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Barry Newman (204 KP) rated Men, Women & Children (2014) in Movies
May 7, 2020
A critical and commercial flop on its release but in my humble opinion sorely underrated. I liked how the film shows the influence of technology on human relationships largely to a negative degree and made me thankful for being old enough that I went to school in those halcyon days where we didn’t have constant access to the internet and social media. The film successfully weaves several stories of different generations in a small town and I found its different depictions of loneliness and anxiety quite moving at times. The ensemble cast all do good work (even Adam Sandler) and the quality soundtrack enhances the mood. Well worth your time.
ClareR (5542 KP) rated Machines Like Me in Books
May 25, 2019
Androids and an alternate 1980s Britain
I’ve been vacillating between 6 and 7/10 since I’ve finished this. I really liked parts of it - the robot, Adam, learning his way in the world, how he falls in love. Parts of it I found exceptionally frustrating. Why would you spend £84,000 and then ignore the Android for days? Why would you want nothing to do with it once it’s ‘awake’ and learning? Why bother at all!
I thought the alternate 1980s Britain was quite interesting - how we would potentially have reacted to a defeat during the Falklands war and the repercussions. And what would Alan Turing have been like if he hadn’t committed suicide?
The thing is, I didn’t particularly like either Charlie or Miranda (the lead human protagonists). Neither were likeable and treated Adam with contempt and suspicion, which grated on me. I usually like a book where I don’t like the main character, but there was something about Charlie that made me put the book down on several occasions, swearing to myself that I wouldn’t pick it up,again. Bit I did, and I think Adam, and Miranda’s backstory is to blame.
And as for Miranda. Well. I wasn’t convinced about her suddenly needing to foster/ adopt Mark, a small boy who is abandoned on their doorstep. It was just so unlikely.
I don’t know. I’ve read other Ian McEwan books that I’ve loved, but this one really didn’t do it for me on the whole. You can’t love them all, I suppose.
I thought the alternate 1980s Britain was quite interesting - how we would potentially have reacted to a defeat during the Falklands war and the repercussions. And what would Alan Turing have been like if he hadn’t committed suicide?
The thing is, I didn’t particularly like either Charlie or Miranda (the lead human protagonists). Neither were likeable and treated Adam with contempt and suspicion, which grated on me. I usually like a book where I don’t like the main character, but there was something about Charlie that made me put the book down on several occasions, swearing to myself that I wouldn’t pick it up,again. Bit I did, and I think Adam, and Miranda’s backstory is to blame.
And as for Miranda. Well. I wasn’t convinced about her suddenly needing to foster/ adopt Mark, a small boy who is abandoned on their doorstep. It was just so unlikely.
I don’t know. I’ve read other Ian McEwan books that I’ve loved, but this one really didn’t do it for me on the whole. You can’t love them all, I suppose.
Erika (17788 KP) rated The Dead Don't Die (2019) in Movies
Jun 15, 2019
Hilariously Self-Aware
Zombie-comedies are the only kind of zombie movies I enjoy, and this was no exception.
Bill Murray (who was previously in Zombieland), and Adam Driver are the main characters, as cops in a small town (maybe in NY?), and their chemistry is deadpan and hilarious. Driver mentions multiple times throughout the film that 'This is going to end badly', finally Murray's character asks him why he keeps saying that. Driver's character responds that he read the entire script. Murray proceeds to call Jim Jarmusch an a-hole, since he didn't get the whole script. I about died of laughter over that.
Tilda Swinton's character is completely whack-a-doo, and cuts off zombies' heads with ease with a samurai sword. Because, as everyone knows, kill the head.
The entire movie is absurdist, and the humor might not be for everyone. It's gotten really bad reviews from a lot of critics, so I may be in the minority. Chloë Sevigny's character was the only one that completely annoyed me.
It's ultimately an homage to zombie films and, of course, an allegory of modern times, with people being absorbed in their mobile phones, unaware of the real world around them.
Bill Murray (who was previously in Zombieland), and Adam Driver are the main characters, as cops in a small town (maybe in NY?), and their chemistry is deadpan and hilarious. Driver mentions multiple times throughout the film that 'This is going to end badly', finally Murray's character asks him why he keeps saying that. Driver's character responds that he read the entire script. Murray proceeds to call Jim Jarmusch an a-hole, since he didn't get the whole script. I about died of laughter over that.
Tilda Swinton's character is completely whack-a-doo, and cuts off zombies' heads with ease with a samurai sword. Because, as everyone knows, kill the head.
The entire movie is absurdist, and the humor might not be for everyone. It's gotten really bad reviews from a lot of critics, so I may be in the minority. Chloë Sevigny's character was the only one that completely annoyed me.
It's ultimately an homage to zombie films and, of course, an allegory of modern times, with people being absorbed in their mobile phones, unaware of the real world around them.
BankofMarquis (1832 KP) rated The Adam Project (2022) in Movies
Mar 23, 2022
Family Friendly, fun, action/comedy
Ryan Reynolds is making a nice living, not only is he on the “A” list for such films as DEADPOOL and FREE GUY (a wonderful film that you have to check out if you haven’t seen it), He is also popping up in charming action/comedy films that go straight to Streaming on Netflix. Following the fun romp that was RED NOTICE (with Gal Gadot and Dwayne “The Rock” Johnson), he is back in the Shawn Levy helmed THE ADAM PROJECT.
And while this film is not doing anything special, nor will it be nominated for any kind of awards, it is a fun, entertaining way to spend a couple of hours.
Family friendly, THE ADAM PROJECT, stars Reynolds as…you got it…Adam. A time traveling pilot who goes back in time to find his father - the inventor of time travel - and stop him. Along the way, her runs into his younger self, his mother and a very important person from Adam’s past…or rather…future…or…
You get the idea, it’s a time travel movie, so I wouldn’t get too caught up in “the rules” or dig too deeply into the plot.
Reynolds, of course, is charming as pilot Adam, ready with a laser gun and a quip. His quick wit and snappy banter is reminiscent of many, many other roles that Reynolds has played…and that is okay. He is joined by his younger self (dubbed Small Adam) who is played as a young Ryan Reynolds mimic very well by newcomer Walker Scobell. To be honest, Scobell is annoying early on in this film - and that is on purpose - for what is charming in the adult Reynolds is really annoying in a 12 year old.
Jennifer Garner (Mom), Mark Ruffalo (Dad) and Zoe Saldana (mysterious person from Adam’s past…I mean…future) are “professional” in their respective roles, bringing the right amount of whatever their character needs at the moment. Finally, surprisingly, indie film icon Catherine Keener is very good as the “bad buy” in this piece.
All of this is handled deftly by Shawn Levy (NIGHT AT THE MUSEUM). His track record shows that he knows how to do these family friendly, action/comedy/adventure films and he does not disappoint here. He moves things along at a brisk enough pace to keep all interested while throwing in comedy and snappy banter along the way.
All-in-All, a very fun way to spend a couple of hours - certainly a good way to spend a crisp Spring evening whilst waiting for the warmer weather to arrive.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
And while this film is not doing anything special, nor will it be nominated for any kind of awards, it is a fun, entertaining way to spend a couple of hours.
Family friendly, THE ADAM PROJECT, stars Reynolds as…you got it…Adam. A time traveling pilot who goes back in time to find his father - the inventor of time travel - and stop him. Along the way, her runs into his younger self, his mother and a very important person from Adam’s past…or rather…future…or…
You get the idea, it’s a time travel movie, so I wouldn’t get too caught up in “the rules” or dig too deeply into the plot.
Reynolds, of course, is charming as pilot Adam, ready with a laser gun and a quip. His quick wit and snappy banter is reminiscent of many, many other roles that Reynolds has played…and that is okay. He is joined by his younger self (dubbed Small Adam) who is played as a young Ryan Reynolds mimic very well by newcomer Walker Scobell. To be honest, Scobell is annoying early on in this film - and that is on purpose - for what is charming in the adult Reynolds is really annoying in a 12 year old.
Jennifer Garner (Mom), Mark Ruffalo (Dad) and Zoe Saldana (mysterious person from Adam’s past…I mean…future) are “professional” in their respective roles, bringing the right amount of whatever their character needs at the moment. Finally, surprisingly, indie film icon Catherine Keener is very good as the “bad buy” in this piece.
All of this is handled deftly by Shawn Levy (NIGHT AT THE MUSEUM). His track record shows that he knows how to do these family friendly, action/comedy/adventure films and he does not disappoint here. He moves things along at a brisk enough pace to keep all interested while throwing in comedy and snappy banter along the way.
All-in-All, a very fun way to spend a couple of hours - certainly a good way to spend a crisp Spring evening whilst waiting for the warmer weather to arrive.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Laura Doe (1350 KP) rated Twas the Nightshift Before Christmas in Books
Apr 15, 2022
Another amazingly funny look at the life of a doctor, but this time over the festive period.
I don’t think I will ever tire of reading Adam Kay’s work, from the diary entries full of sarcasm to the explanatory footnotes with a touch of humour, he makes his books so easy to read.
This book shows how medical staff don’t get the standard couple of weeks off that most people seem to get where they can binge on cheese and wine and forget which day of the week it is, whilst watching rubbish TV. They still have to work, and sometimes it’s the worst time of year because of people overindulging and not being careful with the most ordinary of tasks.
I don’t know how he manages to keep his sense of humour throughout both books and throughout his career in medicine, but I’m so glad that he does.
The final chapter was the most poignant one for me, where he talks about thanking the medical professionals with small gestures such as a Christmas card or donating to a charity. It shows that even though he is no longer in the profession, it isn’t too far from his heart (probably because his siblings still work in the profession) and he wants to make it better for those that do pull the short straw at Christmas.
Another brilliant read from Adam Kay, I can’t wait to read more from him (hopefully!). My only regret? Not reading this one around Christmas!
I don’t think I will ever tire of reading Adam Kay’s work, from the diary entries full of sarcasm to the explanatory footnotes with a touch of humour, he makes his books so easy to read.
This book shows how medical staff don’t get the standard couple of weeks off that most people seem to get where they can binge on cheese and wine and forget which day of the week it is, whilst watching rubbish TV. They still have to work, and sometimes it’s the worst time of year because of people overindulging and not being careful with the most ordinary of tasks.
I don’t know how he manages to keep his sense of humour throughout both books and throughout his career in medicine, but I’m so glad that he does.
The final chapter was the most poignant one for me, where he talks about thanking the medical professionals with small gestures such as a Christmas card or donating to a charity. It shows that even though he is no longer in the profession, it isn’t too far from his heart (probably because his siblings still work in the profession) and he wants to make it better for those that do pull the short straw at Christmas.
Another brilliant read from Adam Kay, I can’t wait to read more from him (hopefully!). My only regret? Not reading this one around Christmas!
Kristy H (1252 KP) rated The Distant Dead in Books
Mar 4, 2021
A dark and well-written tale of sadness and forgiveness
Adam Merkel left his job as a professor in Reno to come to Lovelock, a small town, to teach math at their middle school. He was mostly mocked by his students, except for one, Sal Prentiss. After the death of his mother, Sal lives outside of town with his two uncles. Mostly friendless, he bonds with Mr. Merkel over math, chess, and more. So when Sal finds Mr. Merkel's body on his way to schoool--burned so that it's nearly unrecognizable--it turns his small world upside down. It upsets Nora Wheaton as well. A colleague of Adam's at the school, she thought she recognized a kindred spirit in him. Both seemed trapped in Lovelock: Nora had to return to care for her father. After Adam's death, Nora starts looking into his past to see what led to his horrible undoing. But so much of what she finds keeps leading back to the boy who befriended him--and found his body. As she tries to befriend the wary Sal, it opens up old wounds of her own.
I really loved Heather Young's book The Lost Girls, and The Distant Dead didn't disappoint either. She excels at creating excellent atmospheric novels with well-drawn characters. The Distant Dead perfectly captures small town life: how nearly everyone knows almost everything about everyone, but rarely interferes. How a small town can feel so stifling and claustrophobic. How the secrets and lies pile up until a man finds himself burned to death.
Young also covers the timely topics of drugs and addiction, which run as a thread across the book. Opiates don't seem like a tired trope here, though, but something that is eating up the town and ruining people's lives. It's no secret that I'm a sucker for a book with a good kid character, and I pretty much fell for Sal immediately. He's a great kid: real, vulnerable yet tough, and smart. He was an excellent narrator, with his portions telling what led up to Adam's death and Nora and Jake (a local EMT/firefighter) telling us what happened after. The book is surprisingly tense, with Young's beautifully written words jumping off every page. She's such a lyrical writer, weaving an amazing tale of sadness and redemption.
This isn't a fast read or a page-turning thriller. But it's a well-written book, with characters you won't soon forget. There's a lovely, albeit sad and dark, story here. Definitely worth a read. 4+ stars.
I really loved Heather Young's book The Lost Girls, and The Distant Dead didn't disappoint either. She excels at creating excellent atmospheric novels with well-drawn characters. The Distant Dead perfectly captures small town life: how nearly everyone knows almost everything about everyone, but rarely interferes. How a small town can feel so stifling and claustrophobic. How the secrets and lies pile up until a man finds himself burned to death.
Young also covers the timely topics of drugs and addiction, which run as a thread across the book. Opiates don't seem like a tired trope here, though, but something that is eating up the town and ruining people's lives. It's no secret that I'm a sucker for a book with a good kid character, and I pretty much fell for Sal immediately. He's a great kid: real, vulnerable yet tough, and smart. He was an excellent narrator, with his portions telling what led up to Adam's death and Nora and Jake (a local EMT/firefighter) telling us what happened after. The book is surprisingly tense, with Young's beautifully written words jumping off every page. She's such a lyrical writer, weaving an amazing tale of sadness and redemption.
This isn't a fast read or a page-turning thriller. But it's a well-written book, with characters you won't soon forget. There's a lovely, albeit sad and dark, story here. Definitely worth a read. 4+ stars.
Danii19936 (3 KP) rated This is Going to Hurt: Secret Diaries of a Junior Doctor in Books
Aug 20, 2018
MUST READ
After I graduated this summer I was reading just about anything I could due to all my free time and I saw sooooo many people recommending this book so although it’s not what I would normally read I gave it a go. I am SO glad I did, I read it within a couple of hours and I would argue it is my favourite book of the summer! It is incredibly eye opening. As a law graduate I like to think I am relatively clued up about society and although I knew that the medical profession gets no where near the credit they deserve I couldn’t believe how much they are put through! Adam Kay writes such a powerful piece while still being witty and engaging, you almost forget it is a true story! I fully support his message and as soon as I put the book down I was telling everyone I could about it! I would urge everyone to read this book! As a side note (and probably completely irrelevant) I couldn’t believe it when I saw an acknowledgement to one of my closest friends at the end of the book, it’s such a small world!
Amy Norman (1042 KP) rated The Dead Don't Die (2019) in Movies
Oct 2, 2020 (Updated Oct 3, 2020)
This film won't be for everyone, it is a very niche humour; if you have watched any of Jarmusch's other films you will understand how unique this film is, and how he doesn't bow down to 'conventional' film making.
I lifted the below directly from Wikipedia:
Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was "to approximate real time for the audience."
This pretty much sums up the film. It is an unhurried take on a zombie film, in a small American town.
The characters are uncomplicated by the fact that they are very much one thing, and fall into strict stereotyoes i.e. straightforward, rude, weird, the nerd, the unbothered teens etc.
The cast was also huge, it was a true who's who, and each of them played to their strengths perfectly.
Bill Murray and Adam Driver were a fantastic pairing, as the slack jawed police chief, and main officer, that were undertaking the investigation of the towns unusual disturbances, and quite contentedly bumble through to the films conclusion.
The humour was painfully matter of fact, and delivered flawlessly dead pan. A style of humour I have always appreciated.
This isn't a straight up horror/zombie film, so if you are looking for a more mellow and laid back film then you may be able to appreciate this one, but it is certainly not one for the traditional horror fan.
I lifted the below directly from Wikipedia:
Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was "to approximate real time for the audience."
This pretty much sums up the film. It is an unhurried take on a zombie film, in a small American town.
The characters are uncomplicated by the fact that they are very much one thing, and fall into strict stereotyoes i.e. straightforward, rude, weird, the nerd, the unbothered teens etc.
The cast was also huge, it was a true who's who, and each of them played to their strengths perfectly.
Bill Murray and Adam Driver were a fantastic pairing, as the slack jawed police chief, and main officer, that were undertaking the investigation of the towns unusual disturbances, and quite contentedly bumble through to the films conclusion.
The humour was painfully matter of fact, and delivered flawlessly dead pan. A style of humour I have always appreciated.
This isn't a straight up horror/zombie film, so if you are looking for a more mellow and laid back film then you may be able to appreciate this one, but it is certainly not one for the traditional horror fan.
Rachel King (13 KP) rated Bone Crossed (Mercy Thompson, #4) in Books
Feb 11, 2019
I enjoyed this book just as much as I joined the previous three in the series. Briggs can be depended upon for maintaining an exciting plot and unique characters, and this book was no exception.
This book gave me a more detailed look into the politics of the vampire culture of Mercy's world, as well as more development of the character of Stefan. Stefan does not seem to talk much, but his body language seems to say that he loves Mercy, even if he knows she will never love him back, especially with the scene on the last few pages. The discoveries that Mercy makes regarding her abilities as a Walker are interesting and can hold lots of promise for future books in the series. I also enjoy being introduced to other lesser characters in the books that often help Mercy in some small way, such as the oakman. These characters give a more well-rounded picture of Mercy's world. Mercy's panic attacks, resulting from her rape in the previous book, were very realistic and made her more believeable as a character, since they gave her a weakness and a way to be related to. Superheroes always seem to be better at their "jobs" when they have a weakness that allows them to relate to the "common man." I'm also glad that Mercy was finally inducted into Adam's pack officially, although I found the method somewhat gross and cannibalistic. I still don't understand how Mercy can be "pack" to both Adam and his pack, as well as to Samuel, without any sort of backlash in the "animal kingdom", but hopefully that will be either explained or absolved with future books.
This book gave me a more detailed look into the politics of the vampire culture of Mercy's world, as well as more development of the character of Stefan. Stefan does not seem to talk much, but his body language seems to say that he loves Mercy, even if he knows she will never love him back, especially with the scene on the last few pages. The discoveries that Mercy makes regarding her abilities as a Walker are interesting and can hold lots of promise for future books in the series. I also enjoy being introduced to other lesser characters in the books that often help Mercy in some small way, such as the oakman. These characters give a more well-rounded picture of Mercy's world. Mercy's panic attacks, resulting from her rape in the previous book, were very realistic and made her more believeable as a character, since they gave her a weakness and a way to be related to. Superheroes always seem to be better at their "jobs" when they have a weakness that allows them to relate to the "common man." I'm also glad that Mercy was finally inducted into Adam's pack officially, although I found the method somewhat gross and cannibalistic. I still don't understand how Mercy can be "pack" to both Adam and his pack, as well as to Samuel, without any sort of backlash in the "animal kingdom", but hopefully that will be either explained or absolved with future books.
JT (287 KP) rated The Invisible Man (2020) in Movies
Mar 1, 2020
Excellent tension (1 more)
Brilliant score
Suprise Thriller a Real Hit
What I love about cinema is that you can go in expecting one thing and come out experiencing another - which was exactly how I felt coming out of The Invisible Man.
The film stars Elisabeth Moss as Cecilia who is desperate to escape the grasp of her abusive partner Adrian (Oliver Jackson-Cohen) and does so by way of a tense opening that is devoid of any dialogue. Instead, as an audience we are holding our breath as she tiptoes around the house.
When news comes that Adrian is dead and has left her a small fortune she straight away becomes suspicious and is convinced he has orchestrated the whole thing. As time passes Cecilia is stalked by an invisible force that those close to her believe is simply PTSD and all in her head.
It's written and directed by Leigh Whannell who is probably one of my favourite cinematic writers. Fans of Saw will recognise him as Adam, the poor bastard who gets locked in the bathroom at the films climactic ending [apologies if you haven't seen that yet, but it has been 16-years].
At it's core The Invisible Man echos a clear message. Cecilia's experiences of being gaslighted by Adrian is a serious topic that many women from abusive relationships will have experienced first hand. The psychological trauma that Cecilia goes through makes her doubt her own sanity.
The best part about the film is the way that Whannell is able to create a sense of unease. In a number of scenes we are left looking at an empty corner of a room, or a chair. When the camera pans it is because it is going to focus on something that is there - but of course there never is.
The film stars Elisabeth Moss as Cecilia who is desperate to escape the grasp of her abusive partner Adrian (Oliver Jackson-Cohen) and does so by way of a tense opening that is devoid of any dialogue. Instead, as an audience we are holding our breath as she tiptoes around the house.
When news comes that Adrian is dead and has left her a small fortune she straight away becomes suspicious and is convinced he has orchestrated the whole thing. As time passes Cecilia is stalked by an invisible force that those close to her believe is simply PTSD and all in her head.
It's written and directed by Leigh Whannell who is probably one of my favourite cinematic writers. Fans of Saw will recognise him as Adam, the poor bastard who gets locked in the bathroom at the films climactic ending [apologies if you haven't seen that yet, but it has been 16-years].
At it's core The Invisible Man echos a clear message. Cecilia's experiences of being gaslighted by Adrian is a serious topic that many women from abusive relationships will have experienced first hand. The psychological trauma that Cecilia goes through makes her doubt her own sanity.
The best part about the film is the way that Whannell is able to create a sense of unease. In a number of scenes we are left looking at an empty corner of a room, or a chair. When the camera pans it is because it is going to focus on something that is there - but of course there never is.
