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Sarah (7798 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Jan 30, 2021
Boseman is amazing
Ma Rainey’s Black Bottom is the latest adaptation of the works of August Wilson brought to us by producer Denzel Washington, following on from the 2016 adaptation of Fences that earned Viola Davis a Best Supporting Actress Oscar. Here Washington hands over the directing reins to Tony award winner George C. Wolfe, while Viola Davis returns as the titular Ma Rainey.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Sarah (7798 KP) rated Mulan (2020) in Movies
Dec 18, 2020
Completely uninteresting
Mulan (2020) is the live action adaptation of the 1998 Disney animation of the same name, the latest in the live action remakes of Disney classics based on a young woman who disguises herself as a male soldier to save her father.
I’ll start with an admission: I’ve never seen the original animated Mulan. Despite being an avid Disney fan, growing up living and breathing everything Disney, somehow as an eleven year old when it was first released Mulan just passed me by, and has carried in doing so in the 20+ years since. Unlike the other live action Disney remakes in which I had so many preconceptions and so much love for the originals, I went into Mulan entirely open and with no expectations. This I hoped would prove to be a benefit when watching this remake, however I’m afraid to say that it actually may have put me at even more of a disadvantage.
The biggest issue with this film is that is entirely lacking in everything you’d usually expect from an animated Disney film and what I don’t doubt is present in the 1998 original. Disney films are full of heart, laughter, cutesy creatures and catchy songs whilst with an underlying serious plot with more menace and threat than you’d expect. This remake appears to have removed everything you know and love about Disney and replaced it with a very serious, very drawn out and actually quite dull plot. Yes there is still the good message in here that hopefully will motivate young women, but it’s lost behind a film that is severely lacking in any really spirit or character.
Yifei Liu does well as Mulan, at least with what she’s given to work with as far as the script goes. However she really suffers with the romance side, as there is zero chemistry between Mulan and Honghui, even with Yoson An’s charismatic performance. Jet Li is barely recognisable as the Emperor and Donnie Yen really needed to channel more of his Rogue One character to lighten the mood. Even the villains, Bori Khan (Jason Scott Lee) and Xianniang (Li Gong) have little to work with, with Xianniang’s witch being let down by the most by the poor writing and character development.
The cast however aren’t really at fault here. The film looks good, the sets and costumes are impressive and everything feels lush and colourful. However I felt the action scenes had been so obviously ‘Disney-fied’ that they lost all sense of fun and, well, action. They felt over choreographed and with the large amount of fight scenes in this, the lack of proper violence and blood was far too obvious. And the over-used slow motion alongside some questionable CGI was unbearable. Considering they wanted to make this a more accurate and serious Disney adaptation, it’s a shame they didn’t go far enough to make the action a little more adult.
I really wanted to like this, but for me it was just severely deficient in anything that makes a Disney film likeable. Had I seen the original, it may have at least brought some form of love and nostalgia. However all this has succeeded in doing is making me want to watch the original, both as a comparison and for some much needed fun and laughter.
I’ll start with an admission: I’ve never seen the original animated Mulan. Despite being an avid Disney fan, growing up living and breathing everything Disney, somehow as an eleven year old when it was first released Mulan just passed me by, and has carried in doing so in the 20+ years since. Unlike the other live action Disney remakes in which I had so many preconceptions and so much love for the originals, I went into Mulan entirely open and with no expectations. This I hoped would prove to be a benefit when watching this remake, however I’m afraid to say that it actually may have put me at even more of a disadvantage.
The biggest issue with this film is that is entirely lacking in everything you’d usually expect from an animated Disney film and what I don’t doubt is present in the 1998 original. Disney films are full of heart, laughter, cutesy creatures and catchy songs whilst with an underlying serious plot with more menace and threat than you’d expect. This remake appears to have removed everything you know and love about Disney and replaced it with a very serious, very drawn out and actually quite dull plot. Yes there is still the good message in here that hopefully will motivate young women, but it’s lost behind a film that is severely lacking in any really spirit or character.
Yifei Liu does well as Mulan, at least with what she’s given to work with as far as the script goes. However she really suffers with the romance side, as there is zero chemistry between Mulan and Honghui, even with Yoson An’s charismatic performance. Jet Li is barely recognisable as the Emperor and Donnie Yen really needed to channel more of his Rogue One character to lighten the mood. Even the villains, Bori Khan (Jason Scott Lee) and Xianniang (Li Gong) have little to work with, with Xianniang’s witch being let down by the most by the poor writing and character development.
The cast however aren’t really at fault here. The film looks good, the sets and costumes are impressive and everything feels lush and colourful. However I felt the action scenes had been so obviously ‘Disney-fied’ that they lost all sense of fun and, well, action. They felt over choreographed and with the large amount of fight scenes in this, the lack of proper violence and blood was far too obvious. And the over-used slow motion alongside some questionable CGI was unbearable. Considering they wanted to make this a more accurate and serious Disney adaptation, it’s a shame they didn’t go far enough to make the action a little more adult.
I really wanted to like this, but for me it was just severely deficient in anything that makes a Disney film likeable. Had I seen the original, it may have at least brought some form of love and nostalgia. However all this has succeeded in doing is making me want to watch the original, both as a comparison and for some much needed fun and laughter.
Luke (12 KP) rated Castlevania in TV
Oct 2, 2017
Great Animation (2 more)
A-list voice cast.
Faithful to the lore of the video games
Really short (1 more)
Enemy design is a little boring
Castlevania (Netflix) is a 2017 animation series based on the video games of the same name. Based on Castlevania 3: Dracula's Curse, with some elements of Symphony of the Night included, the series follows Trevor Belmont, voiced by Richard Armitage, as he investigates the incident in Wallachia after the townsfolk murdered the wife of Dracula. It's very clear that the Belmont family has had a history with the local church and that Trevor is clearly an outcast in this sleepy little town. Normally with these types of shows, Dracula is usually seen as the villain. However, the first episode shows that he might have just a little bit of humanity left in him, as shown by the voice work done by Graham McTavish. The animation here is abosulutely beautiful. Some of the action scenes are really well done, especially one in particular in the fourth episode. If I had any gripes with this series, I would say that the design of the gargoyle like creatures is a little uninspired. And right now, the series is only four episodes long. But they are currently working on a second season which will be much longer, so that is definitely something to look forward to. Overall, I would say that Castlevania on Netflix is a great series for both fans of the games and of vampire fiction in general. And this might be the best video game adaptation to date. This is definitely a great night to have a curse.
MelanieTheresa (997 KP) rated Daisy Jones & the Six in Books
Apr 4, 2019
I adored this book.
It's so completely different from anything I've recently read. I do love my psychological thrillers, but sometimes it's nice to jump into a totally different world. Daisy Jones & The Six perfectly fits the bill.
There's been so much hype surrounding this book that I'm sure you know the premise by now: set in the mid-sixties through late seventies, Daisy Jones & The Six is about the rise and eventual fall of a fictional rock band. It reads like a Rolling Stone interview, or an episode of Behind the Music, which is an interesting and effective approach to the subject matter. I was immediately immersed in the story, but this also means I flew through it so quickly that I was sad when it was over. It drew me in so completely that I actually forgot this was not a real band.
Sex? ✔ Drugs? ✔ Rock 'n' Roll? ✔
Daisy Jones & The Six has all this and more. I've heard that it bears more than a passing resemblance to Fleetwood Mac's history, which makes sense as the author herself states that she was very much influenced by Fleetwood Mac and Stevie Nicks (a living goddess if there ever was one). Every character is flawed, because, life. The descriptions of the songs, the music, are so complete, I could almost hear them in my head.
Last summer, Amazon ordered a 13-episode limited series of the book. The series will be co-produced by Amazon Studios and Reese Witherspoon’s Hello Sunshine banner. ALSO: Amazon will be distributing original music from the television adaptation exclusively through Amazon Music. ?
And I.Can't.Wait.
?
It's so completely different from anything I've recently read. I do love my psychological thrillers, but sometimes it's nice to jump into a totally different world. Daisy Jones & The Six perfectly fits the bill.
There's been so much hype surrounding this book that I'm sure you know the premise by now: set in the mid-sixties through late seventies, Daisy Jones & The Six is about the rise and eventual fall of a fictional rock band. It reads like a Rolling Stone interview, or an episode of Behind the Music, which is an interesting and effective approach to the subject matter. I was immediately immersed in the story, but this also means I flew through it so quickly that I was sad when it was over. It drew me in so completely that I actually forgot this was not a real band.
Sex? ✔ Drugs? ✔ Rock 'n' Roll? ✔
Daisy Jones & The Six has all this and more. I've heard that it bears more than a passing resemblance to Fleetwood Mac's history, which makes sense as the author herself states that she was very much influenced by Fleetwood Mac and Stevie Nicks (a living goddess if there ever was one). Every character is flawed, because, life. The descriptions of the songs, the music, are so complete, I could almost hear them in my head.
Last summer, Amazon ordered a 13-episode limited series of the book. The series will be co-produced by Amazon Studios and Reese Witherspoon’s Hello Sunshine banner. ALSO: Amazon will be distributing original music from the television adaptation exclusively through Amazon Music. ?
And I.Can't.Wait.
?
Miguel Covarrubias (143 KP) rated Game Of Thrones - Season 8 in TV
May 26, 2019
The Ingredients were mixed in the bowl without being baked.
The buildup to the climaxes of the previous seasons hand our expectations at an all time high. For those of us who became invested in the story and the characters, we were supremely let down. This season could have benefited from more time. When everything seems rushed it doesn't give enough time for things to be fulfilled and wrapped up in an emotionally satisfactory way.
The writers were unable to "Kill their darlings". You could tell they only wanted to jump from their favorite plot point to their favorite plot point without any or little explanation of how they got there. The same plot points could have been reached and been plausible had there been enough time to develop.
The entire season seemed to be half baked. It built well to a very underwhelming climax of the battle of Winterfell which made everything after that felt like a poor excuse for denouement. Some of the heroes that they spent 8 years developing became poor shadows of themselves in order to accomplish what the writers wanted. We received good ingredients but not being mixed well or even cooked to become something good, it fell horribly flat.
It also seemed like the wrong medium for this type of adaptation. It could have used more time to develop for screen what worked well in the books, instead it turned into a poor excuse for a stage show.
The writers were unable to "Kill their darlings". You could tell they only wanted to jump from their favorite plot point to their favorite plot point without any or little explanation of how they got there. The same plot points could have been reached and been plausible had there been enough time to develop.
The entire season seemed to be half baked. It built well to a very underwhelming climax of the battle of Winterfell which made everything after that felt like a poor excuse for denouement. Some of the heroes that they spent 8 years developing became poor shadows of themselves in order to accomplish what the writers wanted. We received good ingredients but not being mixed well or even cooked to become something good, it fell horribly flat.
It also seemed like the wrong medium for this type of adaptation. It could have used more time to develop for screen what worked well in the books, instead it turned into a poor excuse for a stage show.
Saffy Alexandra (89 KP) rated Chilling Adventures of Sabrina - Part One in TV
Jun 8, 2019
As someone who grew up with the old Sabrina TV Show back as a teenager I didn't exactly have high hopes for this show.
However, I was pleasantly surprised by how different and good this new adaptation is! It still keeps the small amount of humour with now more horror and sometimes gruesome imagery.
I am terrified of horror, but even I can cope with this amount of gore and horror without fleeing the room.
I particularly like with this version the different versions of Aunt Hilda and Aunt Zelda, the way they portray the differences in Witches from the dark and broody to the light and humorous. How you can be good but still grumpy. I love the introduction of Ambrose who keeps the series updated with humour and sass, he is probably one of my favourite characters in this show.
To have Salem as a certain type of familiar (no spoilers i swear) is an interesting touch and brings a new element to the show that the former was lacking. But it does also touch on Witch lore which keeps you interested and motivated into watching this series as it carries on.
The only bad (and not even that bad) thing I could mention is the fact sometimes Sabrina literally goes looking for trouble where she needn't. But that is a character flaw which makes her all the more human/Witch to the viewers. Even though it can be annoying, perhaps it's my age that is making me cynical, I can't dispute it's results in keeping the viewer engaged and interested.
However, I was pleasantly surprised by how different and good this new adaptation is! It still keeps the small amount of humour with now more horror and sometimes gruesome imagery.
I am terrified of horror, but even I can cope with this amount of gore and horror without fleeing the room.
I particularly like with this version the different versions of Aunt Hilda and Aunt Zelda, the way they portray the differences in Witches from the dark and broody to the light and humorous. How you can be good but still grumpy. I love the introduction of Ambrose who keeps the series updated with humour and sass, he is probably one of my favourite characters in this show.
To have Salem as a certain type of familiar (no spoilers i swear) is an interesting touch and brings a new element to the show that the former was lacking. But it does also touch on Witch lore which keeps you interested and motivated into watching this series as it carries on.
The only bad (and not even that bad) thing I could mention is the fact sometimes Sabrina literally goes looking for trouble where she needn't. But that is a character flaw which makes her all the more human/Witch to the viewers. Even though it can be annoying, perhaps it's my age that is making me cynical, I can't dispute it's results in keeping the viewer engaged and interested.
Isabel Smith (34 KP) rated The Wife Between Us in Books
Jun 26, 2018
I CANNOT WAIT FOR THE MOVIE!!!!
Dear Reader,
They think I’m crazy, that I’m unstable and unreliable. I promise I’m not. I have been paranoid, yes. I have put on an act before, for sure. I have been involved in more than one scandal, it’s true. But I am not crazy, regardless of what my ex-husband would have you believe. He is an expert manipulator, a master of deceit, a specialist in the art of charisma. Read my story and you’ll see. There have been plenty of us, the women in Richard’s life. It all starts out the same each time; he’ll sweep you off your feet and shower you with love and lavish gifts. Eventually, though, you will do something wrong…something he doesn’t like. Then the mind games begin. The surveillance emerges. The attacks come out of nowhere. Love gives way to entrapment as he pulls the noose tighter and tighter. Just as it all starts the same, it always ends the same too. But I got away. Now, I need to make sure he can never hurt anyone again. So, read my story and stay away. Stay away from men like Richard.
Take extra care,
Vanessa Thompson
P.S. Don’t let this new psychological thriller slip you by. Read it now, before the buzz of its upcoming movie adaptation hits hard and makes the waitlist a mile long. It’s got so many layers that you’ll get to peel back as you rush through the storyline. Some will surprise you by how subtle they are and others will slap you in the face and make you question what you just read.
They think I’m crazy, that I’m unstable and unreliable. I promise I’m not. I have been paranoid, yes. I have put on an act before, for sure. I have been involved in more than one scandal, it’s true. But I am not crazy, regardless of what my ex-husband would have you believe. He is an expert manipulator, a master of deceit, a specialist in the art of charisma. Read my story and you’ll see. There have been plenty of us, the women in Richard’s life. It all starts out the same each time; he’ll sweep you off your feet and shower you with love and lavish gifts. Eventually, though, you will do something wrong…something he doesn’t like. Then the mind games begin. The surveillance emerges. The attacks come out of nowhere. Love gives way to entrapment as he pulls the noose tighter and tighter. Just as it all starts the same, it always ends the same too. But I got away. Now, I need to make sure he can never hurt anyone again. So, read my story and stay away. Stay away from men like Richard.
Take extra care,
Vanessa Thompson
P.S. Don’t let this new psychological thriller slip you by. Read it now, before the buzz of its upcoming movie adaptation hits hard and makes the waitlist a mile long. It’s got so many layers that you’ll get to peel back as you rush through the storyline. Some will surprise you by how subtle they are and others will slap you in the face and make you question what you just read.
Lee KM Pallatina (951 KP) rated Sonic the Hedgehog (2020) in Movies
Mar 16, 2020
Gotta go fast...
Contains spoilers, click to show
After so many videogame movie adaptations to ever happen, I was ecstatic when this movie was announced but also very concerned aswell.
From the super mario bros movie to detective pikachu and every tomb raider in between, this seemed like it was designed to tank from the beginning.
So starting from the original trailer drop, I had no idea what had happened, I saw my childhood being destroyed by Hollywood and in a state of shock, looking very disturbing and more like a human/hedgehog genetic failure - sonic was in trouble and this time, Dr Robotnik wasn't to blame!?
Luckily the entire sonic fan base banded together & they were heard, this resulted in the team behind the movie redesigning sonic himself and the movies release being delayed several months.
On the plus side, the redesign was well worth the wait & was praised by fans and critics alike.
Since the release the movie has been shown so much love and is in line to topple detective pikachu as the best selling videogame movie adaptation in history.
Story:
As a young hedgehog, sonic was a wild child with an ability like no other who caught the attention of many.
This ability pinned sonic as a target and eventually forces sonic to escape to another realm/dimension -Earth.
After several years in hiding, sonic accidentally taps into his inner speed force (Ha!) Causing a total blackout & is then hunted by the evil genius, Dr Robotnik.
This brings with it an adventure, frienship & really cool & fun chase scenes.
A great family movie that does not disappoint.
From the super mario bros movie to detective pikachu and every tomb raider in between, this seemed like it was designed to tank from the beginning.
So starting from the original trailer drop, I had no idea what had happened, I saw my childhood being destroyed by Hollywood and in a state of shock, looking very disturbing and more like a human/hedgehog genetic failure - sonic was in trouble and this time, Dr Robotnik wasn't to blame!?
Luckily the entire sonic fan base banded together & they were heard, this resulted in the team behind the movie redesigning sonic himself and the movies release being delayed several months.
On the plus side, the redesign was well worth the wait & was praised by fans and critics alike.
Since the release the movie has been shown so much love and is in line to topple detective pikachu as the best selling videogame movie adaptation in history.
Story:
As a young hedgehog, sonic was a wild child with an ability like no other who caught the attention of many.
This ability pinned sonic as a target and eventually forces sonic to escape to another realm/dimension -Earth.
After several years in hiding, sonic accidentally taps into his inner speed force (Ha!) Causing a total blackout & is then hunted by the evil genius, Dr Robotnik.
This brings with it an adventure, frienship & really cool & fun chase scenes.
A great family movie that does not disappoint.
Zebra Stripes
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From eminent biologists like Alfred Russel Wallace and Charles Darwin to famous authors such as...
The Rise of Marine Mammals: 50 Million Years of Evolution
Annalisa Berta and James L. Sumich
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Marine mammals have long captured the attention of humans. Ancient peoples etched seals and dolphins...