"Since I started writing about politics full time (a terrible place to live!), I always, always, always have a fantasy novel queued up in my audiobooks app. I listen to snippets when I’m getting dressed or washing the dishes or driving, and I set the sleep timer for 15 minutes every night so I can fall asleep in a story, whether my husband likes it or not. Shadow and Bone—about a young woman who discovers remarkable powers in a world plagued by darkness—is a flawless escape: adventure, romance, a captivating magic system, and enough emotional complexity that it stays under your skin even when you’re back in the real world. "

"I would say that Thomas Vinterberg’s The Celebration was probably one of the most influential movies for me to be a filmmaker. I had seen a lot of how-to movies in the past, but there was something about how unapologetic that movie was to be filmed on a video camera. They had all these rules because of the Dogme 95 rules, where you couldn’t have a tripod, you know, you can’t bring in lights, you can’t use props that aren’t already there, you can’t use music, and I thought, “Well, this movie’s going to suck.” I went to see it, and I was riveted, and it was like that moment where I kind of sat at a coffee shop — I saw it in Washington D.C., I was there on a trip — and I just sat there thinking, “The only reason you’re not a filmmaker right now is because you’re not going out and doing it, because these people just made something with a camera that’s sh**tier than yours, and it’s brilliant.” So, “The only reason you’re not a filmmaker is not because people aren’t giving you money, or giving you a break. It’s because you’re not good enough, or you’re not doing it.” So that was a very important movie for me."