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Peter G. (247 KP) rated Ex Machina (2015) in Movies
Jul 16, 2019
Devious test of emerging A.I robotics on an unknowing participant that is both claustrophobic and unpredictable.
It feeds into our fear of the undiscovered country that is A.I and gives us a glimpse into possibilities of the near future and if there could be coexistence.
The small cast is perfect, and the script intelligent, unfortunately for some the pacing might be a little slow.
It feeds into our fear of the undiscovered country that is A.I and gives us a glimpse into possibilities of the near future and if there could be coexistence.
The small cast is perfect, and the script intelligent, unfortunately for some the pacing might be a little slow.
Gareth von Kallenbach (965 KP) rated The creator (2023) in Movies
Sep 28, 2023
Taken from the pages of todayโs headlines; โThe Creatorโ presents a fresh yet complicated look at A.I. and how it may play into the future.
Director Gareth Edwards presents a future where A.I. has evolved to be incorporated into all aspects of society ranging from medical to production and the military.
When a deadly attack hits Los Angeles, the United States declares war on A.I. units and not only bans them but looks to hunt down and eliminate all units worldwide.
This causes an issue with the Asian Block where A.I. units are manufactured and actively incorporated into society with zero prejudice or concerns.
Joshua (John David Washington), sits out the conflict in Asia content with his wife and the pending birth of their child. When a U.S. raid arrives it is revealed that Joshua is actually undercover for the military and his wife sees this as a betrayal and flees with her allies and A.I. units but is killed in the process.
Years later Joshua is recruited to take part in a raid to eliminate the person behind the A.I. and take out the new weapon they have reportedly constructed. Unwilling at first; Joshua is convinced by the possibility that his wife survived the attack.
During the raid, it is revealed that the weapon is a robotic child Joshua named Alphie (Madeline Yuna Voyles) and Joshua is forced to flee with Alphie and in doing so; has divided loyalties as his focus is to find his wife despite the U.S. forces in hot pursuit and destroying all the communities with A.I. they encounter.
While parts of the film do tend to run a bit long; the cast is top-rate and the film provides an interesting debate on A.I. and its use in society and does so with a solid amount of action in the process.
4 stars out of 5
Director Gareth Edwards presents a future where A.I. has evolved to be incorporated into all aspects of society ranging from medical to production and the military.
When a deadly attack hits Los Angeles, the United States declares war on A.I. units and not only bans them but looks to hunt down and eliminate all units worldwide.
This causes an issue with the Asian Block where A.I. units are manufactured and actively incorporated into society with zero prejudice or concerns.
Joshua (John David Washington), sits out the conflict in Asia content with his wife and the pending birth of their child. When a U.S. raid arrives it is revealed that Joshua is actually undercover for the military and his wife sees this as a betrayal and flees with her allies and A.I. units but is killed in the process.
Years later Joshua is recruited to take part in a raid to eliminate the person behind the A.I. and take out the new weapon they have reportedly constructed. Unwilling at first; Joshua is convinced by the possibility that his wife survived the attack.
During the raid, it is revealed that the weapon is a robotic child Joshua named Alphie (Madeline Yuna Voyles) and Joshua is forced to flee with Alphie and in doing so; has divided loyalties as his focus is to find his wife despite the U.S. forces in hot pursuit and destroying all the communities with A.I. they encounter.
While parts of the film do tend to run a bit long; the cast is top-rate and the film provides an interesting debate on A.I. and its use in society and does so with a solid amount of action in the process.
4 stars out of 5
Lee KM Pallatina (951 KP) rated I, Robot (2004) in Movies
Jun 14, 2019
That detective, is the right question.
In the year 2035 A.I. robots are an every part of life throughout the world, working public jobs in place of humans with three rules, number 1 being to protect human life. Most people trust these robots except for one man, detective Del spooner who has a dark past involving robots. Del takes on a case involving a possible suicide of the robotics founder/creator and believes a human like A.I. May be involved.
With help of a robot expert, spooner discovers a conspiracy that may endanger the human race.
This movie has a dark tone, some great cgi work but a story similar to previous movies like terminator and Extinction.
Starring Will Smith, Alan Tudyk, James Cromwell and Bridget Moynahan.
With help of a robot expert, spooner discovers a conspiracy that may endanger the human race.
This movie has a dark tone, some great cgi work but a story similar to previous movies like terminator and Extinction.
Starring Will Smith, Alan Tudyk, James Cromwell and Bridget Moynahan.
AT (1676 KP) rated Assassination Classroom Vol. 3 in Books
Sep 18, 2018
In book 3 of Assassination Classroom, there are multiple attempts to take out the monster teacher. The female assassin is still there, trying to kill and teach. We are introduced to get another character, this time being an A.I. unit that tries its hand at assassination. There is also some time spent on a lesson about getting revenge.
Mark Halpern (153 KP) rated Ghost in the Shell (2017) in Movies
Feb 25, 2018
Soul hidden in body
Major is a new breed of a secret crime stopping unit. Her mind and soul were saved from a fatal accident and put into and A.I. body with super enhancements to be used to stop the worlds most dangerous criminals. Most people on this unit have been enhanced with A.I capabilities. However there were others before her that were attempted to be made like her and they are trying to bring down the people who hurt them. Her task is to try and stop these people but, will she discover how and why she was created and will that deter her motivation on how to deal with the problems.
Interesting storyline and good acting by the beautiful ScarJo but, otherwise just an OK movie
Interesting storyline and good acting by the beautiful ScarJo but, otherwise just an OK movie
Dean (6921 KP) rated Ex Machina (2015) in Movies
May 24, 2017 (Updated Sep 1, 2020)
Good story (1 more)
Cool location
OK Sci-fi Thriller
One that nearly slipped under the radar at the time of release. Either due to the not so well known cast or budget. It does have some dark twists and throws up some questions on the subject of A.I. Worth checking out if that interests you.
Sam (228 KP) rated Westworld - Season 1 in TV
Sep 2, 2019 (Updated Sep 2, 2019)
Wonderful Character Design (2 more)
Incredible Character Development
Mindblowing Plotline
Erie Dawn of the A.I.
This show is erie and intense, a deep insight into the idea of AI on a completely different level leaves a shiver down the audience's back. I was unable to look away as the show dove deeper and deeper into the human mind and really to the core of what makes a human being. By the end you're questioning who's the good guy, who's the bad guy, and who's even real. I can't wait to see what's in store for season two!
Daniel Johnson (11 KP) rated Portal in Video Games
Sep 5, 2017
Level design (3 more)
Character Design
Dialogue
Game mechanics
One of the smartest games around
Portal (2007) is one of the best video games around, and led to an even more successful sequel. The games premise is simple- you wake up in a testing room, with only an homicidal A.I to guide you through puzzles as you try and escape the testing facility. The twist comes in the dialogue, and the story that unfolds around you.
Your character doesn't speak, and her past and future are a mystery, which only adds to the intrigue the story incites.
The design is simple, a clean high-tech facility, equal parts simple and beautiful. You navigate through this world with use of a portal gun. Strategically placed, these portals can lead to your victory or your doom, and thus begins the most enjoyable 3D puzzle of the past 20 years.
Dialogue, as said, is a clear highlight, somehow balancing comedy and adventure perfectly, much akin to a Douglas Adams novel. It even manages to make G.L.A.D.O.S, a homicidal A.I, a genuinely endearing character, and one that is welcomed quickly, and missed once the game is complete.
Over all, it is clear why this game has so many devoted fans, and why we were all eager for more. This game, while simple has many levels, that make replaying and exploring a thrilling experience that you can have again and again and never get bored.
Your character doesn't speak, and her past and future are a mystery, which only adds to the intrigue the story incites.
The design is simple, a clean high-tech facility, equal parts simple and beautiful. You navigate through this world with use of a portal gun. Strategically placed, these portals can lead to your victory or your doom, and thus begins the most enjoyable 3D puzzle of the past 20 years.
Dialogue, as said, is a clear highlight, somehow balancing comedy and adventure perfectly, much akin to a Douglas Adams novel. It even manages to make G.L.A.D.O.S, a homicidal A.I, a genuinely endearing character, and one that is welcomed quickly, and missed once the game is complete.
Over all, it is clear why this game has so many devoted fans, and why we were all eager for more. This game, while simple has many levels, that make replaying and exploring a thrilling experience that you can have again and again and never get bored.
LoganCrews (2861 KP) rated Chappie (2015) in Movies
Sep 19, 2020 (Updated Sep 19, 2020)
"๐ ๐จ๐ถ๐ฆ๐ด๐ด ๐ต๐ฉ๐ฐ๐ด๐ฆ ๐ด๐ค๐ช๐ฆ๐ฏ๐ต๐ช๐ด๐ต ๐จ๐ถ๐บ๐ด ๐ข๐ญ๐ญ ๐ธ๐ฐ๐ณ๐ฌ๐ช๐ฏ๐จ ๐ฐ๐ฏ ๐.๐. ๐ฏ๐ฆ๐ท๐ฆ๐ณ ๐จ๐ข๐ท๐ฆ ๐ค๐ฐ๐ค๐ข๐ช๐ฏ๐ฆ ๐ข๐ฏ๐ฅ ๐๐ฐ๐ฏ๐ด๐ต๐ฆ๐ณ ๐๐ฏ๐ฆ๐ณ๐จ๐บ ๐ข ๐ต๐ณ๐บ." - Trevor Moore, ๐๐ฉ๐ฆ ๐๐ต๐ฐ๐ณ๐บ ๐ฐ๐ง ๐๐ถ๐ณ ๐๐ช๐ฎ๐ฆ๐ด
Much better than ๐๐ช๐ด๐ต๐ณ๐ช๐ค๐ต 9 even though it's essentially the same movie for the chief purpose that this is cleaner, more fun, and ditches the sloppy gimmick and failed heavy-handed metaphor. Those last 30 minutes are godly, just totally bananas trashy cyberpunk action glory - not only the best thing Blomkamp has ever done but some of the most fun a sci-fi movie has had in the 2010s. But otherwise a movie about robot cop Sharlto Copley hanging around Die Antwood who teach him how to be gangsta but he accidentally discovers consciousness while a deranged Hugh Jackman desperately wants to let his monster mech loose on the city should be a lot more entertaining than this was. Still sports impeccable graphics and design as always with Neill, and you know what this isn't deep on any level nor does it have a single talking point about the militarization of the police department or A.I. or big tech corporations - fine, whatever. But there's almost zero violence for the hour + twenty-five minute stretch in the middle of this where it becomes this trite, sickly sweet family drama? I mean you're practically poised to fashion this nuanced, ultraviolent story dissecting how A.I. reacts to trauma but instead they're reading bedtime stories to the thing? Still vibrant and ridiculous though, enjoyed the hell out of it - I ain't picky. Plus points for letting all these actors use their natural accents.
Much better than ๐๐ช๐ด๐ต๐ณ๐ช๐ค๐ต 9 even though it's essentially the same movie for the chief purpose that this is cleaner, more fun, and ditches the sloppy gimmick and failed heavy-handed metaphor. Those last 30 minutes are godly, just totally bananas trashy cyberpunk action glory - not only the best thing Blomkamp has ever done but some of the most fun a sci-fi movie has had in the 2010s. But otherwise a movie about robot cop Sharlto Copley hanging around Die Antwood who teach him how to be gangsta but he accidentally discovers consciousness while a deranged Hugh Jackman desperately wants to let his monster mech loose on the city should be a lot more entertaining than this was. Still sports impeccable graphics and design as always with Neill, and you know what this isn't deep on any level nor does it have a single talking point about the militarization of the police department or A.I. or big tech corporations - fine, whatever. But there's almost zero violence for the hour + twenty-five minute stretch in the middle of this where it becomes this trite, sickly sweet family drama? I mean you're practically poised to fashion this nuanced, ultraviolent story dissecting how A.I. reacts to trauma but instead they're reading bedtime stories to the thing? Still vibrant and ridiculous though, enjoyed the hell out of it - I ain't picky. Plus points for letting all these actors use their natural accents.