"Coming to America. Duh. We [can] leave it at that. I’ll start with the “duh” connotation. It’s an awesome movie. I can’t exactly remember the first time I saw it. I think I was really, really young, when it came on television — I think when it came on HBO or something. I don’t know that I was old enough to see it in the theaters. I doubt it. When I did see it at home, it was when cable first came out. There was only so many movies that would get played over and over again. Thank God Coming to America was one of them. I can quote it from the beginning to the end to this day. It was Eddie Murphy in his prime. Arsenio at his most confident. It was just an awesome concept. Super duper rich African dudes coming to Queens, trying to live regular. While you got Mr. McDowell thinking that he’s the king of the hill and stuff like that. It was a really funny movie. So much character work. I really appreciated those dudes –especially in the end credits, seeing how many characters they really played. I already kinda knew. But it was an awesome surprise to find out that Eddie was the little old man in the barbershop and stuff like that."

"The title is like an artificial title, but it’s Bert Williams, Lime Kiln Club Field Day. It’s actually a film that was never completed. MoMA found it in its vault in reels of production from 1913 featuring Bert Williams, who was the most important entertainer of his era. He’s the first crossover African-American star. He was a recording artist, Vaudeville performer, and he made a number of films with the Biograph company. Some shorter ones survived, but this was a longer production. Fortunately, MoMA discovered his material. They actually put together a cut of it, so that we get a sense of the story. Bert Williams plays this kind of town comic idea, down on his luck a lot of the time, and he and two other guys who are much more sophisticated are competing for the top affection of the local beauty. It’s a lot of comic sequences where they’re trying to take each other out of the running. The film features all of the most important black theatrical performers of the day. It’s just been a revelation to see this, because now we get to see the performance styles of these figures that up ’til now, we’ve only had still images of them and, maybe in some cases, some of the scenarios that they performed in. It’s incredible."