female protagonist that doesn't get bogged down in a romantic relationship storyline which seems to be a habit in crime books with a female lead.
Kinsey has a good level of dogged determination and we were given numerous avenues of investigation to explore keeping the mystery engaging (although her missing an obvious clue which seemed totally unfathomable for her or any PI to miss drove me a little potty.). The main let down with this book though was the ending where it just seemed to go off the tracks a bit with unnecessary risk taking and crazy plot device.
The audio-book is a nice easy listen so I’ll probably continue on with Kinsey in that format.
Another outing with the independent PI Kinsey Millhone. This time she is approached to track down the missing sister of Beverly Danziger in what appears to be a straightforward case. It quickly starts to look a lot more suspicious when even the sister herself doesn't seem to want Kinsey to get to the bottom of the matter. A lot of different threads appear for Kinsey to try and unravel.
I found this book to really get bogged down in minor details and excessive descriptions of every little thing, making it a bit of a drag. The strong female lead was wasted on a bit of a drawn out story line, I felt it lacked something to keep the reader engaged (descriptions of egg sandwiches just doesn't cut it).
Written in the 80s I do love the nostalgia of a world pre mobile phones, saving the “battery died” line most books feel the need to throw in now. I also like having a female protagonist that doesn't get bogged down in a romantic relationship storyline which seems to be a habit in crime books with a female lead.
Kinsey has a good level of dogged determination and we were given numerous avenues of investigation to explore keeping the mystery engaging (although her missing an obvious clue which seemed totally unfathomable for her or any PI to miss drove me a little potty.). The main let down with this book though was the ending where it just seemed to go off the tracks a bit with unnecessary risk taking and crazy plot device.
The audio-book is a nice easy listen so I’ll probably continue on with Kinsey in that format.
Charles Burbridge (13 KP) rated Ready Player One (2018) in Movies
Mar 29, 2018
Contains spoilers, click to show
"Ready Player One" is a good, almost great, popcorn flick. There are visual jokes throughout the film, references to every 80s pop culture item you can think of, and characters that are likeable.
The vast majority of the film is animated, which is obvious given the subject matter. The animation, however, doesn't allow the actors to deliver nuanced performances. Everything in the film is turned up to 11. There's no breaks, no subtle moments. It's full throttle, pedal to the metal, all the way through.
Now, there are some very cute character bits that are blown away by the bombast, not the least of which is the film's villain uses a Superman avatar in the Oasis, and I'm pretty sure it's the Injustice Superman, which is fitting. Yes, we've all seen the Iron Giant in the previews, as well as the cars in the race sequence.
The most surprising inclusion in the movie, the best filmed and the most impressive story-wise, is the sequence involving the retrieval of the second key. It's pitch perfect and the film should have done more like that and less Where's Waldo. Speaking of, I didn't see Waldo, but I'm sure he's in the film.
Spielberg did as Spielberg does when he wants to make enough money to finance another serious film. He made a popcorn flick. Ready Player One should please audiences and in a year without Marvel's juggernaut would have been the geek culture film of the season.
Instead, it's playing second fiddle to Black Panther, Infinity War, and, to me, Incredibles 2. Still, it's great fun and as long as you're part of geek culture, you'll enjoy it. And then tear it to pieces on the Internet because that's what we do.
The vast majority of the film is animated, which is obvious given the subject matter. The animation, however, doesn't allow the actors to deliver nuanced performances. Everything in the film is turned up to 11. There's no breaks, no subtle moments. It's full throttle, pedal to the metal, all the way through.
Now, there are some very cute character bits that are blown away by the bombast, not the least of which is the film's villain uses a Superman avatar in the Oasis, and I'm pretty sure it's the Injustice Superman, which is fitting. Yes, we've all seen the Iron Giant in the previews, as well as the cars in the race sequence.
The most surprising inclusion in the movie, the best filmed and the most impressive story-wise, is the sequence involving the retrieval of the second key. It's pitch perfect and the film should have done more like that and less Where's Waldo. Speaking of, I didn't see Waldo, but I'm sure he's in the film.
Spielberg did as Spielberg does when he wants to make enough money to finance another serious film. He made a popcorn flick. Ready Player One should please audiences and in a year without Marvel's juggernaut would have been the geek culture film of the season.
Instead, it's playing second fiddle to Black Panther, Infinity War, and, to me, Incredibles 2. Still, it's great fun and as long as you're part of geek culture, you'll enjoy it. And then tear it to pieces on the Internet because that's what we do.
Larry Eisner (2082 KP) rated Maniac in TV
Oct 3, 2018
Realistic views of mental illness (4 more)
So much vision in the palette and visual storytelling
The acting is top-notch!
Retro-Futurism!!!
Such creativity!
A beautiful, creative series about mental illness
Absurdism at its finest. Full stop.
Maniac is a beautifully written, beautifully shot and masterfully acted work of art. Taking a 70s-80s retro idea of future technology, and making it real, making it believable and all the while throwing crazy funny oddity at the same time is an insane balancing act and it works! My god, it works!
It is episodic and works as such, but it could also very well have been an excellent 5-6 hour film. Every scene is necessary. Every frame is intentional. The jokes hit, the visual universe is consistent, and the whole thing tugs on you like very little film does these days. In fact I hesitate to call it TV. Because while it is indeed episodic, it’s not serialized. It’s one long and perfectly crafted story. It winds and twists and it jumps at the sky but it always has a reason to do so.
And all I can say is that every damn time I forget how great Sally Field is, she kills it. She absolutely kills it. I wouldn’t have cast her or Jonah Hill, but they are PERFECT. I can not recommend this show enough. Honestly it’s the best original content I’ve seen this year. Hands down.
It’s funny, it’s bizarre, and it’s emotional. It gets, via sideways and transverse angles, what it means to be a broken and fragile human, when everyone around you seems to have it together but you.
Please watch it. You won’t regret it.
Maniac is a beautifully written, beautifully shot and masterfully acted work of art. Taking a 70s-80s retro idea of future technology, and making it real, making it believable and all the while throwing crazy funny oddity at the same time is an insane balancing act and it works! My god, it works!
It is episodic and works as such, but it could also very well have been an excellent 5-6 hour film. Every scene is necessary. Every frame is intentional. The jokes hit, the visual universe is consistent, and the whole thing tugs on you like very little film does these days. In fact I hesitate to call it TV. Because while it is indeed episodic, it’s not serialized. It’s one long and perfectly crafted story. It winds and twists and it jumps at the sky but it always has a reason to do so.
And all I can say is that every damn time I forget how great Sally Field is, she kills it. She absolutely kills it. I wouldn’t have cast her or Jonah Hill, but they are PERFECT. I can not recommend this show enough. Honestly it’s the best original content I’ve seen this year. Hands down.
It’s funny, it’s bizarre, and it’s emotional. It gets, via sideways and transverse angles, what it means to be a broken and fragile human, when everyone around you seems to have it together but you.
Please watch it. You won’t regret it.
Gareth von Kallenbach (977 KP) rated Tempest 4000 in Video Games
Jun 19, 2019
Back in the 80s when the arcade was king; Tempest was one of the more popular arcade games of the era. Anyone who turned their allowance or paychecks into quarters remembers the furious spinning and shooting combinations of the classic Atari game.
Tempest 4000 is the latest version of the classic game which blends new and retro graphics to
Create an updated version of the game. Playing the classic Claw, players must navigate various webs and fields to destroy and evade enemies which emerge from the center of the playing area and shoot and advance on the player. Players also will have a limited amount of Smart Bombs to use which destroy all in site which is a big help when enemies make their way to the edge of the playing area and start advancing their way to take out the players.
The game has some great new maps and colors and the action is fast paced and insane but will seem very familiar for fans of the original.
Playing on a PS4 Pro did have a bit of a learning curve as the control stick is not as ideal to circle a map as the disc of the original as I often found myself going too far or not far enough at first.
The gameplay is fast and intense but did seem repetitive after a while. No matter how many new maps, colors, and enemies it throws at you, it still comes down to how fast you can spin and shoot.
Tempest 4000 is a pleasant enough distraction for those looking for some updated nostalgia and a few hours of fun gameplay.
http://sknr.net/2018/07/31/tempest-4000/
Tempest 4000 is the latest version of the classic game which blends new and retro graphics to
Create an updated version of the game. Playing the classic Claw, players must navigate various webs and fields to destroy and evade enemies which emerge from the center of the playing area and shoot and advance on the player. Players also will have a limited amount of Smart Bombs to use which destroy all in site which is a big help when enemies make their way to the edge of the playing area and start advancing their way to take out the players.
The game has some great new maps and colors and the action is fast paced and insane but will seem very familiar for fans of the original.
Playing on a PS4 Pro did have a bit of a learning curve as the control stick is not as ideal to circle a map as the disc of the original as I often found myself going too far or not far enough at first.
The gameplay is fast and intense but did seem repetitive after a while. No matter how many new maps, colors, and enemies it throws at you, it still comes down to how fast you can spin and shoot.
Tempest 4000 is a pleasant enough distraction for those looking for some updated nostalgia and a few hours of fun gameplay.
http://sknr.net/2018/07/31/tempest-4000/
Leigh J (71 KP) rated American Psycho (2000) in Movies
Nov 10, 2019
Hip to be square... and psychotic?!
Contains spoilers, click to show
Patrick Bateman has everything; a high rank Mergers and Acquisitions job at Pierce and Pierce, a gorgeous (expensive) Apartment, a beautiful Fiancee and an extremely active social life. But, he's psychotic, and, after a few cheeky murders of Co-Workers and complete strangers alike, is on the verge of snapping completely. This is his descent into madness...
Based on the Novel of the same name by Bret Easton Ellis; American Psycho is a very chic, bloodsplattered love letter to the '80s. I love the New Wave Soundtrack which complements the film perfectly; especially when paired with Music fan Bateman's own two cents about certain Bands and tracks. The Cast are absolutely amazing; I love how connected they are to each other yet also hopelessly disconnected because of their jobs and knowing so many people (for example, when Patrick says the name Ed Gein, one of his "friends" says "The maitre 'd at Canal Bar?") that Bateman can get away with murder because they swear he was having Dinner with them the night of the murder! One thing that really does stick out to me about American Psycho (and still bothers me to this very day) is the HUGE ambiguity, which will make some people scratch their heads and question everything. I like ambiguity and I think American Psycho makes it work, and definitely sparks a conversation, but some people hate the Movie for those moments. It doesn't detract from how wonderful the Movie is though, and American Psycho is a cinematic beauty that should be watched by everyone. Now, if you'll excuse me, I have to return some Videotapes...
Based on the Novel of the same name by Bret Easton Ellis; American Psycho is a very chic, bloodsplattered love letter to the '80s. I love the New Wave Soundtrack which complements the film perfectly; especially when paired with Music fan Bateman's own two cents about certain Bands and tracks. The Cast are absolutely amazing; I love how connected they are to each other yet also hopelessly disconnected because of their jobs and knowing so many people (for example, when Patrick says the name Ed Gein, one of his "friends" says "The maitre 'd at Canal Bar?") that Bateman can get away with murder because they swear he was having Dinner with them the night of the murder! One thing that really does stick out to me about American Psycho (and still bothers me to this very day) is the HUGE ambiguity, which will make some people scratch their heads and question everything. I like ambiguity and I think American Psycho makes it work, and definitely sparks a conversation, but some people hate the Movie for those moments. It doesn't detract from how wonderful the Movie is though, and American Psycho is a cinematic beauty that should be watched by everyone. Now, if you'll excuse me, I have to return some Videotapes...
Versusyours (757 KP) rated Shat the movies in Podcasts
Nov 11, 2019
Funny (2 more)
Detailed reviews
Presenters are engaging
A look back with a venagance
I have been listening to this podcast for several months to catch up with all the episodes the official blurb is:
"Shat the Movies ask, what are the best 80s & 90s movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
Your hosts, Dick Ebert, Kerri Gross, Gene Lyons, & Roger Roeper will take a look back in time & decide if our favorite films still hold up. Each week, the audience selects from four (6) movie choices that we will break out their race-car VHS tape re-winder and watch the movie that tallied the highest number of votes.
Occasionally, a special guest will join to help break down the craziness that was film-making in the 80’s & 90’s.
At the end of each podcast, The hosts will provide the audience with the number of wipes each movie would take to get off your respective bums. Find a comfortable spot on the sofa, and accompany us for a journey through our vast VHS movie collections."
I enjoy the debate between the hosts and they are different as people so this adds to the content. There are personal stories and some adult content that compliment their reviews. This is my go to podcast for reviewing retro film classics and I look forward to each episode.
Highly recommended!!!
"Shat the Movies ask, what are the best 80s & 90s movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
Your hosts, Dick Ebert, Kerri Gross, Gene Lyons, & Roger Roeper will take a look back in time & decide if our favorite films still hold up. Each week, the audience selects from four (6) movie choices that we will break out their race-car VHS tape re-winder and watch the movie that tallied the highest number of votes.
Occasionally, a special guest will join to help break down the craziness that was film-making in the 80’s & 90’s.
At the end of each podcast, The hosts will provide the audience with the number of wipes each movie would take to get off your respective bums. Find a comfortable spot on the sofa, and accompany us for a journey through our vast VHS movie collections."
I enjoy the debate between the hosts and they are different as people so this adds to the content. There are personal stories and some adult content that compliment their reviews. This is my go to podcast for reviewing retro film classics and I look forward to each episode.
Highly recommended!!!
JT (287 KP) rated Beverly Hills Cop (1984) in Movies
Mar 10, 2020
Strange to think that if things had been different Sly Stallone could have taken the role of Axel Foley in Beverly Hills Cop, thankfully he didn’t! As much as I am a fan of Stallone he wouldn’t have had the charisma to pull off this role with the wise-cracking appeal that Eddie Murphy had.
Fresh from a successful stint on Saturday Night live Eddie Murphy was approached for the lead role and he snapped it up and at least two out of the three films in this trilogy were an instant hit. There are rumours of a fourth which streaming giant Netflix may well get involved with but we’ll have to wait and see on that one.
Murphy uses the film as a blank canvas to display his comedic genius and thrives in front of the camera. Axel Foley is a quick-witted Detroit detective who lets his mouth do all the talking. He’s adored by his superior, Inspector Todd but at the same time, Todd feels as though Foley’s talents are wasted.
When his childhood friend is murdered he heads to Beverly Hills to hunt down the killers. He is supported by an accomplished cast including Judge Reinhold, Ronny Cox and John Ashton.
The on-screen chemistry is hilarious between Foley, Billy Rosewood (Judge Reinhold) and his long-suffering partner John Taggart (John Ashton). They bounce off each other well and I am sure most of the script was ad-libbed. If you look at one scene during the ‘super cop’ bit John Ashton finds it very hard to keep it together.
There are some great action sequences including the final shoot out and director Martin Brest injects a cool suave persona into the film – this is 80s action nostalgia at its best.
Fresh from a successful stint on Saturday Night live Eddie Murphy was approached for the lead role and he snapped it up and at least two out of the three films in this trilogy were an instant hit. There are rumours of a fourth which streaming giant Netflix may well get involved with but we’ll have to wait and see on that one.
Murphy uses the film as a blank canvas to display his comedic genius and thrives in front of the camera. Axel Foley is a quick-witted Detroit detective who lets his mouth do all the talking. He’s adored by his superior, Inspector Todd but at the same time, Todd feels as though Foley’s talents are wasted.
When his childhood friend is murdered he heads to Beverly Hills to hunt down the killers. He is supported by an accomplished cast including Judge Reinhold, Ronny Cox and John Ashton.
The on-screen chemistry is hilarious between Foley, Billy Rosewood (Judge Reinhold) and his long-suffering partner John Taggart (John Ashton). They bounce off each other well and I am sure most of the script was ad-libbed. If you look at one scene during the ‘super cop’ bit John Ashton finds it very hard to keep it together.
There are some great action sequences including the final shoot out and director Martin Brest injects a cool suave persona into the film – this is 80s action nostalgia at its best.
The Frood: The Authorised and Very Official History of Douglas Adams & the Hitchhiker's Guide to the Galaxy
Book
As a wise ape once observed, space is big - vastly, hugely, mind-bogglingly so. However, if you look...
Boys in the Trees: A Memoir
Book
#1 New York Times Bestseller A People Magazine Top Ten Book of the Year 'A sensational memoir...