Remember the days of your youth, when Summer was just one long vacation - where you and your buddies would take off and let the day unfold as it presents itself - no schedules, no meetings and the only clock was the rising and setting of the sun?
Such, nostalgic, feelings and remembrances is at the heart of the 1986 Rob Reiner film, STAND BY ME, a "coming of age" tale of boys on the cusp of leaving boyhood behind.
Based on a Stephen King novella, STAND BY ME follows the adventures of Gordie LaChance and his pals Vern, Teddy and Chris as they set off to find the body of a young man who has been missing - and presumed dead.
But it is not the destination that is at the heart of this story, it is the journey - and what a journey, filled with heart, it is. We join in with these 4 boys as the walk towards the unknown - both physically and (more importantly) metaphorically, growing and developing in front of our eyes.
Credit for this film has to start with Director Rob Reiner - mainly known before this film as "Meathead" on the classic TV Series ALL IN THE FAMILY. This was Reiner's 5th film as a Director and, I believe, announced his "arrival" as a signature Director. Look at the run Reiner had. In order, he directed THIS IS SPINAL TAP, THE SURE THING, STAND BY ME, THE PRINCESS BRIDE, WHEN HARRY MET SALLY, MISERY and A FEW GOOD MEN. I would also include THE AMERICAN PRESIDENT and GHOSTS OF MISSISSIPPI in this list, but they come after the misfire NORTH. But, 9 out of 10 good films is quite the track record.
What struck me in this showing of the film (seen on the big screen for the first time by me since 1986) is the contrast between intimacy and enormity. When the boys are on their trek, Reiner shoots a good deal of these scenes from a distance - showing how small these boys are in comparison to the world around them. But, when the scene is an intimate, dialogue, character-driven scene, he tightens his shots right into the faces of the 4 leads, creating an intimacy that draws us into these characters.
The other credit has to go to whomever cast this film - for the 4 unknown boys that were cast in the leads were well cast, indeed.
Start with Wil Wheaton as Gordie. Gordie has spent his whole life in the shadow of his over-achieving "All American" brother, trying to be noticed for who - and what - he is, an author, not an athlete. Wheaton brings the right combination of determination, intelligence and vulnerability to Gordie, giving us a protagonist we can root for. Jerry O'Connell was funnier than I remembered as the "fat kid", Vern, who just wants to play by the rules, but always goes along with his friends, despite his better judgement. Corey Feldman has never been better than he is here as Teddy Duchamp - a young boy with a troubled home life - and a troubled life - that is trying to control, and understand, the rage inside of him.
But it is the work of the late River Phoenix as Chris Chambers, the "leader" of this group that really shines. He is the glue that keeps this foursome together, strong but showing a vulnerability and a "realistic" view of what it is to be a misunderstood youth - the hurt that comes with that and the walls that one puts up to combat that. Phoenix commands the screen in every scene that he is in and when the scene is just Phoenix and Wheaton, you are drawn into a real friendship.
I was surprised, at this viewing, at how serious this film is - and the topics that this film addresses - but those moments are wisely balanced by scenes of action/adventure (like the train tressel scene), comedy (like the the "lard-ass" pie eating scene) and "other" moments (the leaches!).
This is one of those films that is getting better with time - it is aging well - and, rightfully, fits in the category of "Modern Classic".
Fallout by Ellen Hopkins is the final book in the Crank trilogy. I so wanted and expected this book to be just as great as the first two. However, this wasn't the case. It was alright, but no where near as good as Crank and Glass. Perhaps it was just because I wanted more Kristina, and she wasn't mentioned too much in this book.
Fallout follows the lives of three of Kristina's children. Hunter is the oldest at 19. He is extremely angry at his mother and can't understand why his mother abandoned him. Next is Autumn who lives with her aunt and grandfather. When the stability of her home life falls out beneath her, Autumn turns to drinking and becomes a bit of a wild child. Summer doesn't even know she has any biological siblings. She's been living in and out of foster homes her whole life for the most part. When she meets the boy who seems to love her, things start to go wrong. However, each one of them wants Kristina to acknowledge them.
The title of this book makes sense as all of Kristina's children have fallen out with her. I think it does a great job of giving you a hint about what this book will be about.
The cover of this book doesn't really do it for me. I like how the author stuck with the whole druggy looking title. However, I just didn't care for the ugly yellow background and how plain the cover looked. Perhaps that's just a personal thing as all the covers have been plain looking, but as this was told from the point of view from Kristina's children, I thought this cover would just have a different look.
The world building in Fallout is alright, but it's easy to forget which world you're in. Maybe that's just my bad memory, but I always had to remind myself which setting belonged to what character.
The pacing in this book is slower than the first two books, and is just a bit slow overall. It took me a longer time than usual to read this book because most of the time, I just had trouble getting into it. I just found myself not caring really when it came to everything in Fallout.
There's not much dialogue going on between the characters as with the first two books in the series. I thought the internal dialogue which each character was really good, and I felt like the dialogue between each individual character was appropriate for each of their age. There are a few swear words in this book so be warned if that's not your cup of tea.
I found myself not caring about the characters most of the time. I don't know if this was because I wanted more Kristina or because they weren't as well developed as Kristina. I got Autumn and Summer confused a lot of the time whilst reading since they almost seem to have the same personality. The only way I was able to tell them apart (besides it having their name printed at the top of the page when it was time for their point of view) was because of the setting, and even then it was sometimes difficult. With that said, I started off enjoying reading about Hunter as he seemed to just be a more well defined, more interesting character. About halfway through the book, I even stopped caring about him because he just became a little bit boring.
I enjoyed that Fallout was written in verse like the first two books in the series. Hopkins does a fantastic job putting words in verse and putting it into a story. I just wish this book could've been as good as the first two. Instead Fallout falls a little bit flat with the characters and the plot both leaving me feeling uncaring. Don't get me wrong, it's still an okay book, but I just think that this book didn't need to be written as not much is going on.
I'd recommend this book to those aged 15+ who are interested in learning about Kristina's children since you won't be hearing much about Kristina in this book.
View my review on my blog: www.diaryofdifference.com/2018/06/08/cryptid-michael-kott-book-review/
Cryptid by Michael Kott is the second book of these series. It is a sequel to the Piasa, and you can find my review on that here. I have to admit and say that I didn’t enjoy Cryptid as much as I would like to, and you’ll find out why soon.
<b><i>About the book:</i></b>
Cryptid continues to tell the story of Sara, a girl that survives a car accident, when all her family dies. While in the first book she meets Mike, who gets her a job as his assistant in his adventures, in this book we will see Sara still maintaining that position, but a little bit from the background. When a few cats that look like leopards will appear at the museum, people start to get scared, and the police wants to shoot the animals. Then Mike and the team come to the rescue, to try and identify what the cats are, and save them from dying.
In Cryptid, we will be introduced to a couple new characters, some of which I happened to be very fond of (Hi Xenia!). The good thing for me was, that I could get a bit of a break from all the Sara moments. The thing I didn’t like was the fact that their background was too short and untold, and they kept making decisions based on the past that we didn’t know (I will mention Shannon’s decision here).
My favourite moments of the book, were, of course, those where Sara wasn’t there. Followed by my previous review of the Piasa, I sometimes like the character of Sara. But I also couldn’t agree with her. I couldn’t understand her character, behaviour and decisions. Maybe it is because of my own childhood. I mean, luckily, I haven’t lost any of my family, but I have lived without both parents in those crucial years, raised by grandparents, while having a little sister to look after, and having an aunt similar to Pamela to guide me through my worst. But I was never this arrogant, self-centered and desperate for ME-ME-ME attention like Sara. Whoa, that lady really can push my limits sometimes.
The same goes with everyone around Sara that constantly tries to please her, and make sure she’s not upset.
And what is the reason that all of the characters are losing their shoes somewhere?
Unlike Piasa, in this book the focus is only on one big event, at two main places – the park and the museum. Apart from a few places in the introduction, the whole story keeps us around these places, which I particularly didn’t mind, but some people may or may not find it boring.
I was a bit sad because I really like Mike, and he wasn’t as present with his story as his was in the other book. I expected to see and learn a bit more of him.
Not to be all negative though, there were a few moments that I really enjoyed! I loved to read about the sisterhood of Pamela and Xenia, and the beginning of the book was fantastic. Xenia is also such an incredible character, and I really admired her. I also loved the explanations on the different kinds of cats and their latin names and meanings.
All in all, I am a bit sad to say that this will be a 3 out of 5 stars. Especially because the author, Michael Kott, is a dear friend of mine, and I greatly enjoyed the Piasa. I may have expected a bit too much of this book, that left me disappointed. But I do believe that some of you might greatly enjoy it! If you like Young-Adult fiction, and stories about mystery animals and cryptids, you will definitely enjoy this book!
Thank you Mike, for sending me a copy of the Cryptid, in exchange for an honest review.
In a dazzling blend of muted color, violence, and eroticism Frank Millers graphic novel Sin City has burst upon the screen with a visual style that is as diverse as the star studded cast that drives it.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Find my review on my blog: www.diaryofdifference.com
We all are, or have once been wallflowers. The shy creatures of the universe, strangled in a problematic world where everything is so confusing and hard. We have all once swam in those deep waters, where the finish line is the act of growing up, and we all coped with it in different ways.
Charlie is struggling with the same things we were, when in high school. The friendships, or lack of them, the crushes, the secret thoughts, the exams, the pressure, the misunderstandings with our parents, our goals, hopes and dreams, our visions of what we will become.
It is an emotional, but very realistic story, about one kid, and all the things he learns while growing up. By learning things the hard way, by listening, by watching things happen to his friends and family, by just being a wallflower.
The author has written this book in a way where Charlie is writing letters to his secret friend, telling him about his daily adventures. I loved this way, because the letters give a sense of confidentiality, of honesty, or pure thoughts with nothing to hide.
Charlie is a shy guy, who has trouble making friends, socialising, and lacks a lot of common sense. To me, this game me vibes of an autistic kid, or an anxious child suffering from PTSD, which hits all the marks, but I don’t know whether or not this was the author’s purpose. It was written in 1998, so I can assume these subjects might have been taboo, as people weren’t as open minded as today.
To me, Charlie was a relatable character. Even though clearly going through a lot more than just a normal kid, in this book, he copes with problems we have all coped. And the part I loved about Charlie the most is – he is honest, so brutally honest, and doesn’t try to hide things he understands or trying to understand. He sees things we don’t tend to see, and he feels things in a way I would want to feel them.
“So, this is my life. And I want you to know that I am both happy and sad and I’m still trying to figure out how that could be.”
He suddenly meets a group of friends, that accept him as he is, and he can be as weird and crazy as he wants, no one bothers. These friendships – my dear reader – are something we all wish for, and some of us are so lucky to have them.
I truly believe that this book is definitely something I would give to my kid to read, or to my small siblings. I wish I had read this 10 years ago, when I would relate more, and when all the high-school topics were relevant. But even now, I can still remember the exact way Charlie felt in some situations, and I wish I had read the book and acted differently on some of mine.
”Charlie, we accept the love we think we deserve.”
Charlie will teach us a lot about high school little traumas, high-school crushes and true love, friendships and betrayals, seeing the family in a different way, and acting on things instead of doing nothing. With Charlie, I went back to high-school, and remembered all the good things and the bad, and I ALMOST shed a few tears for all the memories and times I will never have. Now, I raise a glass, and say cheers for all the good memories and friendships made.
“And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it’s enough. I really do because they’ve made me happy. And I’m only one person.”
Spend a little time, and pick up this book. It is a short and sweet read, and it is a book that everyone should have on their shelves.
Director: Steven Spielberg
Writer: James V Hart, Nick Castle, Malia Scotch Marmo (Screenplay) J.M. Barrie (Books)
Starring: Dustin Hoffman, Robin Williams, Julia Roberts, Bob Hoskins, Maggie Smith, Caroline Goodall, Charlie Korsmo, Amber Scott
Plot: When Captain Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.
Tagline – What if Peter Pan grew up?
Runtime: 2 Hours 22 Minutes
There may be spoilers in the rest of the review
Verdict: Fun-Filled Fantasy
Story: Hook starts as we meet businessman Peter Banning (Williams) who has started over working leading to his children become distant, his wife Moira (Goodall) forces him to visit his Granny Wendy (Smith) in London for Christmas, where she sees how much Peter has changed since his childhood of never wanting to grow up.
Captain Hook (Hoffman) takes Peter’s children, which sees Peter needing to be pushed into returning to Neverland, a place he has long forgotten about, with Tinkerbell (Roberts) taking him there only for Hook to be left disappointed by the man Peter has become, Tinkerbell has three days to restore Peter’s faith in Neverland to save his children.
Thoughts on Hook
Characters – Peter Banning is a lawyer that has been neglecting his family, his Grandmother sees him losing his young heart that made her take him in, in the first place, Peter must confront his past to save his children from his old nemesis Captain Hook in Neverland, a place he has long since forgotten about. Peter has become everything he once hated as a child and shows how at times parents can get buried in their work. Captain Hook has been waiting for the day Peter Pan returns, he is left disappointed when he does return a shell of the boy that left, giving him three days to prepare for a battle, while having his own plan to get revenge on Peter. Tinkerbell comes to Peter to bring him back to Neverland, she helps transform him back to his original self, while showing him what he is still fighting for.
Performances – Robin Williams was a great choice for this role, he gets to manages the serious adult side of everything as well as the playful side of Peter Pan with ease being able to swap between the two whenever he needs to. Dustin Hoffman as the villainous Hook has great enjoyment in this role where he does get to play along with his character. Julia Roberts does all she needs to do without being as involved as the lead too.
Story – The story follows an older Peter Pan that must return to Neverland to save his own children after his old nemesis Captain Hook takes them there. This spin on the Peter Pan story is a wonderful on because see Peter grown up becoming everything he promised he wouldn’t shows us just how difficult being an adult can be, you will turn your back on parts of your childhood become what you once feared. This was always the meaning behind Peter Pan in the first place, finding an escape from the busy lives, now an adult must use this to save his own relationship with his children and family, which is what is important in life.
Adventure/Comedy/Fantasy – The adventure side of the film takes Peter to Neverland to relive moments of his childhood in a fantasy battle against pirates with fairies on their side. We do get elements of comedy, but even Robin Williams is held back from going into his full routine like we saw in Aladdin.
Settings – The film uses the same settings that we know from Peter Pan, the London setting might well be a more modern one, but Neverland hasn’t aged a day since Peter has left.
Scene of the Movie – The battle.
That Moment That Annoyed Me – Pop culture references.
Final Thoughts – This is a magical version of Peter Pan’s adventures showing how life can change for adults who never thought they would be when they were children.
When we do our "Secret Cinema" adventures at our house (one person picks the film and the rest of the family doesn't know what it is until it starts running), we try to give clues. This film was nominated for 7 Oscars for the 1999 season, winning 2 - including a 2nd BEST SUPPORTING ACTOR OSCAR for a veteran actor. It is based on a wonderful novel and features 3 young actors well before they became stars.
Sound interesting? Then check out THE CIDER HOUSE RULES.
Based on the novel by John Irving, THE CIDER HOUSE RULES follows the life of Homer Wells (a pre-SPIDERMAN Tobey Maguire), a young orphan who is raised/mentored by the head of his Orphanage, Dr. Wilbur Larch (Michael Caine). When Homer decides to leave the orphanage and experience the world, he learns quite a bit about life including THE CIDER HOUSE RULES.
This is one of those "coming of age/follow a person through their life"-type films that relies heavily on style, substance and the performance of the actors on the screen. And under the Direction of Swedish Director Lasse Hallstrom and with words of the Screenplay by the author of the novel, John Irving, and with terrific actors like Maguire and Caine (amongst others) speaking those lines - a spell is cast and a heartwarming, life-affirming experience unfolds.
Caine won his 2nd Oscar for his role as Dr. Larch. This is a complex character who has his own, very certain, views on the world and is uncompromising in his care for others. It is a wonderful performance - even taking into account the peculiar Maine/United States accent Caine puts on. His character's empathy, strength and vulnerability are at play throughout this performance and he is a very deserving recipient of the Oscar.
A very young Charlize Theron and a (then) unknown Paul Rudd are engaging, charming and extremely photogenic as a young couple that Homer leaves the orphanage to see the world with. Rudd is the embodiment of the "nice guy" in this film - you can see the seeds of a career of playing "the nice guy" in this performance. Theron radiates beauty, power and a self-reliance that shows the strong actress she will become. While Homer's relationship with Dr. Larch is the heart and conflict of this film, the trio of McGuire/Theron/Rudd are the soul. The film also features a bevy of strong character actors in smaller roles that prop this film up. Jane Alexander, Kathy Baker, J.K. Simmons, Kate Nelligan and Delroy Lindo all shine in smaller roles - as do some of the child actors that portray other orphans like Keiran Caulkin and (especially) Per Erik Sullivan as the physically compromised Fuzzy.
But...none of this works if Maguire doesn't hold this film together (for we see this world/film through his eyes and he is in every scene) and he brings it. He has a quiet charm and innocence that helps bring us into his world in a welcoming way. Certainly, the awkwardness that Homer shows around Theron will be in evidence when he plays Peter Parker years later, but it is the inner strength that Maguire shows that really makes this character shine.
John Irving wrote the screen play based on his novel - and the results are satisfying, both to those who've never read the book (or have encountered an Irving novel/book before) or veteran readers/lovers of Irving's work (like myself).
All of this is wrapped in a package by Director Lasse Hallstrom (MY LIFE AS A DOG) in a charming, loving way that show the people, events and times through a lens that amplifies the proceedings in a way that is welcoming and engaging.
It is always a bit of a concern of mine to revisit a film that I remember fondly, but in this case, I am glad I jumped at the chance to revisit this charming film.
And you'll be glad you did, too.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Dangerous Secrets is the greatly anticipated prequel to Frozen II which, for the first time in forever, shines the spotlight onto King Agnarr and Queen Iduna of Arendelle.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
