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Zuky the BookBum (15 KP) rated Did You See Melody? in Books
Mar 15, 2018
Yikes. This was bad, really bad. This started off as a buddy read with my reading pal Nicki @ The Secret Library, but she couldnt even finish this one
and I dont blame her!
<b>Prepare yourselves for a very harsh review.</b>
First off, lets talk characters. Cara, our main character, has run away from home for a pathetically trivial reason, and not only that, has spent 1/3 of her families life savings to get away. She was an irritating, whingy character who talked to herself too much. Enough said.
Next, Tarin Fry. Biggest bitch in the world, and not in a sassy way she was just a bitch. She didnt speak her mind, she just spewed abuse at / about people.
Who next? How about Bonnie Juno. Awful name for an awful character. Another abuse spewer. In another life, Bonnies character could have been a strong female character who would have been likeable and someone to root for, but she isnt. Not in the slightest.
Then we have a whole mash of random characters who were only half relevant in my mind. Riyonna Briggs, annoyingly happy and needy. Orson (was that his name?) Priddey, whingy and weak-willed, for a cop. Heidi whatever-her-name-was, waste of ink.
As for the story, I have mixed opinions. Firstly, if you are going to put yourself through this, skip the first 30% of it. It one long description of a 5 star hotel and spa. Im not even kidding. Then the story picks up a little bit and there is some mystery to the story (finally!) but then thing get weird and we begin reading tedious interviews surrounding Melodys case rather than present day stuff. Towards the end, things just got really ridiculous and unbelievable that I began skim reading the story, just to get the important twisty bits.
Although the book began badly, things did start picking up nearer the middle of the book, and for a while I thought I was actually enjoying it. The story of Melody was an interesting one and I liked following the theories on who killed her. But then, as I said before, things got ridiculous.
For example, the people discussing the case, and trying to solve the thing, consisted of Bonnie Juno, her assistant, 2 police detectives, Tarin Fry and the hotel manager. AS IF the police would just let civilians sit around the table with them to discuss a case, and more to the point, let a random member of the public (Tarin Fry) basically run the entire show by bossing everyone around. This then happens again at the end where things are coming together and really important police stuff is happening, even the FBI are involved at this point. They just let these random people sit in on the conversation like its not a hugely important case to find a girl whos been believed dead for years and years.
The twist(s?) in this story were dulled down by the time they came around. I just wasnt interested anymore and they didnt do enough to bring me back to liking the book. I had guessed a couple of the reveals, but not all of them, but even that didnt entertain me.
Writing? Well, it was nothing special. Not bad, but not great. At some points it felt like Hannah was talking down to us, repeating very simple things like the reader didnt get it the first time and I mean very simple things... like the door was unlocked. That meant he had forgot to lock the door before he left. Yeah, no shit.
This book was a huge fail for me and I wish I had given it up early on like Nicki did!
You might be thinking but why give it 2 stars if you hated it so much? why not one star? well, I dont really get 1 star book reviews if you hated it that much would you not just have put it down? I didnt put this one down so something about it kept me going but that being said, my two star rating is practically a one star rating.
<i>Thanks to Netgalley and Hodder & Stoughton for giving me the opportunity to read this in exchange for an honest review.</i>
<b>Prepare yourselves for a very harsh review.</b>
First off, lets talk characters. Cara, our main character, has run away from home for a pathetically trivial reason, and not only that, has spent 1/3 of her families life savings to get away. She was an irritating, whingy character who talked to herself too much. Enough said.
Next, Tarin Fry. Biggest bitch in the world, and not in a sassy way she was just a bitch. She didnt speak her mind, she just spewed abuse at / about people.
Who next? How about Bonnie Juno. Awful name for an awful character. Another abuse spewer. In another life, Bonnies character could have been a strong female character who would have been likeable and someone to root for, but she isnt. Not in the slightest.
Then we have a whole mash of random characters who were only half relevant in my mind. Riyonna Briggs, annoyingly happy and needy. Orson (was that his name?) Priddey, whingy and weak-willed, for a cop. Heidi whatever-her-name-was, waste of ink.
As for the story, I have mixed opinions. Firstly, if you are going to put yourself through this, skip the first 30% of it. It one long description of a 5 star hotel and spa. Im not even kidding. Then the story picks up a little bit and there is some mystery to the story (finally!) but then thing get weird and we begin reading tedious interviews surrounding Melodys case rather than present day stuff. Towards the end, things just got really ridiculous and unbelievable that I began skim reading the story, just to get the important twisty bits.
Although the book began badly, things did start picking up nearer the middle of the book, and for a while I thought I was actually enjoying it. The story of Melody was an interesting one and I liked following the theories on who killed her. But then, as I said before, things got ridiculous.
For example, the people discussing the case, and trying to solve the thing, consisted of Bonnie Juno, her assistant, 2 police detectives, Tarin Fry and the hotel manager. AS IF the police would just let civilians sit around the table with them to discuss a case, and more to the point, let a random member of the public (Tarin Fry) basically run the entire show by bossing everyone around. This then happens again at the end where things are coming together and really important police stuff is happening, even the FBI are involved at this point. They just let these random people sit in on the conversation like its not a hugely important case to find a girl whos been believed dead for years and years.
The twist(s?) in this story were dulled down by the time they came around. I just wasnt interested anymore and they didnt do enough to bring me back to liking the book. I had guessed a couple of the reveals, but not all of them, but even that didnt entertain me.
Writing? Well, it was nothing special. Not bad, but not great. At some points it felt like Hannah was talking down to us, repeating very simple things like the reader didnt get it the first time and I mean very simple things... like the door was unlocked. That meant he had forgot to lock the door before he left. Yeah, no shit.
This book was a huge fail for me and I wish I had given it up early on like Nicki did!
You might be thinking but why give it 2 stars if you hated it so much? why not one star? well, I dont really get 1 star book reviews if you hated it that much would you not just have put it down? I didnt put this one down so something about it kept me going but that being said, my two star rating is practically a one star rating.
<i>Thanks to Netgalley and Hodder & Stoughton for giving me the opportunity to read this in exchange for an honest review.</i>
Heather Cranmer (2721 KP) rated Morgwel Hall in Books
Feb 20, 2019
Interesting plot (1 more)
Great setting
A bit too wordy sometimes (1 more)
Hard to get an idea of the age of main character
A Lovely Ghost Story
I love books about ghost stories, so when I got the chance to read Morgwel Hall by Michael Hutchins, I didn't think twice. The synopsis definitely piqued my interest. Luckily, I was not disappointed.
I really enjoyed the plot for Morgwel Hall. Captain Williamson sees a girl dancing on the battlements of the ruined castle he is about to purchase. He is instantly mesmerized by her. He learns her name is Anna and begins to fall in love with her. The only problem is she's a ghost. However, there's a bit more paranormal happenings going on at Morgwel Hall. Desperate to learn the history of the place, he seeks out two locals who tell him of the horrible history of Morgwel Hall and of Anna's demise. I wouldn't say the plot was scary. It was spooky and a bit creepy at times, but it wasn't overly scary which I didn't mind. It was still very interesting! I didn't really read any major plot twists, but that didn't take away from the story. All of my questions and wondering were answered by the end of the book even my questions about Williamson's cat and dog which was a nice touch. I wish there was more detail as to why Anna took a shining to Captain Williamson and what made her fall in love with him though. The world building was done very well as well. The story takes place almost completely in Cornwall not long after World War I. It was definitely believable.
The characters of Morgwel Hall were very well written and realistic. Captain Williamson is a great character although sometimes it was hard to tell if he was supposed to be an older man or a younger man. It would have been nice to know his actual age in the book because I struggled to picture him in my mind age wise. Other than that, everything about Williamson was great. It was interesting learning with Williamson about Morgwell Hall. Albert and Nancy were also fantastic characters. I really liked Nancy for some reason. I guess it was just how humble she was. Dougy was my absolute favorite though. He sounded like such a sweet dog!
The pacing in Morgwel Hall was set decently. There were a few times when the story got a bit too wordy and descriptive which would slow the pacing down a little, but for the most part, the pacing stayed strong, and I was desperate to learn more about Morgwel Hall and the history.
Trigger warnings for Morgwel Hall include alcoholism (Captain Williamson came across as being addicted to whiskey), minor profanities, death, suicide, and implied murder.
Overall, Morgwel Hall is a very interesting read. The plot is written very well, and the characters are interesting to read about. I would definitely recommend Morgwel Hall by Michael Hutchins to those aged 15+ who are fans of ghost stories but don't want to be too scared.
--
(A special thank you to the author for providing me with a paperback of Morgwel Hall in exchange for an honest and unbiased review.)
I really enjoyed the plot for Morgwel Hall. Captain Williamson sees a girl dancing on the battlements of the ruined castle he is about to purchase. He is instantly mesmerized by her. He learns her name is Anna and begins to fall in love with her. The only problem is she's a ghost. However, there's a bit more paranormal happenings going on at Morgwel Hall. Desperate to learn the history of the place, he seeks out two locals who tell him of the horrible history of Morgwel Hall and of Anna's demise. I wouldn't say the plot was scary. It was spooky and a bit creepy at times, but it wasn't overly scary which I didn't mind. It was still very interesting! I didn't really read any major plot twists, but that didn't take away from the story. All of my questions and wondering were answered by the end of the book even my questions about Williamson's cat and dog which was a nice touch. I wish there was more detail as to why Anna took a shining to Captain Williamson and what made her fall in love with him though. The world building was done very well as well. The story takes place almost completely in Cornwall not long after World War I. It was definitely believable.
The characters of Morgwel Hall were very well written and realistic. Captain Williamson is a great character although sometimes it was hard to tell if he was supposed to be an older man or a younger man. It would have been nice to know his actual age in the book because I struggled to picture him in my mind age wise. Other than that, everything about Williamson was great. It was interesting learning with Williamson about Morgwell Hall. Albert and Nancy were also fantastic characters. I really liked Nancy for some reason. I guess it was just how humble she was. Dougy was my absolute favorite though. He sounded like such a sweet dog!
The pacing in Morgwel Hall was set decently. There were a few times when the story got a bit too wordy and descriptive which would slow the pacing down a little, but for the most part, the pacing stayed strong, and I was desperate to learn more about Morgwel Hall and the history.
Trigger warnings for Morgwel Hall include alcoholism (Captain Williamson came across as being addicted to whiskey), minor profanities, death, suicide, and implied murder.
Overall, Morgwel Hall is a very interesting read. The plot is written very well, and the characters are interesting to read about. I would definitely recommend Morgwel Hall by Michael Hutchins to those aged 15+ who are fans of ghost stories but don't want to be too scared.
--
(A special thank you to the author for providing me with a paperback of Morgwel Hall in exchange for an honest and unbiased review.)
TheFiend13420 (21 KP) rated Texas Chainsaw Massacre (2022) in Movies
Jun 2, 2022
Some inventive chainsaw massacr...ing (2 more)
Excellent Work by Leatherface Actor Mark Burnham
The Fucking Bus....
It's About Freaking Time!!!!!
Contains spoilers, click to show
I always go into a Chainsaw Massacre movie with as open of a mind as I can. Knowing full well, that the last few entries haven't been up to par.
Netflix....you beautiful bastards you...
From beginning to end, this film kept me going. I sat, literally on the edge of my chair the entire time. Waiting to see what this big, Momma face wearing Slasher would do next.
The first kill nearly made me spit out my Coke. I wasn't expecting such ferocity of the hop.
The writers making this a true after the first film sequel, did everything right in my book.
The cast, minus the lead, Sarah Yarkin, were not your basic, run into the basement kind of kids that have been cannon fodder for good ol' Leatherface in the past. They seemed as logical as they could for a bunch of 20 somethings fending off a once dormant serial killer, who has been woken by the death of his 'Mother'.
Yarkin, who was playing main character Melody, seemed to try and grasp hold of the Scream Queen crown left behind by prior Chainsaw Final Girls Marilyn Burns and Jessica Biel, but failed miserably. She is the one thing out of this movie that I just couldn't get in to.
And, I will admit. That ending. While waiting for the basic good old jump scare. I sat, clenching the sides of the chair I was in, waiting anxiously for it to come. And when it finally did. It did not disappoint.
Look out for a stand out preformance by Olwen Fouere, who plays the role of Sally Hardesty. The lone survivor of the original 1974 film. As well as Mark Burnham as Leatherface and Elsie Fisher as Lila, Mel's sister, and a survivor in her own right.
Texas Chainsaw Massacre was one of the first films in the horror genre that I ever seen. Leatherface will always hold a special place in my Dark little heart. And after some clusterfuck films in the series. It's nice to have one strike a chord and make me want more.
Netflix....you beautiful bastards you...
From beginning to end, this film kept me going. I sat, literally on the edge of my chair the entire time. Waiting to see what this big, Momma face wearing Slasher would do next.
The first kill nearly made me spit out my Coke. I wasn't expecting such ferocity of the hop.
The writers making this a true after the first film sequel, did everything right in my book.
The cast, minus the lead, Sarah Yarkin, were not your basic, run into the basement kind of kids that have been cannon fodder for good ol' Leatherface in the past. They seemed as logical as they could for a bunch of 20 somethings fending off a once dormant serial killer, who has been woken by the death of his 'Mother'.
Yarkin, who was playing main character Melody, seemed to try and grasp hold of the Scream Queen crown left behind by prior Chainsaw Final Girls Marilyn Burns and Jessica Biel, but failed miserably. She is the one thing out of this movie that I just couldn't get in to.
And, I will admit. That ending. While waiting for the basic good old jump scare. I sat, clenching the sides of the chair I was in, waiting anxiously for it to come. And when it finally did. It did not disappoint.
Look out for a stand out preformance by Olwen Fouere, who plays the role of Sally Hardesty. The lone survivor of the original 1974 film. As well as Mark Burnham as Leatherface and Elsie Fisher as Lila, Mel's sister, and a survivor in her own right.
Texas Chainsaw Massacre was one of the first films in the horror genre that I ever seen. Leatherface will always hold a special place in my Dark little heart. And after some clusterfuck films in the series. It's nice to have one strike a chord and make me want more.
Movie Metropolis (309 KP) rated The Hunger Games: Catching Fire (2013) in Movies
Jun 10, 2019
The Hunger Games franchise has come at a time that is almost certain to gather box-office success. After Harry Potter finished two years ago and The Twilight Saga bowed out just 12 months ago, teenagers and young adults have been craving for a new series of blockbusters to ‘sink their teeth into’.
The first film of this new dawn, based on Suzanne Collins’ successful book, was released in March last year and greeted with warm reviews and a staggering box-office performance, a gross just shy of $700m to be a little more precise.
However, rumoured tensions between director Gary Ross and studio Color Force meant that despite its impressive takings, he was not to helm its sequel, Catching Fire. Taking over from him is Francis Lawrence, director of I am Legend, Constantine and Water for Elephants, but can he better what preceded him?
The series centres around an annual ‘games’, in which people aged between 12 and 18 must fight to the death in a custom made arena, leaving only one victor, who is showered with riches for the rest of their lives.
Jennifer Lawrence, returning to the series after her first Oscar win this year, plays Katniss Everdeen, a plucky young teen who fresh from winning the previous Hunger Games tournament alongside her beau Peeta Mellark, played by Josh Hutcherson, travel through the land of Panem (a post-apocalyptic America) to spread their story and persuade others to take part in the vicious tournament.
However, after angering the Capitol, run by cold-hearted President Snow (Donald Sutherland) who becomes increasingly concerned that an up-rising is brewing, it is decided that previous victors must once again take part, to show that even they are not above the law.
For those fresh to the series, I warn you not to watch this film without seeing the first, as much of the plot will be near incomprehensible and your enjoyment will suffer as a result.
The film starts slowly, giving enough backstory before the inevitable return to the arena. Thankfully despite its large running time of 146 minutes, it never falters and after allowing the audience to see how the world has changed, it is back into the new and improved arena for the 75th Hunger Games.
Gone is the shaky handy-cam of director Gary Ross, and in its place we are treated to sweeping shots of numerous landscapes; from the coal-mining community of District 12, to the bright lights of the Capitol and even the large arena which has been given a radical overhaul to make it even more challenging than ever.
The acting is simply sublime by all accounts. Jennifer Lawrence, fresh from the honour of an Oscar plays Katniss with such a subtle grace that she is mesmerising to watch, a real treat for fans of J-Law and of course Suzanne Collins’ character. Liam Hemsworth returns to the series as Katniss’ secret love interest Gale, but he is sorely underused. Josh Hutcherson’s Peeta Mellark is as irritating as ever and lacks a backbone, but this is more to do with the script than Hutcherson’s abilities as an actor.
Woody Harrelson, Elizabeth Banks, Stanley Tucci also return, with the latter being a real stand-out in a film which is filled with quirky and unusual characters.
Those of you who have read my review of the previous film will know that I wasn’t a fan of its lacklustre special effects. Thankfully my prayers were answered and due to a budget that has almost doubled, the effects are glorious. The Capitol is perhaps the best use of the CGI, where the first film looked like a Star Wars: Episode I rip-off, here we really feel like the city is living and breathing for the very first time.
Unfortunately, it seems like the special effects team are still struggling with CGI fire as the computer generated flames are still laughable in their realism.
At 146 minutes, Catching Fire was always going to numb your backside, but you don’t care, the film is an absolute treat to watch. Director Francis Lawrence has retained the violent nature of the series despite its ridiculous 12A certification and manages to get around those limitations with style and flair.
Yes, if I was pushed I’d say it was a little over-long, the CGI flames still look ridiculous and the ending is far too abrupt, but if those are the only faults I can find in a film, then clearly it is more than worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/11/23/hunger-games-catching-fire-review/
The first film of this new dawn, based on Suzanne Collins’ successful book, was released in March last year and greeted with warm reviews and a staggering box-office performance, a gross just shy of $700m to be a little more precise.
However, rumoured tensions between director Gary Ross and studio Color Force meant that despite its impressive takings, he was not to helm its sequel, Catching Fire. Taking over from him is Francis Lawrence, director of I am Legend, Constantine and Water for Elephants, but can he better what preceded him?
The series centres around an annual ‘games’, in which people aged between 12 and 18 must fight to the death in a custom made arena, leaving only one victor, who is showered with riches for the rest of their lives.
Jennifer Lawrence, returning to the series after her first Oscar win this year, plays Katniss Everdeen, a plucky young teen who fresh from winning the previous Hunger Games tournament alongside her beau Peeta Mellark, played by Josh Hutcherson, travel through the land of Panem (a post-apocalyptic America) to spread their story and persuade others to take part in the vicious tournament.
However, after angering the Capitol, run by cold-hearted President Snow (Donald Sutherland) who becomes increasingly concerned that an up-rising is brewing, it is decided that previous victors must once again take part, to show that even they are not above the law.
For those fresh to the series, I warn you not to watch this film without seeing the first, as much of the plot will be near incomprehensible and your enjoyment will suffer as a result.
The film starts slowly, giving enough backstory before the inevitable return to the arena. Thankfully despite its large running time of 146 minutes, it never falters and after allowing the audience to see how the world has changed, it is back into the new and improved arena for the 75th Hunger Games.
Gone is the shaky handy-cam of director Gary Ross, and in its place we are treated to sweeping shots of numerous landscapes; from the coal-mining community of District 12, to the bright lights of the Capitol and even the large arena which has been given a radical overhaul to make it even more challenging than ever.
The acting is simply sublime by all accounts. Jennifer Lawrence, fresh from the honour of an Oscar plays Katniss with such a subtle grace that she is mesmerising to watch, a real treat for fans of J-Law and of course Suzanne Collins’ character. Liam Hemsworth returns to the series as Katniss’ secret love interest Gale, but he is sorely underused. Josh Hutcherson’s Peeta Mellark is as irritating as ever and lacks a backbone, but this is more to do with the script than Hutcherson’s abilities as an actor.
Woody Harrelson, Elizabeth Banks, Stanley Tucci also return, with the latter being a real stand-out in a film which is filled with quirky and unusual characters.
Those of you who have read my review of the previous film will know that I wasn’t a fan of its lacklustre special effects. Thankfully my prayers were answered and due to a budget that has almost doubled, the effects are glorious. The Capitol is perhaps the best use of the CGI, where the first film looked like a Star Wars: Episode I rip-off, here we really feel like the city is living and breathing for the very first time.
Unfortunately, it seems like the special effects team are still struggling with CGI fire as the computer generated flames are still laughable in their realism.
At 146 minutes, Catching Fire was always going to numb your backside, but you don’t care, the film is an absolute treat to watch. Director Francis Lawrence has retained the violent nature of the series despite its ridiculous 12A certification and manages to get around those limitations with style and flair.
Yes, if I was pushed I’d say it was a little over-long, the CGI flames still look ridiculous and the ending is far too abrupt, but if those are the only faults I can find in a film, then clearly it is more than worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/11/23/hunger-games-catching-fire-review/
Heather Cranmer (2721 KP) rated All In in Books
Dec 30, 2019 (Updated Jan 21, 2020)
When I read the synopsis for All In by L.K. Simonds, I was definitely intrigued. There was something about it that really spoke to me.
The plot felt very realistic and was done beautifully. Cami is a 29 year old famous author that doesn't seem to let things bother her much. After breaking up with her boyfriend, things start going downhill for her fast especially when something life changing happens. Unbeknownst to Cami, God is trying to touch her heart. Will she accept or will she push God away like everyone else she's pushed away?
The world building for All In was written very well. I felt like I was with Cami every step of the way from the breakup with her boyfriend, her one night stand, her vacations in Dallas, to her life changing event. While the pacing for All In starts off quite slow, it does eventually pick up about halfway through the book. Once the pacing picked up, I found myself absorbed in each and every little detail All In had to offer. I didn't really feel that this book had any plot twists or at least any major plot twists, but I also felt this novel didn't need any plot twists to hold its reader's interest. I did find myself trying to guess who helped Cami come to her life changing event. (Sorry to be so cryptic, but I don't want to give any spoilers away.) To some, All In may feel a bit preachy towards the ending of the book. However, this is a Christian fiction novel, and it is easy to tell that turning to God is what this book's main message is once you get closer to the ending. While we don't learn who contributed to Cami's life changing event (and it's not a big deal to find out who), every other loose string is tied up by the time the book ends.
The characters in All In are well fleshed out. My favorite character was Kate. I loved, loved, loved how caring she was towards everyone. She never had an unkind word about anyone. In fact, she was such a great role model. She was always full of encouragement throughout. I would love someone like Kate in my life. I also loved how patient Joel (Cami's ex) was with Cami. David was also a great guy, and I also loved how patient he was with Cami and just life in general. Another character I also loved was Sam. Even though he was dying, he wasn't angry or anything. In fact, he seemed very at peace with everything. The one character that did irk me was Cami. She seemed emotionless through most of the story. Joel accuses her basically of being emotionless, and he's right. She also comes off as extremely rude and snobby. I didn't really like or connect with Cami at all until the end of All In. Plus, I found it extremely gross when she was lusting and trying to seduce her 19 year old cousin. Cami seemed to just look at a guy and want to sleep with them. She'd also mention what each guy looked like and how attractive or unattractive they were each time. Cami couldn't just look at a man and see him as just a person. I felt like this took away from the book.
Trigger warnings for All In include death, some profanity, alcohol use, drug use, minor violence, and promiscuity (although the scenes were never graphic).
Overall, All In turns out to be a very uplifting read that sends a fantastic loving message. The plot is solid, and it does have some really sweet characters. I would recommend All In by L.K. Simonds to those aged 18+ who are questioning their faith in God or those who are already believers or are on the verge of believing. All In will leave you feeling satiated and loved.
--
(A special thank you to L.K. Simonds to providing me with a paperback of All In in exchange for an honest and unbiased review.)
The plot felt very realistic and was done beautifully. Cami is a 29 year old famous author that doesn't seem to let things bother her much. After breaking up with her boyfriend, things start going downhill for her fast especially when something life changing happens. Unbeknownst to Cami, God is trying to touch her heart. Will she accept or will she push God away like everyone else she's pushed away?
The world building for All In was written very well. I felt like I was with Cami every step of the way from the breakup with her boyfriend, her one night stand, her vacations in Dallas, to her life changing event. While the pacing for All In starts off quite slow, it does eventually pick up about halfway through the book. Once the pacing picked up, I found myself absorbed in each and every little detail All In had to offer. I didn't really feel that this book had any plot twists or at least any major plot twists, but I also felt this novel didn't need any plot twists to hold its reader's interest. I did find myself trying to guess who helped Cami come to her life changing event. (Sorry to be so cryptic, but I don't want to give any spoilers away.) To some, All In may feel a bit preachy towards the ending of the book. However, this is a Christian fiction novel, and it is easy to tell that turning to God is what this book's main message is once you get closer to the ending. While we don't learn who contributed to Cami's life changing event (and it's not a big deal to find out who), every other loose string is tied up by the time the book ends.
The characters in All In are well fleshed out. My favorite character was Kate. I loved, loved, loved how caring she was towards everyone. She never had an unkind word about anyone. In fact, she was such a great role model. She was always full of encouragement throughout. I would love someone like Kate in my life. I also loved how patient Joel (Cami's ex) was with Cami. David was also a great guy, and I also loved how patient he was with Cami and just life in general. Another character I also loved was Sam. Even though he was dying, he wasn't angry or anything. In fact, he seemed very at peace with everything. The one character that did irk me was Cami. She seemed emotionless through most of the story. Joel accuses her basically of being emotionless, and he's right. She also comes off as extremely rude and snobby. I didn't really like or connect with Cami at all until the end of All In. Plus, I found it extremely gross when she was lusting and trying to seduce her 19 year old cousin. Cami seemed to just look at a guy and want to sleep with them. She'd also mention what each guy looked like and how attractive or unattractive they were each time. Cami couldn't just look at a man and see him as just a person. I felt like this took away from the book.
Trigger warnings for All In include death, some profanity, alcohol use, drug use, minor violence, and promiscuity (although the scenes were never graphic).
Overall, All In turns out to be a very uplifting read that sends a fantastic loving message. The plot is solid, and it does have some really sweet characters. I would recommend All In by L.K. Simonds to those aged 18+ who are questioning their faith in God or those who are already believers or are on the verge of believing. All In will leave you feeling satiated and loved.
--
(A special thank you to L.K. Simonds to providing me with a paperback of All In in exchange for an honest and unbiased review.)
Heather Cranmer (2721 KP) rated The New Husband in Books
Feb 19, 2020
I love a good thriller, so when I found out about The New Husband by D.J. Palmer, I was all over it! This was a book that I knew I had to read. Luckily, I was not disappointed at all.
Nina's husband Glen disappeared after going out on his boat. No one was ever able to locate Glen's body although Nina presumes him to be dead. About two years later, Nina finds love with Simon Fitch, a teacher at her daughter's middle school. Simon is absolutely perfect for Nina, but Maggie, Nina's daughter, knows something is very wrong with Simon. Is Simon actually who he says he is or is Nina over her head?
I found the plot for The New Husband to be entertaining even though I also found it fairly predictable. While the plot is similar to other books, Palmer does a fantastic job at adding his own voice to the story. There were a couple of little plot twist I didn't predict to be fair, and the pacing was done brilliantly. I felt like every loose end was tied up by the end of the book and was explained very well. The descriptive use of text has me transported right into the middle of the setting for every scene in The New Husband.
The characters in The New Husband all had plenty of depth and were very fleshed out. I loved Nina, but so many times I wanted her to really pry more into Simon's background instead of taking him at face value. It was easy to see why she wanted to trust him since she was in love with him though. I loved how Nina's curiosity eventually got the better of her, and she did start digging up info on Simon. Simon seemed like a complete psychopath to me. I loved how well he was written, but I was constantly second guessing everything Simon said. I wanted to be wrong about him. I loved how Maggie was willing to investigate Simon from the get go. Something about him didn't sit right with her, and she acted on it. Whenever everyone else was jaded when it came to Simon, Maggie saw right through him. I did feel that Maggie sometimes acted younger than her actual age though based on how her thoughts were written.
Trigger warnings include profanity, gas-lighting, mentions of sex (although not graphic), gun use, alcohol use, violence, attempted murder, and murder.
The New Husband will definitely leave you on your toes as well as turning the page wanting to know more. Although the plot is fairly predictable, it has a great cast of characters who hold their own. I would definitely recommend The New Husband by D.J. Palmer to those who love a story that sucks them right in!
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(A special thank you to the publisher for sending me a paperback ARC of The New Husband by D.J. Palmer. I was not required to write a review.)
Nina's husband Glen disappeared after going out on his boat. No one was ever able to locate Glen's body although Nina presumes him to be dead. About two years later, Nina finds love with Simon Fitch, a teacher at her daughter's middle school. Simon is absolutely perfect for Nina, but Maggie, Nina's daughter, knows something is very wrong with Simon. Is Simon actually who he says he is or is Nina over her head?
I found the plot for The New Husband to be entertaining even though I also found it fairly predictable. While the plot is similar to other books, Palmer does a fantastic job at adding his own voice to the story. There were a couple of little plot twist I didn't predict to be fair, and the pacing was done brilliantly. I felt like every loose end was tied up by the end of the book and was explained very well. The descriptive use of text has me transported right into the middle of the setting for every scene in The New Husband.
The characters in The New Husband all had plenty of depth and were very fleshed out. I loved Nina, but so many times I wanted her to really pry more into Simon's background instead of taking him at face value. It was easy to see why she wanted to trust him since she was in love with him though. I loved how Nina's curiosity eventually got the better of her, and she did start digging up info on Simon. Simon seemed like a complete psychopath to me. I loved how well he was written, but I was constantly second guessing everything Simon said. I wanted to be wrong about him. I loved how Maggie was willing to investigate Simon from the get go. Something about him didn't sit right with her, and she acted on it. Whenever everyone else was jaded when it came to Simon, Maggie saw right through him. I did feel that Maggie sometimes acted younger than her actual age though based on how her thoughts were written.
Trigger warnings include profanity, gas-lighting, mentions of sex (although not graphic), gun use, alcohol use, violence, attempted murder, and murder.
The New Husband will definitely leave you on your toes as well as turning the page wanting to know more. Although the plot is fairly predictable, it has a great cast of characters who hold their own. I would definitely recommend The New Husband by D.J. Palmer to those who love a story that sucks them right in!
--
(A special thank you to the publisher for sending me a paperback ARC of The New Husband by D.J. Palmer. I was not required to write a review.)
Heather Cranmer (2721 KP) rated The First Mistake in Books
Apr 27, 2019
Predictable but Good
I love a good thriller, so I was very excited to read The First Mistake by Sandie Jones. The synopsis just sucked me in. I was so happy that this book didn't disappoint.
The plot sucked me in right away. I found myself immersed in the world that Sandie Jones had created for her characters. Alice is still grieving over her husband Tom who died years ago. However, she's now married to Nathan and has a daughter with him. Alice soon suspects that Nathan is having an affair. When Alice tries to find out if Nathan is cheating, that's when she begins to realize that no one is who they seem. I will say that while I did find the plot interesting enough, I also found it predictable. Early on, I had predicted the plot twists for this book including the major plot twist. That didn't me enjoy it any less. I kept reading to make sure I was correct in my predictions. What really irked me the most was the ending of The First Mistake. It just seemed really rushed. The truth came out, and then it was all over within a page. I don't want to go into too much detail due to spoilers, but I just felt as if the author couldn't be bothered to write anymore, so she took the easy way out. I would have liked to know what happened to everyone in a few months time instead of the book ending so suddenly.
I thought all of the characters were well written in The First Mistake. Alice was a likable character, and I found myself angry when it seemed like Nathan may have been cheating on her. However, I felt like she was cheating on Nathan in a sense as she was still grieving her dead husband almost 10 years later. Beth was an interesting character, and I enjoyed her backstory. However, I felt like she wasn't around enough in the actual present day story. We learn about her past, but we don't see her and Alice interact too much even though they are best friends. Although I had Nathan figured out, I felt he was fleshed out very well, and I loved how convincing and charming he was towards his wife and how great he was at calming her fears about him having an affair even when all the evidence that he was cheating was there. Olivia was my favorite character. She's Nathan's and Alice's daughter. I just thought she was the cutest little girl!
The pacing was done very well, and the only place I felt like it faltered was during Beth's backstory. I just felt there was too much information that was irrelevant when learning about Beth's past. Apart from that, I felt like the pacing stayed consistent throughout.
Trigger warnings for The First Mistake include sexual situations (though not graphic), drinking alcohol, profanity, violence, and death.
All in all, The First Mistake is an interesting read. Although I found it predictable, and I hated the ending, I still enjoyed this book very much. I would recommend The First Mistake by Sandie Jones to everyone aged 17+ who enjoy a good thriller. This one does not disappoint.
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(A special thank you to the publisher for providing me with an ARC paperback of The First Mistake by Sandie Jones in exchange for an honest and unbiased review.)
The plot sucked me in right away. I found myself immersed in the world that Sandie Jones had created for her characters. Alice is still grieving over her husband Tom who died years ago. However, she's now married to Nathan and has a daughter with him. Alice soon suspects that Nathan is having an affair. When Alice tries to find out if Nathan is cheating, that's when she begins to realize that no one is who they seem. I will say that while I did find the plot interesting enough, I also found it predictable. Early on, I had predicted the plot twists for this book including the major plot twist. That didn't me enjoy it any less. I kept reading to make sure I was correct in my predictions. What really irked me the most was the ending of The First Mistake. It just seemed really rushed. The truth came out, and then it was all over within a page. I don't want to go into too much detail due to spoilers, but I just felt as if the author couldn't be bothered to write anymore, so she took the easy way out. I would have liked to know what happened to everyone in a few months time instead of the book ending so suddenly.
I thought all of the characters were well written in The First Mistake. Alice was a likable character, and I found myself angry when it seemed like Nathan may have been cheating on her. However, I felt like she was cheating on Nathan in a sense as she was still grieving her dead husband almost 10 years later. Beth was an interesting character, and I enjoyed her backstory. However, I felt like she wasn't around enough in the actual present day story. We learn about her past, but we don't see her and Alice interact too much even though they are best friends. Although I had Nathan figured out, I felt he was fleshed out very well, and I loved how convincing and charming he was towards his wife and how great he was at calming her fears about him having an affair even when all the evidence that he was cheating was there. Olivia was my favorite character. She's Nathan's and Alice's daughter. I just thought she was the cutest little girl!
The pacing was done very well, and the only place I felt like it faltered was during Beth's backstory. I just felt there was too much information that was irrelevant when learning about Beth's past. Apart from that, I felt like the pacing stayed consistent throughout.
Trigger warnings for The First Mistake include sexual situations (though not graphic), drinking alcohol, profanity, violence, and death.
All in all, The First Mistake is an interesting read. Although I found it predictable, and I hated the ending, I still enjoyed this book very much. I would recommend The First Mistake by Sandie Jones to everyone aged 17+ who enjoy a good thriller. This one does not disappoint.
--
(A special thank you to the publisher for providing me with an ARC paperback of The First Mistake by Sandie Jones in exchange for an honest and unbiased review.)
Bob Mann (459 KP) rated Arrival (2016) in Movies
Sep 29, 2021
Wow – what a surprise.
Sometimes I can get very irritated by a trailer for giving too much away (case in point, “Room” – which I recut – and more recently “Passengers”). Sometimes I can get very excited by a really good teaser trailer (case in point, “10 Cloverfield Lane”). But most of the time a “ho hum” trailer typically drives the expectation of a “ho hum” film: “Jack Reacher: Never Look Back” being a good recent example. Then there is “Arrival”…
Because the trailer for “Arrival” belies absolutely nothing about the depth and complexity of the film. At face value, it looks like a dubious “Close Encounters” wannabe, with a threat of movement towards the likes of “Independence Day” and “The 5th Wave”. Actually what you get is a film that approaches the grandeur of “Close Encounters” but interlaces it with the intellectual depth of “Inception”, the mystery of “Intersteller” and a heavy emotional jolt or two of “Up”.
Amy Adams (“Batman vs Superman”) plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning. For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don’t. Banks is approached by Colonel Weber (Forest Whitaker) and offered the job of trying to communicate with the aliens: where did they come from? why are they here? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them. Assisted by Ian Donelly (Jeremy Renner, “Mission Impossible IV/V”, “Avengers”), a theoretical physicist, the pair try to crack the code against a deadline set by the inexorable rise of international tensions – driven by China’s General Chang (Tzi Ma, “Veep”; “24”).
Steven Spielberg made a rare error of judgement by adding scenes in his “Special Edition” of “Close Encounters of the Third Kind” showing everyman power guy Roy Neary (Richard Dreyfuss) entering the alien spacecraft. Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but – perversely – seems to be pulled off with mastery and aplomb. The aliens are well rendered, and the small scale nature of the set (I’m sure I’ve been in similar dingy waiting rooms in UK railway stations!) is cleverly handled by the environmental conditions.
But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won’t do. But this is a masterly piece of science-fiction writing. The screenplay was by Eric Heisserer – someone with a limited scriptwriting CV of horror film reboots/sequels such as “Final Destination 5”, “The Thing” and “A Nightmare on Elm Street” – so the portents were not good, which just adds to the surprise. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about “They have a word for it in Hungary” for example went right over my head.
Denis Villeneuve (“Sicario”) deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed. This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story (such as her book) that still generated debate with my better half on the drive home.
Amy Adams and Jeremy Renner are first rate and an effectively moody score by Jóhann Jóhannsson (“Sicario”; “The Theory of Everything”) round off the other high-point credits for me.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.
Because the trailer for “Arrival” belies absolutely nothing about the depth and complexity of the film. At face value, it looks like a dubious “Close Encounters” wannabe, with a threat of movement towards the likes of “Independence Day” and “The 5th Wave”. Actually what you get is a film that approaches the grandeur of “Close Encounters” but interlaces it with the intellectual depth of “Inception”, the mystery of “Intersteller” and a heavy emotional jolt or two of “Up”.
Amy Adams (“Batman vs Superman”) plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning. For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don’t. Banks is approached by Colonel Weber (Forest Whitaker) and offered the job of trying to communicate with the aliens: where did they come from? why are they here? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them. Assisted by Ian Donelly (Jeremy Renner, “Mission Impossible IV/V”, “Avengers”), a theoretical physicist, the pair try to crack the code against a deadline set by the inexorable rise of international tensions – driven by China’s General Chang (Tzi Ma, “Veep”; “24”).
Steven Spielberg made a rare error of judgement by adding scenes in his “Special Edition” of “Close Encounters of the Third Kind” showing everyman power guy Roy Neary (Richard Dreyfuss) entering the alien spacecraft. Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but – perversely – seems to be pulled off with mastery and aplomb. The aliens are well rendered, and the small scale nature of the set (I’m sure I’ve been in similar dingy waiting rooms in UK railway stations!) is cleverly handled by the environmental conditions.
But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won’t do. But this is a masterly piece of science-fiction writing. The screenplay was by Eric Heisserer – someone with a limited scriptwriting CV of horror film reboots/sequels such as “Final Destination 5”, “The Thing” and “A Nightmare on Elm Street” – so the portents were not good, which just adds to the surprise. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about “They have a word for it in Hungary” for example went right over my head.
Denis Villeneuve (“Sicario”) deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed. This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story (such as her book) that still generated debate with my better half on the drive home.
Amy Adams and Jeremy Renner are first rate and an effectively moody score by Jóhann Jóhannsson (“Sicario”; “The Theory of Everything”) round off the other high-point credits for me.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.
BankofMarquis (1832 KP) rated Greyhound (2020) in Movies
Mar 11, 2021
Hanks Does It Again
Tom Hanks interest in the men who fought in WWII is well known. From his starring role as Capt. Miller is what is (arguably) the definitive film about D-Day, SAVING PRIVATE RYAN, to his Executive Producing role in, arguably, the best mini-series ever produced about WWII, BAND OF BROTHERS, Hanks has brought a face to the nameless heroes who fought in the middle of the last century.
Add his latest film GREYHOUND, to the list of films that brings a face to a heretofore unknown (at least to me) group of heroes.
Based on the book THE GOOD SHEPHERD by C.S. Forester and adapted for the screen by Hanks himself, GREYHOUND tells the story of a Commander of a U.S. Navy escort ship, helping cargo ships cross the Atlantic Ocean - an Ocean filled with enemy submarines.
Hanks, of course, plays Commander Ernest Krause, Captain of the USS Keeling, code named “Greyhound”, who is on his first mission. As one might imagine, Hanks imbues Krause with a common decency and you inherently trust Krause’s instincts as he makes split second decision after split second decision. What surprised me about Hanks in this role is his “steely resolve” in dealing with the problems. You can see his brain working as he makes pragmatic decision after pragmatic decision - sometimes not the most “human” decisions - but the right decisions after all.
This is both the strength and the problem with this film - Hanks’ character is NEVER wrong, so after awhile, the tension on the Bridge with Capt. Krause being questioned on his decisions, is never really there.
But, that is a “nit” in this film for Director Aaron Schneider has constructed a taunt and tight thriller that is non-stop action from start to finish. He wisely decided to keep the film at a tight 90 minutes and keep the action flying (versus putting in a couple of “character building scenes” that could have stretched the runtime). He does shoehorn in a flashback scene between Krause and his lady love (played by Elisabeth Shue), a scene that is not really needed, but besides this he focuses his attention on the Greyhound and it’s mission and this is a smart move that the film benefits from.
Director Schneider relies, heavily, on the Special F/X recreating the Atlantic sea battles and, for the most part, it succeeds. BUT…from time-to-time I felt like I was watching a video game - and not a film. The F/X (at times) was just not feature film quality that drew me away from the emotion and the action on the screen.
With the Global Pandemic, this film’s theatrical release was cancelled and it was put on Apple TV+(where you can find it today), so I can forgive the lower F/X results…but just a little.
All-in-all a fun thrill ride, with a terrific central performance, in a film that shows an aspect of WWII I had not previously scene portrayed on film before.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Add his latest film GREYHOUND, to the list of films that brings a face to a heretofore unknown (at least to me) group of heroes.
Based on the book THE GOOD SHEPHERD by C.S. Forester and adapted for the screen by Hanks himself, GREYHOUND tells the story of a Commander of a U.S. Navy escort ship, helping cargo ships cross the Atlantic Ocean - an Ocean filled with enemy submarines.
Hanks, of course, plays Commander Ernest Krause, Captain of the USS Keeling, code named “Greyhound”, who is on his first mission. As one might imagine, Hanks imbues Krause with a common decency and you inherently trust Krause’s instincts as he makes split second decision after split second decision. What surprised me about Hanks in this role is his “steely resolve” in dealing with the problems. You can see his brain working as he makes pragmatic decision after pragmatic decision - sometimes not the most “human” decisions - but the right decisions after all.
This is both the strength and the problem with this film - Hanks’ character is NEVER wrong, so after awhile, the tension on the Bridge with Capt. Krause being questioned on his decisions, is never really there.
But, that is a “nit” in this film for Director Aaron Schneider has constructed a taunt and tight thriller that is non-stop action from start to finish. He wisely decided to keep the film at a tight 90 minutes and keep the action flying (versus putting in a couple of “character building scenes” that could have stretched the runtime). He does shoehorn in a flashback scene between Krause and his lady love (played by Elisabeth Shue), a scene that is not really needed, but besides this he focuses his attention on the Greyhound and it’s mission and this is a smart move that the film benefits from.
Director Schneider relies, heavily, on the Special F/X recreating the Atlantic sea battles and, for the most part, it succeeds. BUT…from time-to-time I felt like I was watching a video game - and not a film. The F/X (at times) was just not feature film quality that drew me away from the emotion and the action on the screen.
With the Global Pandemic, this film’s theatrical release was cancelled and it was put on Apple TV+(where you can find it today), so I can forgive the lower F/X results…but just a little.
All-in-all a fun thrill ride, with a terrific central performance, in a film that shows an aspect of WWII I had not previously scene portrayed on film before.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Banyan Tales - Adventure Series & Morals for Kids
Education and Book
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Get BanyanTales, the best socio-emotional learning app for children up to 8 years old, and watch...
ClareR (5721 KP) Aug 25, 2018