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Gareth von Kallenbach (980 KP) rated Earth to Echo (2014) in Movies
Aug 6, 2019
Earth to Echo really excited me when I first heard about it. The premise reminded me of movies of my youth, such as Goonies, E.T.: Extra Terrestrial and Explorers. In fact, Echo actually seems like a mix of these three movies, which made me even more excited about it.
Earth to Echo sees three childhood friends Alex (Teo Halm), Tuck (Brian “Astro” Bradley) and Munch (Reese Hartwig) as they deal with moving away from each other because their neighborhood is being torn down to make way for a new freeway. Shortly before the final move date, something weird starts happening to their phones, and it turns out that a map is being fed into them. On their last night together as a group, they decide to pursue the map, not knowing the great adventure they have waiting for them, or the dangers that lie ahead. Of course, without any spoilers that are not already in the commercials/trailers, they find an alien life-form in a small owl-like creature. The creature is hurt and trying to get off planet, and the kids decide to help.
Overall the main story-arch of Echo was great. While a little unbelievable in this day and age that an established neighborhood is going to be uprooted for a new freeway (at least to me), the story was solid and things are not exactly as they seem. All three boys, and a love interest Emma (Ella Wahlestedt) did an excellent job in their performances, and you forget that the actors are actually the age of the children they are portraying. The visual effects were awesome, and the score was spot-on. The film was very enjoyable and knocked it out of the park in these aspects.
Now, this movie unfortunately suffers from its cinematography. The movie is viewed through cameras that are “controlled” by the characters themselves. Think Chronicle. Tuck is the camera-fanatic of the group and we see the adventures of the friends through his GoPro camera, spy glasses and handheld camcorder, as well as through the cell phones of the various characters. There is nothing wrong with this method of filming, and in fact could have worked really well, especially as it does play into the plot with our little alien friend. However, this filming technique was not used appropriately. There was just way too much “shaky-cam”. In fact, every single person in my party became nauseated by the overuse of the film style. While two in my group were able to overcome the sick feeling, the rest of us could not shake it. There are several things that could have happened on our part to prevent this (i.e., sitting farther back in the theater), but many will not know this going in and it could be a bane to their movie-going experience.
It really is too bad that the camera-work had this much effect on the film. As I said, overall it was a very enjoyable movie. My suggestion is to sit toward the back of the theater, or even just wait until it comes out on Blu-ray/DVD/Digital. I think that being able to see it on a smaller screen, or sitting in the back of theater, will allow you to frame the film and not be so submersed into it. This will prevent the nausea that my party, as well as other moviegoers I heard expressing the same concern. I will definitely be picking it up when it is released for purchase, despite my experience in the theater.
Earth to Echo sees three childhood friends Alex (Teo Halm), Tuck (Brian “Astro” Bradley) and Munch (Reese Hartwig) as they deal with moving away from each other because their neighborhood is being torn down to make way for a new freeway. Shortly before the final move date, something weird starts happening to their phones, and it turns out that a map is being fed into them. On their last night together as a group, they decide to pursue the map, not knowing the great adventure they have waiting for them, or the dangers that lie ahead. Of course, without any spoilers that are not already in the commercials/trailers, they find an alien life-form in a small owl-like creature. The creature is hurt and trying to get off planet, and the kids decide to help.
Overall the main story-arch of Echo was great. While a little unbelievable in this day and age that an established neighborhood is going to be uprooted for a new freeway (at least to me), the story was solid and things are not exactly as they seem. All three boys, and a love interest Emma (Ella Wahlestedt) did an excellent job in their performances, and you forget that the actors are actually the age of the children they are portraying. The visual effects were awesome, and the score was spot-on. The film was very enjoyable and knocked it out of the park in these aspects.
Now, this movie unfortunately suffers from its cinematography. The movie is viewed through cameras that are “controlled” by the characters themselves. Think Chronicle. Tuck is the camera-fanatic of the group and we see the adventures of the friends through his GoPro camera, spy glasses and handheld camcorder, as well as through the cell phones of the various characters. There is nothing wrong with this method of filming, and in fact could have worked really well, especially as it does play into the plot with our little alien friend. However, this filming technique was not used appropriately. There was just way too much “shaky-cam”. In fact, every single person in my party became nauseated by the overuse of the film style. While two in my group were able to overcome the sick feeling, the rest of us could not shake it. There are several things that could have happened on our part to prevent this (i.e., sitting farther back in the theater), but many will not know this going in and it could be a bane to their movie-going experience.
It really is too bad that the camera-work had this much effect on the film. As I said, overall it was a very enjoyable movie. My suggestion is to sit toward the back of the theater, or even just wait until it comes out on Blu-ray/DVD/Digital. I think that being able to see it on a smaller screen, or sitting in the back of theater, will allow you to frame the film and not be so submersed into it. This will prevent the nausea that my party, as well as other moviegoers I heard expressing the same concern. I will definitely be picking it up when it is released for purchase, despite my experience in the theater.
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Emma @ The Movies (1786 KP) rated Love and Monsters (2021) in Movies
Apr 25, 2021
This is the nearest I've gotten to having a surprise film without the cinema. Netflix, I applaud you.
The world has been ravaged by a plague of mutated animals and the remaining humans have been in hiding for the last seven years. But Joel's life has changed and now he wants to leave the colony to find the girl he loved when the world changed. The only problem? She's 85 miles away, and he's a little inept.
I really love a good disaster/apocalyptic film, and the "how it happens" portion is usually my favourite part. There's only a small amount of that, and I think they could have gone into that slightly more (because I always love an origin story). What we do get here though leads us in well and gives us a very quick and solid summation of what we need to know.
There's a slight Lost feeling to the whole film, and that's not a bad thing, it gave it a very comfortable vibe. What the story was showing the viewer, and where it leads were wonderfully crafted... and let's move on to the next bit before I start gushing.
Dylan O'Brien plays the lead role of Joel, as well as supplying his voiceover for the film as well, and both bits were just perfect. He's humorous, sweet, courageous and a bit scared from time to time, and you see that evolve throughout the film. There are times where you might want to give him a talking to about how the real world works, but ultimately he is exactly right for this story.
Along his journey, Joel meets Clyde (Michael Rooker) and Minnow (Ariana Greenblatt, who I felt like I knew but couldn't place. If you look her up you'll discover she is Young Gamora). These two are such an entertaining duo. Bonded through crisis, they're taken their own way and when they meet Joel they form a new connection and help him to become the person he needs to be. It was so well thought-out, and honestly, they nailed the casting. I'd happily watch a sequel of those two on their adventures.
Love and Monsters combines the film and the voiceover so well that it gives you a seamless story that isn't filled with forced scenes that are trying to get necessary points across. Every scene added value for me.
Looking at the effects and design you can tell someone had fun creating the creatures and landscape. They're vibrant and inventive, and the fact that they clearly thought through everything from the environments each colony live in, to what the creatures do, is just a delight on screen. I think the crab is by far my favourite example of this.
For a film I loved this much, I'm surprised at how little I've written. Are there things I could nitpick over? Possibly. But while there are things I'd have loved to see in the film, what we were given was exactly what it needed to be. There was a bit of everything and some moments of emotion that I really wasn't expecting. I'm just so glad I saw this film, and I had absolutely no hesitation in the score I gave this film.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/love-and-monsters-movie-review.html
The world has been ravaged by a plague of mutated animals and the remaining humans have been in hiding for the last seven years. But Joel's life has changed and now he wants to leave the colony to find the girl he loved when the world changed. The only problem? She's 85 miles away, and he's a little inept.
I really love a good disaster/apocalyptic film, and the "how it happens" portion is usually my favourite part. There's only a small amount of that, and I think they could have gone into that slightly more (because I always love an origin story). What we do get here though leads us in well and gives us a very quick and solid summation of what we need to know.
There's a slight Lost feeling to the whole film, and that's not a bad thing, it gave it a very comfortable vibe. What the story was showing the viewer, and where it leads were wonderfully crafted... and let's move on to the next bit before I start gushing.
Dylan O'Brien plays the lead role of Joel, as well as supplying his voiceover for the film as well, and both bits were just perfect. He's humorous, sweet, courageous and a bit scared from time to time, and you see that evolve throughout the film. There are times where you might want to give him a talking to about how the real world works, but ultimately he is exactly right for this story.
Along his journey, Joel meets Clyde (Michael Rooker) and Minnow (Ariana Greenblatt, who I felt like I knew but couldn't place. If you look her up you'll discover she is Young Gamora). These two are such an entertaining duo. Bonded through crisis, they're taken their own way and when they meet Joel they form a new connection and help him to become the person he needs to be. It was so well thought-out, and honestly, they nailed the casting. I'd happily watch a sequel of those two on their adventures.
Love and Monsters combines the film and the voiceover so well that it gives you a seamless story that isn't filled with forced scenes that are trying to get necessary points across. Every scene added value for me.
Looking at the effects and design you can tell someone had fun creating the creatures and landscape. They're vibrant and inventive, and the fact that they clearly thought through everything from the environments each colony live in, to what the creatures do, is just a delight on screen. I think the crab is by far my favourite example of this.
For a film I loved this much, I'm surprised at how little I've written. Are there things I could nitpick over? Possibly. But while there are things I'd have loved to see in the film, what we were given was exactly what it needed to be. There was a bit of everything and some moments of emotion that I really wasn't expecting. I'm just so glad I saw this film, and I had absolutely no hesitation in the score I gave this film.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/love-and-monsters-movie-review.html
Gareth von Kallenbach (980 KP) rated Cruella (2021) in Movies
May 26, 2021
Back in 1961; Disney adapted the 1056 Novel The Hundred and One Dalmatians and in doing so; crafted a beloved animated classic and introduced the world at large to Cruella De Vil. The film has not only endured but has spawned television series, a direct to video sequel, merchandise, and two live-action versions.
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5