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Joe Goodhart (27 KP) rated Supergirl (2016-) Vol. 1: The Killers of Krypton in Books
Nov 30, 2020
This was a solid book, really made me care about Supergirl as a character, something I have not felt since Peter David was writing it! Marc Andreyko has a genuine caring for the character, as she is written strongly, without pandering to the fanboys out there. And while I know Kara is not a real person, under Andreyko's hand, she felt very real!
The story follows up on the tail end of MAN OF STEEL (which, as I said in my review, exceeded my low expectations, helping to have faith anew in Brian Michael Bendis). She says goodbye to her cousin, Kal-El, as she heads to space to follow the trail of Rogol Zaar, and to determine if he was not lying when he claimed to have destroyed Krypton. Best of all, she won't be alone: Krypto will be along for the journey! And what a journey it is!
Some questions are answered, but new ones are generated, as a conspiracy within the Guardians of Oa! There's a lot more to it than just that, but I like my reviews, like my initial readings, to be Spoiler-Free! You'll have to read it for yourself, and I am certain that, like myself, you will not be disappointed!
And speaking of "not being disappointed", let me talk a bit about the equally enjoyable art. The majority of this volume was drawn by Kevin Maguire (who I adored here, as much as his work in the 80s on JUSTICE LEAGUE INTERNATIONAL), but he was also support the likes of Emanuela Lupacchino, Evan "Doc" Shaner, Lan, Medina and a bit of Karl Kesel, too! All involved were totally on their game, turning in art that remained consistent with Maguire's style, so as not to derail the story. Everyone deserves a big, hearty round of applause!
However, there was one thing in it that caused me to give it four Stars, not five. And, that, unfortunately, would be Dan Jurgens' Christmas-themed story. While the message was truly heartfelt and appreciated, the actual dialogue, as well as the story itself, was just not as good as I recall Jurgens being. And that's a damned shame, because some of my best Superman memories involve his stories from the 90s! Ah, memories!
And, that my friends, is a wrap! I hope you will check this one out, as it is the probably one of the best Supergirl stories in far too long! I truly hope DC treats Marc Andreyko right, because he is all aces!
The story follows up on the tail end of MAN OF STEEL (which, as I said in my review, exceeded my low expectations, helping to have faith anew in Brian Michael Bendis). She says goodbye to her cousin, Kal-El, as she heads to space to follow the trail of Rogol Zaar, and to determine if he was not lying when he claimed to have destroyed Krypton. Best of all, she won't be alone: Krypto will be along for the journey! And what a journey it is!
Some questions are answered, but new ones are generated, as a conspiracy within the Guardians of Oa! There's a lot more to it than just that, but I like my reviews, like my initial readings, to be Spoiler-Free! You'll have to read it for yourself, and I am certain that, like myself, you will not be disappointed!
And speaking of "not being disappointed", let me talk a bit about the equally enjoyable art. The majority of this volume was drawn by Kevin Maguire (who I adored here, as much as his work in the 80s on JUSTICE LEAGUE INTERNATIONAL), but he was also support the likes of Emanuela Lupacchino, Evan "Doc" Shaner, Lan, Medina and a bit of Karl Kesel, too! All involved were totally on their game, turning in art that remained consistent with Maguire's style, so as not to derail the story. Everyone deserves a big, hearty round of applause!
However, there was one thing in it that caused me to give it four Stars, not five. And, that, unfortunately, would be Dan Jurgens' Christmas-themed story. While the message was truly heartfelt and appreciated, the actual dialogue, as well as the story itself, was just not as good as I recall Jurgens being. And that's a damned shame, because some of my best Superman memories involve his stories from the 90s! Ah, memories!
And, that my friends, is a wrap! I hope you will check this one out, as it is the probably one of the best Supergirl stories in far too long! I truly hope DC treats Marc Andreyko right, because he is all aces!
Cori June (3033 KP) rated Gun, With Occasional Music in Books
Nov 23, 2021
Banter (1 more)
Good premise
Easily distracted while reading (2 more)
Poor execution of idea
Not good with explanations
I went into this book with low expectations. I mean there's a kangaroo with a gun. How serious can you take it? But suprisingly, I wouldn't say it qualified as absurdist noir/sci-fi.
The noir part is ok, pretty straightforward; however the point is to try and solve it along with the detective, or in this case private inquisitor, but the character made leaps and bounds with his puzzling and I was ".... how did you figure that?" Or I was more intrigued by the babyheads (which got a passing explanation that was blah and not enough) or the fact that the government encouraged the use of addictive drugs like forgetol or avoidtol (yeah super creative names but it got the point across) or why it was considered rude to ask questions or what is up with the Karma card? Most of which you get 0 answers.
The sci-fi aspect is surface level with the evolution of animals and the accelerated intelligence of babies/child. Freezing prisoners instead if regular jail. It was meh with sparatic points of interesting.
The dystopian world was well thought out but he did spend way too much waxing poetic on sunsets and sunrises. Don't get me wrong I love sunsets and sunrises but when I tried to see if there would be important information dropped at these points I got nothing.
The banter between characters was pretty good. Not the best bit it was good fir a small chuckle or appreciation.
The main character is not an likeable one however I found myself rooting for him. And I was repulsed by him and not just because of how he treats women. He even admits it is wrong. He's a very angry main character.
There is a take on body dysphoria, although as this book came out in the 90s I don't know if that was intentional or not.
Not having body dysphoria, but understanding how you can be uncomfortable in your own skin. I wonder if it's a semi accurate description?????
I almost rated it a five but I am still confused and am going "WTF did I just read?" So I thought a lot and was also way too easily distracted by other things (like tiktok or tv or my own thoughts). I should have been able to read this book in a day slow pacing or not and kept getting bored with it. I'll probably unhaul it at a used bookstore where someone can appreciate it more than I.
The noir part is ok, pretty straightforward; however the point is to try and solve it along with the detective, or in this case private inquisitor, but the character made leaps and bounds with his puzzling and I was ".... how did you figure that?" Or I was more intrigued by the babyheads (which got a passing explanation that was blah and not enough) or the fact that the government encouraged the use of addictive drugs like forgetol or avoidtol (yeah super creative names but it got the point across) or why it was considered rude to ask questions or what is up with the Karma card? Most of which you get 0 answers.
The sci-fi aspect is surface level with the evolution of animals and the accelerated intelligence of babies/child. Freezing prisoners instead if regular jail. It was meh with sparatic points of interesting.
The dystopian world was well thought out but he did spend way too much waxing poetic on sunsets and sunrises. Don't get me wrong I love sunsets and sunrises but when I tried to see if there would be important information dropped at these points I got nothing.
The banter between characters was pretty good. Not the best bit it was good fir a small chuckle or appreciation.
The main character is not an likeable one however I found myself rooting for him. And I was repulsed by him and not just because of how he treats women. He even admits it is wrong. He's a very angry main character.
There is a take on body dysphoria, although as this book came out in the 90s I don't know if that was intentional or not.
Not having body dysphoria, but understanding how you can be uncomfortable in your own skin. I wonder if it's a semi accurate description?????
I almost rated it a five but I am still confused and am going "WTF did I just read?" So I thought a lot and was also way too easily distracted by other things (like tiktok or tv or my own thoughts). I should have been able to read this book in a day slow pacing or not and kept getting bored with it. I'll probably unhaul it at a used bookstore where someone can appreciate it more than I.
Bong Mines Entertainment (15 KP) rated Becky and the Birds by Becky and the Birds in Music
Jun 7, 2019
Becky and the Birds (Thea Gustafsson) is a talented R&B/Soul singer-producer out of Örebro, Sweden. Not too long ago, she released her wonderful self-titled debut EP.
But creating the 7-track project had obstacles. The 21-year-old vocalist experienced dark emotions and even battled depression.
Ultimately, she overcame her frustrations and obstacles and stitched together her EP. She perfumed it with her unique genre-spanning blend of lush sounds.
Becky’s desire to have everything in an arrangement can be attributed to her time spent at the prestigious Musikmakarna Songwriters Academy of Sweden, the place that kickstarted the careers of LÉON and Skott.
Even though the Becky didn’t fit into the school’s pop agenda, she learned a lot there. Later, she interned at an EDM/House label but didn’t fit in there either.
Not knowing where to turn, she went through a dark period. But there was light at the end of the tunnel, and she walked towards it. Once in the sunlight, she created her self-titled album.
BECKY
The EP begins with a voice recording of a person named Becky, a 26-year-old Capricorn. The individual has a muffled, male-sounding voice, lives alone in an apartment, and has two friends, one a bird.
MALAYSIA
Becky, the singer, sings a beautiful song over a dreamy electronic composition perfumed with soul and passion.
The singer yearns to go to Malaysia. To see the birds in the sky and feed the ones on the ground. Also, she visions herself sitting, watching them fly.
The song highlights the meaning behind Gustafsson’s stage name. Apparently, she has a deep connection with birds.
DIE WHILE YOU LOVE ME INTRO
The intro begins with a poem by Georgia Douglas Johnson, entitled, “I Want to Die While You Love Me”, recited by Maya Angelou.
DIE WHILE YOU LOVE ME
Becky, inspired by the legendary poem, takes the tempo up a couple of notches. Also, she packages the song with dreamy vocals and crisp production.
CONCEPT STORE
The song incorporates jazzy pianos with bass and elements of hip-hop. Also, Becky’s lush vocals soar through the track alongside samples she plucked straight out of nature.
HOLDING ON
The song is one of Becky’s acclaimed singles. It features lush electronics, a splash of trip-hop, and elements of ‘90s R&B music.
MY MAN
Becky ends the 7-track EP on a smooth note. She wants us to know that her man is holding her strong, mentality and physically.
CONCLUSION
Becky and the Birds’ self-titled EP is short and sweet. Also, it leaves a lasting impression, prompting listeners to want to hear more.
https://www.bongminesentertainment.com/becky-and-the-birds-ep/
But creating the 7-track project had obstacles. The 21-year-old vocalist experienced dark emotions and even battled depression.
Ultimately, she overcame her frustrations and obstacles and stitched together her EP. She perfumed it with her unique genre-spanning blend of lush sounds.
Becky’s desire to have everything in an arrangement can be attributed to her time spent at the prestigious Musikmakarna Songwriters Academy of Sweden, the place that kickstarted the careers of LÉON and Skott.
Even though the Becky didn’t fit into the school’s pop agenda, she learned a lot there. Later, she interned at an EDM/House label but didn’t fit in there either.
Not knowing where to turn, she went through a dark period. But there was light at the end of the tunnel, and she walked towards it. Once in the sunlight, she created her self-titled album.
BECKY
The EP begins with a voice recording of a person named Becky, a 26-year-old Capricorn. The individual has a muffled, male-sounding voice, lives alone in an apartment, and has two friends, one a bird.
MALAYSIA
Becky, the singer, sings a beautiful song over a dreamy electronic composition perfumed with soul and passion.
The singer yearns to go to Malaysia. To see the birds in the sky and feed the ones on the ground. Also, she visions herself sitting, watching them fly.
The song highlights the meaning behind Gustafsson’s stage name. Apparently, she has a deep connection with birds.
DIE WHILE YOU LOVE ME INTRO
The intro begins with a poem by Georgia Douglas Johnson, entitled, “I Want to Die While You Love Me”, recited by Maya Angelou.
DIE WHILE YOU LOVE ME
Becky, inspired by the legendary poem, takes the tempo up a couple of notches. Also, she packages the song with dreamy vocals and crisp production.
CONCEPT STORE
The song incorporates jazzy pianos with bass and elements of hip-hop. Also, Becky’s lush vocals soar through the track alongside samples she plucked straight out of nature.
HOLDING ON
The song is one of Becky’s acclaimed singles. It features lush electronics, a splash of trip-hop, and elements of ‘90s R&B music.
MY MAN
Becky ends the 7-track EP on a smooth note. She wants us to know that her man is holding her strong, mentality and physically.
CONCLUSION
Becky and the Birds’ self-titled EP is short and sweet. Also, it leaves a lasting impression, prompting listeners to want to hear more.
https://www.bongminesentertainment.com/becky-and-the-birds-ep/
Kristy H (1252 KP) rated My Sunshine Away in Books
Feb 13, 2018
One evening, on a quiet suburban street in Baton Rouge, fifteen-year-old Lindy Simpson is raped. Her rape changes the fabric of her neighborhood, as narrated by her fourteen-year-old male neighbor, who had a huge crush on the lovely Lindy, a popular track star. He takes the readers through the various suspects--all members of the neighborhood--and one of whom is himself. We meet the many members of this quiet block, where not everything is as perfect as it seems. What really happened to Lindy that night? And is our narrator truly to blame?
I really wanted to like this book, as I'd heard such good things, and was really excited to finally to read it. But honestly, I found it disappointing, tedious, and slow. It was a real let down after all the rave reviews. Our narrator does a good job, I suppose, of highlighting the self-centeredness of teenage boys, but oh my goodness. He talks and talks and talks - endless diatribes about this and that. Pontificates about everything while trying to tell us the meaning of life. I found my eyes glazing over as I skimmed paragraphs, just wanting to find out what happened to poor Lindy, who is basically forgotten in his story -- she's just an object of lust -- not a real person.
This book had the potential of being a love story in many ways -- that of the love between a son and his mother, between teenagers, etc., but it just seemed to flounder. Moments of brilliance poked through, but most of the time, I found myself frustrated and wondering what the point was. Instead, it seemed to be a treatise on how boys and men should *not* treat girls and women. It is at it's best when looked at as a story of neighborhood - the sad side story of a neighborhood family will hurt your heart in many ways - but it gets lost in the narrator's endless rants and discussions. At one point, we get a whole chapter on the effects of Hurricane Katrina on Baton Rouge. All well and good, I suppose, except the majority of this book takes place in the late 80s/early 90s. Why are we hearing about something take place decades later?
Overall, I wanted to like this one, and I spotted moments of good peeking out, but I was mostly just frustrated and waiting for it to end. Definitely a disappointment.
I received a copy of this book from Netgalley (thank you!); it is available for purchase everywhere. You can read this review and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
I really wanted to like this book, as I'd heard such good things, and was really excited to finally to read it. But honestly, I found it disappointing, tedious, and slow. It was a real let down after all the rave reviews. Our narrator does a good job, I suppose, of highlighting the self-centeredness of teenage boys, but oh my goodness. He talks and talks and talks - endless diatribes about this and that. Pontificates about everything while trying to tell us the meaning of life. I found my eyes glazing over as I skimmed paragraphs, just wanting to find out what happened to poor Lindy, who is basically forgotten in his story -- she's just an object of lust -- not a real person.
This book had the potential of being a love story in many ways -- that of the love between a son and his mother, between teenagers, etc., but it just seemed to flounder. Moments of brilliance poked through, but most of the time, I found myself frustrated and wondering what the point was. Instead, it seemed to be a treatise on how boys and men should *not* treat girls and women. It is at it's best when looked at as a story of neighborhood - the sad side story of a neighborhood family will hurt your heart in many ways - but it gets lost in the narrator's endless rants and discussions. At one point, we get a whole chapter on the effects of Hurricane Katrina on Baton Rouge. All well and good, I suppose, except the majority of this book takes place in the late 80s/early 90s. Why are we hearing about something take place decades later?
Overall, I wanted to like this one, and I spotted moments of good peeking out, but I was mostly just frustrated and waiting for it to end. Definitely a disappointment.
I received a copy of this book from Netgalley (thank you!); it is available for purchase everywhere. You can read this review and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Caribou recommended In the Aeroplane Over the Sea by Neutral Milk Hotel in Music (curated)
Ti West recommended American Movie (1999) in Movies (curated)
JT (287 KP) rated The Little Things (2021) in Movies
Feb 6, 2021
The opening of The Little Things promises a lot but ultimately the tension that is driven during the first ten minutes is nowhere to be seen for the rest of the run time.
With three Oscar-winning actors and a genre that I absolutely love I couldn’t have been more excited, but that excitement started to take a nosedive when ‘The Little Things‘ started to get a ‘little dull’. Joe ‘Deke’ Deacon (Denzel Washington) is former Los Angeles cop turned local county sheriff, whose content with chasing small-time criminals. When he is asked to go back to the city to pick up some evidence for another case he crosses paths with Jim Baxter (Rami Malek) who is on the hunt for a sadistic serial killer.
Baxter realising that he is in the presence of greatness asks Deacon to accompany him to a crime scene, at which point Deke’s instincts point to someone potentially far more dangerous. Set in the 90s this is raw police work and the use of technology is limited, this is about assessing a crime scene in-depth, or in this case why the killer posed his victims in specific ways or returned to the crime scene later to move them.
Director John Lee Hancock wrote the script 30 years ago which is where it has remained until now. At one point Steven Spielberg and Clint Eastwood were rumoured to direct. The film bears resemblance to such thrillers as Se7en and Zodiac, however, The Little Things might be 30 years too late. The atmosphere and ambience is a neo-noir, at one point Deke is lying on a bed in a run-down motel room starring at polaroid photos of past victims on the wall. An obsession burning inside to catch the killer, which during flashbacks, he has encountered before.
And then there is Albert Sparma (Jared Leto) the prime suspect, or is he? Such is the film’s ambiguity that the third act will leave you scratching your head, trying to piece the evidence together yourself in a bid to catch the killer. Sparma has all the tendencies of a serial killer, he certainly has the look and demeanour. But he may also be a self-obsessed crime buff, with a morbid fascination for death and crime scenes.
All three actors give a solid account of themselves, with Leto making the biggest impression. He’s creepy in a way that will get under your skin. The film is bursting with ideas and places to ramp up the tension but it falls short which is such a shame. As someone who is very fond of a good psychological thriller, this was definitely a missed opportunity.
With three Oscar-winning actors and a genre that I absolutely love I couldn’t have been more excited, but that excitement started to take a nosedive when ‘The Little Things‘ started to get a ‘little dull’. Joe ‘Deke’ Deacon (Denzel Washington) is former Los Angeles cop turned local county sheriff, whose content with chasing small-time criminals. When he is asked to go back to the city to pick up some evidence for another case he crosses paths with Jim Baxter (Rami Malek) who is on the hunt for a sadistic serial killer.
Baxter realising that he is in the presence of greatness asks Deacon to accompany him to a crime scene, at which point Deke’s instincts point to someone potentially far more dangerous. Set in the 90s this is raw police work and the use of technology is limited, this is about assessing a crime scene in-depth, or in this case why the killer posed his victims in specific ways or returned to the crime scene later to move them.
Director John Lee Hancock wrote the script 30 years ago which is where it has remained until now. At one point Steven Spielberg and Clint Eastwood were rumoured to direct. The film bears resemblance to such thrillers as Se7en and Zodiac, however, The Little Things might be 30 years too late. The atmosphere and ambience is a neo-noir, at one point Deke is lying on a bed in a run-down motel room starring at polaroid photos of past victims on the wall. An obsession burning inside to catch the killer, which during flashbacks, he has encountered before.
And then there is Albert Sparma (Jared Leto) the prime suspect, or is he? Such is the film’s ambiguity that the third act will leave you scratching your head, trying to piece the evidence together yourself in a bid to catch the killer. Sparma has all the tendencies of a serial killer, he certainly has the look and demeanour. But he may also be a self-obsessed crime buff, with a morbid fascination for death and crime scenes.
All three actors give a solid account of themselves, with Leto making the biggest impression. He’s creepy in a way that will get under your skin. The film is bursting with ideas and places to ramp up the tension but it falls short which is such a shame. As someone who is very fond of a good psychological thriller, this was definitely a missed opportunity.
Ross (3284 KP) rated Good Omens in Books
Jun 12, 2019
Fun, charming romp towards the end of the world
Good Omens is a strange one. If you're a fan of Pratchett's Discworld, I can see you not being overly keen on this book (while his trademark humour is there and his funny Billy Connolly-esque tangents are in the footnotes, there is less of the fantastic about it). And likewise Gaiman fans might be missing his usual gothic flair and be somewhat alarmed at the amount of silliness in the book.
This is probably what put me off reading this until now. I seem to recall trying to read it about 20 years ago, but for some reason I gave up inside a couple of pages. That was 17 year old me as a Pratchett fan, and I must have opted for the 20+ Discworld books I still had yet to read instead, and had no idea who Neil Gaiman was.
Sadly, that makes me your common or garden bandwagon-jumper as I have only now read this for the first time with the TV series on my to-be-watched list.
I cannot say why I never returned to the book. I love Pratchett, had the honour of meeting him at signings a few times in the 90s, and he got me into Robert Rankin, Douglas Adams, Tom Holt and Tom Sharpe. This book is so in line with the flavour of the books I have enjoyed most in my life that it beggars belief I never gave it another thought.
I am so glad I eventually did, and did so before watching the TV series.
While there are epic expectations of the quality of the book, from the hype and cult status, I always read with an open mind.
The story underlying the book is a Fawlty Towers-esque attempt at the end of days, where one bumbling fool's error in the early stages completely changes the plans for the end of the human race.
I won't go into the plot in detail, and will only say that the read is a thoroughly enjoyable ride. It isn't laugh-out-loud funny, it is smirk-I-know-what-you-mean funny. This may not appeal to non-British readers as much as it is written with a very British sense of humour. It is very silly quite a lot of the time, but there is a good, deep story in there if you take a moment to think about it.
My only criticism would be that there was a little too much silliness and while enjoyable this may have distracted from the book at times. But you know you'll get that with Pratchett, he takes his little tangents and he adds in nonsense dialogues for sheer entertainment value - he very much sees that not every word has to be vital to the overall story, you can have a little fun along the way.
Now, to get into the TV series ....
This is probably what put me off reading this until now. I seem to recall trying to read it about 20 years ago, but for some reason I gave up inside a couple of pages. That was 17 year old me as a Pratchett fan, and I must have opted for the 20+ Discworld books I still had yet to read instead, and had no idea who Neil Gaiman was.
Sadly, that makes me your common or garden bandwagon-jumper as I have only now read this for the first time with the TV series on my to-be-watched list.
I cannot say why I never returned to the book. I love Pratchett, had the honour of meeting him at signings a few times in the 90s, and he got me into Robert Rankin, Douglas Adams, Tom Holt and Tom Sharpe. This book is so in line with the flavour of the books I have enjoyed most in my life that it beggars belief I never gave it another thought.
I am so glad I eventually did, and did so before watching the TV series.
While there are epic expectations of the quality of the book, from the hype and cult status, I always read with an open mind.
The story underlying the book is a Fawlty Towers-esque attempt at the end of days, where one bumbling fool's error in the early stages completely changes the plans for the end of the human race.
I won't go into the plot in detail, and will only say that the read is a thoroughly enjoyable ride. It isn't laugh-out-loud funny, it is smirk-I-know-what-you-mean funny. This may not appeal to non-British readers as much as it is written with a very British sense of humour. It is very silly quite a lot of the time, but there is a good, deep story in there if you take a moment to think about it.
My only criticism would be that there was a little too much silliness and while enjoyable this may have distracted from the book at times. But you know you'll get that with Pratchett, he takes his little tangents and he adds in nonsense dialogues for sheer entertainment value - he very much sees that not every word has to be vital to the overall story, you can have a little fun along the way.
Now, to get into the TV series ....
Gareth von Kallenbach (980 KP) rated I, Tonya (2017) in Movies
Jul 8, 2019
Most people when they hear the name Tonya Harding immediately have images of Nancy Kerrigan holding her knee and crying out “Why?” over and over again come to their minds. They may even think of Harding herself crying to a panel of judges about the state of the laces on her skates during Olympic competition. Her name and image became a point of ridicule and shame. She became the butt of jokes throughout the 90s and a never-ending punchline. People were not sympathetic to her and were not willing to hear her story. She was condemned to being the monster that we convinced ourselves that she was. The film I, Tonya sheds light onto who this woman was in demonstrating the complexities of her upbringing, years of abuse at the hands of her mother and later her husband. Margot Robbie (Suicide Squad, Wolf of Wall Street) stars as Tonya Harding, the disgraced Olympic figure skater.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
LeftSideCut (3776 KP) rated Power Rangers (2017) in Movies
Jan 31, 2020
Contains spoilers, click to show
About 85% of this reboot of the popular 90s show Power Rangers is quite a broody and charming enough story about a group of five (mostly outcast) teenagers finding a bond and friendship after discovering that they've be given superpowers. This is spliced with the odd training montage of them all learning how to harness their new found powers.
It pretty straightforward, and thanks the main cast, it's fairly enjoyable.
Lead by Jason (Stranger Things' Dacre Montgomery), the five friends are probably the main positive about the film.
As the movie draws on, we are teased with just enough Power Rangers material to keep the intrigue afloat - the presence of Zordon (Bryan Cranston), Alpha 5 (Bill Hader) and Rita Repulsa (Elizabeth Banks), glimpses of the Zords and so on, but the narrative never strays too far from this core theme of strength through friendship.
That is until the final act of course...
I'll admit that I felt a swelling of excitement when the Power Rangers finally appeared in full armour, kicking the shit out of faceless CGI henchman, but it's at this point that director Dean Israelite goes FULL POWER RANGERS. We even get the classic theme tune as the Rangers charge towards Goldar (eye burning CGI, but kind of cool) and Rita in their Zords (also kind of cool) but here in lies the main problem with the film as a whole.
The nostalgia is laid on so thick that it feels like a completely different film. With the first 3/4 being somewhat grounded in realism (sort of), with serious themes and relatable human characters, the final act of flat out Power Rangers absurdity doesn't quite gel. I have no problem with either approach, but I feel like maybe the writers should have picked one and stuck with it.
The well developed teenagers that we've spent and hour and half with at this point are suddenly wise cracking and quipping like there's no tomorrow. The big climatic battle looks ok, but it has that really overplayed Kanye West song obnoxiously blasting throughout (which just gave me *shudder* Suicide Squad vibes), and after being built up to be a genuinely threatening villain, Rita is easily dispatched by a big CGI bitchslap into CGI space, by the big CGI hand of the big CGI Megazord (still kind of cool).
It's just a little meh.
I have fond memories of Power Rangers from my childhood, and I realise that this modern retelling is also aimed at a younger audience, and in that respect I'm sure it's very entertaining, and I give credit to the writers for touching upon more adult issues, but overall, I wish it had been better. Power Rangers is silly, but it does genuinely have scope to be an epic franchise.
Final note - the running Krispy Kreme joke got old very quickly 🖕
It pretty straightforward, and thanks the main cast, it's fairly enjoyable.
Lead by Jason (Stranger Things' Dacre Montgomery), the five friends are probably the main positive about the film.
As the movie draws on, we are teased with just enough Power Rangers material to keep the intrigue afloat - the presence of Zordon (Bryan Cranston), Alpha 5 (Bill Hader) and Rita Repulsa (Elizabeth Banks), glimpses of the Zords and so on, but the narrative never strays too far from this core theme of strength through friendship.
That is until the final act of course...
I'll admit that I felt a swelling of excitement when the Power Rangers finally appeared in full armour, kicking the shit out of faceless CGI henchman, but it's at this point that director Dean Israelite goes FULL POWER RANGERS. We even get the classic theme tune as the Rangers charge towards Goldar (eye burning CGI, but kind of cool) and Rita in their Zords (also kind of cool) but here in lies the main problem with the film as a whole.
The nostalgia is laid on so thick that it feels like a completely different film. With the first 3/4 being somewhat grounded in realism (sort of), with serious themes and relatable human characters, the final act of flat out Power Rangers absurdity doesn't quite gel. I have no problem with either approach, but I feel like maybe the writers should have picked one and stuck with it.
The well developed teenagers that we've spent and hour and half with at this point are suddenly wise cracking and quipping like there's no tomorrow. The big climatic battle looks ok, but it has that really overplayed Kanye West song obnoxiously blasting throughout (which just gave me *shudder* Suicide Squad vibes), and after being built up to be a genuinely threatening villain, Rita is easily dispatched by a big CGI bitchslap into CGI space, by the big CGI hand of the big CGI Megazord (still kind of cool).
It's just a little meh.
I have fond memories of Power Rangers from my childhood, and I realise that this modern retelling is also aimed at a younger audience, and in that respect I'm sure it's very entertaining, and I give credit to the writers for touching upon more adult issues, but overall, I wish it had been better. Power Rangers is silly, but it does genuinely have scope to be an epic franchise.
Final note - the running Krispy Kreme joke got old very quickly 🖕