"Beside Knausgård, Harstad is perhaps the best Norwegian writer right now. It’s about a young boy moving with his family from Norway to the USA, growing up there in the ‘80s and ‘90s, and so it’s an outsider’s look at American society, written with clinical precision and desperate humor. If you like thick, epic books like DeLillos' “Underworld,” this is probably up your alley."

"1999 was a strange and transitional year. The second half of the ’80s and the ’90s were about dance music. That’s all there was. I remember when drum‘n’bass hit, we were, like, “Why would you want to listen to anything else?” Then that started to finish toward the end of the ’90s, and people in the underground were making records that weren’t dance music but were still credible. To Rococo Rot wasn’t just about playing, it was about machines as well. They somehow embodied both Krautrock and post-rock in an interesting and Berlin way. When Wire did our tour in 2000, we were two dates in and we started to notice that that every venue was playing Soundgarden before our sets. We had a copy of The Amateur View, and our sound person would put that on and just calm the audience down."