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Michael Packner (32 KP) rated The Guest (2014) in Movies
Jun 27, 2019
The villain is superbly acted (4 more)
The film is extremely tense
The blood splatter is 80s-tastic
The music fits the film well
The diner scene is pretty damn cool
Adam Wingard strikes again with another seriously strong film. This one feels part home invasion horror and part 80s action thriller. There's some really nice blood splatter from gunshots in this flick. The villain is portrayed to perfection in a performance on par with Gyllenhaal in Nightcrawler and Ledger in The Dark Knight, or at least that's my opinion. The plot is a bit wild but it's a fun ride with some really memorable sequences. The diner scene in particular was pretty spectacular even though in the grand scheme of the finale it wasn't the biggest attraction. All in all a very entertaining film and another hit for Wingard to keep him in my top 5 modern filmmakers.
Scott Tostik (389 KP) rated The Movie Crypt in Podcasts
Jan 8, 2018
Adam Green and Joe Lynch (3 more)
Different guest each week
Heartfelt stories
It's pretty damned funny
Awesome Pod for anyone who wants to make movies
Adam and Joe are two of the best "indie" film makers out there. Adam brought one of the horror genres newest icons to life in the form of Victor Crowley and Joe has been responsible for a pair of my favorite independent films with the births of Mayhem and Everly. But did you ever wonder how they got their starts in the film industry? Or what it takes to make a horror film? Or how some of your favorite actors writers directors and people involved in the industry got to be where they are today?
This pod brings it all to light. They hold nothing back and tell all things. Both good and bad.
With awesome guests such as horror icons Kane Hodder, Sid Haig, Bill Moseley and Ray Wise as well as fellow filmmakers the likes of Darren Lynn Boussman, Adam Wingard and Ti West. The boys leave no stone unturned as they bring everything to the table.
The pod is also welcome to subscription through Patreon with some cool little gifts to those who want to donate. Including Film commentaries once a month, first come basis viewer mail questions and Hollywood tell all answers to industry questions in a segment called Ask Dr. Arwen, named after Green's Yorkie and fellow show host.
I would recommend this Podcast to anyone who wants to learn the ins and outs of the film world told from a perspective that is understandable to anyone. And it's good for a few laughs as well. I've been a devoted listener since 2013. And the vast library of webisodes is available to anyone via iTunes and other podcast generators.
Listen and enjoy folks. You won't be disappointed.
This pod brings it all to light. They hold nothing back and tell all things. Both good and bad.
With awesome guests such as horror icons Kane Hodder, Sid Haig, Bill Moseley and Ray Wise as well as fellow filmmakers the likes of Darren Lynn Boussman, Adam Wingard and Ti West. The boys leave no stone unturned as they bring everything to the table.
The pod is also welcome to subscription through Patreon with some cool little gifts to those who want to donate. Including Film commentaries once a month, first come basis viewer mail questions and Hollywood tell all answers to industry questions in a segment called Ask Dr. Arwen, named after Green's Yorkie and fellow show host.
I would recommend this Podcast to anyone who wants to learn the ins and outs of the film world told from a perspective that is understandable to anyone. And it's good for a few laughs as well. I've been a devoted listener since 2013. And the vast library of webisodes is available to anyone via iTunes and other podcast generators.
Listen and enjoy folks. You won't be disappointed.
Scott Tostik (389 KP) rated You're Next (2013) in Movies
Oct 11, 2017
One fucked up family gathering... Hey, who invited the sheep??
Contains spoilers, click to show
When I sing the praises of a movie in it's entirety, people who read my reviews know I think it's amazing.
First things first, let me get the blowing the writer put of the way... Simon Barrett is a God amongst horror writers. He brings you to the edge, makes you think you know what's going on and then drives a stake through you beliefs like Van Helsing...
Your typical home invasion movie turns into a sinister and diabolical insurance scam that deflates the typical nature of this formerly typical plotline... I know, I'm saying typical alot...fuckin bite me.
Adam Wingard is an absolutely kick-ass director who I personally have watched grow in the genre, and who I have come to trust when it comes to picking a film out... Regardless of what people say, had Death Note not been a successful anime series before he took the helm of the movie, it would've been glorified as a work or horror/fantasy art.
Take your (that word again) typical upper class family, stick them in a deserted home for a family get together. Add another horror director, Ti West, and Wingard and Barrett's favorite actors... Joe Swanberg, A.J. Bowen and Amy Seimetz... Dash in some Australian hottie, Sharni Vinson. And add one of the most amazing Scream Queens to ever grace the screen, Barbara Crampton. And chuck in some relative nobodies for fodder and you have the ingredients for a wild ride.
You're Next appeals to me because home invasions happen. It has a reality to it that can be matched by 2008's The Strangers and a more recent addition, Hush.
This movie delivers on all fronts.
The Killers are a band of ex Marines who are contracted but an unlikely source to carry out the deaths of rich mom and dad.
The children in the family are the height of dysfunctional, thus proving money can't buy you sanity.
And the twist in this movie proves that secrets can be hidden well in a script if the proper distractions are in place.
One thing I'd like to add before I end this is the masks work by the Killers are straight creepy. Whoever thought to put them in those is genius. And they made for some great marketing posters and internet spots.
Simple flat white masks that have not scared me to death since I was a child and seen the iconic Michael Myers for the first time.
Barrett and Wingard make movies that are more reality based and that scare the bejesus out of you.
Check out A Horrible Way to Die if you don't believe me. It will not disappoint.
First things first, let me get the blowing the writer put of the way... Simon Barrett is a God amongst horror writers. He brings you to the edge, makes you think you know what's going on and then drives a stake through you beliefs like Van Helsing...
Your typical home invasion movie turns into a sinister and diabolical insurance scam that deflates the typical nature of this formerly typical plotline... I know, I'm saying typical alot...fuckin bite me.
Adam Wingard is an absolutely kick-ass director who I personally have watched grow in the genre, and who I have come to trust when it comes to picking a film out... Regardless of what people say, had Death Note not been a successful anime series before he took the helm of the movie, it would've been glorified as a work or horror/fantasy art.
Take your (that word again) typical upper class family, stick them in a deserted home for a family get together. Add another horror director, Ti West, and Wingard and Barrett's favorite actors... Joe Swanberg, A.J. Bowen and Amy Seimetz... Dash in some Australian hottie, Sharni Vinson. And add one of the most amazing Scream Queens to ever grace the screen, Barbara Crampton. And chuck in some relative nobodies for fodder and you have the ingredients for a wild ride.
You're Next appeals to me because home invasions happen. It has a reality to it that can be matched by 2008's The Strangers and a more recent addition, Hush.
This movie delivers on all fronts.
The Killers are a band of ex Marines who are contracted but an unlikely source to carry out the deaths of rich mom and dad.
The children in the family are the height of dysfunctional, thus proving money can't buy you sanity.
And the twist in this movie proves that secrets can be hidden well in a script if the proper distractions are in place.
One thing I'd like to add before I end this is the masks work by the Killers are straight creepy. Whoever thought to put them in those is genius. And they made for some great marketing posters and internet spots.
Simple flat white masks that have not scared me to death since I was a child and seen the iconic Michael Myers for the first time.
Barrett and Wingard make movies that are more reality based and that scare the bejesus out of you.
Check out A Horrible Way to Die if you don't believe me. It will not disappoint.
Scott Tostik (389 KP) rated The Guest (2014) in Movies
Mar 10, 2018
Solid script (2 more)
Some sweet sweet murder
The best twist fuck ending in a long time
What in the mind fucking hell went on here
Simon Barrett and Adam Wingard are a pair of my favorite writer director teams in the history of mumblecore movies... theu have an I don' give a shit attitude that oozes through each kill in every movie they make. From the demented serial killings in A Horrible Way to Die to the revenge filled destruction of mercenaries and spiteful children in You're Next. And this movie is no different....
I wouldn't exactly call it a horror film by label, but the killing is so over the top bloody and disturbing that I suppose it is horrific.
Dan Stevens portrayal of Army boy David is spot on... emotionless and cold to the view. He renders each murder with a purpose... even those final few near the end. Even though they were brutal and harsh. They explained how sick and twisted he truly is.
Maika Monroe is solid as well. Anna makes you feel pity for all the things sshe is going through. Her personal life is a mess and her family life is no better...
This movie is not what I thought it was going to be. It was better than I expected and I will be watching it again. 9 enthusiastic severed heads out of 10
I wouldn't exactly call it a horror film by label, but the killing is so over the top bloody and disturbing that I suppose it is horrific.
Dan Stevens portrayal of Army boy David is spot on... emotionless and cold to the view. He renders each murder with a purpose... even those final few near the end. Even though they were brutal and harsh. They explained how sick and twisted he truly is.
Maika Monroe is solid as well. Anna makes you feel pity for all the things sshe is going through. Her personal life is a mess and her family life is no better...
This movie is not what I thought it was going to be. It was better than I expected and I will be watching it again. 9 enthusiastic severed heads out of 10
LoganCrews (2861 KP) rated We Summon the Darkness (2019) in Movies
Jan 5, 2021
This is fun but there's no reason it shouldn't be gorier, crazier, more inventive, and/or more insightful given the film's insanely clever choice to frame a horror/slasher flick through the lens of religious sects vs. metal culture in the 80s - but I digress, perfectly serviceable fluff trash as it stands. Daddario is awesome in it, and I just can't get enough of Knoxville as a deliciously fire-and-brimstone pastor. I at least appreciate the formality - I'm glad this wasn't an obnoxiously meta "hey, remember this?" nostalgia soundboard like droves of films or shows detrimentally feel the need to become whenever they're set in the 80s now. But at the same time, there's so much potential for super bombastic kills and nuanced commentary that never was, and in their place it just tends to lumber for no real reason. Otherwise entertaining solely on principle, with another dependably cool score from Timothy Williams keeping things entertaining. And yes the twist is as righteous as everyone says. Not going to shake a stick at the amount of blood, enjoyment, and amped-up performances this does end up delivering - it's a decent little throwback slasher on its own - but God could you imagine if like Adam Wingard had made this? Holy hell what a picture that would have been.
Movie Metropolis (309 KP) rated You're Next (2013) in Movies
Jun 11, 2019
Finding a good horror film has been a little like a prompt train over the last few years, they are few and far between. However, 2013 has produced more than its fair share of movies within the genre, with the excellent The Purge, released earlier this year; Insidious 2, which is in cinemas this autumn and of course, the subject of this review; You’re Next. But can this modern horror film deliver the thrills and spills of those of yesteryear?
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
LoganCrews (2861 KP) rated The ABCs of Death (2013) in Movies
Oct 3, 2020 (Updated Oct 3, 2020)
"𝘛𝘩𝘪𝘴 𝘪𝘴𝘯'𝘵 𝘢 𝘴𝘯𝘶𝘧𝘧 𝘧𝘪𝘭𝘮, 𝘪𝘵'𝘴 𝘢𝘳𝘵." - Adam Wingard.
Q > O > T > L > J > I > Y > F > H > R > Z > A > D > G > M > P > S > U > X > B > W > V > C > K > N > E
I know everyone else generally has a distaste for them but I have such a soft spot for horror anthology films. Even the ones I don't really like such as 𝘟𝘟 I always find myself remembering vividly. This one in particular I not only thought was an absolute blast, but it also has a mightily commendable gimmick at the forefront (26 different directors of 26 different nationalities). Legit one of the weirdest, most devilishly fucked-up, humorous, grotesquely fetishistic + scatological horror films I've ever seen - a few of these segments I'm convinced are just actual kink porn lmfao. As you can probably surmise, a handful of the segments aren't so hot but truthfully none of them I thought were even close to awful (well, E was kind of crappy); the vast majority of them I found to be immensely enjoyable and all of them strung together make this a super fun ride as a whole. Guessing which word each director will utilize for their assigned letter is nearly as fun as watching them all play out. Luridly singular, sincerely morbid, and entertaining as hell - I'm fine with being one of the only ones who finds this surreal curio legitimately great.
Q > O > T > L > J > I > Y > F > H > R > Z > A > D > G > M > P > S > U > X > B > W > V > C > K > N > E
I know everyone else generally has a distaste for them but I have such a soft spot for horror anthology films. Even the ones I don't really like such as 𝘟𝘟 I always find myself remembering vividly. This one in particular I not only thought was an absolute blast, but it also has a mightily commendable gimmick at the forefront (26 different directors of 26 different nationalities). Legit one of the weirdest, most devilishly fucked-up, humorous, grotesquely fetishistic + scatological horror films I've ever seen - a few of these segments I'm convinced are just actual kink porn lmfao. As you can probably surmise, a handful of the segments aren't so hot but truthfully none of them I thought were even close to awful (well, E was kind of crappy); the vast majority of them I found to be immensely enjoyable and all of them strung together make this a super fun ride as a whole. Guessing which word each director will utilize for their assigned letter is nearly as fun as watching them all play out. Luridly singular, sincerely morbid, and entertaining as hell - I'm fine with being one of the only ones who finds this surreal curio legitimately great.
BankofMarquis (1832 KP) rated Godzilla vs. Kong (2021) in Movies
Apr 2, 2021
Could have used more Kong versus Godzilla
If you are going to sit down and watch a movie that is entitled GODZILLA vs. KONG, you pretty much know what you are going to get, the highest your expectation should be is a “pretty fun B picture” with a giant Gorilla and a giant Lizard punching it out.
And…that is pretty much what you get…though the “laws of diminishing returns” is catching up to this franchise.
It all started with the reboot of GODZILLA in 2014 - a better than B “B Movie” that introduced audiences to Monarch and the Monsters they were following. This was followed up by the “very much a B Movie” KONG: SKULL ISLAND where Samuel L. Jackson, John Goodman and a host of others run around, getting picked off one-by-one in an enjoyable romp and hopes remained high for the ongoing Kong/Godzilla “Universe”.
Unfortunately, 2019’s GODZILLA: KING OF THE MONSTERS was a step down and the franchise showed signs of weakness with weaker plot lines…even weaker human characters…and overblown special effects.
Next came this film, GODZILLA vs. KONG - it was supposed to be released in theaters last summer, but because of the pandemic made it’s theatrical release at the same time it was shown on HBO Max (where I viewed it) - and I’m glad they did that, for if I would have shelled out money in a movie theater to check out this mess, I would have been angry, indeed.
GODZILLA vs. KONG follows, unfortunately, the trend started by GODZILLA: KING OF THE THE MONSTERS in that it has overblown CGI action with very little in the way of coherent plot and characters that you couldn’t care less about. It’s a mess of a movie that strings together a slim plot to get from one CGI battle to another.
But…if it has CGI Giant Gorilla on CGI Radioactive Lizard fighting in it…it should be fine, right? Well…that’s where Director Adam Wingard (YOU’RE NEXT) really fails, for a movie called GODZILLA vs. KONG has very little Kong fighting Godzilla in it…so one cannot even get too excited by that.
To be fair to this film, it doesn’t try to be anything more than it is intended to be - a “B” flick with giant monsters fighting each other, but…it only manages to be a B- flick at best. So, feel free to kick back and watch the CGI action, you’ll enjoy most of it - just don’t spend too much time looking for plot or characters that you care about.
And…unfortunately…it’s making me care less and less about future sequels - or the future of the Kong/Godzilla Universe.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank (ofMarquis)
And…that is pretty much what you get…though the “laws of diminishing returns” is catching up to this franchise.
It all started with the reboot of GODZILLA in 2014 - a better than B “B Movie” that introduced audiences to Monarch and the Monsters they were following. This was followed up by the “very much a B Movie” KONG: SKULL ISLAND where Samuel L. Jackson, John Goodman and a host of others run around, getting picked off one-by-one in an enjoyable romp and hopes remained high for the ongoing Kong/Godzilla “Universe”.
Unfortunately, 2019’s GODZILLA: KING OF THE MONSTERS was a step down and the franchise showed signs of weakness with weaker plot lines…even weaker human characters…and overblown special effects.
Next came this film, GODZILLA vs. KONG - it was supposed to be released in theaters last summer, but because of the pandemic made it’s theatrical release at the same time it was shown on HBO Max (where I viewed it) - and I’m glad they did that, for if I would have shelled out money in a movie theater to check out this mess, I would have been angry, indeed.
GODZILLA vs. KONG follows, unfortunately, the trend started by GODZILLA: KING OF THE THE MONSTERS in that it has overblown CGI action with very little in the way of coherent plot and characters that you couldn’t care less about. It’s a mess of a movie that strings together a slim plot to get from one CGI battle to another.
But…if it has CGI Giant Gorilla on CGI Radioactive Lizard fighting in it…it should be fine, right? Well…that’s where Director Adam Wingard (YOU’RE NEXT) really fails, for a movie called GODZILLA vs. KONG has very little Kong fighting Godzilla in it…so one cannot even get too excited by that.
To be fair to this film, it doesn’t try to be anything more than it is intended to be - a “B” flick with giant monsters fighting each other, but…it only manages to be a B- flick at best. So, feel free to kick back and watch the CGI action, you’ll enjoy most of it - just don’t spend too much time looking for plot or characters that you care about.
And…unfortunately…it’s making me care less and less about future sequels - or the future of the Kong/Godzilla Universe.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank (ofMarquis)
Lee (2222 KP) rated Blair Witch (2016) in Movies
Aug 14, 2017
Yeah, I preferred this to the original...
The original Blair Witch movie came out in 1999 (wow, where has the time gone?!) in the good old days when you could get hold of a US DVD import in the UK before a movie was even released on UK cinema screens. I remember The Blair Witch Project being released in the UK on Halloween, the same day that the US DVD was delivered to my house! I excitedly sat down to watch it that evening with my family while everyone else had to go out in the cold rainy weather to watch it at the cinema, and I remember at the end of the movie we all kind of looked at each other as if to say “is that it…?!” All the hype, all the usual crap about it being absolutely terrifying and the scariest movie ever made and it was just a bunch of people getting spooked in the woods! To be fair, it wasn’t that bad, but it just wasn’t as scary or as fantastic as we’d been led to believe. The movie spawned a forgettable sequel and since then, despite being done to death, far superior found footage movies have come along and done it all a hell of a lot better. Then, out of the blue in July last year, a movie which had been previously marketed as ‘The Woods’ was revealed to actually be ‘Blair Witch’. The trailer looked OK, not great but interesting enough. But, once again we’re being subjected to all the usual marketing crap about it being terrifying and the scariest thing you’ve ever seen… blah, blah, blah…
James Donahue is the brother of Heather, who was one of the central characters in the first film. We join him 22 years after the original, as he prepares to lead a new bunch of characters into the Burkittsville woods. They meet up with a couple of young locals, who offer to be their guide, and off they head, into the woods where their video footage will later be discovered. This time round, the array of cameras capturing the footage has vastly improved. As well as the standard handhelds, we’ve got ear piece cams, drone cams, night cams. All offering new and interesting ways to capture the action.
Things mostly follow a similar path to the original – strange noises, weird stuff happening with time, thinking you’re heading in one direction when you’re going around in circles, juddery camera movements where it’s difficult to tell what the hell is going on. But… you do actually see things this time, the noises that you hear are terrifying, the characters are far more interesting and believable than those in the original. And the final act when we find ourselves back in the house from the first movie is seriously the stuff of nightmares.
Director Adam Wingard and writer Simon Barrett, both have an excellent recent track record (see You’re Next and The Guest) and their influence on this movie has taken this story to another level. This is a far superior movie to the original and yes, it is truly terrifying.
James Donahue is the brother of Heather, who was one of the central characters in the first film. We join him 22 years after the original, as he prepares to lead a new bunch of characters into the Burkittsville woods. They meet up with a couple of young locals, who offer to be their guide, and off they head, into the woods where their video footage will later be discovered. This time round, the array of cameras capturing the footage has vastly improved. As well as the standard handhelds, we’ve got ear piece cams, drone cams, night cams. All offering new and interesting ways to capture the action.
Things mostly follow a similar path to the original – strange noises, weird stuff happening with time, thinking you’re heading in one direction when you’re going around in circles, juddery camera movements where it’s difficult to tell what the hell is going on. But… you do actually see things this time, the noises that you hear are terrifying, the characters are far more interesting and believable than those in the original. And the final act when we find ourselves back in the house from the first movie is seriously the stuff of nightmares.
Director Adam Wingard and writer Simon Barrett, both have an excellent recent track record (see You’re Next and The Guest) and their influence on this movie has taken this story to another level. This is a far superior movie to the original and yes, it is truly terrifying.