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Neon's Nerd Nexus (360 KP) rated Revenge (2018) in Movies
May 13, 2019
Doin it for the kill
#revengemovie is without question the best looking movie of #2018, its so slick & #stylish I'd go as far as saying its this years #drive. #Revenge has a standard #rape/revenge plot we've all seen a million times before but you'd be greatly mistaken by passing up on this one believe me. Part #horror part drama Revenge has one of the most amazing visual styles ive seen in a while. Colours are blinding at times almost to the point of over saturation giving the film heat & vibrancy. This mixed with some insanely #beautiful cinematography had me literally sat with my mouth open in amazement. Every scene seems meticulously shot with such purpose & precision that its hard to not feel like your watching a piece of #art. Top that with a #comicbook/#80s feel & tone & what you have here is film that feels so fresh you forget that this genre hasnt been done to death already. #Soundtrack wise its pure perfection too with synth music pulsing throughout its intoxicating & keeps the films momentum flowing well. Metaphors are absolutely everywhere but the main one i picked up on is #femaleempowerment. At the start of the film #male character are chauvinistic & dominant treating her as a possession rather than a person but once she gets impaled by a tree roles seem to reverse & we see her become the man in a kind of #twisted rebirth (the tree implement scene i also see as a metaphor for the pain they put her through & even while walking around she has severed tree branch sticking out of her stomach almost like it represents that she's the man now with the tree branch representing male genitalia). Even the tagline suggests themes of fighting domestic abuse too. Acting is superb with #matildaannaingridlutz literally dominating the #film not only with her acting but with her incredible #beauty too. Right from the start i was sucked right in by its beauty, unnerved by its atmosphere & repulsed by its gore but theres not a second of it i didnt #love. Half #french subtitled half #english dialog Revenge is a #violent, unnerving, grisly & down right #gorgeous piece of #cinema that i cant recommend enough. Perfection. #odeon #odeonlimitless #filmbuff #filmcritic #fridayfeeling #gore
Sassy Brit (97 KP) rated The Sacrifice Box in Books
Jun 5, 2019
When a bunch of kids, September “Sep” Hope, Arkle, Mack, Lamb and Hadley discover an ancient stone box, they decide to each sacrifice something important to them to cement their friendship. As they do this they make a pact: never return to the box at night; they’ll never visit it alone; and they’ll never take back their offerings. Break any of these rules and who knows what could happen…
A few years later in 1982, they are thrown together again as things started to go awry and it’s clear someone has opened the box, because terrible things start happening. They try to rectify what they’ve done but nothing, it seems, will work, and like Pandora’s box – once it’s opened all the horror they can think of are released into their lives. And the box wants revenge.
From the very first scenes I was totally hooked. Why were these kids sacrificing objects they loved for this box? What will happen if they disobey the rules? Because you just know someone is going to, right? I was surprised this creepy horror was aimed at young adults, as there are some great, yet gross and even some pretty cruel stories within this book! It’s not for the fainthearted ya readers. That’s for sure.
An entertaining trip back in time, reminiscent of those old 80s films revolving around a bunch of kids having to deal with much more than they bargained for, with dire consequences to contend with if they don’t make a stand. Yes, it does sound rather like Stand by Me, with supernatural elements and for good reason too. I enjoyed it a lot and thought it had a very English, village feel to it. I don’t know whether that was just me, or not, but its the impression I got as I read this.
Overall The Sacrifice Box had a crazy, pacy edge to it, alongside some heartfelt moments with characters which ended up feeling like my friends. An engaging coming of age book about friendship, love and hidden terrifying truths just waiting to resurface.
A few years later in 1982, they are thrown together again as things started to go awry and it’s clear someone has opened the box, because terrible things start happening. They try to rectify what they’ve done but nothing, it seems, will work, and like Pandora’s box – once it’s opened all the horror they can think of are released into their lives. And the box wants revenge.
From the very first scenes I was totally hooked. Why were these kids sacrificing objects they loved for this box? What will happen if they disobey the rules? Because you just know someone is going to, right? I was surprised this creepy horror was aimed at young adults, as there are some great, yet gross and even some pretty cruel stories within this book! It’s not for the fainthearted ya readers. That’s for sure.
An entertaining trip back in time, reminiscent of those old 80s films revolving around a bunch of kids having to deal with much more than they bargained for, with dire consequences to contend with if they don’t make a stand. Yes, it does sound rather like Stand by Me, with supernatural elements and for good reason too. I enjoyed it a lot and thought it had a very English, village feel to it. I don’t know whether that was just me, or not, but its the impression I got as I read this.
Overall The Sacrifice Box had a crazy, pacy edge to it, alongside some heartfelt moments with characters which ended up feeling like my friends. An engaging coming of age book about friendship, love and hidden terrifying truths just waiting to resurface.
Cynthia Armistead (17 KP) rated Ready Player One in Books
Mar 1, 2018
Add this book to the short list of must-reads for every True Geek, right alongside [b:Snow Crash|830|Snow Crash|Neal Stephenson|http://photo.goodreads.com/books/1320544000s/830.jpg|493634]. It's a gleeful homage to geekdom and pop culture.
Wade explains to the reader that he was born after humanity wore the world out and escaped to OASIS, a massive simulation that has replaced the internet and all other forms of entertainment. Nobody seems to spend time in reality any more, because it sucks. There are multiple wars going on over the few energy sources that are left. Poverty, hunger, and homelessness are rampant everywhere.
Most people who are fortunate enough to live indoors at all are like Wade, who lives with his aunt and her latest boyfriend in a three-bedroom doublewide trailer shared with 17 people. The trailer is at least near the top of a stack, which is just what it sounds like: a stack of trailers 10 or so high, so many across and wide, so that 500 or more trailers are held together with rusted scaffolding, chains, and whatever other reinforcements people have added over the years. Stack collapses are common.
Wade spends most of his time in his hideout, the back of an old van that's parked in a junkyard and crammed in a stack of vehicles. That's where he keeps his computer and other equipment, so he can attend school (in OASIS, of course) and spend time research The Contest, which is the center of his life.
The creater of OASIS, James Halliday, created The Contest in his will. Whoever wins it will inherit Halliday's vast fortune and control of OASIS. At the opening of the novel, it has been five years since Halliday died and contestants are ridiculed in everyday society as obsessive losers.
Wade's quest through The Contest and his fight to simply survive is far more interesting than I thought it would be. I'll also admit to being entertained by the 80s trivia that pops up throughout the book (integral to The Contest). I'm biased, as I was a teen during those years.
I wholeheartedly recommend this book. It's one of the very few that I'll be saving to re-read in the future.
Wade explains to the reader that he was born after humanity wore the world out and escaped to OASIS, a massive simulation that has replaced the internet and all other forms of entertainment. Nobody seems to spend time in reality any more, because it sucks. There are multiple wars going on over the few energy sources that are left. Poverty, hunger, and homelessness are rampant everywhere.
Most people who are fortunate enough to live indoors at all are like Wade, who lives with his aunt and her latest boyfriend in a three-bedroom doublewide trailer shared with 17 people. The trailer is at least near the top of a stack, which is just what it sounds like: a stack of trailers 10 or so high, so many across and wide, so that 500 or more trailers are held together with rusted scaffolding, chains, and whatever other reinforcements people have added over the years. Stack collapses are common.
Wade spends most of his time in his hideout, the back of an old van that's parked in a junkyard and crammed in a stack of vehicles. That's where he keeps his computer and other equipment, so he can attend school (in OASIS, of course) and spend time research The Contest, which is the center of his life.
The creater of OASIS, James Halliday, created The Contest in his will. Whoever wins it will inherit Halliday's vast fortune and control of OASIS. At the opening of the novel, it has been five years since Halliday died and contestants are ridiculed in everyday society as obsessive losers.
Wade's quest through The Contest and his fight to simply survive is far more interesting than I thought it would be. I'll also admit to being entertained by the 80s trivia that pops up throughout the book (integral to The Contest). I'm biased, as I was a teen during those years.
I wholeheartedly recommend this book. It's one of the very few that I'll be saving to re-read in the future.
Gareth von Kallenbach (980 KP) rated The Spy Who Dumped Me (2018) in Movies
Jun 19, 2019
The buddy comedy has long been a staple of Hollywood films. In the 80s it became common in the buddy Cop format after the success of “Lethal Weapon” amongst others.
In the new film “The Spy Who Dumped Me”; audiences are introduced to Audrey (Mila Kunis), and her friend Morgan (Kate McKinnon). Audrey is in a funk as she was dumped by text by her boyfriend Drew (Justin Theroux) and spends her Birthday wallowing in pity and doubt about her life. Morgan is ever optimistic and energetic encourages her to burn the items Drew left behind as a form of starting over.
Empowered by the idea; Audrey texts her intentions to Drew who has ignored repeated contact attempts from Audrey so she can get closure. Unknown to either Audrey or Morgan is the fact that Drew is actually a Spy and is currently being hunted by some very dangerous people overseas.
Audrey and Morgan meet a man named Sebastian (Sam Heughan) who claims to know the situation with Drew and offers to help the girls with a situation they are now entangled within.
When Drew shows up unexpectedly to retrieve an item and ends up in a bad way, Morgan and Audrey follow his instructions and head to Vienna with a statute and find themselves on the run from spies, assassins, and all manner of dangers.
The plot of the film is convoluted and there is not much in the way of character growth. But the film does have some funny moments and many of them come from the frequent riffing of McKinnon who is just a non-stop spark of energy who fires off snappy comments no matter if facing a psychotic gymnast or in a high-speed chase.
Heughan is good stepping out from his Outlander character and it is nice to see him mixing in some comedy with the action scenes. Kunis and McKinnon work well with one another and seem to be having a great time working with one another on the film.
Despite some issues, the film was a pleasant and fun piece of entertainment as long as you are willing to just sit back and enjoy the ride.
http://sknr.net/2018/08/03/the-spy-who-dumped-me/
In the new film “The Spy Who Dumped Me”; audiences are introduced to Audrey (Mila Kunis), and her friend Morgan (Kate McKinnon). Audrey is in a funk as she was dumped by text by her boyfriend Drew (Justin Theroux) and spends her Birthday wallowing in pity and doubt about her life. Morgan is ever optimistic and energetic encourages her to burn the items Drew left behind as a form of starting over.
Empowered by the idea; Audrey texts her intentions to Drew who has ignored repeated contact attempts from Audrey so she can get closure. Unknown to either Audrey or Morgan is the fact that Drew is actually a Spy and is currently being hunted by some very dangerous people overseas.
Audrey and Morgan meet a man named Sebastian (Sam Heughan) who claims to know the situation with Drew and offers to help the girls with a situation they are now entangled within.
When Drew shows up unexpectedly to retrieve an item and ends up in a bad way, Morgan and Audrey follow his instructions and head to Vienna with a statute and find themselves on the run from spies, assassins, and all manner of dangers.
The plot of the film is convoluted and there is not much in the way of character growth. But the film does have some funny moments and many of them come from the frequent riffing of McKinnon who is just a non-stop spark of energy who fires off snappy comments no matter if facing a psychotic gymnast or in a high-speed chase.
Heughan is good stepping out from his Outlander character and it is nice to see him mixing in some comedy with the action scenes. Kunis and McKinnon work well with one another and seem to be having a great time working with one another on the film.
Despite some issues, the film was a pleasant and fun piece of entertainment as long as you are willing to just sit back and enjoy the ride.
http://sknr.net/2018/08/03/the-spy-who-dumped-me/
LeftSideCut (3776 KP) rated Mandy (2018) in Movies
Oct 30, 2019 (Updated Oct 30, 2019)
A ride from start to finish
Mandy is an utterly bizarre experience, but it's one that kept me absolutely enthralled from beginning to end.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
JT (287 KP) rated The Guest (2014) in Movies
Mar 10, 2020
If there was any further indication needed that British leading men make for accomplished villains, this is a prime example. The softly spoken Dan Stevens (Downton Abbey) can now walk shoulder to shoulder with the likes of other talented antagonists such as Mark Strong, Tom Hiddleston and Ben Kingsley.
Director Adam Wingard‘s home invasion horror You’re Next received high acclaim so this was always going to be an exciting follow up. When I caught the trailer not a lot was given away. I like the fact that you’re going in almost blind. It makes for better viewing.
David (Stevens) enters the life of the Peterson family who are still grieving from the loss of their son Caleb who was killed in Iraq. Quickly he becomes an integral part of their lives, always around to help them out of difficult situations or as a shoulder to cry on.
It’s clear there is something more disturbing beneath his chilling blue eyes and it doesn’t take long for us to find out what. The Guest is a tense intriguing thriller that never gives too much away, making it one of its strong points. We all know there is something wrong with David, that much is clear from the shots of him grimly staring into the distance.
He manifests himself as a psychotic guardian angel with ulterior motives that are never revealed until the bodies start to pile up and we get to delve further into his back story. Even then Stevens plays his character with deadpan charm that makes us like him even more.
There are a number of genres all thrown in that ultimately work well alongside each other. A nice dose of action thanks to a backyard shootout is quickly morphed into an 80s slasher horror that echoes Halloween. The soundtrack is slick and pulsating, with comparisons drawn to Drive not just from the score but from Stevens somewhat uncanny resemblance to Ryan Gosling.
It never feels disjointed at any point and while it might wobble a little with the surprise ending (of which you knew was coming) it doesn’t damage the overall integrity if the story.
Director Adam Wingard‘s home invasion horror You’re Next received high acclaim so this was always going to be an exciting follow up. When I caught the trailer not a lot was given away. I like the fact that you’re going in almost blind. It makes for better viewing.
David (Stevens) enters the life of the Peterson family who are still grieving from the loss of their son Caleb who was killed in Iraq. Quickly he becomes an integral part of their lives, always around to help them out of difficult situations or as a shoulder to cry on.
It’s clear there is something more disturbing beneath his chilling blue eyes and it doesn’t take long for us to find out what. The Guest is a tense intriguing thriller that never gives too much away, making it one of its strong points. We all know there is something wrong with David, that much is clear from the shots of him grimly staring into the distance.
He manifests himself as a psychotic guardian angel with ulterior motives that are never revealed until the bodies start to pile up and we get to delve further into his back story. Even then Stevens plays his character with deadpan charm that makes us like him even more.
There are a number of genres all thrown in that ultimately work well alongside each other. A nice dose of action thanks to a backyard shootout is quickly morphed into an 80s slasher horror that echoes Halloween. The soundtrack is slick and pulsating, with comparisons drawn to Drive not just from the score but from Stevens somewhat uncanny resemblance to Ryan Gosling.
It never feels disjointed at any point and while it might wobble a little with the surprise ending (of which you knew was coming) it doesn’t damage the overall integrity if the story.
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LeftSideCut (3776 KP) rated Howling II: Your Sister Is a Werewolf (1985) in Movies
Nov 6, 2020
One of my favourite parts is the bit where the creepy dude looks straight into the camera and say "Schnitzeeeel".
Honestly not sure if Howling II: Your Sister is a Werewolf (Stirba, Werewolf Bitch in some corners of the world) is a 5 star film, or a 1 star film.
I always have time for Christopher Lee, and here is no different, and Sybil Danning is a bonafide B-Movie icon, but everyone else is hamming it up to the max (not necessarily in a good way), spouting the terrible screenplay and making silly growling noises constantly.
The werewolf costumes look terrible (a bit of googling told me that the production was sent monkey suits by mistake, and they just had to roll with it) and the movie constantly attempts to force it's theme tune down your throat - I lost count of how many times it plays throughout the runtime, but it starts off well enough, but by the end of the film it's grating as fuck.
It's certainly a far cry from the genuinely good first movie but for all it's faults, I actually really enjoyed it.
The last review I wrote on here was for Species IV, where I commented on how it was so awful, and had no charm to it at all, which was in stark contrast to a lot of bad horror movies, especially a bunch from the 80s. Howling II is one of those movies.
It rarely gets boring, it's has some decent practical gore effects, and the terrible script is often so ludicrous, it ends up being unintentional comedy gold.
Not to mention that it's has the most unnecessarily gratuitous end credits roll I've ever seen - in fact, if you can't be bothered to watch the whole thing, just find the end credits and you'll get the vibe of this whole glorious mess of a film.
So yeah, is it a 1 star movie or 5 star movie? I still don't know but I know I low key love it, so 2 and a half stars with a love heart seems fair. I'd definitely recommend giving it a watch though, just to experience the sheer cheesy absurdity.
Honestly not sure if Howling II: Your Sister is a Werewolf (Stirba, Werewolf Bitch in some corners of the world) is a 5 star film, or a 1 star film.
I always have time for Christopher Lee, and here is no different, and Sybil Danning is a bonafide B-Movie icon, but everyone else is hamming it up to the max (not necessarily in a good way), spouting the terrible screenplay and making silly growling noises constantly.
The werewolf costumes look terrible (a bit of googling told me that the production was sent monkey suits by mistake, and they just had to roll with it) and the movie constantly attempts to force it's theme tune down your throat - I lost count of how many times it plays throughout the runtime, but it starts off well enough, but by the end of the film it's grating as fuck.
It's certainly a far cry from the genuinely good first movie but for all it's faults, I actually really enjoyed it.
The last review I wrote on here was for Species IV, where I commented on how it was so awful, and had no charm to it at all, which was in stark contrast to a lot of bad horror movies, especially a bunch from the 80s. Howling II is one of those movies.
It rarely gets boring, it's has some decent practical gore effects, and the terrible script is often so ludicrous, it ends up being unintentional comedy gold.
Not to mention that it's has the most unnecessarily gratuitous end credits roll I've ever seen - in fact, if you can't be bothered to watch the whole thing, just find the end credits and you'll get the vibe of this whole glorious mess of a film.
So yeah, is it a 1 star movie or 5 star movie? I still don't know but I know I low key love it, so 2 and a half stars with a love heart seems fair. I'd definitely recommend giving it a watch though, just to experience the sheer cheesy absurdity.