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Purple Phoenix Games (2266 KP) rated Twisted Game of War in Tabletop Games
Jun 4, 2021
War. The card game nearly everyone knows how to play. You know, throw a card and your opponent throws a card and the highest number wins the played cards. First one to get all the cards wins. Yeah, there’s another rule, but that’s the gist. Well what if War got a small makeover? Would you be interested in checking it out? Let’s find out together!
In Twisted Game of War players take hold of their army and attempt to defeat their opponents by capturing and converting their entire army. The winner is the player who manages to collect all of the cards in the deck and hold every soldier.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup give each player a reference card, shuffle the deck of remaining cards, and give each player an equal number of cards. The game may now begin!
On a turn each player will simultaneously blindly draw and play one card from the top of their deck to the table. The cards are compared and the winner of the hand is the card with the higher number value. In Twisted Game of War, however, in addition to gaining the played cards the winner will also consult the chart on the reverse of the reference card. This chart shows additional results based on which suit of card bested the other suit. Possible effects include: a random card from the loser’s deck, a bottom card, the top two cards, or even each card returning to its original owner’s deck. As the game progresses, one player will eventually out-duel their opponent to win the game!
Components. This is a deck of cards in a tuckbox. The cards are normal quality and feature a brown back and numbers with different suit on the fronts. Quality-wise everything is fine. Where I have issues is the artistic design choices made for the game. The suits all suggest medieval-esque weapons and armor, and all utilizing metal as primary materials (save for the bow). However, the card backs and logo for the game seem to feature stitching, as you might find in cloth materials. This mismatch does not affect gameplay at all, but made me do the doggy head-cock motion when I noticed it. Similarly, the cards are all, well, boring to look at. Yes, they give the proper elements that are needed: suit and number. And I suppose players aren’t really looking at them too much anyway, as it’s a slightly fancied-up War and cards are played and discarded almost immediately. In any case, I feel an area of opportunity lies with the aesthetic of the game cards.
All in all this is a decent idea pasted onto a “game” that really is not much fun to play anyway. War takes zero skill and has zero choices. Twisted Game of War plays the exact same way, but has the added bonus of at least DOING something on many hands. So I suppose there is merit to be found.
When all is said and done, I still cannot see this as a “game,” as I happen to define the term personally, but I can see value when playing with children. If used with children, the game introduces the “less than” and “greater than” concepts, and children do not need to be able to read in order to play with the suit effect chart, so long as an adult or older child is able to read the results.
When I am hankering for a good card game, I simply cannot suggest Twisted Game of War with typical adult gamers. However, if I need something that my kids can get into, I may be able to pull this out and help teach them simple math and chaos concepts. I like the idea of trying to improve overly-simple games, but I think a bit more care could have gone into production here and it would have elevated this game for me. If you are searching for such a game as this, please hop over to the publisher’s website at: Mental Eclipse Games and tell them Travis sent ya.
In Twisted Game of War players take hold of their army and attempt to defeat their opponents by capturing and converting their entire army. The winner is the player who manages to collect all of the cards in the deck and hold every soldier.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup give each player a reference card, shuffle the deck of remaining cards, and give each player an equal number of cards. The game may now begin!
On a turn each player will simultaneously blindly draw and play one card from the top of their deck to the table. The cards are compared and the winner of the hand is the card with the higher number value. In Twisted Game of War, however, in addition to gaining the played cards the winner will also consult the chart on the reverse of the reference card. This chart shows additional results based on which suit of card bested the other suit. Possible effects include: a random card from the loser’s deck, a bottom card, the top two cards, or even each card returning to its original owner’s deck. As the game progresses, one player will eventually out-duel their opponent to win the game!
Components. This is a deck of cards in a tuckbox. The cards are normal quality and feature a brown back and numbers with different suit on the fronts. Quality-wise everything is fine. Where I have issues is the artistic design choices made for the game. The suits all suggest medieval-esque weapons and armor, and all utilizing metal as primary materials (save for the bow). However, the card backs and logo for the game seem to feature stitching, as you might find in cloth materials. This mismatch does not affect gameplay at all, but made me do the doggy head-cock motion when I noticed it. Similarly, the cards are all, well, boring to look at. Yes, they give the proper elements that are needed: suit and number. And I suppose players aren’t really looking at them too much anyway, as it’s a slightly fancied-up War and cards are played and discarded almost immediately. In any case, I feel an area of opportunity lies with the aesthetic of the game cards.
All in all this is a decent idea pasted onto a “game” that really is not much fun to play anyway. War takes zero skill and has zero choices. Twisted Game of War plays the exact same way, but has the added bonus of at least DOING something on many hands. So I suppose there is merit to be found.
When all is said and done, I still cannot see this as a “game,” as I happen to define the term personally, but I can see value when playing with children. If used with children, the game introduces the “less than” and “greater than” concepts, and children do not need to be able to read in order to play with the suit effect chart, so long as an adult or older child is able to read the results.
When I am hankering for a good card game, I simply cannot suggest Twisted Game of War with typical adult gamers. However, if I need something that my kids can get into, I may be able to pull this out and help teach them simple math and chaos concepts. I like the idea of trying to improve overly-simple games, but I think a bit more care could have gone into production here and it would have elevated this game for me. If you are searching for such a game as this, please hop over to the publisher’s website at: Mental Eclipse Games and tell them Travis sent ya.
Chris Sawin (602 KP) rated The Unbearable Weight of Massive Talent (2022) in Movies
Apr 24, 2022
The performances of Nicolas Cage and Pedro Pascal. (1 more)
A simple concept wrapped in a ton of adult humor.
Could be a bit too meta at times. (1 more)
The second half of the film isn't quite as good as the first half.
The R-Rated Action Comedy of a Lifetime
Nicolas Cage portrays an exaggerated version of himself in The Unbearable Weight of Massive Talent. In the film, Nick Cage is struggling as an actor. He’s in a crazy amount of debt, he can’t find steady work, and his ex-wife Olivia (Sharon Horgan) and daughter Addy (Anna MacDonald) feel like he’s too full of himself to fit them into his life. Nick contemplates retiring from acting altogether and is intending to do so after an awkward $1 million gig of being on an island as the guest of honor at a birthday party.
But the birthday is for a gargantuan Nicolas Cage super fan named Javi Gutierrez (Pedro Pascal). Javi and Nick become fast friends, but the CIA abducts Nick one evening and informs him that Javi is actually an arms dealer that is responsible for the kidnapping of the daughter of an anti-crime politician. Nick becomes torn between snitching for the government and seeing where his newfound friendship with Javi goes, which revolves around Nick having the most fun he’s had in years.
What makes The Unbearable Weight of Massive Talent so entertaining is the bromance between Nicolas Cage and Pedro Pascal. The two seem like legitimate best friends and there’s essentially chemistry with the two actors as soon as they meet each other on screen. As Nick Cage, the real Cage is totally self-absorbed as the character. He’s blinded by his own interests and what he has going on in his life to really understand or pay attention to anyone else. The whole world revolves around Nick Cage. Meanwhile, Javi is more humble. He has so much Nicolas Cage memorabilia that his room devoted to him could be considered as a museum or shrine to the actor. The two surprisingly have a lot in common and end up being hilarious together.
The first hour of the film is basically the Cage and Pascal show with the two running around like idiots in the best kind of way. Nick and Javi bond over Paddington 2, possibly making a movie together, and doing acid together. The acid taking sequence in general is probably the funniest part of the film, especially with their uncontrollable paranoia and Pascal’s fake laughing.
The remaining 47 minutes is devoted to the two men attempting to kill one another. Nick believing that Javi is this guns dealing madman and Javi discovering that Nick has been working with the CIA. The film snowballs further and further into ridiculous territory and you just gobble it up because it’s so great. The R-rated action comedy is loaded with incredibly detailed movie references and Nicolas Cage being funnier than he has ever been.
Pedro Pascal has dabbled in comedy since leaving Game of Thrones and it has never really worked out. He was the best part of The Bubble, which dropped on Netflix earlier this month, but that’s not saying much since the film was so bad. This is the first time Pascal has gotten to showcase his comedic chops in a film that is legitimately funny, surprisingly sentimental, and enormously entertaining from beginning to end.
Throughout the film, Nick Cage argues with Nicky – the younger and more successful version of himself from Wild at Heart. Nicky is basically the devil on Nick Cage’s shoulder as he encourages him to take more risks and do whatever he wants simply because he is Nick freaking Cage. It’s incredible seeing two versions of Cage argue and interact on screen, but it nearly melts your brain from simply being too awesome for our Nicolas Cage admiring brains to process.
It certainly seems like The Unbearable Weight of Massive Talent will have a deeper impact on you if you’re at least somewhat of a fan of Nicolas Cage’s work, but could also be amusing for fans of absurd adult comedies. Pedro Pascal is the humorous wingman we all wish we could have; soft spoken and yet a priceless factor in the overall ludicrous nature of the film. Meanwhile, Nicolas Cage continues to reign supreme as a talented lunatic at the top of his game. The Unbearable Weight of Massive Talent is an outrageous and uproarious expedition into hilarity and absurdity. Nicolas Cage and Pedro Pascal are an unlikely yet brilliant comical duo that will have you rolling on the sticky movie theater floor with laughter.
But the birthday is for a gargantuan Nicolas Cage super fan named Javi Gutierrez (Pedro Pascal). Javi and Nick become fast friends, but the CIA abducts Nick one evening and informs him that Javi is actually an arms dealer that is responsible for the kidnapping of the daughter of an anti-crime politician. Nick becomes torn between snitching for the government and seeing where his newfound friendship with Javi goes, which revolves around Nick having the most fun he’s had in years.
What makes The Unbearable Weight of Massive Talent so entertaining is the bromance between Nicolas Cage and Pedro Pascal. The two seem like legitimate best friends and there’s essentially chemistry with the two actors as soon as they meet each other on screen. As Nick Cage, the real Cage is totally self-absorbed as the character. He’s blinded by his own interests and what he has going on in his life to really understand or pay attention to anyone else. The whole world revolves around Nick Cage. Meanwhile, Javi is more humble. He has so much Nicolas Cage memorabilia that his room devoted to him could be considered as a museum or shrine to the actor. The two surprisingly have a lot in common and end up being hilarious together.
The first hour of the film is basically the Cage and Pascal show with the two running around like idiots in the best kind of way. Nick and Javi bond over Paddington 2, possibly making a movie together, and doing acid together. The acid taking sequence in general is probably the funniest part of the film, especially with their uncontrollable paranoia and Pascal’s fake laughing.
The remaining 47 minutes is devoted to the two men attempting to kill one another. Nick believing that Javi is this guns dealing madman and Javi discovering that Nick has been working with the CIA. The film snowballs further and further into ridiculous territory and you just gobble it up because it’s so great. The R-rated action comedy is loaded with incredibly detailed movie references and Nicolas Cage being funnier than he has ever been.
Pedro Pascal has dabbled in comedy since leaving Game of Thrones and it has never really worked out. He was the best part of The Bubble, which dropped on Netflix earlier this month, but that’s not saying much since the film was so bad. This is the first time Pascal has gotten to showcase his comedic chops in a film that is legitimately funny, surprisingly sentimental, and enormously entertaining from beginning to end.
Throughout the film, Nick Cage argues with Nicky – the younger and more successful version of himself from Wild at Heart. Nicky is basically the devil on Nick Cage’s shoulder as he encourages him to take more risks and do whatever he wants simply because he is Nick freaking Cage. It’s incredible seeing two versions of Cage argue and interact on screen, but it nearly melts your brain from simply being too awesome for our Nicolas Cage admiring brains to process.
It certainly seems like The Unbearable Weight of Massive Talent will have a deeper impact on you if you’re at least somewhat of a fan of Nicolas Cage’s work, but could also be amusing for fans of absurd adult comedies. Pedro Pascal is the humorous wingman we all wish we could have; soft spoken and yet a priceless factor in the overall ludicrous nature of the film. Meanwhile, Nicolas Cage continues to reign supreme as a talented lunatic at the top of his game. The Unbearable Weight of Massive Talent is an outrageous and uproarious expedition into hilarity and absurdity. Nicolas Cage and Pedro Pascal are an unlikely yet brilliant comical duo that will have you rolling on the sticky movie theater floor with laughter.
Futuristic Fantasy
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Red Queen by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The Cinderella-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
Red Queen reminds me slightly of a couple of other young adult novels. It is a mishmash of The Selection by Kiera Cass (the poor become elite) and stories such as The Hunger Games (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as Red Queen combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “Queen” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
Red Queen by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The Cinderella-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
Red Queen reminds me slightly of a couple of other young adult novels. It is a mishmash of The Selection by Kiera Cass (the poor become elite) and stories such as The Hunger Games (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as Red Queen combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “Queen” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
Acanthea Grimscythe (300 KP) rated Red Queen in Books
May 16, 2018
Earlier today, I finished listening to the audiobook of Red Queen by Victoria Aveyard and I absolutely loved it. Amanda Dolan is also an excellent narrator, with a pleasant voice and a perfect pace.
Red Queen takes place in the country of Norta, one of many lands where every day people like Mare Barrow (humans, like us) face oppression from the elite. In a story that echoes the fight for equality, readers are carried along for the ride as Mare, whose blood is red, strives to bring equality to her people when a mishap and mutation put her in the lap of good fortune. The Silvers, or the elite, rule the Reds, and though they look much the same as a normal human, their blood is silver and they have special abilities. It is because of these abilities that they hold themselves superior to the far weaker Reds, forcing them into a life of submission and servitude.
With her new responsibilities, Mare finds herself caught up in a revolution – one where you can expect betrayal at any point. Aveyard’s characters are written in such a believable way that it is difficult to pinpoint their true natures. In the same manner that one might say beauty is only skin deep, the characters of Red Queen all wear masks – or do they?
Many books lose me when there is a lull in the plot. Oftentimes if I feel like I have to force-feed myself several pages, I am far less likely to finish the book. I am also more likely to be lost if the major plot is romance oriented, rather than conflict. While Red Queen does have some elements of romance, there’s never any definite answer as to who gets the girl (I suppose that’s something we’ll see in the later books), and that’s because Mare’s focus is solely on herself, her loved ones, and the cause for which she serves. The main function of the book is to tell the story of the Reds rising up against the Silvers, rather than focus on a forbidden romance, like many of the young adult books I’ve read have done.
I can’t wait for it to be my turn with Glass Sword, the second book in the series. Red Queen has also been optioned for a film, so here’s to hoping it’s at least somewhat as good as the book.
Red Queen takes place in the country of Norta, one of many lands where every day people like Mare Barrow (humans, like us) face oppression from the elite. In a story that echoes the fight for equality, readers are carried along for the ride as Mare, whose blood is red, strives to bring equality to her people when a mishap and mutation put her in the lap of good fortune. The Silvers, or the elite, rule the Reds, and though they look much the same as a normal human, their blood is silver and they have special abilities. It is because of these abilities that they hold themselves superior to the far weaker Reds, forcing them into a life of submission and servitude.
With her new responsibilities, Mare finds herself caught up in a revolution – one where you can expect betrayal at any point. Aveyard’s characters are written in such a believable way that it is difficult to pinpoint their true natures. In the same manner that one might say beauty is only skin deep, the characters of Red Queen all wear masks – or do they?
Many books lose me when there is a lull in the plot. Oftentimes if I feel like I have to force-feed myself several pages, I am far less likely to finish the book. I am also more likely to be lost if the major plot is romance oriented, rather than conflict. While Red Queen does have some elements of romance, there’s never any definite answer as to who gets the girl (I suppose that’s something we’ll see in the later books), and that’s because Mare’s focus is solely on herself, her loved ones, and the cause for which she serves. The main function of the book is to tell the story of the Reds rising up against the Silvers, rather than focus on a forbidden romance, like many of the young adult books I’ve read have done.
I can’t wait for it to be my turn with Glass Sword, the second book in the series. Red Queen has also been optioned for a film, so here’s to hoping it’s at least somewhat as good as the book.
Acanthea Grimscythe (300 KP) rated The Waking Land (The Waking Land, #1) in Books
May 16, 2018
Looking for a delightful, magical read? Callie Bates’s The Waking Land may sate your hunger. With several strong, female leads (like Rhia Knoll), the practice of forbidden arts, war, and just a taste of romance, this book easily lands as one of my most enjoyable reads so far this year.
I can honestly say this is one of the few books where the main character begins as the weakest. When we meet Lady Elanna Valtai, she appears weak and, quite honestly, brainwashed by her Ereni up-bringing. Throughout the first two-thirds of the novel, El proves to be unreliable. She is clueless as to where her loyalties truly lie, even as the truth rams itself down her throat. Fortunately, those she counts among her friends know what they’re doing and don’t have to rely on her for quite a while.
Loyce, the new Queen of Eren, on the other hand is an awful brat. Unfaithful to her husband (who readers never meet), she colludes with an equally disgusting noble boy, Denis Falconier. Their command over the Butcher of Novarre strikes fear into the hearts of those that dare to rebel. And the Butcher? He’s an altogether interesting figure on his own. Trust me on that one.
Eren and Caeris, the lands where this tale takes place, on beautifully rendered, proving Bates’s strength with the written word. Her command of language coupled with her love of nature come together seamlessly, visualizing a truly fantastic world. The story Bates weaves into this battle-worn land offers readers a faint taste of epic fantasy, in a style pleasing for fans of young adult literature. For some, The Waking Land may be the gateway to delving into high fantasy – Bates’s concept of magic is that wonderful.
The Waking Land is a fantastic ride through a world that fears magic. It is the timeless tale of how war erodes nations. Because of El’s wishy-washy portrayal and the sheer fact that we don’t see a lot of action until the last fifteen percent of the book, I cannot give this one five stars. A four though, certainly.
I would like to thank NetGalley, the publisher, and the author for providing me with a free copy of this book for the purpose of unbiased review.
I can honestly say this is one of the few books where the main character begins as the weakest. When we meet Lady Elanna Valtai, she appears weak and, quite honestly, brainwashed by her Ereni up-bringing. Throughout the first two-thirds of the novel, El proves to be unreliable. She is clueless as to where her loyalties truly lie, even as the truth rams itself down her throat. Fortunately, those she counts among her friends know what they’re doing and don’t have to rely on her for quite a while.
Loyce, the new Queen of Eren, on the other hand is an awful brat. Unfaithful to her husband (who readers never meet), she colludes with an equally disgusting noble boy, Denis Falconier. Their command over the Butcher of Novarre strikes fear into the hearts of those that dare to rebel. And the Butcher? He’s an altogether interesting figure on his own. Trust me on that one.
Eren and Caeris, the lands where this tale takes place, on beautifully rendered, proving Bates’s strength with the written word. Her command of language coupled with her love of nature come together seamlessly, visualizing a truly fantastic world. The story Bates weaves into this battle-worn land offers readers a faint taste of epic fantasy, in a style pleasing for fans of young adult literature. For some, The Waking Land may be the gateway to delving into high fantasy – Bates’s concept of magic is that wonderful.
The Waking Land is a fantastic ride through a world that fears magic. It is the timeless tale of how war erodes nations. Because of El’s wishy-washy portrayal and the sheer fact that we don’t see a lot of action until the last fifteen percent of the book, I cannot give this one five stars. A four though, certainly.
I would like to thank NetGalley, the publisher, and the author for providing me with a free copy of this book for the purpose of unbiased review.
Acanthea Grimscythe (300 KP) rated Glow in Books
May 16, 2018
I have a love hate relationship with Glow, an upcoming young adult novel from Megan E. Bryant. Earlier this year, I read The Radium Girls by Kate Moore - an absolutely horrifying account of injustices committed against young women under the guise of patriotism. Before Moore, I cannot recall ever hearing about the dial painters. This book provides a fictional account based heavily on true stories about the girls that met their untimely demise.
The main character of Glow is a young woman of eighteen by the name of Jubilee - but don't you dare call her that! She prefers Julie. After making the ultimate sacrifice for her mother, she spends the summer unraveling the mysteries behind paintings she finds at thrift stores while her best friend prepares for college.
Between each chapter, readers find an epistolary account from the mind of Lydia Grayson. Like her sisters, Lydia is one of the many girls that worked for the American Radium Company (I think I got that right). The Grayson sisters, for those that haven't read The Radium Girls in order to make the comparison, appears to be based loosely on the Maggia sisters, while the company is, obviously, a fictionalized version of the United States Radium Corporation. (Amelia "Mollie" Maggia was the first of the Radium Girls to die.)
Unlike most books that attempt this method, I do not find the switch between perspectives and styles to be detrimental or clunky - if anything, it is inconvenient. Rather than wrap up preceding chapters, Bryant uses these switches to leave Julie's story on a cliffhanger more than once throughout the book. This style can easily be avoided, considering the letters written from Lydia to her boyfriend are interesting enough on their own to propel the reader forward.
While Julie's story offers an plot that appeals to younger readers, I feel Glow would have worked just fine without it. For that purpose, I'm caught between a three and a four on this book. Ultimately, I lean toward the latter and must applaud Bryant on the amount of research she obviously put into writing this book. Julie's story is unbelievable and full of things that I simply have no interest in, but the haunting tale that the Grayson sisters weave is horrifying.
I would like to thank NetGalley and the publisher for providing me with a copy of this book for the purpose of unbiased review.
The main character of Glow is a young woman of eighteen by the name of Jubilee - but don't you dare call her that! She prefers Julie. After making the ultimate sacrifice for her mother, she spends the summer unraveling the mysteries behind paintings she finds at thrift stores while her best friend prepares for college.
Between each chapter, readers find an epistolary account from the mind of Lydia Grayson. Like her sisters, Lydia is one of the many girls that worked for the American Radium Company (I think I got that right). The Grayson sisters, for those that haven't read The Radium Girls in order to make the comparison, appears to be based loosely on the Maggia sisters, while the company is, obviously, a fictionalized version of the United States Radium Corporation. (Amelia "Mollie" Maggia was the first of the Radium Girls to die.)
Unlike most books that attempt this method, I do not find the switch between perspectives and styles to be detrimental or clunky - if anything, it is inconvenient. Rather than wrap up preceding chapters, Bryant uses these switches to leave Julie's story on a cliffhanger more than once throughout the book. This style can easily be avoided, considering the letters written from Lydia to her boyfriend are interesting enough on their own to propel the reader forward.
While Julie's story offers an plot that appeals to younger readers, I feel Glow would have worked just fine without it. For that purpose, I'm caught between a three and a four on this book. Ultimately, I lean toward the latter and must applaud Bryant on the amount of research she obviously put into writing this book. Julie's story is unbelievable and full of things that I simply have no interest in, but the haunting tale that the Grayson sisters weave is horrifying.
I would like to thank NetGalley and the publisher for providing me with a copy of this book for the purpose of unbiased review.
Goddess in the Stacks (553 KP) rated Tempests and Slaughter: the Numair Chronicles Book 1 in Books
Apr 5, 2018
Tamora's excellent writing (2 more)
Awesome worldbuilding
ENZI
A new Tamora Pierce book! About the origins of Numair! YES! I waited SO ANXIOUSLY for this book to make its way through the line of holds at my library and get in my grabby hands, and I was rewarded. Tempests is classic Tamora Pierce. It's set in Carthak, not Tortall, but the themes and feel are exactly what I was expecting. I love diving back into my favorite fantasy worlds, and Tortall ranks right near the top. (It might be the top, I haven't sat down and attempted to rank them - that would probably be a futile effort!)
My only issue with the book, really, is that it feels like an introduction. I know it's the first part of a trilogy, but the rest isn't OUT YET! So I feel like I've read the first third of a story and now I have to wait. Tempests introduces a LOT of story threads, and resolves exactly none of them. It managed to do so without leaving us on a cliffhanger, though, so there's that, at least. I'm probably going to go re-read the books around Numair's adult life to tide me over until the rest of this trilogy comes out!
I think my favorite character overall was Enzi - he was hilarious and obstinate and I'm looking forward to the rest of his storyline.
I was surprised but pleased to see a gay couple as side characters - and that it wasn't mentioned the character was gay until his husband arrived on the scene. It wasn't a defining point of his character, his spouse just happened to be male. I've said it before, but I love seeing the change in fantasy - it's gone from "that's strange or scandalous" to "absolutely no big deal, people have differently-gendered partners." It will be even lovelier once real society reaches that point!
Final verdict: Tempests and Slaughter was an excellent addition to Tortall, but if you like books that resolve their storylines, you might want to wait until the rest of the trilogy is published. If you can't wait, just expect that you won't get many answers from this first book!
You can find all my reviews at http://goddessinthestacks.wordpress.com
My only issue with the book, really, is that it feels like an introduction. I know it's the first part of a trilogy, but the rest isn't OUT YET! So I feel like I've read the first third of a story and now I have to wait. Tempests introduces a LOT of story threads, and resolves exactly none of them. It managed to do so without leaving us on a cliffhanger, though, so there's that, at least. I'm probably going to go re-read the books around Numair's adult life to tide me over until the rest of this trilogy comes out!
I think my favorite character overall was Enzi - he was hilarious and obstinate and I'm looking forward to the rest of his storyline.
I was surprised but pleased to see a gay couple as side characters - and that it wasn't mentioned the character was gay until his husband arrived on the scene. It wasn't a defining point of his character, his spouse just happened to be male. I've said it before, but I love seeing the change in fantasy - it's gone from "that's strange or scandalous" to "absolutely no big deal, people have differently-gendered partners." It will be even lovelier once real society reaches that point!
Final verdict: Tempests and Slaughter was an excellent addition to Tortall, but if you like books that resolve their storylines, you might want to wait until the rest of the trilogy is published. If you can't wait, just expect that you won't get many answers from this first book!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Rachel King (13 KP) rated Wicked Lovely (Wicked Lovely, #1) in Books
Feb 11, 2019
I don't like Keenan right from the start. I get that he's in this political struggle and the only way he can be free is by effectively trapping a mortal to be his queen, but he fails completely in effectively getting anyone with any sense to actually like him. He's a jerk! The book makes little attempt at hiding the fact that he sleeps around with all of the "Summer Girls," and he knows how good-looking he is and uses that to such extremes that I kind of think that the Winter Girl is in the better position here. On the other hand, Seth is like the perfect guy in many ways - if you don't mind the tattoos and piercings. He's incredibly attentive to Aislinn's moods and needs, waiting months and months for her to even notice that he had feelings for her when he apparently could have had lots of other girls and chose not to. Chivalrous is how I would describe him, something that is not a common trait among young men nowadays.
Now as for the sexual conduct in this book, I would not want my girls to read this as teenagers simply because of how casually it is treated. The only reason this book would fit in the genre of Young Adult is because the characters are all "young adults." But the thing is, there are so many people my age and older who read this genre that this book would be more appropriately marketed as a YA for the "young at heart." Okay, off my soap-box now.
I really did love this book, I don't remember the last time I read a novel that so effectively put the fairy tales of old in the modern era. And making the fey both frightening and untrustworthy is much more realistic, instead of the Disney-fied literature that is common for young children. The romantic aspect also has some elements that deviate from the norm, since Aislinn prefers the mortal to the gorgeous, powerful fey. She also believes in saving herself instead of just being the "damsel in distress," which boosts her image even more with me. While this book revolved around the Summer and Winter Courts, the next book, Ink Exchange, is about the Dark Court, so that should be interesting.
Now as for the sexual conduct in this book, I would not want my girls to read this as teenagers simply because of how casually it is treated. The only reason this book would fit in the genre of Young Adult is because the characters are all "young adults." But the thing is, there are so many people my age and older who read this genre that this book would be more appropriately marketed as a YA for the "young at heart." Okay, off my soap-box now.
I really did love this book, I don't remember the last time I read a novel that so effectively put the fairy tales of old in the modern era. And making the fey both frightening and untrustworthy is much more realistic, instead of the Disney-fied literature that is common for young children. The romantic aspect also has some elements that deviate from the norm, since Aislinn prefers the mortal to the gorgeous, powerful fey. She also believes in saving herself instead of just being the "damsel in distress," which boosts her image even more with me. While this book revolved around the Summer and Winter Courts, the next book, Ink Exchange, is about the Dark Court, so that should be interesting.
Rachel King (13 KP) rated The Bronze and the Brimstone in Books
Feb 11, 2019
This book is the sequel to The Lens and the Looker: Book #1 of the Verona Series (History Camp: the Verona Trilogy) and opens with the main character, Hansum, in a dream. This is actually rather confusing, as I don't realize he is dreaming until afterwards, and it seems like a poorly-timed ploy to re-introduce the reader to what has occurred so far in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
graveyardgremlin (7194 KP) rated The Other Countess (The Lacey Chronicles, #1) in Books
Feb 15, 2019
THE OTHER COUNTESS is a sweet and harmless love story set in Tudor England during the reign of Queen Elizabeth I, in the year of 1582 to be exact. Lady Eleanor Rodriguez, Countess of San Jaime, is our penniless heroine who is saddled with her absent-minded alchemist father; the roles of child and parent have been long since been reversed. The preface, which takes place in 1578, gives us our first glimpse of William Lacey, the new Earl of Dorset at age fourteen, as he throws a twelve-year-old Ellie and her father off his land.
The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.
The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.