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David McK (3562 KP) rated The Dark Knight (2008) in Movies

Jun 23, 2019 (Updated Jul 23, 2024)  
The Dark Knight (2008)
The Dark Knight (2008)
2008 | Action, Crime
Summmer 2008: at the time of writing this, now 11 years ago (edit: now 16), and the cinematic landscape was rather different - the MCU was only just starting off (with Iron Man), and superheroes in the cinema were not as commonplace as they are today ( to the best of my memory).

While Christopher No.an had effectively rebooted perhaps DCs most famous character in Batman Begins, that film had (deliberately, IMO) kept the focus pretty much on Bruce Wayne/Batman rather than on his mos famous foes, ending with a deliberate tease of the introduction of the Joker.

And what an introduction he gets in this.

As portrayed by Heath Ledger (whose untimely death no doubt helped stoke the interest for this movie: his last full screen role), this Joker is very different than Jack Nicholson's 1989 portrayal. It's a definite magnetic tour de force from the actor, sure, although (personally) I've never really viewed the character as a Joker so much as as a genius psychopath.

"I'm an agent of chaos" he says at one point. "I'm a dog chasing a car. I wouldn't know what to do with one if I caught it". And that, to me, is what is missing from the character-as-written.

Alongside Ledger, Aaron Eckhart also puts in a brilliant turn as Harvey Dent, completely blowing Tommy Lee Jones portrayal of the same character (in Batman Forever) out of the water. It's a far more realistic interpretation of what drives Dent to become Two-face, with some frightenly realistic effects.

And, finally, it may be a small thing: but in this Batman gets and operates (briefly) out of Gotham city, making his world seem more 'real' as a result.
  
Star War #44
Star War #44
Kieron Gillen | 2018 | Comics & Graphic Novels, Film & TV, Science Fiction/Fantasy
7
6.7 (3 Ratings)
Book Rating
Character Accuracy (0 more)
Too much exposition (0 more)
A Strong start to a new story
Contains spoilers, click to show
A new story begins in Marvel's flagship series for the Star Wars universe. After the destruction of the Death Star, the Alliance's greatest heroes; Leia, Han, and Luke, must convince the Mon Calamari to join their rebellion and donate their great capital ships to the cause.

Readers familar with the Star Wars galaxy will understand how important this never before told story is to the universe. The rebellion has few warships at this time and decide to ask their friend and everyone's favorite Star wars meme, Admiral Ackbar, to call in a favor from his planet. In a time when Star Wars comics has been criticized for being irrelevant in the grand scheme, this story is one worth telling and with real stakes on the galaxy.


Don't worry. You're faborite Star wars characters are written with great respect to who the characters are while still keeping them fresh and interesting. I particularly found myself enjoying Han in this issue.


While the previous arcs had been somewhat episodic and disjointed, this one seems to make sense and includes reveals from the previous issue, leading to a more cohesive overall feel to the series since Kieron Gillen took over from Jason Aaron.


The main thing holding the issue back from being great is its need to exposit and introduce what the next arc will include. A couple times the exposition can be a bit cumbersome.


Finally, my hope is that this series will bring another tie-in from The Clone Wars animated series. They seem to be telegraphing the return of Mon Cal king Lee-Char. I would be quite tickled if we got to see a more wisened version of him in this series.


Conclusion: A fun and strong start with just a couple hiccups in the set up and a great place to junp on for the curious.
  
Get Him to the Greek (2010)
Get Him to the Greek (2010)
2010 | Comedy
6
6.3 (6 Ratings)
Movie Rating
Russell Brand created one of the more memorable characters of 2008 in Forgetting Sarah Marshall with his role as Aldous Snow. Get Him to the Greek is by and large an extension of his role in that movie, but ramped up in the “crazy rock star” department. Jonah Hill, playing the ambitious record company intern Aaron Green tries to bring Aldous Snow from London to Los Angeles to play a show at the Greek Theater. The problem with this simplistic plot is that it doesn’t lead to any character development, and only leads to more jokes. While surprisingly funny in some parts, the characters don’t really make a splash unless they’re doing something ridiculous, which happens quite often.

The main characters, drunk on absinthe in one scene, deliver truly cringe-worthy performances, and I’m not talking about funny cringes. Later on in the film, another scene with another drug is sure to be remembered as one of the funniest bits in the entire film. Unfortunately, this is representative of the entire film. There are hits and misses on nearly every metric you can think of. Rose Byrne and Sean Combs are fantastic in their respective supporting roles, Russell Brand is charmingly hilarious with his rock star attitude, and while Jonah Hill does a good job of showing the anxiety of a responsible guy just trying to handle an irresponsible rock star, he’s still miles away from his scene-stealing performance in Superbad.

In the end, however, Get Him to the Greek just had no closure. The ending was forced, like the director ran out of time, and the lack of character growth really forced the film to rely on a “moral of the story” type of ending, which ended up muddling the film’s ending further. Still, the ending doesn’t detract wholly from the movie. Much like watching a lesser version of Spinal Tap, this movie is still amusing to watch.
  
    Dragon Brush

    Dragon Brush

    Book, Entertainment and Stickers

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    "'Dragon Brush' captivates kids with a fascinating story filled with its unique drawings-become-real...

The American President (1995)
The American President (1995)
1995 | Comedy, Drama, Romance

"The next one is The American President. I’ve been talking a lot about romantic comedies lately because of Sleeping with Other People, and you know, I’m listing all my favorite rom-coms, and you’re talking about When Harry Met Sally, Sleepless in Seattle, and things like that, that could just as easily be on this list for me; I watch those movies all the time and love them. But I realized it took me a second to realize that The American President is a romantic comedy, because it has a political angle, and it’s got that [Aaron] Sorkin dialogue. But it’s directed by Rob Reiner, and ultimately it’s just a full-on love story between these two people that also has snappy banter and comedic scenes. I think Annette Bening gives one of the best comedic performances of her career; she’s so specific. There’s a scene where, it’s like before her first date with the president, played by Michael Douglas, and she’s sitting in the office and she’s tapping her pen on the desk. The guy says to her, “What’s up? You got a hot date tonight?” and then she does this move where she goes to put the pen in a jar, and the whole jar falls over. There was something so effortless and so specific about that to me; it’s a moment that jumps out at me, in terms of making the work you’re doing funny, but still feeling in the moment. I don’t know how many times she shot that scene, but it looks so natural. When I watch it, I find it hard to believe that it wasn’t really an accident that she knocked over that jar, and that’s incredible. I love that movie, and I love Annette Bening. And her hair. And her shoulders, her shoulder muscles when she’s dancing with the president in that blue dress. These are all things I aspire to."

Source
  
Tenet (2020)
Tenet (2020)
2020 | Action
God damn Tenet is confusing, and even that statement has a dual meaning - in regards to the plot, it's purposefully confusing to a degree (more on that shortly), but also in regards to my poor frazzled feelings towards the film as a whole.
For every moment where I felt myself switching off a bit, there was another moment which blew me away.

Back to the plot, Christopher Nolan has done that thing where he throws a load of faffy exposition and quick cuts, with thread bare explanation, before bringing in a massive pay off to sort of tie it all together. Not too dissimilar to Inception, but way harder to follow.
By the time the credits rolled, I think I had a good enough grasp on what happened, but still will probably need another viewing to piece it together.
Something that is beyond doubt however, is the aesthetics on display. Tenet looks amazing. The action set pieces are breathtaking at times. The last 45 minutes in particular is an absolute pleasure to look at, and the idea of some people functioning in reverse makes for some hugely eye pleasing fight scenes.

Another positive to take from Tenet is the cast. John David Washington, Robert Pattinson, and Elizabeth Debicki are all great as per usual, and are supported by the likes of Kenneth Branagh and Aaron Taylor-Johnson. Branagh especially is a convincing, nasty villain.

There's been a lot of discussion surrounding the sound mixing - and I can honestly see why. A lot of the dialogue is cancelled out by either the (pretty damn good) music score, or swamped underneath obnoxiously loud sound effects. Whether this is a stylistic choice by Nolan or not, it does negatively impact the experience.

Ultimately, Tenet is enjoyable enough, but I feel like it's not as clever as it wants you to think. That being said, maybe I'm just not clever enough to truly get it. It's proving to be a divisive film however, so it's definitely worth seeing for yourself to reach a conclusion.