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Spark of Madness (Ember Glen #1)
Book
In Ember Glen, men purge under the full moon. It’s the duty of women to serve them. When Mercy...
Adult Dark Romance Dystopian
Love’s Last Kiss by Sharon Wray
Book
Is love worth risking everything for? Rose Guthrie, a reluctant erotic dancer, hasn’t trusted...
Adult Romance Suspense
A School of Daughters
Book
It’s funny how things sneak up on you… Kate Willoughby is a champion for...
Literary Fiction Women's Fiction
As The Secrets Turn (My Darkest Secret #3)
6.0
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Book
When we collided, it turned into beautiful chaos. I am patient and kind. I do not envy or boast. ...
Young Adult (YA) Urban Romantic Suspense
ClareR (5906 KP) rated Maureen Fry and the Angel of the North in Books
Aug 19, 2023
Ok, I’ll put my hand up to this: I haven’t read the first two books in this trilogy! But I’ve heard enough about them that it feels as though I have! And they’re on my bookshelf. It’s not actually unusual for me to read trilogies out of order, and I can say in this case that I didn’t feel as though I’d missed anything major that made it incomprehensible. Maureen Fry to me was perfectly readable and very enjoyable on its own. That’s not to say that I won’t read Harold and Queenie’s stories though!
Maureen isn’t an instantly likeable person. She’s standoffish, rude and has experienced enough trauma in her life to make her attitude and personality unpleasant, yet understandable. As a child she was described as difficult, and she describes herself as a difficult adult. Harold clearly adores her, and finds this part of her just as endearing as the rest. We’ve all met difficult people like Maureen, possibly made sure that we avoided them afterwards, and this novella goes some way to explain how and why Maureen became the person she was.
Maureen doesn’t have an easy time during her journey, mainly because of her ‘spikiness’, but at the same time, it shows how intolerant some people can be (Maureen is included here!). We meet one of Harold’s friends from his walk who proves particularly invaluable for Maureen.
At the centre of this is Maureen’s loss. When her son died by suicide many years before this story takes place, he takes a piece of Maureen with him. This journey, which is, incidentally to Queenie’s garden, helps Maureen to come to terms with her sons death and life without him.
It’s quite beautiful. I’m not saying that Maureen transforms into a wonderfully kind, light-hearted woman (she doesn’t), but I do believe she comes to an understanding with her grief.
This was well worth the reading.
Maureen isn’t an instantly likeable person. She’s standoffish, rude and has experienced enough trauma in her life to make her attitude and personality unpleasant, yet understandable. As a child she was described as difficult, and she describes herself as a difficult adult. Harold clearly adores her, and finds this part of her just as endearing as the rest. We’ve all met difficult people like Maureen, possibly made sure that we avoided them afterwards, and this novella goes some way to explain how and why Maureen became the person she was.
Maureen doesn’t have an easy time during her journey, mainly because of her ‘spikiness’, but at the same time, it shows how intolerant some people can be (Maureen is included here!). We meet one of Harold’s friends from his walk who proves particularly invaluable for Maureen.
At the centre of this is Maureen’s loss. When her son died by suicide many years before this story takes place, he takes a piece of Maureen with him. This journey, which is, incidentally to Queenie’s garden, helps Maureen to come to terms with her sons death and life without him.
It’s quite beautiful. I’m not saying that Maureen transforms into a wonderfully kind, light-hearted woman (she doesn’t), but I do believe she comes to an understanding with her grief.
This was well worth the reading.
Requiem (Tales of the Five Realms #1)
8.0
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Book
In a world where light and shade battle for hearts and minds, young rebel, Hagar, earns a...
Paranormal Romance
Fate in Suspension (Horn & Haven #1)
8.0
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Book
Quiet. That's how he likes life, no drama to clean up... Tai Xen-Vorsy leads a straightforward...
Adult Fantasy LGBTQIA+ Paranormal Romance
TD
The Dragon Flyers Series: Books 1-3: The Dragon Flyers Collection
Book
A secret club. An evil foe. Three friends against incredible odds … All David wants is to be a...
middle grade middle grade fantasy fantasy mg fantasy
Gareth von Kallenbach (980 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jul 2, 2019
Ever since X-men First Class was released, Jean Gray one of the more pivotal characters in the X-Men universe has been surprisingly absent. Often portrayed at not only having psychic abilities that rivals Charles Xavier, but also attracted the admiration of both Cyclops and Wolverine. While she was a staple in the original film and subsequent sequels her first appearance in the newest series did not occur until X-Men Apocalypse. With the release of Dark Phoenix, we had hoped to finally get an opportunity to explore a bit of her background story and her transformation into Dark Phoenix.
Dark Phoenix begins on a small country road where a very young Jean Grey is arguing with her parents over what music to listen to. In traditional parent fashion, her mother reminds her that the driver is the one who chooses the music and when she is old enough to drive she can choose her own music. This small disagreement turns into a deadly confrontation, when the young Jean, unable to control her vast powers causes her mom to fall asleep at the wheel, resulting in a head on collision killing both her parents. The doctors are amazed that this young girl has survived without a single scratch and a young Charles Xavier arrives to take her to a place where she can be safe.
Fast Forward to the year 1992 where the space shuttle Endeavor, on a routine mission, encounters a cosmic entity that cripples it in space. The X-men, who are now looked at as heroes by most of the world are tasked to bring the astronauts safely home, it’s a dangerous mission, but one that Charles feels will further cement the hero status of his team and continue to grow trust between mutants and humans alike. The mission goes surprisingly without incident until Jean and Night Crawler attempt to rescue the final remaining astronaut from the doomed shuttle. Night Crawler quickly teleports the astronaut to safety, but Jean is caught by the full force of the cosmic entity, absorbing it completely and destroying the shuttle. The team scrambles to locate her, and with the help of Night Crawler are once again able to bring her back to the safety of the X-Jet. Relieved that she has somehow miraculously survived the encounter the team is unaware that Jean and themselves will never be the same again.
As we’ve come to expect from the previous X-men movies, a star-studded cast leads the way. Familiar cast members such as Jennifer Lawrence (Raven), Tye Sheridan (Cyclops) and James McAvoy (Charles Xavier) are joined once again by Sophie Turner as the iconic Jean Grey. Sophie does an incredible job at bringing out both the uncertainty in her character and the extreme anger and rage that flows through her. Unfortunately for such a major character the movie only briefly touches the surface of who Jean Grey really is. The movie, even from the start tends to focus on Jean as a dangerous and angry young lady, unable to control her emotions which will ultimately open the doorway to her alter ego Dark Phoenix. The movie unfortunately treats her as a one-off character and skips most of her back story choosing to focus only on her Dark Phoenix personality. This leaves the audience with no understanding of the person she was prior to the transformation, only seeing Jean as an uncontrollable child who has now become an uncontrollable adult with “off the chart” powers. While Charles and other members of the team try to assure those around them (and the audience seated in the theaters) that Jean is a good person, a person worth saving, there is very little in the movie that allows us to sympathize with her plight. It ultimately villainizes her and leaves much of the cast (and the audience) wondering whether destroying her is the right choice for all humankind.
Visually Dark Phoenix is a masterpiece, whether it’s the awe-inspiring deepness of space, or the incredible visual effects as the mutants square off against each other with their powers. Buildings topple, subway cars are pulled from underground and general mayhem takes the stage. This is certainly one of the more action-packed movies in the series and getting the opportunity to watch some of our favorite mutants square off against one another is enough to excite even the ones least interested in the franchise.
Dark Phoenix as one might expect is also one of the darkest of the x-men movies. Unlike its other Marvel film counterparts, there is no levity in the movie at all. There are scenes that are heartwarming, but the movie takes itself very seriously. Even in a similarly dark Marvel movie Endgame there were moments that would make you laugh regardless of how dire the situation was, Dark Phoenix is not like this at all. It carries a weight to it that ensures that not only the people on screen, but those in the audience understand how truly dire the situation is. It detracts a bit from the spirit of the source material it derives from and could potentially alienate its core audience. This is a very adult movie, that deals with some very adult themes and parents might want to think twice before taking their youngest to see this film. With the X-Men franchise finally joining the MCU, it’ll be interesting to see how movies down the road treat these characters.
Dark Phoenix represents the end of an X-Men era that has existed in both its original and First-Class installments for over twenty years. The acquisition of Fox by Disney now brings this venerable franchise to the MCU family along with its cast of seemingly endless characters. While the movie is certainly better than Apocalypse, it can’t quite reach the heights of either First-Class or Days of Futures Past. The Dark Phoenix storyline does a good job staying closer to its comic book roots than its previous outing but rushes the origin and character development of Jean far more than she deserves. It’s a fine ending to the series as a whole but can’t quite deliver in all the ways I hoped it would.
Dark Phoenix begins on a small country road where a very young Jean Grey is arguing with her parents over what music to listen to. In traditional parent fashion, her mother reminds her that the driver is the one who chooses the music and when she is old enough to drive she can choose her own music. This small disagreement turns into a deadly confrontation, when the young Jean, unable to control her vast powers causes her mom to fall asleep at the wheel, resulting in a head on collision killing both her parents. The doctors are amazed that this young girl has survived without a single scratch and a young Charles Xavier arrives to take her to a place where she can be safe.
Fast Forward to the year 1992 where the space shuttle Endeavor, on a routine mission, encounters a cosmic entity that cripples it in space. The X-men, who are now looked at as heroes by most of the world are tasked to bring the astronauts safely home, it’s a dangerous mission, but one that Charles feels will further cement the hero status of his team and continue to grow trust between mutants and humans alike. The mission goes surprisingly without incident until Jean and Night Crawler attempt to rescue the final remaining astronaut from the doomed shuttle. Night Crawler quickly teleports the astronaut to safety, but Jean is caught by the full force of the cosmic entity, absorbing it completely and destroying the shuttle. The team scrambles to locate her, and with the help of Night Crawler are once again able to bring her back to the safety of the X-Jet. Relieved that she has somehow miraculously survived the encounter the team is unaware that Jean and themselves will never be the same again.
As we’ve come to expect from the previous X-men movies, a star-studded cast leads the way. Familiar cast members such as Jennifer Lawrence (Raven), Tye Sheridan (Cyclops) and James McAvoy (Charles Xavier) are joined once again by Sophie Turner as the iconic Jean Grey. Sophie does an incredible job at bringing out both the uncertainty in her character and the extreme anger and rage that flows through her. Unfortunately for such a major character the movie only briefly touches the surface of who Jean Grey really is. The movie, even from the start tends to focus on Jean as a dangerous and angry young lady, unable to control her emotions which will ultimately open the doorway to her alter ego Dark Phoenix. The movie unfortunately treats her as a one-off character and skips most of her back story choosing to focus only on her Dark Phoenix personality. This leaves the audience with no understanding of the person she was prior to the transformation, only seeing Jean as an uncontrollable child who has now become an uncontrollable adult with “off the chart” powers. While Charles and other members of the team try to assure those around them (and the audience seated in the theaters) that Jean is a good person, a person worth saving, there is very little in the movie that allows us to sympathize with her plight. It ultimately villainizes her and leaves much of the cast (and the audience) wondering whether destroying her is the right choice for all humankind.
Visually Dark Phoenix is a masterpiece, whether it’s the awe-inspiring deepness of space, or the incredible visual effects as the mutants square off against each other with their powers. Buildings topple, subway cars are pulled from underground and general mayhem takes the stage. This is certainly one of the more action-packed movies in the series and getting the opportunity to watch some of our favorite mutants square off against one another is enough to excite even the ones least interested in the franchise.
Dark Phoenix as one might expect is also one of the darkest of the x-men movies. Unlike its other Marvel film counterparts, there is no levity in the movie at all. There are scenes that are heartwarming, but the movie takes itself very seriously. Even in a similarly dark Marvel movie Endgame there were moments that would make you laugh regardless of how dire the situation was, Dark Phoenix is not like this at all. It carries a weight to it that ensures that not only the people on screen, but those in the audience understand how truly dire the situation is. It detracts a bit from the spirit of the source material it derives from and could potentially alienate its core audience. This is a very adult movie, that deals with some very adult themes and parents might want to think twice before taking their youngest to see this film. With the X-Men franchise finally joining the MCU, it’ll be interesting to see how movies down the road treat these characters.
Dark Phoenix represents the end of an X-Men era that has existed in both its original and First-Class installments for over twenty years. The acquisition of Fox by Disney now brings this venerable franchise to the MCU family along with its cast of seemingly endless characters. While the movie is certainly better than Apocalypse, it can’t quite reach the heights of either First-Class or Days of Futures Past. The Dark Phoenix storyline does a good job staying closer to its comic book roots than its previous outing but rushes the origin and character development of Jean far more than she deserves. It’s a fine ending to the series as a whole but can’t quite deliver in all the ways I hoped it would.