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LeftSideCut (3778 KP) rated Deadpool (2016) in Movies
Aug 15, 2019
An X-Men spin off, of a poorly received character from an earlier X-Men spin off... FOX must have had some major trust in Ryan Reynolds to give Deadpool the green light after the mess of X-Men Origins: Wolverine.
I've been a huge fan of Deadpool comics since as long as I can remember. When I was younger, the 4th wall breaking, the hyper violence, comedy, and self awareness that he is a comic book character, was always something that appealed to me.
So I, like many other Marvel fans, really hated what they did with the character in Origins, and it seems Ryan Reynolds did as well, pitching a rough sequence to FOX which convinced them to give this beloved characters another shot. God bless Ryan Reynolds.
And it paid off in spades. And it's easy to see why - Deadpool is a great movie.
The character himself is near perfect. He looks the part, he sounds the part, and it's great that the studio didn't shy away from an R rating.
The violence in Deadpool is frequent and messy, as is the cursing and crudeness, and the result is hilarious.
The story is told mostly in flashbacks before the big last showdown, and is nicely mapped out, and we're given a hugely likable cast.
Ryan Reynolds is of course , as is T.J. Miller and Morena Baccarin.
I even liked Ed Skrein's villain, Ajax.
Deadpool even manages to sneak in a couple of X-Men with a completely CGI Colossus joining the party, as well as Negasonic Teenage Warhead - the best superhero name ever, and coincidentally the films shining star after Ryan Reynolds - Brianna Hildebrand is a welcome addition to the film, and I genuinely hope that she makes in over to the MCU in the recent Disney Fox merge.
Deadpool is important for a number of reasons - it finally does the character justice. It's also shows that spin off films away from the main X-Men cast can be really decent, and it also shows that R rated superhero films can do the business at the box office.
It's certainly in the top tier of the FOX X-Men series.
I've been a huge fan of Deadpool comics since as long as I can remember. When I was younger, the 4th wall breaking, the hyper violence, comedy, and self awareness that he is a comic book character, was always something that appealed to me.
So I, like many other Marvel fans, really hated what they did with the character in Origins, and it seems Ryan Reynolds did as well, pitching a rough sequence to FOX which convinced them to give this beloved characters another shot. God bless Ryan Reynolds.
And it paid off in spades. And it's easy to see why - Deadpool is a great movie.
The character himself is near perfect. He looks the part, he sounds the part, and it's great that the studio didn't shy away from an R rating.
The violence in Deadpool is frequent and messy, as is the cursing and crudeness, and the result is hilarious.
The story is told mostly in flashbacks before the big last showdown, and is nicely mapped out, and we're given a hugely likable cast.
Ryan Reynolds is of course , as is T.J. Miller and Morena Baccarin.
I even liked Ed Skrein's villain, Ajax.
Deadpool even manages to sneak in a couple of X-Men with a completely CGI Colossus joining the party, as well as Negasonic Teenage Warhead - the best superhero name ever, and coincidentally the films shining star after Ryan Reynolds - Brianna Hildebrand is a welcome addition to the film, and I genuinely hope that she makes in over to the MCU in the recent Disney Fox merge.
Deadpool is important for a number of reasons - it finally does the character justice. It's also shows that spin off films away from the main X-Men cast can be really decent, and it also shows that R rated superhero films can do the business at the box office.
It's certainly in the top tier of the FOX X-Men series.
ClareR (5726 KP) rated My Name is Why in Books
Oct 29, 2019
If you can read this book and NOT get angry whilst doing so, then you’re a better person than me. My Name is Why is Lemn Sissay’s true story of his life in the English Care system. His Ethiopian mother handed her son into the care of Social Services whilst she finished her nursing course, only to have him permanently taken away and put in to long term foster care. She wrote letters begging for his return from after his birth, all to no avail. This was the start of a catalogue of failures for Lemn. The way his foster parents treated him after they basically abandoned him at the age of 12, putting him in to the care system and a series of unsuitable group homes, frustrated me to the point of tears. What was most upsetting was the complete lack of emotional support. He wasn’t treated as a child, a child who needed affection and emotional support, but as a problem to be solved. It seemed to me that his childhood was just a countdown until social services could get rid of him from off their books.
I’m so glad that Lemn wrote this book, because I’m sure that it speaks for all those children and adults who experienced life in care. And I hope that the right people read this: those who take care of all of those children. I’m full of admiration for Lemn Sissay and all of the work that he does: his poetry, his broadcasting, and the work that he does for care leavers at his Christmas dinners. I will have been to watch Lemn three times: heard him read his poetry, his one man play, and the third time will be when I see him talk about this book at my local library/ theatre/ cinema (Storyhouse in Chester, UK). And to be quite honest, he always inspires me whenever I see him. This is an inspirational book too - against the odds, Lemn has made something (quite a big something actually) of his life.
This is a wonderful book that I’d recommend all human beings to read.
I’m so glad that Lemn wrote this book, because I’m sure that it speaks for all those children and adults who experienced life in care. And I hope that the right people read this: those who take care of all of those children. I’m full of admiration for Lemn Sissay and all of the work that he does: his poetry, his broadcasting, and the work that he does for care leavers at his Christmas dinners. I will have been to watch Lemn three times: heard him read his poetry, his one man play, and the third time will be when I see him talk about this book at my local library/ theatre/ cinema (Storyhouse in Chester, UK). And to be quite honest, he always inspires me whenever I see him. This is an inspirational book too - against the odds, Lemn has made something (quite a big something actually) of his life.
This is a wonderful book that I’d recommend all human beings to read.
Phillip McSween (751 KP) rated The Christmas Chronicles (2018) in Movies
Dec 20, 2018
Solid Holiday Film
Two siblings have to help Santa save Christmas after they are responsible for destroying his sleigh.
Acting: 8
Beginning: 8
The movie takes a little bit of time to get ramped up, but it’s a somewhat understandable setup. Director Clay Kaytis is trying to get us emotionally involved in the characters and succeeds to a certain extent. I have to admit, I wasn’t fully invested in the movie after watching the first ten minutes. Once it gets going, though, you’re in for a treat.
Characters: 8
I wasn’t in love with the two main characters Kate (Darby Camp) and Teddy (Judah Lewis). They seemed very cookie-cutter, almost too “Hallmarky” for me. The acting could have something to do with it, I don’t know. I will say that I grew to really like them over time.
Kurt Russell’s Santa Clause was outstanding, hands-down one of the most creative depictions of Santa I have ever seen. He made the entire movie fun. He’s cool, but naive at the same time. He has a big heart, but he doesn’t take any crap either. He stole every moment of every scene he was in to the point where I wouldn’t mind seeing him again running the helm in a sequel. Call me crazy, but I think it’s one of his best roles. I could use another two hours of just him and the elves.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 9
It’s all about the creativity here as that’s what made the film so memorable. Christmas films have been done and redone so it’s always refreshing to get a new spin on things. While the basics are similar, I can guarantee you this is a Christmas film unlike any you have ever seen. The angry elves were probably my favorite touch, but there are a number of other fun things that stood out as well like Santa’s magic hat.
Pace: 9
Plot: 9
Resolution: 8
Overall: 87
While The Christmas Chronicles does few things exceptionally well, the film succeeds with a solid Santa and a big heart. It’s a solid holiday movie to add to the collection for adults and children alike. Well worth the watch.
Acting: 8
Beginning: 8
The movie takes a little bit of time to get ramped up, but it’s a somewhat understandable setup. Director Clay Kaytis is trying to get us emotionally involved in the characters and succeeds to a certain extent. I have to admit, I wasn’t fully invested in the movie after watching the first ten minutes. Once it gets going, though, you’re in for a treat.
Characters: 8
I wasn’t in love with the two main characters Kate (Darby Camp) and Teddy (Judah Lewis). They seemed very cookie-cutter, almost too “Hallmarky” for me. The acting could have something to do with it, I don’t know. I will say that I grew to really like them over time.
Kurt Russell’s Santa Clause was outstanding, hands-down one of the most creative depictions of Santa I have ever seen. He made the entire movie fun. He’s cool, but naive at the same time. He has a big heart, but he doesn’t take any crap either. He stole every moment of every scene he was in to the point where I wouldn’t mind seeing him again running the helm in a sequel. Call me crazy, but I think it’s one of his best roles. I could use another two hours of just him and the elves.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 9
It’s all about the creativity here as that’s what made the film so memorable. Christmas films have been done and redone so it’s always refreshing to get a new spin on things. While the basics are similar, I can guarantee you this is a Christmas film unlike any you have ever seen. The angry elves were probably my favorite touch, but there are a number of other fun things that stood out as well like Santa’s magic hat.
Pace: 9
Plot: 9
Resolution: 8
Overall: 87
While The Christmas Chronicles does few things exceptionally well, the film succeeds with a solid Santa and a big heart. It’s a solid holiday movie to add to the collection for adults and children alike. Well worth the watch.
JT (287 KP) rated Escape From L.A. (1996) in Movies
Mar 10, 2020
John Carpenter’s offering into the world of sequels couldn’t have been worse. Kurt Russell said he had a desire to play Snake Plissken once again and to be honest I wished he hadn’t bothered.
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating. I have made my way through bad films over the years but this one really takes the title. After Carpenter’s engrossing and dark Escape from New York hit screens in 1981 a sequel was always going to be on the cards, but maybe they waited too long for it.
The plot is similar to the first, Plissken is yet again asked to save the day despite being injected with a virus that will kill him in within nine hours, although giving him ample time to save the day. This time he has to enter L.A. now separated from America after an earthquake and where the worst of the worst are sent, there he must retrieve a black box containing controls to a super weapon.
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating
What really wound me up about this film were the most shoddy special effects ever! When you take into consideration that this came out at a similar time to the very excellent Independence Day whose CGI effects were second to none for the time, there was no comparison.
You have to wonder what Carpenter’s budget of $50,000,0000 went towards, Plissken’s underwater entry into L.A. is hilarious and is even worth the watch just for that alone.
The addition of a few more well known characters do manage to brighten the proceedings, such as Steve Buscemi as Map to the Stars Eddie and Bruce Campbell as Surgeon General of Beverly Hills, but they do very little to save this from being a complete disaster.
Russell allegedly wrote the ending to this, and to be honest it shows. If you were a fan of the first then I would leave this one well alone!
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating. I have made my way through bad films over the years but this one really takes the title. After Carpenter’s engrossing and dark Escape from New York hit screens in 1981 a sequel was always going to be on the cards, but maybe they waited too long for it.
The plot is similar to the first, Plissken is yet again asked to save the day despite being injected with a virus that will kill him in within nine hours, although giving him ample time to save the day. This time he has to enter L.A. now separated from America after an earthquake and where the worst of the worst are sent, there he must retrieve a black box containing controls to a super weapon.
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating
What really wound me up about this film were the most shoddy special effects ever! When you take into consideration that this came out at a similar time to the very excellent Independence Day whose CGI effects were second to none for the time, there was no comparison.
You have to wonder what Carpenter’s budget of $50,000,0000 went towards, Plissken’s underwater entry into L.A. is hilarious and is even worth the watch just for that alone.
The addition of a few more well known characters do manage to brighten the proceedings, such as Steve Buscemi as Map to the Stars Eddie and Bruce Campbell as Surgeon General of Beverly Hills, but they do very little to save this from being a complete disaster.
Russell allegedly wrote the ending to this, and to be honest it shows. If you were a fan of the first then I would leave this one well alone!
White Dresses: A Memoir of Love and Secrets, Mothers and Daughters
Book
In this riveting, poignant memoir of three generations of women and the white dresses that adorned...
LoganCrews (2861 KP) rated Halloween (2007) in Movies
Nov 1, 2020 (Updated Nov 26, 2020)
An interesting experiment, to be sure - but one which only ends up being adequate. A fragmented, weird, messy experience (which certainly isn't always bad) but compared to today's shit throwaway remakes that we see every other week now this seems much more nuanced than we gave it credit for, in retrospect. Still feels like two totally different movies - first you have the sort of scuffed backstory stuff which, yes, I agree does devalue the mystery of this character a bit but it's peppered graciously with Zombie's greasy, raunchy flavor and is the most genuinely brutal part of the film in comparison to the CliffNotes remake portion which seems a lot more confusingly sterile, frustratingly cutting away from most of the stabs and pulling out knives with no blood on them - stuff like that. Perhaps I'm spoiled by the likes of 𝘛𝘩𝘦 𝘋𝘦𝘷𝘪𝘭'𝘴 𝘙𝘦𝘫𝘦𝘤𝘵𝘴 but like many I wish this stuck with being a Rob Zombie movie rather than just doing an express retread of the original where all the characters are grating jerkwads who hate each other. Often not a bad emulation and it's sort of interesting seeing these once formal characters now going around saying harmful expletives all the time - it's still suitably grimy after all but the new additions seem senseless while the returning characters/aspects are given nothing to do. The saving grace of this back portion is Tyler Mane's hulking behemoth Myers - just eating bullets, stabs, and blunt trauma one after the other as if someone's flicking spitballs at him while delivering effortless violence in his wake. And come on that revamped mask is so damn cool. In these moments it's clear that nobody roots for the bad guy(s) and revels in the abject misfortune of the innocent quite like Zombie - and that his movies are at their best when they focus acutely on the sort of writhes, convulsions, and pleads the human body does when it's faced with inhuman destruction by the hands of those who live by it. I still have no idea why they gave him this franchise though when his trailer park spectacle aesthetic is practically *gift-wrapped* for the 𝘛𝘦𝘹𝘢𝘴 𝘊𝘩𝘢𝘪𝘯𝘴𝘢𝘸 series.
Tim Booth recommended Carrie and Lowell by Sufjan Stevens in Music (curated)
ClareR (5726 KP) rated The House Guest in Books
Jul 10, 2021 (Updated Jul 10, 2021)
The House Guest is a psychological thriller that had me so frustrated in parts, that I could happily have thrown my kindle across the room (I really liked the book, by the way)
Kate’s sister disappeared when she was 10 years old, and now 15 years later Kate decides to move to London after one of her sisters old friends phones to say that they’ve seen her. Could this be Kate’s chance to find her sister?
Kate is overwhelmed by everything: the fact that she can’t find a decent job, she’s having no luck in finding her sister, and her parents expectation that she’ll come home to be with them, that London is just a phase. In fact they are very protective of Kate, almost suffocatingly so. They want her to phone them regularly, and make it clear that they expect her to come back to Oxford.
So when Della walks in to the cafe that Kate works at and invites her to join in her life-coaching class for some free sessions, Kate jumps at the chance. After all, she might just get the help she needs.
Kate is such a vulnerable character: she’s emotional and needs constant reassurance, whilst at the same time she doesn’t want anyone to know about her past. Della, on the other hand, is confident in every aspect of her life. She’s a successful life coach with beautiful children and a supportive husband - but there always seems to be something lurking under this glossy exterior. You just can’t put your finger on it until it’s too late!
I couldn’t decide if I wanted to shake or hug Kate, if I’m honest, and I’m sure other people will feel the same way, especially as more of her past is revealed. But my standing ovation goes to Della’s character and how she manages to manipulate Kate into getting exactly what she wants!
I hope this has piqued your interest. It’s a pretty gripping read especially in the latter half, and I’m sure you will really enjoy it - I did!
Many thanks to HarperCollins for my NetGalley copy of this book.
Kate’s sister disappeared when she was 10 years old, and now 15 years later Kate decides to move to London after one of her sisters old friends phones to say that they’ve seen her. Could this be Kate’s chance to find her sister?
Kate is overwhelmed by everything: the fact that she can’t find a decent job, she’s having no luck in finding her sister, and her parents expectation that she’ll come home to be with them, that London is just a phase. In fact they are very protective of Kate, almost suffocatingly so. They want her to phone them regularly, and make it clear that they expect her to come back to Oxford.
So when Della walks in to the cafe that Kate works at and invites her to join in her life-coaching class for some free sessions, Kate jumps at the chance. After all, she might just get the help she needs.
Kate is such a vulnerable character: she’s emotional and needs constant reassurance, whilst at the same time she doesn’t want anyone to know about her past. Della, on the other hand, is confident in every aspect of her life. She’s a successful life coach with beautiful children and a supportive husband - but there always seems to be something lurking under this glossy exterior. You just can’t put your finger on it until it’s too late!
I couldn’t decide if I wanted to shake or hug Kate, if I’m honest, and I’m sure other people will feel the same way, especially as more of her past is revealed. But my standing ovation goes to Della’s character and how she manages to manipulate Kate into getting exactly what she wants!
I hope this has piqued your interest. It’s a pretty gripping read especially in the latter half, and I’m sure you will really enjoy it - I did!
Many thanks to HarperCollins for my NetGalley copy of this book.
Eleanor Luhar (47 KP) rated I'll Give You the Sun in Books
Jun 24, 2019
Read the original review: https://bookmarkedreading.wordpress.com/2015/10/08/book-review-ill-give-you-the-sun/
(Self-portrait: Book Remakes Girl)
Oh my Clark Gable. I'll Give You the Sun is simply amazing. It's a piece or artwork in itself, a definite new favourite of mine.
Alternating between twins Noah and Jude, I'll Give You the Sun is two alternating stories that twist together in ways so unexpected and so perfect that you'll undoubtedly want to read to the end without putting the book down. The Invisible Museum of Noah, aged 13 to 14, and The History of Luck, 16-year-old's Jude's story, are amazing on their own, but then they start to fit together so tremendously, and every little thing makes so much sense... I can't describe how amazing I found this book.
Jude and Noah were close; Noah was always painting, inside his head and out, and Jude was out being a badass daredevil, and building her flying women in the sand. But a horrific accident involving their mother sends them both tumbling, and the relationship between them is ruined.
But although all hope seems lost, the now-boycotting Jude finds the answer in such an unexpected way and suddenly everything falls back into place.
And Noah, after having his heart ripped out by his own actions, has to decide between telling the truth about his mother or keeping her secrets hidden beneath lies.
I love the style and layout of this book. The cover alone is wonderful, but the pages themselves are all so unique and interesting, I loved it at soon as I turned to the first page. It's not too busy or intricate, just simple little doodles and such giving each page a bit of character. And every cover I've seen is nice and minimalistic too. (If you want to look the book up and see the over editions and covers you can look at it on Goodreads.)
A story of family struggles, individual troubles, love and heartbreak, I'll Give You the Sun is simply beautiful. I'm dying to read it again, even after finishing it just ten minutes ago! A full 5 stars for this gorgeous book.
(Self-portrait: Book Remakes Girl)
Oh my Clark Gable. I'll Give You the Sun is simply amazing. It's a piece or artwork in itself, a definite new favourite of mine.
Alternating between twins Noah and Jude, I'll Give You the Sun is two alternating stories that twist together in ways so unexpected and so perfect that you'll undoubtedly want to read to the end without putting the book down. The Invisible Museum of Noah, aged 13 to 14, and The History of Luck, 16-year-old's Jude's story, are amazing on their own, but then they start to fit together so tremendously, and every little thing makes so much sense... I can't describe how amazing I found this book.
Jude and Noah were close; Noah was always painting, inside his head and out, and Jude was out being a badass daredevil, and building her flying women in the sand. But a horrific accident involving their mother sends them both tumbling, and the relationship between them is ruined.
But although all hope seems lost, the now-boycotting Jude finds the answer in such an unexpected way and suddenly everything falls back into place.
And Noah, after having his heart ripped out by his own actions, has to decide between telling the truth about his mother or keeping her secrets hidden beneath lies.
I love the style and layout of this book. The cover alone is wonderful, but the pages themselves are all so unique and interesting, I loved it at soon as I turned to the first page. It's not too busy or intricate, just simple little doodles and such giving each page a bit of character. And every cover I've seen is nice and minimalistic too. (If you want to look the book up and see the over editions and covers you can look at it on Goodreads.)
A story of family struggles, individual troubles, love and heartbreak, I'll Give You the Sun is simply beautiful. I'm dying to read it again, even after finishing it just ten minutes ago! A full 5 stars for this gorgeous book.
Kristy H (1252 KP) rated This is Home in Books
Sep 26, 2019
Libby lives with her father, Bentley (Bent to nearly everyone) and their oversized, lazy dog Rooster Cogburn. And then there's also her Aunts Lucy and Desiree, who live in the apartment above them. And now there's Quinn. Quinn's husband John and Bent served together in Iraq. Bent invites Quinn to live in the basement apartment after John goes missing, suffering from PTSD. Libby feels the place is crowded enough already. And Quinn's not too thrilled to be there either. But, before either of them realize it, they are thrust together and slowly become friends.
This is one of those quiet, unassuming books that sneaks up on you, pulling you in with its beautiful writing and wonderful characters. There's no wild plot, insane mystery, or major twist--just elegant prose, a troubled cast, and some real and raw moments that will stick with you long after you finish the last page. Lisa Duffy is an excellent writer, and I so enjoyed her book.
"He'd come home from from the war a different person. A stranger to her. Someone she moved around carefully, gently, as if he were a bomb, ready to explode."
There is a lot going on here--the aftermath of war; family issues; a budding teen romance; marriage problems--but it all works. Libby and Quinn each tell their own story, and as their lives begin to intertwine, it's very heartwarming to watch each come into their own a bit. They each have their own unique voice, and it's hard not to fall for both of them. Libby, especially, tugged at my heart. (But I loved Quinn, too!)
There is, of course, darkness here. This novel offers a very thoughtful exploration of the aftermath of war, not only on the soldiers, but those who love them. It's not always an easy read, but I think it's a valuable one. It gives a very unwavering look at the PTSD these men and women face and how it can not only can ruin them, but their families as well.
Overall, I found this to be an excellent and poignant read, and I'm sorry I let it sit on my Kindle so long. Easily 4+ stars.
This is one of those quiet, unassuming books that sneaks up on you, pulling you in with its beautiful writing and wonderful characters. There's no wild plot, insane mystery, or major twist--just elegant prose, a troubled cast, and some real and raw moments that will stick with you long after you finish the last page. Lisa Duffy is an excellent writer, and I so enjoyed her book.
"He'd come home from from the war a different person. A stranger to her. Someone she moved around carefully, gently, as if he were a bomb, ready to explode."
There is a lot going on here--the aftermath of war; family issues; a budding teen romance; marriage problems--but it all works. Libby and Quinn each tell their own story, and as their lives begin to intertwine, it's very heartwarming to watch each come into their own a bit. They each have their own unique voice, and it's hard not to fall for both of them. Libby, especially, tugged at my heart. (But I loved Quinn, too!)
There is, of course, darkness here. This novel offers a very thoughtful exploration of the aftermath of war, not only on the soldiers, but those who love them. It's not always an easy read, but I think it's a valuable one. It gives a very unwavering look at the PTSD these men and women face and how it can not only can ruin them, but their families as well.
Overall, I found this to be an excellent and poignant read, and I'm sorry I let it sit on my Kindle so long. Easily 4+ stars.