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Kris Karcher (10 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jan 5, 2018
Better then it looks.
Contains spoilers, click to show
It’s been years since I’ve seen the original 1995 Jumanji, but from what I can remember as a 5-10 year old (not sure when I got around to owning the VHS) I enjoyed it. Robin Williams was on fire in the 90’s and turned in another comparable performance in this fun action adventure film. This new incarnation of the Jumanji tale changes direction a bit. For one it swaps the outdated board game that contains an entire jungle world inside it, for a more cultural relevant video game console that contains an entire jungle world inside it. I’m actually surprised they didn't use an iPad. 2017’s Jumanji also adds in a body swapping element. The teens that enter the game suddenly become adult video game characters. Complete with skills and weakness of varying degrees of usefulness.
Semantics aside, Jumanji: Welcome to the Jungle is also a serviceable blockbuster flick. It’s a fun film that moves at a decent pace and avoids a lot of the typical dull spots most popcorn flicks fall victim to. The adult cast is a fun mixture of comedic talent and have some great chemistry together. The teenage cast less so but they have a more limited role in the film. I enjoyed watching the adult cast attempt to convey the teenagers “inside” them. Dwayne Johnson does this particularly well, playing a timid nerdy teenager trapped in the body of a jacked, smoldering, elite fighting machine. The film purposefully miscast each role. Kevin Hart play’s the avatar of a 6ft football star, Jack black stands in for a Mean Chick-esc selfie obsessed teenage girl, and the bad ass Karen Gillan plays the avatar of an insecure self-conscious teenage girl. The dichotomy of the characters real-life personalities always being at odds with their avatars new physical and mental attributes provides much of the comedy. Not all of it lands, but enough does and they don’t overdo it.
Once we enter the world of Jumanji the characters attempt to figure out how the “game” works. This leads to some humorous video game style exposition. I found this method of exposition to be unique and interesting. Incorporating NPC’s (Non-playable characters) whose sole purpose is to help players figure out what is going on and how to play the game was a fun and meta way to advance the story. It sort of reminds me of some of the things I enjoyed about 2012’s Wreck-It Ralph.
Then the gang runs into the other player in the game and another star of the film, Nick Jonas. Jonas plays Jefferson "Seaplane" McDonough who is the avatar of Zack a teenage boy sucked into the game in 1997 (Jonas uses 1997 lingo frequently. Radical.) and has lived in the jungle for what he claims to be “a few months”. This leads to the biggest missed opportunity of the film. Time apparently moves differently in Jumanji. A few months in Jumanji translates to 20 years in real life. When Zack is told he has been missing 20 years this should have been a major B plot. They do try and add some weight to the situation by showing how deeply affected Zack is by this news, but I feel they could have explored this dynamic a bit further. Especially when it comes to the ending. Which is a bit anticlimactic. Once they all end up working together to escape Jumanji they all are all transported back to their respective timelines and it would appear as though no time has passed. So it sort of ditches the whole being stuck in the game for 20 years angle and instead chooses to allow Zack to live a full and complete life starting from 1997. Also, the main cast seems to be unaffected timeline wise. All of this film took place while they were down in the basement serving their detentions. It would have made for a much more interesting ending if they return to their bodies and find out that in the real world they were gone for a longer period of time. Even just a week or so would have added an interesting dynamic to the pretty flat and standard ending. They do end up meeting up with grown-up Zack (Played by Colin Hanks) and there is a nice little payoff to the quasi-romance Nick Jonas and Jack Black had throughout the film. (Yes you read that correctly.) Alex named his daughter after Bethany who saved his life in the jungle.
The four teenagers all learn valuable life lessons inside the jungle. Fridge leans to appreciate his friend Spencer. Spencer learns to man up and take risks. Bethany learns to care about something other than herself and her popularity, and Martha learns to come out of her shell a bit and open up. While I often find these types of stories to be heavy-handed and snooze-worthy Jumanji manages to keep the gushy feel good stuff to a minimum. It’s there, and it’s obvious but it’s not in your face enough to bring down the movie.
Ultimately I will go ahead and recommend Jumanji: Welcome to the Jungle if your into Action comedy that doesn't ever take itself too seriously. I repeat this is not a serious movie. But it is a mildly funny, family-friendly romp that I fully expect anyone who paid for a ticket to at least get their monies worth. Provided they came in with the right expectations.
Semantics aside, Jumanji: Welcome to the Jungle is also a serviceable blockbuster flick. It’s a fun film that moves at a decent pace and avoids a lot of the typical dull spots most popcorn flicks fall victim to. The adult cast is a fun mixture of comedic talent and have some great chemistry together. The teenage cast less so but they have a more limited role in the film. I enjoyed watching the adult cast attempt to convey the teenagers “inside” them. Dwayne Johnson does this particularly well, playing a timid nerdy teenager trapped in the body of a jacked, smoldering, elite fighting machine. The film purposefully miscast each role. Kevin Hart play’s the avatar of a 6ft football star, Jack black stands in for a Mean Chick-esc selfie obsessed teenage girl, and the bad ass Karen Gillan plays the avatar of an insecure self-conscious teenage girl. The dichotomy of the characters real-life personalities always being at odds with their avatars new physical and mental attributes provides much of the comedy. Not all of it lands, but enough does and they don’t overdo it.
Once we enter the world of Jumanji the characters attempt to figure out how the “game” works. This leads to some humorous video game style exposition. I found this method of exposition to be unique and interesting. Incorporating NPC’s (Non-playable characters) whose sole purpose is to help players figure out what is going on and how to play the game was a fun and meta way to advance the story. It sort of reminds me of some of the things I enjoyed about 2012’s Wreck-It Ralph.
Then the gang runs into the other player in the game and another star of the film, Nick Jonas. Jonas plays Jefferson "Seaplane" McDonough who is the avatar of Zack a teenage boy sucked into the game in 1997 (Jonas uses 1997 lingo frequently. Radical.) and has lived in the jungle for what he claims to be “a few months”. This leads to the biggest missed opportunity of the film. Time apparently moves differently in Jumanji. A few months in Jumanji translates to 20 years in real life. When Zack is told he has been missing 20 years this should have been a major B plot. They do try and add some weight to the situation by showing how deeply affected Zack is by this news, but I feel they could have explored this dynamic a bit further. Especially when it comes to the ending. Which is a bit anticlimactic. Once they all end up working together to escape Jumanji they all are all transported back to their respective timelines and it would appear as though no time has passed. So it sort of ditches the whole being stuck in the game for 20 years angle and instead chooses to allow Zack to live a full and complete life starting from 1997. Also, the main cast seems to be unaffected timeline wise. All of this film took place while they were down in the basement serving their detentions. It would have made for a much more interesting ending if they return to their bodies and find out that in the real world they were gone for a longer period of time. Even just a week or so would have added an interesting dynamic to the pretty flat and standard ending. They do end up meeting up with grown-up Zack (Played by Colin Hanks) and there is a nice little payoff to the quasi-romance Nick Jonas and Jack Black had throughout the film. (Yes you read that correctly.) Alex named his daughter after Bethany who saved his life in the jungle.
The four teenagers all learn valuable life lessons inside the jungle. Fridge leans to appreciate his friend Spencer. Spencer learns to man up and take risks. Bethany learns to care about something other than herself and her popularity, and Martha learns to come out of her shell a bit and open up. While I often find these types of stories to be heavy-handed and snooze-worthy Jumanji manages to keep the gushy feel good stuff to a minimum. It’s there, and it’s obvious but it’s not in your face enough to bring down the movie.
Ultimately I will go ahead and recommend Jumanji: Welcome to the Jungle if your into Action comedy that doesn't ever take itself too seriously. I repeat this is not a serious movie. But it is a mildly funny, family-friendly romp that I fully expect anyone who paid for a ticket to at least get their monies worth. Provided they came in with the right expectations.
Kayleigh (12 KP) rated To Kill a Mockingbird in Books
Jan 2, 2019
Well, February is definitely the month for discovering classics I’ve missed! For some reason, I’d always classed To Kill a Mockingbird in amongst the Agatha Christie genre of murder mysteries – not that I’ve read those either – and didn’t know enough about it for it to have piqued my interest. Now I’ve read it though, I can see what all the fuss is about, and it’s not surprising that, despite being published in 1960, it was still the <a href="http://www.guardian.co.uk/news/datablog/2012/aug/09/best-selling-books-all-time-fifty-shades-grey-compare">65th best-selling book of all time</a> in 2012. Beware of spoilers!
The story is set in Maycomb, Alabama in the 1930s, and is written from the perspective of Jean Louise ‘Scout’ Finch, who is between six and eight years old as the story progresses. The start of the book does an effective job of introducing us to all the characters. Scout lives with her widowed father, Atticus, a lawyer, her brother Jem (who is 4 years older than her) and Calpurnia, a black woman who acts as a type of mother figure. A friend, Dill, also joins them in the summer. The three children are intrigued by Arthur ‘Boo’ Radley, who lives in the house on the corner but is never seen outside. I really enjoyed this part of the story; it set the scene brilliantly, as well as helping me reminisce about my own childhood. Even if there is no ‘haunted’ house, children will always make one – at least, my brother and I did! With the limitless amounts of imagination children have, there will always be adventures to be had and ‘monsters’ to escape from. There was one particular house, when we were around the same age as Jem and Scout, where they had a doorbell you pulled, like a cord. My brother Josh said it was a doorbell that made you scream every time you pulled it, so we obviously had great fun in pulling it, screaming, and running away. If by some fluke the person living there is reading this, I’m really sorry, but it still makes me laugh! There was also every Christmas, when we went carol singing. We had decided that the houses beyond the wood were richer than the others, and every year would link arms, lighting matches to try and find our way in the dark and telling ghost stories the whole time.
Once everything has been established, the book moves on to a case Atticus is defending. A black man, Tom, has been accused of raping Mayella Ewell, part of a trashy white family with very poor education and even less money. This is where the casual prejudice of the time is evident – Jem and Scout have to put up with people calling their family a “nigger-lover” (sorry if that language offends, it is a direct quote and I mean no harm); Atticus faces repercussions for his whole-hearted attempt to save Tom; and many of the Maycomb women look down on the black community. However, there’s still a touch of hope – the way Atticus defends Tom’s case makes everybody think, a great feat in the setting where black and white people are in completely different classes. In this part of the story, I really looked up to Atticus, in his seemingly-infinite wisdom.
In the final part of the story, Jem and Scout finally get to meet Boo Radley, and it is here that the title of the book becomes apparent. In the middle of the book, after Jem and Scout get air-rifles, it is said:
<blockquote>When he gave us our air-rifles Atticus wouldn’t teach us to shoot. Uncle Jack instructed us in the rudiments thereof; he said Atticus wasn’t interested in guns. Atticus said to Jem one day, “I’d rather you shoot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.”
That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it.
“Your father’s right,” she said. “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”</blockquote>
Obviously, not knowing what was coming, I thought the story must eventually be about the children shooting a mockingbird. The last page of the book, though, I realised that it was a lot more subtle and symbolic than that. The mockingjay is Boo Radley, the man who gives when he can and causes no harm.
I really wish I’d read this story as a child, to see what sort of perspective I’d have had back then. Reading as an adult means that, while Scout was a brilliant perspective, I was almost reading as an outsider. I could see her maturing, slowly fitting the pieces together to start acting like an adult, but at the same time it was an undeniably adult reading. I really really enjoyed the book, but I have a feeling it’s one of those multi-faceted ones where you read something different every time. I can’t help thinking that reading it as a child would have been a lot more powerful.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
The story is set in Maycomb, Alabama in the 1930s, and is written from the perspective of Jean Louise ‘Scout’ Finch, who is between six and eight years old as the story progresses. The start of the book does an effective job of introducing us to all the characters. Scout lives with her widowed father, Atticus, a lawyer, her brother Jem (who is 4 years older than her) and Calpurnia, a black woman who acts as a type of mother figure. A friend, Dill, also joins them in the summer. The three children are intrigued by Arthur ‘Boo’ Radley, who lives in the house on the corner but is never seen outside. I really enjoyed this part of the story; it set the scene brilliantly, as well as helping me reminisce about my own childhood. Even if there is no ‘haunted’ house, children will always make one – at least, my brother and I did! With the limitless amounts of imagination children have, there will always be adventures to be had and ‘monsters’ to escape from. There was one particular house, when we were around the same age as Jem and Scout, where they had a doorbell you pulled, like a cord. My brother Josh said it was a doorbell that made you scream every time you pulled it, so we obviously had great fun in pulling it, screaming, and running away. If by some fluke the person living there is reading this, I’m really sorry, but it still makes me laugh! There was also every Christmas, when we went carol singing. We had decided that the houses beyond the wood were richer than the others, and every year would link arms, lighting matches to try and find our way in the dark and telling ghost stories the whole time.
Once everything has been established, the book moves on to a case Atticus is defending. A black man, Tom, has been accused of raping Mayella Ewell, part of a trashy white family with very poor education and even less money. This is where the casual prejudice of the time is evident – Jem and Scout have to put up with people calling their family a “nigger-lover” (sorry if that language offends, it is a direct quote and I mean no harm); Atticus faces repercussions for his whole-hearted attempt to save Tom; and many of the Maycomb women look down on the black community. However, there’s still a touch of hope – the way Atticus defends Tom’s case makes everybody think, a great feat in the setting where black and white people are in completely different classes. In this part of the story, I really looked up to Atticus, in his seemingly-infinite wisdom.
In the final part of the story, Jem and Scout finally get to meet Boo Radley, and it is here that the title of the book becomes apparent. In the middle of the book, after Jem and Scout get air-rifles, it is said:
<blockquote>When he gave us our air-rifles Atticus wouldn’t teach us to shoot. Uncle Jack instructed us in the rudiments thereof; he said Atticus wasn’t interested in guns. Atticus said to Jem one day, “I’d rather you shoot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.”
That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it.
“Your father’s right,” she said. “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”</blockquote>
Obviously, not knowing what was coming, I thought the story must eventually be about the children shooting a mockingbird. The last page of the book, though, I realised that it was a lot more subtle and symbolic than that. The mockingjay is Boo Radley, the man who gives when he can and causes no harm.
I really wish I’d read this story as a child, to see what sort of perspective I’d have had back then. Reading as an adult means that, while Scout was a brilliant perspective, I was almost reading as an outsider. I could see her maturing, slowly fitting the pieces together to start acting like an adult, but at the same time it was an undeniably adult reading. I really really enjoyed the book, but I have a feeling it’s one of those multi-faceted ones where you read something different every time. I can’t help thinking that reading it as a child would have been a lot more powerful.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
Hazel (1853 KP) rated We are All Made of Molecules in Books
May 26, 2017
Contrasting Characters
We Are All Made of Molecules is a heart-rending contemporary young adult novel by the Canadian author, Susin Nielsen. Stewart is a gifted thirteen-year-old who lost his mother to cancer two years ago. Now his father has found a new love and they are moving in with her and her fourteen-year old daughter, Ashley. Stewart is excited at the prospect of having a sister, however Ashley is his polar opposite and is horrified at the idea.
The narrative is shared between Stewart and Ashley, providing two points of view to the story. Stewart, who is most likely somewhere on the Autism spectrum, provides a fairly factual account of the story – moving to a new house, starting a new school etc. Ashley, on the other hand, is a stuck up, drama queen, therefore her side of the story is based upon her feelings – which also reveals how unintelligent she is.
Stewart and Ashley’s relationship is rather strained, with Stewart regularly being called a “midget-egghead-freakazoid” no matter how nice he tries to be. As the story develops, so do both of their characters. Stewart learns how to speak up for himself and Ashley eventually becomes less of a brat.
Ashley gives lots of the characters horrible names that are often hurtful and inaccurate, but although she is embarrassed about the nature of her parents’ divorce – her father is gay – she is shocked about some of the names she hears homosexuals called. We Are All Made of Molecules deals with homophobia in a truthful manner. Nielsen does not try to hide the fact that some people can be cruel and hurtful, but she also shows that although people can be different, there is no reason to treat them badly.
Stewart is a loveable character that makes the book pleasant to read, however Ashley is annoying and makes the story less enjoyable. It is, nevertheless, a humourous yet beautiful story that many teenage readers will enjoy.
The narrative is shared between Stewart and Ashley, providing two points of view to the story. Stewart, who is most likely somewhere on the Autism spectrum, provides a fairly factual account of the story – moving to a new house, starting a new school etc. Ashley, on the other hand, is a stuck up, drama queen, therefore her side of the story is based upon her feelings – which also reveals how unintelligent she is.
Stewart and Ashley’s relationship is rather strained, with Stewart regularly being called a “midget-egghead-freakazoid” no matter how nice he tries to be. As the story develops, so do both of their characters. Stewart learns how to speak up for himself and Ashley eventually becomes less of a brat.
Ashley gives lots of the characters horrible names that are often hurtful and inaccurate, but although she is embarrassed about the nature of her parents’ divorce – her father is gay – she is shocked about some of the names she hears homosexuals called. We Are All Made of Molecules deals with homophobia in a truthful manner. Nielsen does not try to hide the fact that some people can be cruel and hurtful, but she also shows that although people can be different, there is no reason to treat them badly.
Stewart is a loveable character that makes the book pleasant to read, however Ashley is annoying and makes the story less enjoyable. It is, nevertheless, a humourous yet beautiful story that many teenage readers will enjoy.
Merissa (12351 KP) rated The Mage King (The Ice Queen #2) in Books
Jul 21, 2017
The Mage King (The Ice Queen #2) by Rebecca Bauer
The Mage King is the second book in The Ice Queen series, and we return to see what Aria and Cas are up to, two years after we last saw them. They are now proud parents of Elena, although Cas seems to have taken to it a bit easier than Aria has done. They have worked hard for peace, but it seems like the mages are up to their tricks again. Not only that, but the magic of the mages seems to be failing. It becomes apparent that those who are not having problems (like Cas) may have a different blood line than others. Not only that, but King Liam from the west is making his way eastwards, and no one is quite sure why.
So much happens in this book, and yet it is easy to follow and is not unnecessarily complicated. Aria and Cas continue to go from strength to strength, no matter what is thrown at them. Their love and trust in each other is a strength that others just don't understand, and yet I adore it! They are not saccharine sweet, one of the things I love about Aria is her razor-sharp tongue, but are unfailing honest and loyal although they both play the deception/political game with style and finesse.
I refuse to give out any spoilers about this book. Trust me, you will want to immerse yourself in the Ice Realm, along with the other places, just like you did with The Ice Queen. I will say that there were no editing or grammatical errors that disrupted my reading flow. Once again, this is an exceptional adult fantasy that I highly recommend.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
So much happens in this book, and yet it is easy to follow and is not unnecessarily complicated. Aria and Cas continue to go from strength to strength, no matter what is thrown at them. Their love and trust in each other is a strength that others just don't understand, and yet I adore it! They are not saccharine sweet, one of the things I love about Aria is her razor-sharp tongue, but are unfailing honest and loyal although they both play the deception/political game with style and finesse.
I refuse to give out any spoilers about this book. Trust me, you will want to immerse yourself in the Ice Realm, along with the other places, just like you did with The Ice Queen. I will say that there were no editing or grammatical errors that disrupted my reading flow. Once again, this is an exceptional adult fantasy that I highly recommend.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Whatchareadin (174 KP) rated The Barefoot Queen in Books
May 10, 2018
Finally, I have finished this book. It has taken me over a month to read it, which is a record for me.
Caridad is a Cuban slave. She is being brought to Spain by her master when he dies on the ship. After arriving in Spain she is given her freedom papers and then she has to try and find a new life for herself in a place where she knows no one. Only in Spain a few days, Caridad meets an old gypsy named Melchor. He brings Caridad home with him to be a companion for his granddaughter, Milagros. But who is she really there to be a companion for. The girls become fast friends. But no longer a slave and far from gypsy, Caridad is not sure exactly how she should or would fit in.
Follow Caridad on her journey through Spain to find all the things she never had; freedom, friends and love.
This book took a long time for me to read. There were days that I didn't even pick the book up. The story as a whole was very interesting and I know a lot more about gypsy law than I ever thought I would. Family is everything to them and they will let nothing come in the way of that. While Milagros and Melchor were welcoming to Caridad from the beginning, it took the rest of the family some time to do the same. They all learned from each other. This book spans over many years and you get to see how Caridad learns to embrace her freedom. There are lots of trials and tribulations for her along the way. How Milagros grows from a love-struck teen to an adult with a daughter to care for. Melchor on the other hand is an old gypsy who really only learned one thing.
This is a very good book with strong characters. I just wish it hadn't taken me so long to read.
"I received this book from Blogging for Books for this review."
Caridad is a Cuban slave. She is being brought to Spain by her master when he dies on the ship. After arriving in Spain she is given her freedom papers and then she has to try and find a new life for herself in a place where she knows no one. Only in Spain a few days, Caridad meets an old gypsy named Melchor. He brings Caridad home with him to be a companion for his granddaughter, Milagros. But who is she really there to be a companion for. The girls become fast friends. But no longer a slave and far from gypsy, Caridad is not sure exactly how she should or would fit in.
Follow Caridad on her journey through Spain to find all the things she never had; freedom, friends and love.
This book took a long time for me to read. There were days that I didn't even pick the book up. The story as a whole was very interesting and I know a lot more about gypsy law than I ever thought I would. Family is everything to them and they will let nothing come in the way of that. While Milagros and Melchor were welcoming to Caridad from the beginning, it took the rest of the family some time to do the same. They all learned from each other. This book spans over many years and you get to see how Caridad learns to embrace her freedom. There are lots of trials and tribulations for her along the way. How Milagros grows from a love-struck teen to an adult with a daughter to care for. Melchor on the other hand is an old gypsy who really only learned one thing.
This is a very good book with strong characters. I just wish it hadn't taken me so long to read.
"I received this book from Blogging for Books for this review."
Acanthea Grimscythe (300 KP) rated King's Cage in Books
May 16, 2018
The third installment in Victoria Aveyard’s Red Queen series, King’s Cage, is probably my favorite so far. Once again, Aveyard proves she is more focused on telling a story than describing a romance – something my readers know I really like. Especially when it comes to young adult fantasy. In fact, I feel labeling this series as “romance” is a stretch – especially given how little Aveyard focuses on actual material meant to draw in readers of that genre.
King’s Cage begins where Glass Sword left off: Mare’s deal with Maven. While she spends her time in prison, we finally get to learn more about other characters in the story – namely Cameron and (later) Evangeline. Though the latter takes place more toward when the action begins to kick up. Naturally, the story is more focused on Mare even from these perspectives, but it provides a refreshing look at the rebellion.
Surprisingly, there are several turns in King’s Cage that caught me entirely off guard. This is a good thing: I hate when books and stories become predictable. I won’t divulge more than that, for fear of spoilers, but I will say this: so far, this book is my favorite in the series and though I am so angry at the ending I could burn it, part of me wants to open it back up to page one and start again. I don’t imagine the library will like it much if I burn their book.
Until the fourth book hits shelves, I guess I’ll have to satisfy my hunger for more by reading the two novellas that Aveyard wrote for her post-apocalypse universe. Oh, and as a side note? This is the first one I read physically so I finally got to see a map of the lands. As I suspected, it takes place in the ruins of what was once the United States.
King’s Cage begins where Glass Sword left off: Mare’s deal with Maven. While she spends her time in prison, we finally get to learn more about other characters in the story – namely Cameron and (later) Evangeline. Though the latter takes place more toward when the action begins to kick up. Naturally, the story is more focused on Mare even from these perspectives, but it provides a refreshing look at the rebellion.
Surprisingly, there are several turns in King’s Cage that caught me entirely off guard. This is a good thing: I hate when books and stories become predictable. I won’t divulge more than that, for fear of spoilers, but I will say this: so far, this book is my favorite in the series and though I am so angry at the ending I could burn it, part of me wants to open it back up to page one and start again. I don’t imagine the library will like it much if I burn their book.
Until the fourth book hits shelves, I guess I’ll have to satisfy my hunger for more by reading the two novellas that Aveyard wrote for her post-apocalypse universe. Oh, and as a side note? This is the first one I read physically so I finally got to see a map of the lands. As I suspected, it takes place in the ruins of what was once the United States.
Rachel King (13 KP) rated Glass Houses (The Morganville Vampires, #1) in Books
Feb 11, 2019
I found this book to be a nice change from the typical high school setting that so many Young Adult books take place in - with good reason, of course. So what if she's still only 16, she's in college! Unfortunately, she still has not outgrown the evil female clique syndrome that plague so many stories. Some elements of the story remind me of my own days in university, but the book takes them all to the extreme. On a side note, it's a good thing she's so dang smart, because from my experience, skipping classes like she does throughout the text should, in reality, result in failing grades. I guess that's the beauty of fantasy literature - you can skip all the drudgery and go straight for the exciting bits of life.
The part I did not really understand - and I am still waiting for an explanation after finishing the book - is how the psychotic Monica seems to get away with more than the resident vampires do. I mean, if the vamps both built and run the town of Morganville, it makes more sense that they would want to appear more nefarious than the lowly humans.
I also found it strangely refreshing that the vampires were wholely and completely the bad guys - no human-vampire romantic happenings, and no, Miranda the vision-plagued goth and her undead boyfriend Charles do not count. But I did find the head vampire Amelie very intriguing, since she seems less interested in bloody deaths and widespread property damage and more interested in maintaining power and protecting her assets, a trait that no other vampire in the novel seemed to exhibit.
I can not wait to get my hands on the next novel in the series, The Dead Girls' Dance, since Michael's state of ghost / not-ghost / Glass House incarnate has not been resolved enough for me at all!
The part I did not really understand - and I am still waiting for an explanation after finishing the book - is how the psychotic Monica seems to get away with more than the resident vampires do. I mean, if the vamps both built and run the town of Morganville, it makes more sense that they would want to appear more nefarious than the lowly humans.
I also found it strangely refreshing that the vampires were wholely and completely the bad guys - no human-vampire romantic happenings, and no, Miranda the vision-plagued goth and her undead boyfriend Charles do not count. But I did find the head vampire Amelie very intriguing, since she seems less interested in bloody deaths and widespread property damage and more interested in maintaining power and protecting her assets, a trait that no other vampire in the novel seemed to exhibit.
I can not wait to get my hands on the next novel in the series, The Dead Girls' Dance, since Michael's state of ghost / not-ghost / Glass House incarnate has not been resolved enough for me at all!
Rachel King (13 KP) rated Insatiable (Insatiable, #1) in Books
Feb 11, 2019
I normally try to avoid Meg Cabot, simply because I've found some of her writing too teeny-bopper for me, but this book was written for adults and features an all-adult cast list. Now this is a book that could be made into a movie.
The book starts out as an anti-vampire book, and makes fun of the over-saturation in pop culture through Meena Harper's character. I love Meena's character right away, with her writing skills and passion for a decades-old soap opera, she is someone I can relate to. Her ability to predict others' deaths only makes her more intriguing. I also find it fittingly ironic when more and more of the people around Meena turn out to be vampires, as she eventually acknowledges herself.
Even though the book is written for adults, Meg Cabot still keeps the writing clean, skipping through the intimate bedroom scenes with only the smallest of hints at the sordid details. She also leaves many of the gruesome aspects of the plot up to the imagination of the readers, which I prefer.
Because this book is all about tongue-in-cheek irony, it is only fitting that the state of Meena's mind -- the jumbled mess of a writer -- attracts the prince of all vampires, Lucien, who happens to be a Romanian history professor when he isn't attending to his princely duties. I get the feeling that there is more to Lucien and Meena's attraction to each other than what Meg Cabot is telling the reader, but by the end of the book, this is still a mystery. Plus, a good-looking vampire slayer suffering from too much micromanagement and even less communication skills causes some interesting conflicts and obstacles for Meena and Lucien. His attraction to Meena is like water to a sponge, but Meena is less drawn to Alaric.
I wasn't crazy by how the book ended, but it made sense for Meena's independence. Still, I'm hoping Meena's choices will change in the next book, Overbite.
The book starts out as an anti-vampire book, and makes fun of the over-saturation in pop culture through Meena Harper's character. I love Meena's character right away, with her writing skills and passion for a decades-old soap opera, she is someone I can relate to. Her ability to predict others' deaths only makes her more intriguing. I also find it fittingly ironic when more and more of the people around Meena turn out to be vampires, as she eventually acknowledges herself.
Even though the book is written for adults, Meg Cabot still keeps the writing clean, skipping through the intimate bedroom scenes with only the smallest of hints at the sordid details. She also leaves many of the gruesome aspects of the plot up to the imagination of the readers, which I prefer.
Because this book is all about tongue-in-cheek irony, it is only fitting that the state of Meena's mind -- the jumbled mess of a writer -- attracts the prince of all vampires, Lucien, who happens to be a Romanian history professor when he isn't attending to his princely duties. I get the feeling that there is more to Lucien and Meena's attraction to each other than what Meg Cabot is telling the reader, but by the end of the book, this is still a mystery. Plus, a good-looking vampire slayer suffering from too much micromanagement and even less communication skills causes some interesting conflicts and obstacles for Meena and Lucien. His attraction to Meena is like water to a sponge, but Meena is less drawn to Alaric.
I wasn't crazy by how the book ended, but it made sense for Meena's independence. Still, I'm hoping Meena's choices will change in the next book, Overbite.
Rachel King (13 KP) rated The Sleeping Beauty (Five Hundred Kingdoms, #5) in Books
Feb 11, 2019
I found this book to be quite engrossing and entertaining as a retelling of a mixture of common fairy tales, namely Sleeping Beauty and Snow White. Other tales are also given some attention, such as the Frog Prince, as a source of humor and explanation of random occurences. The lengths to which Rosa and her Fairy Godmother must go to escapes the clutches of The Tradition are both ingenious and exhausting, and it makes me appreciate that my own life is not dictated by some non-conscious "force."
I especially enjoyed the many different challenges that the two women conceived to test the many Princes vying for Rosa's hand in marriage, and I even tried to answer a few myself before I read ahead. The novel takes the modernized approach that the Damsel in Distress does not always need a man to save her from Doom - but having a few handy just in case certainly don't hurt!
I enjoyed how unique each of the characters are, even minor characters, such as some of the Princes who were eliminated early or the different Brownies in the service of the Fairy Godmother. Seigfried and Leopold are opposites in many ways, and yet they work very well together. Seigfried's bird is also great entertainment and quite convenient as a source of knowledge and backstory. The way that Leopold resolves the force of the The Tradition that has been plaguing Seigfried is rather perfect, too. The mirror spirit, Jimson, who serves the Fairy Godmother, Lily, is also quite endearing, and I found his resolution somewhat predictable, but still enjoyable.
What I like most about the Five Hundred Kingdom series is that even though each of the books in the series could qualify as a stand-alone novel, each book still sneaks in elements to connect it to the backstory of previous books, such as when Lily contacts Elena regarding dragons. The fairy tales are reimagined in the light of modern values while still favoring core elements, and even an adult such as myself can appreciate them!
I especially enjoyed the many different challenges that the two women conceived to test the many Princes vying for Rosa's hand in marriage, and I even tried to answer a few myself before I read ahead. The novel takes the modernized approach that the Damsel in Distress does not always need a man to save her from Doom - but having a few handy just in case certainly don't hurt!
I enjoyed how unique each of the characters are, even minor characters, such as some of the Princes who were eliminated early or the different Brownies in the service of the Fairy Godmother. Seigfried and Leopold are opposites in many ways, and yet they work very well together. Seigfried's bird is also great entertainment and quite convenient as a source of knowledge and backstory. The way that Leopold resolves the force of the The Tradition that has been plaguing Seigfried is rather perfect, too. The mirror spirit, Jimson, who serves the Fairy Godmother, Lily, is also quite endearing, and I found his resolution somewhat predictable, but still enjoyable.
What I like most about the Five Hundred Kingdom series is that even though each of the books in the series could qualify as a stand-alone novel, each book still sneaks in elements to connect it to the backstory of previous books, such as when Lily contacts Elena regarding dragons. The fairy tales are reimagined in the light of modern values while still favoring core elements, and even an adult such as myself can appreciate them!